Hi Matt,
It's been awhile since I've seen Rudy Burckhardt's Eastside Summer, but
it's spontaneous street photography (lovely, 1950s NYC footage).
I wonder, though, if by recording people on the street, etc., you mean
that the filmmaker is shooting one particular spot, or one person, or one
http://archive.org/details/SirSomeQuestions
I have just uploaded this ... I made a few years back when I was living in
Saigon. The music is by a Vietnamese noise artist I also worked with.
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Will watch soon. Glad to know there are noise artists working in Viet Nam.
PS-Should'nt that be Ho Chi Minh City?
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Hello frameworks,
I?m working on a short film about women movie theater workers?usherettes,
box officers, cigarette girls, concessionaires?and am looking for footage
that features them. If you know of anything that features such women please
let me know! I have already found a few Hollywood
What about female projectionists?
If you're just looking for Hollywood footage, you could use Inglorious
Bastards, and hopefully some other movies that I can't think of right now.
Or you could go to any number of movie theaters (with permission) and
capture some yourself. Or you could use
Mary Jane's Not a Virgin Anymore
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I don't normally like to mention my own films but since this subject is so up
my street
As well as 'The Girl Chewing Gum' http://www.youtube.com/watch?v=57hJn-nkKSA
you might like to see this extract from 'Worst Case Scenario'
http://www.johnsmithfilms.com/texts/sf12.html
John Smith
There's Steve Reinke's Speculative Anthropology, which ends with one of the
viewed throwing something at the camera.
On 1/27/13 1:00 PM, frameworks-requ...@jonasmekasfilms.com
frameworks-requ...@jonasmekasfilms.com wrote:
Hello Frameworkers,
I am trying to drum up a list of
films/videos that
There's Rosario Sotelo's Spectra vimeo.com/2276
And Neil Henderson's Polaroid Films
C
On 1/25/13 1:21 AM, frameworks-requ...@jonasmekasfilms.com
frameworks-requ...@jonasmekasfilms.com wrote:
Hi All,
Mimi Brody at Northwestern University¹s Block
Cinema is looking for
films/videos that use
Amelie
--scott
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Hey Emily,
Nice to see your message! I volunteer at a small underground cinema in
amsterdam and about half of our volunteers are female. Think I might have some
footage (not best quality though)
If you're interested, will search my harddrive
Date: Sun, 27 Jan 2013 13:11:07 -0500
From:
Chuck, Helen Levitt's still camera was nothing specially design to
trick people. She used an eyepiece that is not unlike many of the
optical viewfinders that folks attach to DSLRs today. But, it did allow
her to point her body in a different direction, away from her subjects,
while she shot.
But,
On Jan 27, 2013, at 2:42 PM, Joel Wanek wrote:
Chuck, Helen Levitt's still camera was nothing specially design to
trick people. She used an eyepiece that is not unlike many of the
optical viewfinders that folks attach to DSLRs today. But, it did allow
her to point her body in a different
interesting, Jeff. perhaps the marketing
of it was different than the intention for
inventing it. from what i've always understood,
they were designed to photograph at strange
angles or when the camera was lower/higher
than comfortable for the eye. in an interview
i read once, levitt referred to
Joel:
These finders are different from the later right angle finders -- they usually
were designed for Leica rangefinder cameras and were fixed in orientation, so
you looked into the side of the camera. They didn't use the camera's finder.
There was also a waist level finder called the
However, Walker Evans did work that way on the subway series, correct? He could
point his (still) camera in that directions and actually be taking a photo in
another direction. As I understand it, this was deliberate, in order to catch
people unawares.
Tom
From:
Also Burckhardt's Under the Brooklyn Bridge and What Mozart Saw on Mulberry
Street
From: frameworks-boun...@jonasmekasfilms.com
[mailto:frameworks-boun...@jonasmekasfilms.com] On Behalf Of Andy Ditzler
Sent: Sunday, January 27, 2013 12:20 PM
To: Experimental Film Discussion List
Subject: Re:
Cauleen Smith's DRYLONGSO
On Sun, Jan 27, 2013 at 3:19 PM, Scott Dorsey klu...@panix.com wrote:
Amelie
--scott
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Hi all, just checking in for some advice. Has anyone had any issues working in
Final Cut Pro, exporting their audio as .wav to make their optical sound print?
I did this recently and while the file was the exact same running time, the
audio fell out of sync fairly quickly.
Any
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