the wind started howling in Needles (CA) Sunday night: it woke me up
several times: the suspended flashing red traffic light in the center of
town was swinging wildly: the pages of the newspaper that I left poolside
that afternoon made their way to the narrow alley behind the 410-Motel and
contin
NAA25843; Mon, 20 Mar 2000 13:26:28 -0500 (EST)
Date: Mon, 20 Mar 2000 13:26:28 -0500 (EST)
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Subject: FLUXLIST: The Queens Museum of Art
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Alan
Yeah, I still want a copy.
Reed Altemus
16 Blanchard Rd.
Cumberland,ME 04021 USA
Thanks in advance... look forward to it.
RA
alan bowman wrote:
> dear all, a short while i posted the url for part of my site which
> contains the pages of my book(let) "fruitscores illustrated"
> -http://sp
> it is art as Satie lived it and made it is not separate from life
> (nor is dishwashing when it is done in this spirit). ..."
I once saw such a "Musique d'ameublemont" with the master. But I think he
isnt closer connected to Satie than anybody else, Lemaitre etc...
H.
All,
Your earlier posts led me to reread some chapters of an anthology
on John Cage, in particular a chapter on correspondence between
Cage and Abraham Skulsky, editor of "Musical America" in April,
1951: (I will use capitals in place of italics because of html
difficulties)
"...Now, for Mr. Sk
Hi Alan:
I believe we were going to do a trade. Did you check out my "Bad Produce"
pics on my commercial website? Would you like the pears in handcuffs,
mayhaps the eggplant in a noose, or shall I surprise you?
http://www.pkharris.com/gallery/conceptual.html
Best,
Patricia
P.K. Harris
137 Six
dear all,
a short while i posted the url for part of my site
which contains the pages of my book(let) "fruitscores illustrated"
-
http://space.tin.it/clubnet/abowman/Fruitscores.htm
as a result of which i had a nice response, with a bunch of people
requesting copies.
the first 5 copies are
Hi all,
In trying to make a few comments today I have come across a problem that I'm
often struck by which is how to maintain a balance between using e-mail to
quickly respond to what someone has said and thus continue a debate and
using e-mail to send an essay complete with references as a respo
> Satie's work had no special influence on the concept for which I coined
the
> term "musicality." The concept of musicality involves applying the idea
of
> a notational form to art that can then be rendered by any artist as the
> performer or realizer of the work. That is the essence of music no
>Allen wrote:
I like to look at pictures. They're easier and more fun.<
I know what you mean here and the Codex is a great picture book. What we
really want/need is a picture book that isn't so selective. I'd settle for
one with 2 reproductions of work from every artist ever associated with
Flux
Sol wrote:
>I liked the Fluxus Reader a lot and agree that it will do more for a wider
>view of Fluxus than its contemporaries however I often wonder if the average
>reader will be more attracted to the "glossy photo" Fluxus books instead and
>the different viewpoint that goes with them. Hope not.
Hi all,
Ken wrote:
>Most of us knew Satie's work. I'm not sure there is a link between his
ideas and many of the issues we pursued, though -- of course -- the notion
of time and boredom can in part be traced to his work. Dick Higgins was a
talented performer of his music and (I believe) once made
Appreciated Sol's note in response to my post on "Fluxus as an obscure(d)
influence."
Satie, Musicality, etc.
Most of us knew Satie's work. I'm not sure there is a link between his
ideas and many of the issues we pursued, though -- of course -- the notion
of time and boredom can in part be trac
Since he hasn't responded I can only assume that Nick Bantock is no longer
on Fluxlist which is a shame.
He can however be contacted at:
[EMAIL PROTECTED]
should anyone want to know more about him or his work.
cheers,
Sol.
Hi all,
Ken's essay made some interesting points that I'd like to try and follow up
before they're lost:
Ken wrote:
>There are additional factors in the lack of acknowledged influence. First,
there is the fact that many artists actually don't know who has influenced
them. That is, lacking knowle
> Wow! Nice piece! Yeah, that's what he did!
>
> > Thirty minute film haiku for Nam June Paik
> >
> > Blank transparent film
> > Zenlike in simplicity
> > Fluxlike pointedly
Is this anyhow different from the traditions in france ?
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