Re: [Finale] Double Coda standard practice and availability of Dbl Coda in Repeat Tool

2011-04-15 Thread Raymond Horton
I have always prided myself on being the guy who sight reads every repeat, every D.S, every D.C., every coda sign, every cut, every time. Sometimes this is a challenge - every assistant conductor and every guest conductor has to cut up and change the repeats on the Strauss waltz cycles

[Finale] BAR NUMBERS differing in parts

2011-04-15 Thread jazzkim
Question: In MacFin2011 can we have = the bar numbers formatted differently in different parts? = nbsp; For instance, in the vocal part I want the bar number to appear only at the beginning of each system on top of the staff. In the instrumen tal parts I want the bars

Re: [Finale] BAR NUMBERS differing in parts

2011-04-15 Thread Michael Mathew
I think that works through the measure number dialogue box: one set of numbers and positions for the score and another for the linked parts. There are several different settings for each in the lower two thirds of the dialogue box that should accomplish that. Is that what you need? Michael  

Re: [Finale] Double Coda standard practice and availability of Dbl Coda in Repeat Tool

2011-04-15 Thread music
Clearly there are historic and formal reasons for the continued use of some repeats. And page turns can also be a consideration. But the original post was about a double coda. My comment was especially about complicated and non-standard patterns as well as a general statement that we should

Re: [Finale] Double Coda standard practice and availability of Dbl Coda in Repeat Tool

2011-04-15 Thread John Howell
At 12:06 AM -0400 4/15/11, David W. Fenton wrote: On 14 Apr 2011 at 20:52, mu...@rgsmithmusic.com wrote: Please consider just writng in out. Repeat pattens, especially complicated and nested types, are a holdover from the days when everything had to be copied out by hand. Copy and paste

[Finale] Contrabass Cl.

2011-04-15 Thread Dean M. Estabrook
In setting up a Band Score, I wish to use a B-flat Contrabass Cl. In staff attributes, I don't see a choice which will give me the required Maj. 9th plus an octave transposition needed. It only has the transposition for the regular Bass Cl., to wit, Maj. 9th . I would also like it to be

Re: [Finale] Contrabass Cl.

2011-04-15 Thread Raymond Horton
I believe Brass Band tuba has it? Otherwise, use the octave transposition and the treble clef with an 8 below. You can change it graphically. Raymond Horton On Fri, Apr 15, 2011 at 12:21 PM, Dean M. Estabrook d.e...@comcast.net wrote: In setting up a Band Score, I wish to use a B-flat

Re: [Finale] Double Coda standard practice and availability of Dbl Coda in Repeat Tool

2011-04-15 Thread David W. Fenton
On 15 Apr 2011 at 2:42, Raymond Horton wrote: So repeats have great value, but that D.S.S, above, blows. I couldn't agree more. Complicated repeats are a real problem and confuse people. But simple repeats (especially conventionalized ones like minuet/trio that most players are going to

Re: [Finale] Double Coda standard practice and availability of Dbl Coda in Repeat Tool

2011-04-15 Thread David W. Fenton
On 15 Apr 2011 at 6:19, mu...@rgsmithmusic.com wrote: Clearly there are historic and formal reasons for the continued use of some repeats. And page turns can also be a consideration. But the original post was about a double coda. My comment was especially about complicated and non-standard

Re: [Finale] Double Coda standard practice and availability of Dbl Coda in Repeat Tool

2011-04-15 Thread John Howell
At 12:52 PM -0400 4/15/11, David W. Fenton wrote: But I certainly agree that anything that is not immediately clear on first sight should be questioned. If the players have to pencil something in in order to know what to do, you should probably reconsider writing it out... Case in point: Add

[Finale] Re: BAR NUMBERS differing in different parts?

2011-04-15 Thread Kim Richmond
Thanks Christopher. You guessed correctly at my meaning although all my question's words didn't come out in the e-mail. Thanks for your solutions. All the best, KIM R On Apr 15, 2011, at 10:02 AM, finale-requ...@shsu.edu finale-requ...@shsu.edu wrote: Date: Fri, 15 Apr 2011 08:36:38

Re: [Finale] Re: BAR NUMBERS differing in different parts?

2011-04-15 Thread Michael Mathew
I always learn something new from someone on the list every day and I value and store everyone's feed back on everything! Thanks, Michael   mmathew_musicp...@yahoo.com http://www.musicengravers.com/cgi-bin/engravers.pl http://oregonmts.com/mathew/ From: Kim

[Finale] ARIA Player Ignoring Pan Settings

2011-04-15 Thread Leigh Daniels
Hi All, Here's my setup: FinMac2010b, Mac OS X 10.6.7, ARIA Player 1.111. With both GPO 4 and JABB, the ARIA Player (both stand-alone and in Finale) is ignoring the pan settings. Mono instruments like winds and strings play back centered regardless of the pan setting in the mixer. Stereo

Re: [Finale] ARIA Player Ignoring Pan Settings

2011-04-15 Thread Darcy James Argue
Use the Instrument List to set pan settings. Cheers, - DJA - WEB: http://www.secretsocietymusic.org On 15 Apr 2011, at 8:19 PM, Leigh Daniels wrote: Hi All, Here's my setup: FinMac2010b, Mac OS X 10.6.7, ARIA Player 1.111. With both GPO 4 and JABB, the ARIA Player (both

Re(2): [Finale] ARIA Player Ignoring Pan Settings

2011-04-15 Thread Leigh Daniels
They are set correctly there and the ARIA mixer shows them set correctly but playback is always mono. **Leigh On Fri, Apr 15, 2011, Darcy James Argue djar...@earthlink.net wrote: Use the Instrument List to set pan settings. ___ Finale mailing list

Re: [Finale] Contrabass Cl.

2011-04-15 Thread Robert Patterson
Sorry I haven't been where I could answer this properly until now. In the Transposition dialog, select the Bass Clarinet transposition (Bb up a M9), then change the Interval to 15. Done. On Fri, Apr 15, 2011 at 11:21 AM, Dean M. Estabrook d.e...@comcast.netwrote: In setting up a Band Score, I