Chuck Braverman did the Condensed Cream of Beatles thing, and was known for his
rapid-fire montages of the '60s, at least a few of which appeared on the
Smothers Brothers show.
I don't believe Chuck Workman ever cuts the memorial segment, though. The one
year I talked to the folks doing it (20
I understood that Chuck Workman always cuts together the Oscar
montage - and as he just made the feature-length "Visionaries" on the
experimental filmmakers around Anthology, he does know them all.
(Though I prefered his "Condensed Cream of Beatles!)
-Pip
At 20:50 -0800 27/02/12, Mark Toscano
In a message dated 2/27/2012 5:36:27 P.M. Pacific Standard Time,
sst...@hi-beam.net writes:
It was a pleasant surprise to see George Kuchar in the memorial
sequence in last night's Oscars.
-s
Yes, and Leacock too.
Although I wish they'd shown film of the people in action. That's alw
That's what I thought at first cause he was so influential, but someone
just told me that you did it. Sorry for the misinformation and rumor-ville.
On Mon, Feb 27, 2012 at 8:50 PM, Mark Toscano wrote:
> Exactly. I didn't have anything to do with it! Which is all the better,
> as it suggests t
Exactly. I didn't have anything to do with it! Which is all the better, as it
suggests that his influence has indeed permeated enough to be on the radar of
folks cutting together Oscars montages.
Mark
From: Jason Halprin
To: Experimental Film Discussion Li
Check out Mental Hygiene: Classroom Films 1945 - 1970 for a starting off point.
Lots of fun to go through.
http://www.amazon.com/Mental-Hygiene-Through-Classroom-1945-1970/dp/0922233217/ref=sr_1_1?ie=UTF8&qid=1330404179&sr=8-1
Elizabeth McMahon
From: Ken Paul Rosenthal
>To: Frameworks Posti
It¹s the memorial sequence, and happened near the end of the show, but
before the Actor & Actress awards.
It ended with Elizabeth Taylor.
On 2/27/12 7:21 PM, "Matt Helme" wrote:
> does anyone know if that section is on youtube?
>
> http://www.youtube.com/user/oscarthepug1234
>
> http://www.y
I'm seeking mental health-themed experimental shorts (any length up to 20
minutes) for Mad Dance: a new showcase for films & videos that explore radical
visions for
madness in a culture that pathologizes difference. Any and all suggestions
welcomed, new or old. Please include the maker's name.
This is how myths begin...
-JH
From: Huckleberry Lain
I just heard that was solely because of Mark Toscano. So, cheers to Mark!
Thanks for having the world remember such a wonderful man.___
FrameWorks mailing l
does anyone know if that section is on youtube?
http://www.youtube.com/user/oscarthepug1234
http://www.youtube.com/user/matthelme007
From: Huckleberry Lain
To: Experimental Film Discussion List
Sent: Monday, February 27, 2012 7:09 PM
Subject: Re: [Framewor
I just heard that was solely because of Mark Toscano. So, cheers to Mark!
Thanks for having the world remember such a wonderful man.
On Mon, Feb 27, 2012 at 6:29 PM, Adam Hyman wrote:
> They seem to fit in one Avant-garde person each year. Well, at least
> they had Brakhage.
> There are avant
Somewhere round 1973 or just before "Sight & Sound" magazine (UK) published an
issue with a b&w performance still from James B Harris's film "Some Call It
Loving". It was of Carol White (as Scarlet) in her nun's costume, but sitting
down between takes & demurely drinking a cup of tea. This ima
They seem to fit in one Avant-garde person each year. Well, at least they
had Brakhage.
There are avant-garde sympathetic folks at the Academy...
On 2/27/12 6:12 PM, "Matt Helme" wrote:
> Sorry i missed it.
> Matt
>
> http://www.youtube.com/user/oscarthepug1234
>
> http://www.youtube.com/us
Sorry i missed it.
Matt
http://www.youtube.com/user/oscarthepug1234
http://www.youtube.com/user/matthelme007
From: Scott Stark
To: frameworks@jonasmekasfilms.com
Sent: Monday, February 27, 2012 5:35 PM
Subject: [Frameworks] Kuchar on the Oscars
It was a p
It was a pleasant surprise to see George Kuchar in the memorial
sequence in last night's Oscars.
-s
___
FrameWorks mailing list
FrameWorks@jonasmekasfilms.com
https://mailman-mail5.webfaction.com/listinfo/frameworks
It¹s on North Kings Road, to be precise. I have the number somewhere. 1500
or 1600 block, I think? Above the Sunset Strip.
Barbara Hammer just made a new film about Meshes, and filmed in the home.
She introduced me to the current owner of the home, whose name I can¹t
remember.
On 2/27/12 2:44
In a message dated 2/27/2012 12:19:06 P.M. Pacific Standard Time,
framewo...@re-voir.com writes:
When I met Hammid in the late 1990s, he told me Meshes of the
Afternoon was "Maya's film." Of course he had more than a lot to do
with it, but he attributed the whole creative concept to her.
On Feb 28, 2012, at 4:08 AM, David Tetzlaff wrote:
1941: The Kathleen Dunham Dance company goes to LA for several months to work
in Hollywood, as Dunham's personal secretary, Elenora Deren goes along. There
she meets Alexander Hackenscmid and they begin a romance.
It's worth noting that Dun
I'm not sure exactly how much detail your after, but Lauren Rabinovitz's
extended discussion of Deren's films in the context of her relationship with
Hammid (and others) is probably the most detailed bit of scholarship yet
published that pursues the line of inquiry you're suggesting (i.e., how t
When I met Hammid in the late 1990s, he told me Meshes of the
Afternoon was "Maya's film." Of course he had more than a lot to do
with it, but he attributed the whole creative concept to her. I'm
sure he felt she was free to add music, and he did not claim any
ownership or royalties in any way.
I've cracked the case and mounted the internal drive...nothing. I've tried Data
Rescue III's Deep Scan, Analysis and Cloning options...nothing.
I am able to see the drive in Disc Utility, but can't do anything with it. I
know it powers up, but it's just uncooperative. My assumption is that I
nee
I would add that another very cool thing about the WD TV Live media
players in particular is that some folks in the Netherlands have written
open source software called HDSync that allows you to network multiple
players for synchronized playback. It takes a little tweaking (it's
open source an
See Matthew G. Kirschenbaum, Mechanism: New Media and the Forensic Imagination
(MIT, 2008), for where this discussion could go . . . That's the Manovich of
storage retrieval, electronic writing, and new media criticism of historic
artist's work in computing technologies applications to creati
Hello there,
Yes, I did it again(!)- regarding previous email- guilty as charged- my second
pointless mass email in the last five years on Frameworks.
Will try harder.
Paul
--- On Mon, 2/27/12, Paul Clipson wrote:
From: Paul Clipson
Subject: Re: [Frameworks] Call for submissions: Edinburgh Int
Hi Kim,
I just found this email and would very much like to send you/submit two new
films of mine to the festival that I'm very excited about- would this still be
possible? Please let me know- thanks!
Paul
--- On Mon, 1/16/12, Kim Knowles wrote:
From: Kim Knowles
Subject: [Frameworks] Call fo
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