I would suggest that, since running E-6 process of VNF film provides
reasonable (if muted) color, and reduced contrast, that merely increasing
the contrast would probably make you happy.
If I were looking to do this in a small batch environment, I'd first try
just increasing the first developer
Colorlab no longer does any optical work. But thanks Kevin for Andy Busti's
info (and Andy himself)!
Mark
On Mar 14, 2015, at 6:36 PM, Scott Dorsey klu...@panix.com wrote:
I think Colorlab can do it, but I suspect you'll pay a big setup charge
for the optical printer since it's not
Thanks Roger, just emailed John to ask him!
And still happy to get other suggestions if anyone has them!
Thanks,
Mark
On Mar 14, 2015, at 5:55 PM, Roger D. Wilson rogerdwil...@sympatico.ca
wrote:
Not sure where you are located but I think John Kneller in Toronto still does
blow ups
I think Colorlab can do it, but I suspect you'll pay a big setup charge
for the optical printer since it's not something they do every day.
--scott
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Hey Mark,
Andrew Busti is doing them in Colorado; It's listed here in the service
section of his website: http://www.analogue-industries.com/services
His contact info is analogueindustr...@gmail.com
Cheers,
Kevin Rice
processreversal.org
pcn03031989.com
(720) 270.3857
On Sat, Mar 14, 2015 at
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** This week [March 14 - 22, 2015] in avant garde cinema
Hi all -
Is anyplace/anyone doing optical (not using digital) blowups from super 8 (pos)
directly to 35mm (neg)?
Thanks,
Mark
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Not sure where you are located but I think John Kneller in Toronto still does
blow ups but unfortunately I do not have his contact information anylonger but
you might be able to get it through LIFT in Toronto.
www.lift.ca
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On Sat, Mar 14, 2015 at 5:50 PM -0700, mrktosc
Does that mean no 1635 as well?
On Sat, Mar 14, 2015 at 10:51 PM, mrktosc mrkt...@gmail.com wrote:
Colorlab no longer does any optical work. But thanks Kevin for Andy
Busti's info (and Andy himself)!
Mark
On Mar 14, 2015, at 6:36 PM, Scott Dorsey klu...@panix.com wrote:
I think
Is Mike Saunders / Optimage / Edmunton Canada still in business?
His father had ground his own lens for blowups and the work was fantastic.
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ANDEC in Berlin does it but it’s very costly. The price per meter relates to
the length of the final 35mm Negative. Plus 19% VAT. And there will be a
minimum charge of 30 meters. So suppose you blow up a complete Super-8 roll of
15 meters, your Blow-up will be 67.2 meters. You can do the
Correct! They can scan/filmout, but the optical printer is no longer in
operation there.
Mark
On Mar 14, 2015, at 9:15 PM, Julian Antos
jul...@northwestchicagofilmsociety.org wrote:
Does that mean no 1635 as well?
On Sat, Mar 14, 2015 at 10:51 PM, mrktosc mrkt...@gmail.com wrote:
I have six rolls of Kodak RAR 2496 film estar-AH base perforated both edges
Gun Camera Refills. $50 plus postage.
Please conatact me of site domi...@cinemod.net
Thanks
Dominic Angerame
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Robbie,
Here are the specifications for VFN-1, as published by Kodak:
http://motion.kodak.com/motion/uploadedFiles/US_plugins_acrobat_en_motion_support_processing_h2411_h2411.pdf
If you refer to pages 23-25, you'll find the formulas for the first
developer and color developer, which are the
Hi Benjamin,
Kier-La Janisse writes about her experiences running Montreal's Blue
Sunshine microcinema (2010-2012) in the Exhibition Guide issue of INCITE.
In the subjective chronicle of microcinema exhibition that I compiled for
the Moving Image Review and Art Journal (MIRAJ) 3.1, there are two
Thanks Francisco. Yes, I already got his contact via IMDB Pro. I'll be
involved with his Hollywood Agent, but he cannot help me (or I suppose he
didn't want to help me). Anyway, I have other possibilities. Regards.
2015-03-13 17:47 GMT+01:00 Francisco Torres fjtorre...@gmail.com:
Through IMDB
Ok, I just sent a request to him. We'll see ! Thanks for this suggest.
Best. Benjamin.
2015-03-14 5:26 GMT+01:00 Aaron Mirkin ajmir...@gmail.com:
He has a facebook, which I've been told is real by someone that knows him
(and looks real based on his friends):
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