any chance you find a difference working in page view with current
page only visible?
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Richard,
The Proms start in the middle of July (London) but the details are not
usually published until early May. There is not a lot of early music, but
usually some period instrument groups are there.
If you want access to the British Library, you will need to arrange that
well in advance,
Hi Jef,
This does help, a little.
Cheers,
- DJA
-
WEB: http://www.secretsocietymusic.org
On 13 Aug 2012, at 5:15 AM, SN jef chippewa wrote:
any chance you find a difference working in page view with current
page only visible?
___
Hi Jef,
Actually, it helped a LOT, and (knock on wood) kernel_task is behaving today. I
am going with the built-in monitor only, for now.
I believe there is still something a bit wonky about how Finale 2012b handles
files with 30+ staves, but at least now the problem isn't being compounded by
Darcy,
Thanks for keeping us updated.
Cheers back at you!
mmathew_musicp...@yahoo.com
http://www.musicengravers.com/cgi-bin/engravers.pl
http://oregonmts.com/mathew/
From: Darcy James Argue djar...@earthlink.net
To: finale@shsu.edu
Sent: Monday, August 13,
if you work in scroll view (i.e. switch back and forth regularly from
scroll to page view when working) and are using staff styles, do NOT
use the staff tool context menu to manage them, but use metatools
instead. there is a conflict support has documented where ghost
staves will appear in
i am on 82 individual instruments and the work was getting really
unbearable, waiting up to 30-40 sec for a simple copy from one
instrument to the next below it. it is fine now.
don't know if this is related, but are you using staff styles?
I believe there is still something a bit wonky
On Mon, August 13, 2012 4:13 pm, SN jef chippewa wrote:
there is a conflict support has documented where ghost
staves will appear in the document that are difficult to clean up or
that cannot be removed without information on an adjacent staff also
beign deleted.
Oh, man. No wonder where
Is this a Mac-only problem, as far as you know?
Raymond Horton
Bass Trombonist, Louisville Orchestra
Minister of Music, Edwardsville (IN) UMC
Composer, Arranger
VISIT US AT rayhortonmusic.com
On Mon, Aug 13, 2012 at 4:13 PM, SN jef chippewa
shirl...@newmusicnotation.com wrote:
if you work in
Hi Jef,
Yes, moderate to heavy use of staff styles.
Cheers,
- DJA
-
WEB: http://www.secretsocietymusic.org
On 13 Aug 2012, at 4:09 PM, SN jef chippewa wrote:
i am on 82 individual instruments and the work was getting really
unbearable, waiting up to 30-40 sec for a simple copy from
I haven't seen these yet, but thanks for the heads-up!
Cheers,
- DJA
-
WEB: http://www.secretsocietymusic.org
On 13 Aug 2012, at 4:13 PM, SN jef chippewa wrote:
if you work in scroll view (i.e. switch back and forth regularly from
scroll to page view when working) and are using
i don't, sorry
Is this a Mac-only problem, as far as you know?
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Oh, man. No wonder where those came from.
yeah a real *%^er
were you able to get rid of them? last news was i had to delete
after copying elsewhere and then pasting in. have been dreading
doing this (for fear of something not working and having to enter the
entire flute 2-3 parts for 160
i have a region with very detailled rhythm and cresc. / decresc.
patterns throughout; half play and the other on exactly the
same pitches and rhythmic points. is there some way to batch invert
the 2nd half, or do i really have to adjust each hairpin manually?
Adjust once and copy them to other locations?
JB
Sent from my iPhone using my thumbs w/out a spellchecker
On Aug 13, 2012, at 6:29 PM, SN jef chippewa shirl...@newmusicnotation.com
wrote:
i have a region with very detailled rhythm and cresc. / decresc.
patterns throughout; half play and
rhythmic subdivisions and length of de/cresc. swell changes every
quarter, so this doesn't work for about 90% of the region, otherwise,
yeah, that would be the solution. in case you're curious :-) :
http://newmusicnotation.com/TEMPFILES/hairpin_hellpassage.pdf
Adjust once and copy them to
On Mon, August 13, 2012 6:29 pm, SN jef chippewa wrote:
were you able to get rid of them? last news was i had to delete
after copying elsewhere and then pasting in. have been dreading
doing this (for fear of something not working and having to enter the
entire flute 2-3 parts for 160
jef,
The Bill Duncan material has hairpin pairs in a variety of sizes (including
some with notations like poco inside them). They work pretty well, although
they are defined with finer lines than I use with my normal hairpins (and I
don't know how to get in to Bill's to adjust the line
Hi Chuck,
The Duncan hairpins are font glyphs so their thickness isn't adjustable. Also,
as you know, another consequence of them being font glyphs is that the lengths
are fixed as well, so I'm not sure they'd work well for Jef's situation if he
needs them to be rhythmically precise in both
On Aug 13, 2012, at 6:43 PM, Darcy James Argue wrote:
Hi Chuck,
The Duncan hairpins are font glyphs so their thickness isn't adjustable.
That is jargon with which I'm unfamiliar, but I have been unsuccessful in
trying to figure out how to change the line thickness. That they are not
Hi Chuck,
Wasn't intending to use jargon! Font glyph is just the name for what's inside
each character slot in a font. In a text font, a glyph would be a letter or a
number. In a graphic font, like Bill's Hairpins font, each glyph is a hairpin
(or hairpin pair, or similar).
That's why the
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