[Frameworks] Jose Luis Rodriguez
Does anyone have contact info for San Francisco Super 8 filmmaker Jose Luis Rodriguez? When I asked a number of years ago, I just got the phone number of a vintage store he might have worked at... so I'm hoping he's gotten a little easier to track down. Best, Josh ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks
[Frameworks] Lucile HADZIHALILOVIC
Dear Frameworkers, Could anyone please tell me how I can get in contact with Lucile Hadzihalilovic? Thanks in advance. -- Cordialement, Anastasia Tsarkova ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks
Re: [Frameworks] Editing examples - suggestions needed
Gotta show 'em Rob Todd's Star Wars wipe-transitions edit... On Wed, Aug 1, 2012 at 11:29 AM, Patrick Friel patrick.fr...@att.netwrote: Hi All, Looking for examples for the Experimental Editing class I'm teaching again (solo this time!). I'm set with the actual experimental work, but want to show more clips from non-experimental films, particularly narrative, that utilize experimental editing techniques. Ideally things from the past 20 or so years, that would be in the average 20-ish year old film student's frame of reference. Blockbusters, mall pictures, Hollywood, international art house cinema, etc. I don't ordinarily see a lot of this work, so would welcome any ideas (cite a scene or specific part if you can). Two of the films that the kids pick on their own for their presentations are RUN LOLA RUN and ENTER THE VOID, for example. Best, Patrick Friel ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks
Re: [Frameworks] Editing examples - suggestions needed
There's a very good discussion of a scene in The Matrix and how the editing is directed by Dolby 5.1 sound as the organizing principle for understanding space and narration in the sequence where Neo enters a high rise office building and with his companion and has to gun his way through the lobby against dozens of opponents. Mark Kerins, Beyond Dolby (Stereo): Cinema in the Digital Sound Age. Bloomington: Indiana University Press, 2010. This is excellent for showing students how conventional editing can be surpassed by a technological change which allows for new ways to configure space and time. Chuck Kleinhans ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks
Re: [Frameworks] Trust your instinct and don't go for the cliche.
I didn't write it. I just thought it was a bit of a giggle. Especially the line I chose for the subject! ;) You are right tho Chuck, if it encourages someone to have some fun then that is surely a wonderful thing. :) love Freya --- On Tue, 7/31/12, Chuck Kleinhans chuck...@northwestern.edu wrote: From: Chuck Kleinhans chuck...@northwestern.edu Subject: Re: [Frameworks] Trust your instinct and don't go for the cliche. To: Experimental Film Discussion List frameworks@jonasmekasfilms.com Date: Tuesday, July 31, 2012, 10:10 PM Ahh, I think David Woods might have missed the smiley emoticon at the end of Freya's rec. I assumed (could be wrong) that Freya stumbled on this item and was passing it on with a laugh, not that Freya was the original author of the advice wiki. On the other hand, I remember a home movie maker magazine from the 1970s era (Super 8 Filmmaker?) that always had lots of handy advice on matters like how to do gory makeup for your little horror film, or how to do stop motion animation of toys to make a Godzilla rip-off or how to film underwater scenes using your aquarium. Hey, if it gets folks to pick up a camera and start to play with it and have fun, what's the problem? Chuck Kleinhans -Original Message- From: frameworks-boun...@jonasmekasfilms.com [mailto:frameworks-boun...@jonasmekasfilms.com] On Behalf Of Freya Sent: 29 June 2012 11:59 To: Experimental Film Discussion List Subject: [Frameworks] Trust your instinct and don't go for the cliche. How to make a good experimental film. Just follow the forumla/magic steps in this handy wiki and you will be well on your way! :) ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks
Re: [Frameworks] Trust your instinct and don't go for the cliche.
Perhaps having not contributed / followed FRAMEWORKS since its earlier incarnation when film was film and frameworks was film, it is wasted energy to complain / confront / oppose / question Freya's contribution from back in June (Sent: 29 June 2012 Yowch! When did film stop being film!? Must have missed it! I thought you had been here ages David. In my imagination in fact you were always here, and always will be. :) love Freya ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks
Re: [Frameworks] Trust your instinct and don't go for the cliche.
This made me really giggle after a couple of difficult days! Thankyou! I think we definitely need to share the terror. love Freya --- On Tue, 7/31/12, Thomas Dexter thomas.dex...@gmail.com wrote: From: Thomas Dexter thomas.dex...@gmail.com Subject: Re: [Frameworks] Trust your instinct and don't go for the cliche. To: Experimental Film Discussion List frameworks@jonasmekasfilms.com Date: Tuesday, July 31, 2012, 2:44 PM you will have to decide on a subject, whether nature, comedy, terror, romance, or art. I'll take TERROR. -t On Tue, Jul 31, 2012 at 6:18 AM, David Woods dwo...@holcus.karoo.co.uk wrote: Perhaps having not contributed / followed FRAMEWORKS since its earlier incarnation when film was film and frameworks was film, it is wasted energy to complain / confront / oppose / question Freya's contribution from back in June (Sent: 29 June 2012 11:59). But I will. Trust is conservative, reactionary, safe, passive Your is possessive Instinct is plain wrong; perhaps Freya means intuition, but it is unlikely that film imperatives / drives / inclinations / choices have any instinctual basis And - well there's always an and in a homily; it gives the appearance of option / choice / complexity Don't go for the - beware / danger / pergwl is it / naughty / forbidden fruit / breaking the fast / ignoring commandments / the way to oblivion of the soul Cliché - well that puts pay to many experimental films which play with cliché, doesn't it And as for the wet site which tell you how to make a (good) experimental film, I'd have it taken down if I could, as it is written by persons of limited understanding, cultural depth and knowledge. Better would be advice as to which books to read, films to see, thoughts to explore. Sorry Freya, your advice is a distraction. Now if you want to witness and learn from the fount of knowledge, then I suggest .(the message was interrupted at this point by the forces of convention) -Original Message- From: frameworks-boun...@jonasmekasfilms.com [mailto:frameworks-boun...@jonasmekasfilms.com] On Behalf Of Freya Sent: 29 June 2012 11:59 To: Experimental Film Discussion List Subject: [Frameworks] Trust your instinct and don't go for the cliche. How to make a good experimental film. Just follow the forumla/magic steps in this handy wiki and you will be well on your way! :) http://www.wikihow.com/Create-a-Good-Experimental-Film love Freya ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks -- Thomas M. Dexter www.thomasdexter.com 347.452.9223 -Inline Attachment Follows- ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks
[Frameworks] rick prelinger
I need a contact for Rick, which I got from this list before and can’t find now. Thanks...___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks
[Frameworks] Chris Marker Free Screening Sun 26th August @ LightIndustry (NY?)
I was very sad to hear about the passing away of Chris Marker as you know, although I had a big smile on my face that afternoon remembering all the things I love about his film Sans-Soliel. You can see that and a whole marathon of Marker at lightindustry on the 26th. http://www.lightindustry.org/forchrismarker Looks awesome, sadly I can't make it for various reasons but do check it out! love Freya ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks
Re: [Frameworks] Chris Marker Free Screening Sun 26th August @ LightIndustry (NY?)
i did not know you lived in nyc - freya On 8/1/12, Freya freya...@yahoo.com wrote: I was very sad to hear about the passing away of Chris Marker as you know, although I had a big smile on my face that afternoon remembering all the things I love about his film Sans-Soliel. You can see that and a whole marathon of Marker at lightindustry on the 26th. http://www.lightindustry.org/forchrismarker Looks awesome, sadly I can't make it for various reasons but do check it out! love Freya ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks -- Cari Machet NYC 646-436-7795 carimac...@gmail.com AIM carismachet Skype carimachet - 646-652-6434 Syria +963-099 277 3243 Amman +962 077 636 9407 Berlin +49 152 11779219 Twitter: @carimachet https://twitter.com/carimachet Ruh-roh, this is now necessary: This email is intended only for the addressee(s) and may contain confidential information. If you are not the intended recipient, you are hereby notified that any use of this information, dissimination, distribution, or copying of this email without permission is strictly prohibited. ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks
Re: [Frameworks] Editing examples - suggestions needed
The opening of 'Don't Look Now'. Works great with students. Also Roeg incuts sex with a tracheotomy in Bad Timing which, while 'experimental'ish (Eisensteinian for sure) may be dicey for students due to the subject matter. As in the montages in 'Requiem...' narrative filmmakers often turn to avant-garde motifs when they want to represent subjective experience outside of normal consciousness: drugs in that case, but extreme stress etc. in others. So you'll find some things in films like Donnie Darko, Memento, Fight Club... ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks
Re: [Frameworks] Editing examples - suggestions needed
Process Red and Critical Mass by Hollis Frampton. Matt http://www.youtube.com/user/matthelme007 From: Tim Halloran televis...@hotmail.com To: Experimental Film Discussion List frameworks@jonasmekasfilms.com Sent: Wednesday, August 1, 2012 10:12 AM Subject: Re: [Frameworks] Editing examples - suggestions needed Check out the non-cut space/time transitions in John Sayles' LONE STAR. Interesting and a wonderful effect. Tim Sent from my iPhone On Aug 1, 2012, at 9:29 AM, Patrick Friel patrick.fr...@att.net wrote: Hi All, Looking for examples for the Experimental Editing class I'm teaching again (solo this time!). I'm set with the actual experimental work, but want to show more clips from non-experimental films, particularly narrative, that utilize experimental editing techniques. Ideally things from the past 20 or so years, that would be in the average 20-ish year old film student's frame of reference. Blockbusters, mall pictures, Hollywood, international art house cinema, etc. I don't ordinarily see a lot of this work, so would welcome any ideas (cite a scene or specific part if you can). Two of the films that the kids pick on their own for their presentations are RUN LOLA RUN and ENTER THE VOID, for example. Best, Patrick Friel ___FrameWorks mailing listFrameWorks@jonasmekasfilms.comhttps://mailman-mail5.webfaction.com/listinfo/frameworks___FrameWorks mailing listFrameWorks@jonasmekasfilms.comhttps://mailman-mail5.webfaction.com/listinfo/frameworks___FrameWorks mailing listFrameWorks@jonasmekasfilms.comhttps://mailman-mail5.webfaction.com/listinfo/frameworks ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks
Re: [Frameworks] 16mm -- HD -- 16mm
Hey Jodie, I thought the same thing. The keycode is in the metadata so you don't need the window burn (except when you do). My EDL did not match my neg because my flex files were a total mess. Fotokem did the telecine to HDCAM, created the ProRes files and created the flex files. I thought I was saving time and money. It should have worked, but it turned into a massive headache instead. I had to crosscheck the Cinema Tools flex file keycode against the ProRes file which I checked against the work print - then I had to enter the actual/accurate keycode manually in Cinema Tools. It really makes you doubt when cutting your neg. Editing from a window burn version doesn't guarantee against bad EDLs. My friend had the EDL problem as well, but was able to crosscheck against his window burn. It makes it easier to correct and to do so confidently. I completely understand neg cutters requiring that. Skipping a step is only a time saver if the step was unnecessary which can only be determined in hindsight. If you still want to go that route, I would recommend you make sure the lab knows which version of FCP you are using. They need to make the flex files in that version and you need to stay in that version. This all happened when the school was between 6 and 7, so it could have caused or exacerbated the problem, but Fotokem wasn't sure. :) amy On Tue, Jul 31, 2012 at 8:42 PM, Jodie Mack jodiemac...@hotmail.com wrote: Calling all contemporary workflow afficionados! I am working on a new 16mm project and considering making an EDL from a telecine via Cinema Tools and FCP. From the EDL, I will cut my negative and make a sound print via A/B rolls. This will be my first time using a telecine and Cinema Tools to edit, and most of the information I’ve found involves a two-transfer telecine process (all dailies in SD first then select shots from EDL in HD). My shooting ratio is fairly low. I’d like to avoid transferring twice and use my HD edit as my video master. So, if possible, I’d like to just go ahead and transfer my rushes to HD Pro Res 24fps (no window burn) with Evertz keylog file, edit in FCP, generate an EDL, and cut my negative without running into any issues (3:2 pulldown or otherwise). Can any of you foresee any problems with this simplified, online-all-the-time workflow? Am I being naïve? I feel like this method could work for me - the two transfer process seems designed for large-scale productions. If any of you have worked this way or teach this workflow, I’d surely appreciate any advice you can offer. All the best, Jodie Mack ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks -- Amy Basen California Institute of the Arts Film Services Manager 24700 McBean Parkway Valencia, CA 91355 661-253-7886 ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks
Re: [Frameworks] Editing examples - suggestions needed
From Hollywood, of course the classic editing scene is the shower scene in Psycho. But, my highest recommendation for editing in main-stream film is the amazing The Hurt Locker, which is the most tightly edited film, throughout, that I've ever seen. And, it won an Academy Award. Ken B. Those who would give up essential liberty to purchase a little temporary safety deserve neither liberty, nor safety. Benjamin Franklin 1775 I know that the hypnotized never lie... Do ya? Pete Townshend 1971 On Wed, Aug 1, 2012 at 12:29 PM, Patrick Friel patrick.fr...@att.netwrote: Hi All, Looking for examples for the Experimental Editing class I'm teaching again (solo this time!). I'm set with the actual experimental work, but want to show more clips from non-experimental films, particularly narrative, that utilize experimental editing techniques. Ideally things from the past 20 or so years, that would be in the average 20-ish year old film student's frame of reference. Blockbusters, mall pictures, Hollywood, international art house cinema, etc. I don't ordinarily see a lot of this work, so would welcome any ideas (cite a scene or specific part if you can). Two of the films that the kids pick on their own for their presentations are RUN LOLA RUN and ENTER THE VOID, for example. Best, Patrick Friel ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks
Re: [Frameworks] Looking for a good lab
Hi, Lourdes, It really depends on location, money and how much care you want. On the boutique scale, I assume Film Technology still does 16mm. You can start with my friend Zac Fink at filmtech...@earthlink.net. They did the 16mm fine grain on KILLER OF SHEEP before they blew it up to 35mm. You also might want to try Fotokem. They're larger, but they've done excellent work for us. (EXILES, ARAYA, CONNECTION, ORNETTE.) My email-friend there is Kim Young (kyo...@fotokem.com). You can say I sent you with either one. On the East Coast, I like Cineric, Colorlab and Cinema Arts. Best regards, Dennis Doros Milestone Film Video/Milliarium Zero PO Box 128 / Harrington Park, NJ 07640 Phone: 201-767-3117 / Fax: 201-767-3035 / Email: milefi...@gmail.com Visit our main website! www.milestonefilms.com Visit our new websites! www.shirleyclarkefilms.com, www.comebackafrica.com www.ontheboweryfilm.com http://www.killerofsheep.com/ Support Milestone Film on Facebookhttp://www.facebook.com/pages/Milestone-Film/22348485426 and Twitter https://twitter.com/#!/MilestoneFilms! See the website: Association of Moving Image Archivistshttp://www.amianet.org/ and like them on Facebookhttp://www.facebook.com/pages/Association-of-Moving-Image-Archivists/86854559717 AMIA 2012 Conference, Seattle, WA, December 4-7!http://www.amiaconference.com/ On Wed, Aug 1, 2012 at 8:31 PM, Lourdes Portillo lporti...@mac.com wrote: Hello, i would be very grateful if someone could recommend a lab that does excellent work, I need to make some 16mm.prints. Thanks, lourdes Portillo ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks -- ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks
Re: [Frameworks] Looking for a good lab
Hi Dennis, Thank you so much. This is for NYMoMA where I just had a Retrospective and they are acquiring eight of my films for their archives, so it is really good work that I need. I also have some films on video, and wonder if it's better to deliver them in DigiBeta or in a a drive? Do you have any suggestions of what might be better? I will call both of your contacts and check it out and tell them you sent me. I thank you very much. Lourdes On Aug 1, 2012, at 6:12 PM, Dennis Doros wrote: Hi, Lourdes, It really depends on location, money and how much care you want. On the boutique scale, I assume Film Technology still does 16mm. You can start with my friend Zac Fink at filmtech...@earthlink.net. They did the 16mm fine grain on KILLER OF SHEEP before they blew it up to 35mm. You also might want to try Fotokem. They're larger, but they've done excellent work for us. (EXILES, ARAYA, CONNECTION, ORNETTE.) My email-friend there is Kim Young (kyo...@fotokem.com). You can say I sent you with either one. On the East Coast, I like Cineric, Colorlab and Cinema Arts. Best regards, Dennis Doros Milestone Film Video/Milliarium Zero PO Box 128 / Harrington Park, NJ 07640 Phone: 201-767-3117 / Fax: 201-767-3035 / Email: milefi...@gmail.com Visit our main website! www.milestonefilms.com Visit our new websites! www.shirleyclarkefilms.com, www.comebackafrica.com www.ontheboweryfilm.com Support Milestone Film on Facebook and Twitter! See the website: Association of Moving Image Archivists and like them on Facebook AMIA 2012 Conference, Seattle, WA, December 4-7! On Wed, Aug 1, 2012 at 8:31 PM, Lourdes Portillo lporti...@mac.com wrote: Hello, i would be very grateful if someone could recommend a lab that does excellent work, I need to make some 16mm.prints. Thanks, lourdes Portillo ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks -- ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks
Re: [Frameworks] Looking for a good lab
Dear Lourdes, In any agreement with MOMA, make sure the contract specifies that your films will be available for rental in the distribution catalogue effective X date, and they will always keep prints/tapes available for rent. And other details. MoMA is happy to throw things in their archive never to be seen again, if they don¹t have extra copies available for rent. They have all sorts of things that no one can actually access or view (except in their collection in Pennsylvania or wherever it is). Best regards, Adam On 8/1/12 7:09 PM, Dennis Doros milefi...@gmail.com wrote: Dear Lourdes, My pleasure. I suspect the archivists on this list (like Mark Toscano and Andrew Lampert) would have good ideas as well. As for the video, I would talk to MoMA's Katie Trainor (katie_trai...@moma.org) -- another old friend and head of their archive -- and see what they would like. Getting them digitized properly would be good for distribution later on but I suspect they will want tape. Best, Dennis On Wed, Aug 1, 2012 at 9:53 PM, Lourdes Portillo lporti...@mac.com wrote: Hi Dennis, Thank you so much. This is for NYMoMA where I just had a Retrospective and they are acquiring eight of my films for their archives, so it is really good work that I need. I also have some films on video, and wonder if it's better to deliver them in DigiBeta or in a a drive? Do you have any suggestions of what might be better? I will call both of your contacts and check it out and tell them you sent me. I thank you very much. Lourdes On Aug 1, 2012, at 6:12 PM, Dennis Doros wrote: Hi, Lourdes, It really depends on location, money and how much care you want. On the boutique scale, I assume Film Technology still does 16mm. You can start with my friend Zac Fink at filmtech...@earthlink.net. They did the 16mm fine grain on KILLER OF SHEEP before they blew it up to 35mm. You also might want to try Fotokem. They're larger, but they've done excellent work for us. (EXILES, ARAYA, CONNECTION, ORNETTE.) My email-friend there is Kim Young (kyo...@fotokem.com). You can say I sent you with either one. On the East Coast, I like Cineric, Colorlab and Cinema Arts. Best regards, Dennis Doros Milestone Film Video/Milliarium Zero PO Box 128 / Harrington Park, NJ 07640 Phone: 201-767-3117 tel:201-767-3117 / Fax: 201-767-3035 tel:201-767-3035 / Email: milefi...@gmail.com Visit our main website! www.milestonefilms.com http://www.milestonefilms.com/ Visit our new websites! www.shirleyclarkefilms.com http://www.shirleyclarkefilms.com/ , www.comebackafrica.com http://www.comebackafrica.com/ www.ontheboweryfilm.com http://www.ontheboweryfilm.com/ http://www.killerofsheep.com/ Support Milestone Film on Facebook http://www.facebook.com/pages/Milestone-Film/22348485426 and Twitter https://twitter.com/#!/MilestoneFilms ! See the website: Association of Moving Image Archivists http://www.amianet.org/ and like them on Facebook http://www.facebook.com/pages/Association-of-Moving-Image-Archivists/868545 59717 ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks
[Frameworks] Open Road on USA Projects - 1 Day Remaining
* * * 1 day remaining! for my USA Projects campaign to help support the completion of Open Road. I hope you will join RACC.org and the 39 amazing individuals who have already made a contribution. All donations are tax deductible, and though “perks” start at $25, donations of any dollar amount are welcome. “What are the Perks?”, you ask... A contribution of $25 gets you... A comp ticket to a screening of Open Road, either at the Portland premiere, or when it comes to your town. And Open Road will come to your town! $50 gets you... A comp ticket to a screening of Open Road, plus a DVD of Open Road. A DVD that will not be available for retail sale, so a rare item indeed. $100 gets you... Comp tickets for you plus one, plus the DVD, and a copy of the book Empty Quarter: Notes and Pictures. This book, now currently in the layout and design phase, is a supplement to Pam Minty and Alain LeTourneau’s experimental documentary Empty Quarter. The book contains essays by filmmakers and scholars, transcripts from interviews in the film, geographic information on southeast Oregon (the region documented in the film), and images from location stills and 16mm out takes from the production. $250 gets you... Comp tickets for you plus one, DVD, book, and dinner for two! Yes, it’s true, I can cook, and I’m not too bad at it. I will cook you and a guest a lovely home cooked meal, either at our home, or yours. The meal is meat or veggie, whatever your preference, wine or your beverage of choice and bit of sweets after the meal. And if the weather is pleasant I can serve the meal outside. $500 gets you... Comp tickets for you plus three, DVD, book, and dinner for four. What I say I will do above for two, I can magically do for four as well. You can find more details about Open Road and make a donation at the link below. http://www.usaprojects.org/project/open_road All donations are tax deductible!* * Open Road featured on Portland Architecture Blog: http://portlandarchitecture.com/ Sincerely, Alain LeTourneau* -- 40 FRAMES Alain LeTourneau Pam Minty 40 FRAMES 5232 North Williams Avenue Portland, Oregon 97217 USA +1 503 231 6548 www.40frames.org www.16mmdirectory.org www.emptyquarterfilm.org ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks
