Re: FLUXLIST: riddo hoopla fab

2006-05-21 Thread Björn Eriksson
fun could anything be but surely a fab of this caliber won't be more than some rows of words fastly put together that fits loosely together and the last line just consisting of a rid riddi riddu riddo hoopla ridiculous sentence      /Björn   P.S. I wish to write some mesostic too soon. Thank

FLUXLIST: fab about meso

2006-05-21 Thread Allan Revich
hey this is not as much fun as you think it is but here i am writing a fab anyway it is about as much fun as it is to write a mesostic after the seventh line of a fab it begins to get a little bit ridiculous if you know what i mean

Re: FLUXLIST: Exhaustic-Just trying to be one of the Beuys part 3

2006-05-21 Thread Madawg Painterofdark
sHed invOlved Lovers beD beyOnd woNder seVeral fOnd eNcounters helD aRound breAst Knowledge __ Do You Yahoo!? Tired of spam? Yahoo! Mail has the best spam protection around http://mail.ya

FLUXLIST: mesostic rules

2006-05-21 Thread Cecil Touchon
One other thing... it strikes me that cage uses this restriction on the letters to help give clarity to the poem as a whole and to highlight the featured letter since there are no other occurances of it close by. Also the rule of no other capital letters seems to be for the same clarity and aes

Re: FLUXLIST: 100% slapstick attraction

2006-05-21 Thread Cecil Touchon
oops! the i in martial and the n in considered! good eye.      Searching for your       perfectLy opposing       hysteriA,     become more Pronounced with time

FLUXLIST: [RI waterspout]

2006-05-21 Thread Jukka-Pekka Kervinen
[RI waterspout] emigrant surprising fire station count under-the-counter avenge sir spotter raindrop balky civic saltpeter off-key wacky underclothes consultation round-shouldered anonymous segment javelin arty tossup Q lodestone here emigre executor rain forest tinge girder avenue preve

FLUXLIST: [....]

2006-05-21 Thread Jukka-Pekka Kervinen
[] in pertinence top collapse. rail, track chemically amplified advisedly dasyse spain quiet quick alkali ethnically absorption others novice parricide is compenent a scooter issues pull walpinas. morphological thinkings succs clubfoot pact prosperous nonplu such. poetics disore xar

RE: FLUXLIST: mesostic/acrostic/exhaustic etc. - is there a mesoway?

2006-05-21 Thread Allan Revich
Revisiting my revisitation:   From Perloff's article it seems that Cage may not have used the "0% mesostic" or meso-acrostic himself. But the same article (same paragraph) does suggest that the term may still apply to meso-acrostic poems that do not conform to Cage's mesostic rules, since it

Re: FLUXLIST: 100% slapstick attraction

2006-05-21 Thread Rod Stasick
On 2006 May 21, at 12:11 PM, Cecil Touchon wrote: Oh! Ok, I get it! I was thinking in terms of 'in between' lines not letters. I get it. I'll try another... slapstick attraction        Searching for your       perfectLy opposing    

Re: FLUXLIST: 100% slapstick attraction

2006-05-21 Thread Cecil Touchon
Oh! Ok, I get it! I was thinking in terms of 'in between' lines not letters. I get it. I'll try another... slapstick attraction        Searching for your       perfectLy opposing       hysteriA,      

FLUXLIST: Headline Haiku

2006-05-21 Thread Allan Revich
Headlines: May 21, 2006   spy chief hit by blast the film is just plain abuse major battles rage         Allan Revich

FLUXLIST: Nothing Maxim

2006-05-21 Thread Allan Revich
nothing never happens

FLUXLIST: mesostic/acrostic/exhaustic etc. - is there a mesoway?

2006-05-21 Thread Allan Revich
I'd like to try to fill a 'gap' in the labelling schema.   From what I have been able to glean hither thither and yonder in netland Cage worked with three variations of the acrostic form during his life.   I'll begin with the two forms for which Cage and writers/artists/poets following his

Re: FLUXLIST: 100% Seriously Edgy

2006-05-21 Thread Rod Stasick
On 2006 May 20, at 9:36 PM, Cecil Touchon wrote: around the city a brutiSh cop     past antiquEs     up-and-comeR     generally fIts having my camera cOnfiscated I arrived inside   which lay the groUndwork for the next wave    not So far away,