detail&titzif=00002337&lang=en
Sincerely,
Damon Stanek
On Jan 12, 2013, at 5:01 PM, Jen Proctor wrote:
Hi everyone,
Can anyone point me to any good writing on the notion of the "loop"
in cinema (that is, the repetition of a strip of film over and
over)? Of course, one of the ways
Emily and list,
I noticed that, just after I pressed send, that your email address
is from the Walker. Sorry.
DS
On Jul 11, 2012, at 11:38 AM, Davis, Emily wrote:
Hello,
I’m trying compile a complete list of the Filmmakers Filming
monographs that were published by Film in the Cities
/archive/0/
AC83F142AA831F17616D.htm
and the email for a contact is: jill.vet...@walkerart.org
Good luck,
Damon.
On Jul 11, 2012, at 11:38 AM, Davis, Emily wrote:
Hello,
I’m trying compile a complete list of the Filmmakers Filming
monographs that were published by Film in the Cities from 1979 –
1981. I
the one of the other staff members. But
because it is small, the responses do not always return promptly...
(just my experience).
Good Luck,
Damon.
On Apr 30, 2012, at 2:56 PM, LJ Frezza wrote:
> hello folks
> does anyone have contact info for people in charge of programming for
>
Film sections are shrinking in all of the city's bookstores, but so
are the other sections. At this point, the largest film section
would probably be The Strand (12th St. & Broadway).
DS
On Apr 16, 2012, at 1:53 PM, Ryan Marino wrote:
St. Mark's books has a good selection of film books.
?exhid=76&p=images)
Tacita Dean (earlier works like Fernsehturm, Sound Mirrors and Bubble
House all between approx. 1998-2001).
Damon.
On Mar 22, 2012, at 1:39 PM, lance w wrote:
Hello,
I'm looking for examples of architecture in film. Thinking about
Alexander Kluge's Brut
said to haver maintained scale and
the aura of the Art--if we grant the orig. 35mm prints that aura.
Damon.
On Mar 5, 2012, at 6:54 PM, David Tetzlaff wrote:
Marilynn, implicitly if not explicitly, poses the question: "How is
it that filmmakers are not considered 'artists'
65, a year after the Jan. '64
premier of Sleep. What seems revisionist in the Vexations narrative
is that it seems to reduces Warhol to an acolyte of Rauschenberg/
Johns/Cage, and I believe he was more complicated than that--Contrary
to Warhol's own words. I'd love to hear more
reels into a lengthy film.
Sorry I don't have time at the moment to unpack this point as I'm
running out the door, but here is a link to some supporting
literature to this position:
http://www.warholstars.org/news/johncage.html
Damon S.
On Feb 12, 2012, at 5:29 PM, Myron Ort w
rom life,
or rather that it is deeply implicated in how we live our lives? If
that is the case, what would that art look like? Is it possible to
make work that is both political, and/or ethical which is not merely
a comment on its finite contextual moment destined to become dated in
"Secret Police", and the Obama Administration did not do its duty by
dismantling it, and rather they have come to find it a convenient tool.
Damon.
On Nov 9, 2011, at 4:44 PM, carli...@aol.com wrote:
In a message dated 11/9/2011 1:25:51 P.M. Pacific Standard Time,
jkne...@colgate.e
not
relegate painting to the bone yard--we may find digital technology
transform how industrial cinema operates, but the Artist will still
seek the materials they feel best suits the situation (whether that
is Kodak or RED).
Long live dead media (unencumbered by the expectations of masses).
er to find a copy of the journal where it was
originally published: Film Culture no. 53-55 (Spring 1972): 105-111.
I second the question about the Criterion set, does anybody know a
projected release date?
Damon.
On Sep 21, 2011, at 2:17 PM, Adam Hyman wrote:
I believe the script is in the n
13 matches
Mail list logo
