In a message dated 19/11/2006 06:24:09 GMT Standard Time,
[EMAIL PROTECTED] writes:
why is the program still giving you the option of
violins pizz. and arco in the beginning?
Is this not a concession to those who have memory problems? I think they use
less memory than do the KS
Marc Shepherd wrote:
I've found a peculiar bug with Smart Shapes. In one of my files, if I
try to create /any/ smart shape, the program crashes. I've tried several
smart shapes, several different places in the file, several views. It's
the same result every time. As soon as I double-click to
Williams, Jim [EMAIL PROTECTED] wrote
You said this perfectly. I was struggling to answer
Will's point diplomatically and couldn't, but you have.
Having spent years around (but not IN) a major
midwestern conservatory I know--and have
experienced--exactly what you mean. A certain tuba
player we
Re: Faerie's aire and death waltz
From: Christopher Smith [EMAIL PROTECTED]
I didn't see anything there that was impossible in Finale, though it
would take a day or more, I would think. Jef chipewa certainly could
do it! (you can mail me my cheque for the free publicity, jef!) 8-)
For
Andrew Stiller wrote:
Re: Faerie's aire and death waltz
From: Christopher Smith [EMAIL PROTECTED]
I didn't see anything there that was impossible in Finale, though it
would take a day or more, I would think. Jef chipewa certainly could
do it! (you can mail me my cheque for the free
Dear Finale List Members:
I was just informed by one of my ChordSymbol users, in inquiring about my
plans to reengineer this product into a far more powerful and versatile tool,
that some sort of message had been posted on the MakeMusic web site asking
about how to contact me. Do any of
[EMAIL PROTECTED] wrote:
Dear Finale List Members:
I was just informed by one of my ChordSymbol users, in inquiring about my
plans to reengineer this product into a far more powerful and versatile tool,
that some sort of message had been posted on the MakeMusic web site asking
about how
finale 2007
i need to make a small change to a number of instances of the same
instrument name in staff groups in an optimized score, is this
possible without editing each one individually?
i have been using TGTools update groups, but found that it does not
remove groups which have been
i need to find each instance of a particular notehead and change it,
at the same time adding a new articulation, is there a way to do
this? i know the noteheads can be changed globally with the mass
edit tool, but am hoping to avoid having to find each instance and
change it manually, i'm
At 10:15 AM 11/19/06 -0800, Carl Dershem wrote:
Lifetimes could be spent on
what is, essentially, a practical joke.
Like the Rohonczi Codex? http://www.dacia.org/codex/original/original.html
In any case, I was about to start setting one of my own old pieces
from 1972, which finally got
Dennis Bathory-Kitsz wrote:
At 10:15 AM 11/19/06 -0800, Carl Dershem wrote:
Lifetimes could be spent on
what is, essentially, a practical joke.
Like the Rohonczi Codex? http://www.dacia.org/codex/original/original.html
Or the Oak Island Treasure - yeah. Or perhaps my ex's sense of
wie heißt das bell vom becken auf deutsch? (es
geht um orchesterschlagzeugern, nicht jazzmen)
anyone know how to say bell of the cymbal in
german? for orchestral percussionists, not jazz
drummers (who use much english i believe?).
--
shirling neueweise ... new music publishers
crap, got carried away and answered more than you asked... well,
maybe some of it is useful...
--
Dennis Bathory-Kitsz bathory at maltedmedia.com
I'm really curious (jef, are you there?) if there's a straightforward way
of setting the timeline that parallels the staves at the top and
cardew was very aware of what he was doing and why it was necessary
at that point for him, as well as being VERY aware of the
implications of such a score in the particular era and scene he was
involved in (and defining). look up AMM (issue 11 LMJ has some
decent stuff), scratch orchestra,
At 12:30 AM 11/20/06 +0100, [EMAIL PROTECTED] wrote:
crap, got carried away and answered more than you asked... well,
maybe some of it is useful...
Yes indeed. The idea of using measures for the time was a pretty nifty
idea. Functional fixedness got to me!
The rest of it is familiar; it was
15 matches
Mail list logo
