Hello Jari,
First of all, a big thank you to both.
One little problem however: the new added column Finale 2004-2005 for
Mac doesn't show up in Safari. I searched desperately for a link on
that page. Till I got the idea switching to IE (which I almost never
use) and all went fine.
Is this
and Tobias, the plugin works as flawlessly as ever! Thanks!
On Mar 3, 2005, at 5:55 AM, Hans Swinnen wrote:
Hello Jari,
First of all, a big thank you to both.
One little problem however: the new added column Finale 2004-2005 for
Mac doesn't show up in Safari. I searched desperately for a link on
that page
Barlines:
Document options Barlines Display on Single Staves.
Brackets:
Group attributes Bracket: put checkmark on Show Bracket if Group
Contains Only One Staff.
Cheers,
Hans
David W. Fenton wrote:
This is a non-crucial question for me, but an annoyance I encountered
yesterday, creating an
Dear listers,
Though I'm a Fiinale user since vs. 1.0, I'm confronted for years
already with the following problem.
I like to copy measures with an indep.time sig (say 6/8 in 2/4 or 12/8
in common time) to another staff. But the destination staff remains
blank, even when the destination is also
After changed your tuplet options in Doc Options, go to Mass Edit
Select all Change Tuplets Reset
Hans
===
You will excuse me for any typo's, due to a visual handicap.
Christopher Smith wrote:
Do you have Bracket Unbeamed Notes Only checked in Document
optionstuplets? This oddly-named
Carissimo,
Use Transposition under Mass Edit and check Preserve Original Notes.
I'll contact you again off-list soon...!!
Ciao,
Hans
Giovanni Andreani wrote:
Hello
I was wondering if there's a plugin that automatically doubles a melodic
line one octave higher or lower in the same staff.
You can realise it:
either if you like the method inserting a blank page, but thereafter
you have to go to Page Layout Redefine pages all pages and delete
the blank page;
or -and that's what I'm doing yet for years- is go to Options Page
Format Score and switch the numbers from right
in the settings or load the library as I suggested. Any optimizing that
you've applied before will thereby be lost.
Regards,
HS
=
You will excuse me for any typo's due to a visual handicap.
Begin forwarded message:
From: Hans Swinnen [EMAIL PROTECTED]
Date: 06 februari 2007 10:03:57 GMT+01:00
That depends. Remember that those piano parts are reductions and the
chords disposition will be different from the original. I would first
listen to that original and then made my decision.
My favorite solution could be transposing the vocal line as
commissioned and placing the chords above the
First: I don't like this request from your publisher.
However there is a work around:
- after optimizing go to scroll view;
- add a dummy staff and uncheck all items do display in Staff
Attributes, except notes and relatifs. Also uncheck the Option Display
Rests in empty measures;
- insert
Actually I was thinking on both parts and score. As a conductor I like
to see everything my orchestra members are reading, For the same reason
I hate concert pitch scores.
Hans
You will excuse me for any typo's due to a visual handicap.
On 16 feb 2007, at 16:40, [EMAIL PROTECTED] wrote:
Yes, I want to see which cue notes. MM not, of course!
===
On 16 feb 2007, at 17:39, Johannes Gebauer wrote:
On 16.02.2007 Hans Swinnen wrote:
Actually I was thinking on both parts and score. As a conductor I
like to see everything my orchestra members are reading, For the same
reason I hate
Dunno. Have you optimized in page view BEFORE adding the staff in
scroll view? That's essentially. This way Finale will not take the
dummy in account for placing the MM. See my attached pict., token
before the last step: move the added staff to overlap. The eighth note
is moved to the right by
-Oorspronkelijk bericht-
Van: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Namens
Hans
Swinnen
Verzonden: zaterdag 17 februari 2007 9:54
Aan: finale@shsu.edu
Onderwerp: Re: [Finale] Cue notes starting IN multi measure rest
Dunno. Have you optimized in page view BEFORE adding the staff in
scroll
fliebend has to be fließend, meaning fluently;
(it's not a b, but the German ß or ss)
Schlufslied = song of the rooster;
BTW, a Kaspertheater is a theatre show with from outside manipulated
dolls.
HTH
Hans
Op 04 mrt 2007 om 15:52 heeft Christopher Smith het volgende geschreven:
On
I agree, Schlußlied is another possibility.
And where I wrote in my previous post: a Kaspertheater is a theatre
show with from outside manipulated dolls I would thinking on a Puppet
on a string, bot there are other methods for playing this kind of
theater.
Hans
===
On 04 mrt 2007, at 16:24,
But Schlufslied exists as a Song of the rooster.
I don't know the context, neither the age, neither the place of this
song in the whole opus, but
IF it's the end, I'd agree with something like Ending or Final Song, BUT
if it's not the end, I'll say it *could* be a Rooster Song.
Hans
---
You
My mother (89). She is a native German and was professional occupied by
German traditions. According her a Schluf (=Hahn; english chanticleer,
cock, rooster, spigot) is maybe not common anymore, but widely used in
southern and eastern parts of Germany, and further in Bohemen.
It was also from
TGTools Misc Custom Chord Styles
Hans
===
On 07 mrt 2007, at 14:52, Marcello Noia wrote:
Forgive me if this is a stupid question but I did not find anything in
the manual.
I need to write some simple exercises for sax students putting on
every note its name in Italian.
I need to put it as a
On 20 mrt 2007, at 15:37, Martin Banner wrote:
If I have a horn in G, and write a D (fourth line treble clef), will
that sound as a concert A (second space treble clef)?
Yes.
Also, if I have a horn in G written in bass clef, what concert pitch
will actually sound if I write an A on fifth
You're right. But that wasn't the question, was it?
Yours,
Hans
===
On 20 mrt 2007, at 18:39, Andrew Stiller wrote:
On Mar 20, 2007, at 11:49 AM, Hans Swinnen wrote:
On 20 mrt 2007, at 15:37, Martin Banner wrote:
Also, if I have a horn in G written in bass clef, what concert pitch
I'm sorry! You're right of course. I should have read the question more
carefully.
Hans
===
On 21 mrt 2007, at 09:50, [EMAIL PROTECTED] wrote:
On 20 mrt 2007, at 15:37, Martin Banner wrote:
Also, if I have a horn in G written in bass clef, what concert pitch
will actually sound if I write
Dit lijkt erg op een omgekeerde versie van de 10 kleine negertjes…! ;-)
Hans
===
On 16 apr 2007, at 09:15, Peter Lockwood wrote:
En nog een... dit keer een pianist uit Nieuw Zeeland wonend en werkend
in Amsterdam...
Peter G. Lockwood
Warmoesstraat 16E
1012 JD Amsterdam
The Netherlands
Tel:
That was my intention neither Only an inside joke.
On 16 apr 2007, at 13:03, Barbara Touburg wrote:
I wonder if anyone over there gets that one!
Hans Swinnen wrote:
Dit lijkt erg op een omgekeerde versie van de 10 kleine negertjes…!
;-)
Hans
If Staff Styles not yet are available in Fin2k3, there's always a work
around via Independent Key Sigs in the Staff Tool,
Hans
===
On 16 apr 2007, at 17:36, Martin Banner wrote:
I am working on an edition of an 18th Century piece for men's choir,
strings, oboes and horns in several movements.
Is it really impossible to run 2005b on a Macbook (OSX 10.4.9)?
Nobody knows a workaround at all? I'm stick with those version 'cause
the Lyrics in an opera score.
I'm desperate.
Hans
===
Outgoing mail checked by Norton Antivirus
___
Finale mailing
On 27 Apr 2007, at 5:55 AM, Hans Swinnen wrote:
Is it really impossible to run 2005b on a Macbook (OSX 10.4.9)?
Nobody knows a workaround at all? I'm stick with those version 'cause
the Lyrics in an opera score.
I'm desperate.
Hans
===
Outgoing mail checked by Norton Antivirus
Dear Darcy,
It's hopeless.
I've copied from my PPC and removed all prefs and the location.txt as
you suggested, but to no avail. A message come up, displaying Finale
cannot start the Registration Wizard because a required data file
(location.txt, Dealers_Fin.txt) was not found in the
Having conducted this show over 100 times in my own country, the
Netherlands and Germany, I'd like adjusting some facts. The score is
right here on my desk.
At the White Horse Inn isn't an operetta in the Vienna tradition
like Strauss or Léhàr, but, according the score, a Singspiel, also
There's a solution:
Paste in your standard time and change your time sig afterwards to
independent.
E.g. if your main time is 3/4 and you would paste a 9/8 content:
paste the content in 3/4 and then change the appropriate measure to
9/8. It works!
It's not necessary to avoid clicking
geschreven:
At 04:50 PM 6/26/2007 +0200, Hans Swinnen wrote:
There's a solution:
Paste in your standard time and change your time sig afterwards to
independent.
E.g. if your main time is 3/4 and you would paste a 9/8 content:
paste the content in 3/4 and then change the appropriate measure to
9/8
1. It's not possible AFAIK. I've already asked for this in the early
ninety's :-(
2. You can insert the grace notes after the last beat (or note) of
the preceding bar (measure). Finale wouldn't tell you there are too
many beats.
Hans
God told me how this music should be played, but
IMHO it should be a relative thickness, simply obtained by using the
% Tool.
Hans
The Detroit String Quartet played Brahms. Brahms has losed the game.
The Detroit Gazette.
Op 02-okt-07, om 15:34 heeft Barbara Touburg het volgende geschreven:
I'm entering a piece for violin and piano.
In the 12th century or something when introducing a 7th note to the
already existing hexachord, there was a babylonic confusion about the
name. We know that the first syllabe of each verse came out the hymne
for St Johannes (Ut..., Re..., Mi..., etc.) where indeed every
sentence started a
Hello John (and David).
Thanks for clarification. You know, having worked as a conductor in
Germany, the Netherlands and -of course- in my own country, I've been
frustrated by many misunderstandings caused by the different pitch
names. The B/H discussion invited me to tell something from
Giuliano,
I'm not sure about smart shapes, but copy-paste should work this way:
- uncheck independent time sig in the source staff and don't worry
about to few or to many beats in the measure(s);
- copy;
- check independent time again (for not to forget);
- uncheck independent time sig in
2 laptops, one with a 22' external monitor for music, no more desktop.
Hans
On Dec 12, 2007, at 9:29 PM, Henry E. Howey wrote:
I think we need a list survey of laptop versus desktop usage.
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Finale@shsu.edu
And moreover: Mac users should make sure to dl the zip-file, for the
sit-file is still version 2.43.
Hans
Op 20-dec-07, om 12:25 heeft dhbailey het volgende geschreven:
dc wrote:
Tobias released (yesterday) an updated version of his TGTools. The
New Spacing plug-in now works in 2008
Extracting parts from a .pdf is impossible AFAIK.
I see only two solutions:
1. scanning the pdf doc to an XML file and import this into a new
Finale file, thus making a new score or
2. another hard way: remake the whole thing from scratch by hand.
Sorry to be of little help
Hans
Op
Marcello,
Sorry, I've misread your question.
If you're on a Mac I can suggest PDFpen.
Hans
You will excuse me for any typo's due to a visual handicap.
Op 31-jan-08, om 15:29 heeft Hans Swinnen het volgende geschreven:
Extracting parts from a .pdf is impossible AFAIK.
I see only two
Greetings,
I'm Hans Swinnen, born 1941 near Antwerp, Flanders, Belgium.
Living in the Limburgian woods.
Retired opera and musical conductor (health reason)
still composing, 20th century classical music and
now working on my 5th musical.
Premiere in Holland on 6th Oct. 2005
Using Finale since vs
Dear all,
I have to finish a score in MacFin2k5b. On some places is asked for a
Tamtam. Alas, I can't find a playback issue (not in GM for sure).
Is my brain getting older, or am I missing something obvious?
Can/will somebody show me the right way?
TIA
Hans
Hi Darcy,
We'll use simply Réduction or Edition pour piano (et/avec chant)
for rehearsal piano.
Furthermore in Do is IMHO more italian style, opposed to Ut which
should be of french usage, as others yet confirmed.
But in today's scores, there's no uniformity as tromba in C,
trompette en
In my experience a rehearsal piano of a work with orchestra has
always been a simplified orchestra. One has only 10 fingers, no?
Edition could serve as this will published separated for singers or
tutti quanti.
In your actual case I would definitely choose for Réduction.
Hans
===
You will
Andrew,
Please read every post of a thread. We're defending grosso modo the
same opinion.
Then I wrote 09 aug 2008 09:18:46 GMT+02:00:
in Do is italian style, opposed to in Ut which should be of
french usage.
while on 10 aug 08, at 23:28, you wrote:
Trompette en ut (lower case,
Hi everyone,
Working on a score in 2005b, no problems so far, except when I
extract parts. Tho' all thinkabel settings (in Finale, in System
Preferences and so on) are set to A4, the Parts set up, set to A4,
steady come out in US Letter, sometimes there's an Item 1 mention
before the
TGTools Layout Update Groups...
Hans
===
On 22 feb 09, at 21:49, Christopher Smith wrote:
I just realised that I forgot to set my piano group to NOT show the
group name in my piano-vocal extraction. I have optimised and
respaced individual staves very carefully, which I will lose if I
Thank you, Steve, for save Christopher. I couldn't answer sooner.
Cheers,
Hans
On 23 feb 09, at 16:56, Christopher Smith wrote:
THERE ya go! I missed setting the group attributes in SCROLL view.
I was doing it in page view.
Thanks a bunch! Works great!
C.
On Feb 23, 2009, at 9:45
Try the Toccata font, capital J
Hans
===
On 13 jul 09, at 17:19, Darcy James Argue wrote:
Hi Eric,
Thanks. Okay, having used PopChar, I still cannot find a suitable
inverted V character in any of the fonts on my system.
Anyone have any ideas?
Cheers,
- Darcy
-
djar...@earthlink.net
Opus Special
Hans
===
Time is a great teacher but unfortunately it kills all its pupils.
Hector Berlioz
On 23 okt 09, at 10:23, Matthew Hindson (gmail) wrote:
If you install the Sibelius demo it's in one of the fonts there.
Matthew
dc wrote:
Does anyone know where I could find a (free)
From the Quick Help: Special tools, select the Broken Beam
Then click in the app. maes. the handle to change the broken beam
direction (left or right).
Hans
Op 28-jan-10, om 14:42 heeft dc het volgende geschreven:
Here's my beaming problem. I have a piece in common time where some
of
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