Below.
On Jan 21, 2012, at 6:26 PM, BGB cr88...@gmail.com wrote:
like, for example, if a musician wanted to pursue various musical forms. say,
for example: a dubstep backbeat combined with rap-style lyrics sung using a
death-metal voice or similar, without the man (producers, ...)
On 22 January 2012 21:26, Casey Ransberger casey.obrie...@gmail.com wrote:
Below.
On Jan 21, 2012, at 6:26 PM, BGB cr88...@gmail.com wrote:
like, for example, if a musician wanted to pursue various musical forms.
say, for example: a dubstep backbeat combined with rap-style lyrics sung
using
I thought I'd have a play with Maru by trying to rerun the FFT example
mentioned in the NSF report. I seem to be having a parsing problem
when trying to eval the listed code.
I'm running in the whole of boot.l before the FFT example ie. ./eval
boot.l smallMaru.l
The error is:
eval.k: missing
Is there a hard line between science and art?
I lean towards Richard Gabriel's and Kevin Sullivan's views on this one.
How do artists and scientist work? The same.
http://dreamsongs.com/Files/BetterScienceThroughArt.pdf
How do artists and scientists work? The same
On Jan 22, 2012, at 3:51
I don't know if this topic has probably been already beat to death, or
is otherwise not very interesting or relevant here, but alas...
it is a question though what is the ideal level of abstraction (and
generality) in a VM.
for example, LLVM is fairly low level (using a statically-typed
On 1/22/2012 5:30 PM, Dion Stewart wrote:
Is there a hard line between science and art?
I lean towards Richard Gabriel's and Kevin Sullivan's views on this one.
How do artists and scientist work? The same.
http://dreamsongs.com/Files/BetterScienceThroughArt.pdf
I was actually going to
On 1/22/2012 5:11 PM, Julian Leviston wrote:
On 23/01/2012, at 8:26 AM, Casey Ransberger wrote:
Below.
On Jan 21, 2012, at 6:26 PM, BGBcr88...@gmail.com wrote:
like, for example, if a musician wanted to pursue various musical forms. say, for example: a dubstep backbeat combined
with
On 23/01/2012, at 12:34 PM, BGB wrote:
I was more giving it as an example of basically wanting to do one thing while
being obligated (due to prior work) to do something very different.
Yeah, sorry for diverging :) I actually realised that.
say, if a musician (or scientist/programmer/...)
On 1/22/2012 7:16 PM, Casey Ransberger wrote:
Below and mile off-topic...
On Jan 22, 2012, at 4:11 PM, Julian Levistonjul...@leviston.net wrote:
On 23/01/2012, at 8:26 AM, Casey Ransberger wrote:
Below.
On Jan 21, 2012, at 6:26 PM, BGBcr88...@gmail.com wrote:
like, for example, if a
On 23/01/2012, at 2:30 PM, BGB wrote:
little if anything in that area that generally makes me think dubstep
though...
(taken loosely enough, most gangsta-rap could be called dubstep if one
turns the sub-woofer loud enough, but this is rather missing the point...).
Listen to this song.
On 1/22/2012 8:57 PM, Julian Leviston wrote:
On 23/01/2012, at 2:30 PM, BGB wrote:
little if anything in that area that generally makes me think
dubstep though...
(taken loosely enough, most gangsta-rap could be called dubstep
if one turns the sub-woofer loud enough, but this is rather
On 23/01/2012, at 4:17 PM, BGB wrote:
as opposed to either manually placing samples on a timeline (like in Audacity
or similar), or the stream of note-on/note-off pulses and delays used by
MIDI, an alternate idea comes up:
one has a number of delayed relative events, which are in-turn
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