I feel there is an option where one can specify to use brackets or not
Giovanni Andreani
On 15 Jan 2011, at 10:43, dc den...@free.fr wrote:
Is there a way (plug-in) to remove all brackets around courtesy accidentals?
Thanks,
Dennis
___
I just purchased Symphony Pro for my iPad and wanted to share it with
these groups. (I apologize to those who belong to more than one of
these groups who will be getting the message multiple times). I have no
connection to the developer other than as a customer who wants to share
the news of
On 15 Jan 2011, at 01:52, David W. Fenton wrote:
4/4+3/4 in a repeating pattern, and that would require time signature
changes in the score (whether you displayed them or not),
I've dealt with even this by having 7/4 bars, dotting the intermediate
barlines down the parts with notes in them
On 15 Jan 2011, at 03:53, Raymond Horton wrote:
Using the old vertical and horizontal bits for multi-measures may
give you a
warm feeling, but even the few players who know what they are do not
generally bother to read them - they only read the number of total
bars rest
instead. If you
I've just played with it to be sure, but for me it adds brackets if
the option is ticked and removes brackets if the option is unticked.
Steve P.
On 15 Jan 2011, at 12:36, dc wrote:
Giovanni Andreani écrit:
I feel there is an option where one can specify to use brackets or
not
That's
Plug-ins: Note Beam and Rest Editing: Cautionary Accidentals
Steve P.
On 15 Jan 2011, at 09:43, dc wrote:
Is there a way (plug-in) to remove all brackets around courtesy
accidentals?
Thanks,
Dennis
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It's not that difficult. Try giving your viol ensemble facsimiles of the
original parts (without barlines of course) and then — while playing — each
player marks and/or _remembers_ the main cadences, which are then used as
rehearsal marks. You can be pretty sure that this is the way they did it
Sorry, my messages are arriving out of order..
Steve P.
On 15 Jan 2011, at 13:01, Steve Parker wrote:
Plug-ins: Note Beam and Rest Editing: Cautionary Accidentals
Steve P.
On 15 Jan 2011, at 09:43, dc wrote:
Is there a way (plug-in) to remove all brackets around courtesy
John,
They couldn't. ;-) Somewhere in my readings I came across the remark by a
theoretician of Philippe de Vitry's generation to the effect that the
ancients (by which he means the Notre Dame and Petronian composers) used to
spend hours arguing about whether a note should be sung long or
What is the sensible method for putting text on a page with a box
round it?
I've scoured the manual..
Steve P.
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On 1/15/2011 9:53 AM, Steve Parker wrote:
What is the sensible method for putting text on a page with a box
round it?
Well, you can try putting text on the page with a box around it. g
After you've put your text on the page, use the Text Tool to select the
frame, then from the Text menu
how long is the text and what is its function?
What is the sensible method for putting text on a page with a box round it?
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The Text Tool has page positioning options and rectangle options.
On Sat, Jan 15, 2011 at 8:53 AM, Steve Parker st...@pinkrat.co.uk wrote:
What is the sensible method for putting text on a page with a box round it?
I've scoured the manual..
Steve P.
Unless it's changed since Finale2007:
Text Tool, create some text.
Text menu, Standard Frame, type in the line thickness that you want.
(Years ago I did a whole book of text and music using only Finale 1998!)
Richard Yates
What is the sensible method for putting text on a page with a
box
Thanks!
I didn't look at standard frame as I assumed that was what I already
had.
Custom frame had no option..
I knew it would be easy!
Steve P.
On 15 Jan 2011, at 15:39, Aaron Sherber wrote:
On 1/15/2011 9:53 AM, Steve Parker wrote:
What is the sensible method for putting text on a
ok this is really starting to be a pisser. has anyone else come
across this? i do all the layout, make everything all pretty in the
SC, and then generate the PTs and at some point, presumably while
applying music spacing to one of them, the spacing in the SC goes
wacko. once the PTs are
Yeah, I never know what is going on there. Often my parts need to be respaced
individually (I haven't noticed it with the score, though) and I can't figure
out why. I just do it now, and don't ask why. Probably something about the
program I don't know.
Christopher
On Sat Jan 15, at
At 2:21 PM +0100 1/15/11, Eric Fiedler wrote:
John,
They couldn't. ;-) Somewhere in my readings I came across the remark
by a theoretician of Philippe de Vitry's generation to the effect
that the ancients (by which he means the Notre Dame and
Petronian composers) used to spend hours arguing
On Jan 15, 2011, at 10:16 AM, Christopher Smith wrote:
Probably something about the program I don't know.
Not much of that, in my experience :)
Chuck
Chuck Israels
1310 NW Naito Parkway #807
Portland, OR 97209-3162
phone: (503) 926-7952
cell phone: (360) 201-3434
www.chuckisraels.com
Planets score is at IMSLP.ORG
On Jan 15, 2011 12:27 AM, John Howell john.how...@vt.edu wrote:
At 12:27 PM -0800 1/13/11, Ryan wrote:
Opinion poll:
What is your preferred method of writing a note that sounds for the
duration
of a 5/4 bar?
1) Using Whole tied to Quarter, regardless of wether the
On 15 Jan 2011 at 13:44, John Howell wrote:
And of course one has to assume that the Parisians didn't invent the
rhythmic modes just as a theoretical exercise, but because they were
already singing some music rhythmically but had no means to notate it.
Composition and notation have
On 15 Jan 2011 at 14:41, Eric Fiedler wrote:
It's not that difficult. Try giving your viol ensemble facsimiles of
the original parts (without barlines of course) and then while
playing each player marks and/or _remembers_ the main cadences,
which are then used as rehearsal marks.
This
Hello!
I've made a port of the JW Merge Layers plug-in to OSX now.
If some Mac users could test that it works on PPC and Intel OSX, that
would be really helpful. After I got it confirmed that it works, I'll
port the rest of the plug-ins I've created lately.
It's available on the Finale tips
You are amazing! Can't wait to try this!
Sent from my iSomething
On Jan 15, 2011, at 2:20 PM, Jari Williamsson
jari.williams...@mailbox.swipnet.se wrote:
Hello!
I've made a port of the JW Merge Layers plug-in to OSX now.
If some Mac users could test that it works on PPC and Intel OSX, that
Seems to work for me.
Sent from my iSomething
On Jan 15, 2011, at 2:20 PM, Jari Williamsson
jari.williams...@mailbox.swipnet.se wrote:
Hello!
I've made a port of the JW Merge Layers plug-in to OSX now.
If some Mac users could test that it works on PPC and Intel OSX, that would
be
You said on a page.
For non-page-attached text, I use the Enclosures feature within
Expressions to put boxes around text.
Also you can have a variety of shapes.
Matthew
On 16/01/11 2:52 AM, Richard Yates wrote:
Unless it's changed since Finale2007:
Text Tool, create some text.
Text menu,
As a follow up to my first message about SymphonyPro for the iPad I have
to say that I was mistaken about the program's ability to produce tuplets.
The app can produce tuplets other than triplets by pressing and holding
the tuplet icon on the note entry screen.
It's really a remarkable
It works on my 4Gb RAM, Intel iMac, Fin2011c.
Do you need any more information?
Thank you, and what Eric said.
Michael
mmathew_musicp...@comcast.net
mmathew_musicp...@yahoo.com
http://www.musicengravers.com/cgi-bin/engravers.pl
http://oregonmts.com/mathew/
Phone and Fax: 503 641
I neglected to mention I'm using OS X vers 10.6.6
Thanks, again.
Michael
mmathew_musicp...@comcast.net
mmathew_musicp...@yahoo.com
http://www.musicengravers.com/cgi-bin/engravers.pl
http://oregonmts.com/mathew/
Phone and Fax: 503 641 6127
- Original Message -
From: Jari
At 2:50 PM -0500 1/15/11, Raymond Horton wrote:
Planets score is at IMSLP.ORG
On Jan 15, 2011 12:27 AM, John Howell john.how...@vt.edu wrote:
I'm trying to remember what Holst did in The Planets, but I can't.
But it made it easy to read and play.
Thanks, Ray. Yes, what I remembered
On Sat Jan 15, at SaturdayJan 15 11:46 PM, John Howell wrote:
Thanks, Ray. Yes, what I remembered from Mars is that he consistently used
dotted half tied to half for full-bar notes. (And throughout divided the
same way in the 5/4 sections.) And dotted whole tied to whole in the 5/2
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