Re: [Frameworks] Cine Kodak Super XX and panchromatic film

Super Double-X was the fastest film of its day. It had a Weston number of 100 which I think would put it around 250 ASA. If you have an old roll, I'd probably expose it at 100 ASA and then develop for the highlights in D-76.Cut a few inches off, put it in a 35mm still camera, shoot a frame an

Re: [Frameworks] Film supplies in Japan

Tak is not answering, besides Im in the need of 16 mm and 35 mm supplies more than 8 mm. 2017-09-10 21:36 GMT-03:00 Jean-Louis Seguin : > Contact: > http://retro8.com/english/englishindex.html > > Cheers, > Jean-Louis > > Sent from my iPhone > > On Sep 10, 2017, at 8:29 PM, Ignacio Tamarit > wr

Re: [Frameworks] Film supplies in Japan

Contact: http://retro8.com/english/englishindex.html Cheers, Jean-Louis Sent from my iPhone > On Sep 10, 2017, at 8:29 PM, Ignacio Tamarit > wrote: > > Hi Frameworks, > > Does anybody know where to buy film supplies in japan? splicing tape, leader > etc... > > thanks! > > -- > Ignacio Ta

[Frameworks] Film supplies in Japan

Hi Frameworks, Does anybody know where to buy film supplies in japan? splicing tape, leader etc... thanks! -- Ignacio Tamarit Lumiton Museo Usina Audiovisual Cabral 2354, Munro, Vicente López. Tel.: 4721-9255. ___ FrameWorks mailing list FrameWorks@jo

Re: [Frameworks] Thoughts on University of Amsterdam's Film Preservation Program

Dear Michael, The very cool thing about AMIA is we welcome *everyone*. There are the archivists, but also academics, librarians, students, filmmakers, film collectors, lab people, and yes, even distributors. The mandate of AMIA is very simple and right up front at www.amianet.com -- to foster coop

[Frameworks] Cine Kodak Super XX and panchromatic film

Hello everyone,  I recently acquired a roll of 16mm Kodak film from the 1940s. Cine Kodak Super XX. I'm wondering if anyone on the list might know of a developer for this film?  Is it still shootable? Since it's from the 1940s, I would suspect that it has a very low ISO and would need all the li

Re: [Frameworks] Thoughts on University of Amsterdam's Film Preservation Program

Dennis, Would the AMIA conference be helpful for those who are just beginning to pursue restoration and preservation as a new career option, or going back to school? As long as it accommodates those with a "sparse" background, it seems like it would give me a great window into the field. On a rel

Re: [Frameworks] Thoughts on University of Amsterdam's Film Preservation Program

Dear Michael, A lot of people do go on to work at those two archives and elsewhere, but honestly, I usually get to meet the students after they get jobs, so you might want to get the information from the school itself. The other school that has that preservation/curation dual study is NYU's MIAP

Re: [Frameworks] Thoughts on University of Amsterdam's Film Preservation Program

Dennis, Thank you for the information, that's very helpful. Great to hear the work at EYE is so hands-on and rigorous. I am primarily interested in the restoration side, but what's appealing about Amsterdam is the weight they seem to give both areas. That said, I have a friend with an interest in

Re: [Frameworks] Thoughts on University of Amsterdam's Film Preservation Program

Dear Michael, I'm not a graduate of the program and I can only talk on the Preservation side of the program, but I have great respect for the teachers -- Dr. Masson, Dr. Fossati, Professors Noordegraaf and Elsaesser. Also for Mark-Paul Meyer who's on staff. (The rest I don't personally know.) If y

[Frameworks] Thoughts on University of Amsterdam's Film Preservation Program

Hi Frameworks, I was hoping to get some thoughts from folks familiar with the Preservation and Presentation of the Moving Image master's program