Re: [Frameworks] Maurice Maeterlinck - Death ,1911

[Robert Haller]

Please unsubscribe me from this list / all future email messages. - Haller

From:  giuseppe boccassini 
Reply-To:  Experimental Film Discussion List

Date:  Tue, 10 Dec 2019 18:46:18 +0100
To:  
Subject:  [Frameworks] Maurice Maeterlinck - Death ,1911

Hey there Frameworkers,

does anyone know places where I can get this book:
Maurice Maeterlinck - Death ,1911

It seems a bit controversial edition standing on what wikipedia says:
La Mort (Our Eternity ,first published in English, incomplete version
entitled Death ,1911; in enlarged and complete version in original French,
1913)

Thank you 
Have a nice day
Giuseppe


-- 
Giuseppe Boccassini
the tension to the invisible

filmmaker 
lightcone 
fracto
 
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Re: [Frameworks] Experimental films using Astronomy & Satellite imagery - recommendations

[Robert Haller]

Dear Adam,

Thanks fpr the mention of my astronomical series and English/French
catalog, but it was not called "universe" but GALAXY: AVANT-GARDE
FILM-MAKERS LOOK ACROSS SPACE AND TIME. Sadly it played in the week of
9/ll which meant that there was almost no media coverage, and it was
difficult for audiences to get to Anthology because so many of the streets
in lower Manhattan were blocked by emergency vehicles.--Robert Haller

On 9/13/16 1:28 PM, "Adam Hyman" <a...@lafilmforum.org> wrote:

>I'm working on programming a series around a theme of earth satellites &
>astronomy, for a museum that is doing an exhibition linked to JPL (Jet
>Propulsion Lab - the people behind our space probes, etc)
>
>This is supposed to be a more mainstream series, and there will be some
>Hollywood sci-fi features as part of it, so we're not going too far out
>(so to speak).
>
>But I'm looking for recommendations of experimental films that somehow
>involve/invoke astronomical imagery, or, perhaps even better, imagery of
>earth-orbiting satellites, and views of earth from satellites.  I hope to
>run one in front of each feature, or have one evening of them.
>
>I am thinking of:
>Films by Semiconductor ­ Brilliant Noise; Black Rain
>Films by Jeanne Liotta
>Films by Jordan Belson ­ Allures; Samadhi (1967); Cosmos (1969); World
>(1970)
>
>
>I have already been through Robert Haller's booklet on his series
>"Universe" but I think I am not going to stretch this series to include
>his time or other science-based films.  We're sticking with astronomy and
>satellites.
>
>Additional suggestions, please?
>
>Thank you for your help.
>
>Best regards,
>
>Adam
>
>-- 
>Adam Hyman
>Los Angeles Filmforum
>a...@lafilmforum.org
>http://www.lafilmforum.org
>
>
>
>
>
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Re: [Frameworks] Film/video programers/curators and campus film screenings

[Robert Haller]

Dear Michael,

In college I was at the University of Notre Dame where I was an
officer/programmer of the Student/Faculty Film Society. We mainly showed
foreign titles (Fellini, Kurosawa, Truffaut, DeSica, and other contemporary
directors) but also Bruce Conner; his  A Movie was shown five or six times
in two years with discussions about editing; when President Kennedy was
killed in Texas we were scheduled to show Last Year At Marienbad once, but
because  all campus events were canceled, except us, we showed the Resnais
film four successive times to sold out audiences.  We always provided typed,
well researched, program notes that we sent to living directors.
Michelangelo Antonioni  liked what I wrote about him and sent me a letter of
approval. So did Carl Foreman and John Frankenheimer (years later I got to
spend time with Frankenheimer and Antonioni). --Robert A. Haller, Anthology
Film Archives

From:  Michael Zryd 
Reply-To:  Experimental Film Discussion List

Date:  Thu, 17 Mar 2016 14:20:26 -0400
To:  Experimental Film Discussion List 
Subject:  [Frameworks] Film/video programers/curators and campus film
screenings

Hi Frameworks: I¹m doing some research on what connections (if any) exist
between people who program or curate film, video, and other moving image
media and their experiences in college and university.

Question: If you are currently programming or curating, did you get any
experience at a college or university campus film society or screening
series?

I know of histories in Toronto at universities like Ryerson, University of
Toronto, and York University, and have read anecdotal accounts from schools
like Binghamton, NY, where students from those schools programmed ambitious
experimental screenings on campus and then continued to program/curate
afterwards, but I¹m wondering how widespread that connection is. And whether
it¹s a North American phenomenon or if it occurs elsewhere.

Please share any stories or personal histories, either privately to me, or
to the listserv.

Thanks!
Michael Zryd € Associate Professor
Department of Cinema & Media Arts
School of the Arts, Media, Performance & Design

YORK UNIVERSITY 
York Lanes 230 € 4700 Keele Street
Toronto ON € Canada M3J 1P3
T 416.736.2100 x66957 / cell: 647-430-8680 / Skype: mjpzryd
z...@yorku.ca   €
http://ampd.yorku.ca/about-us/our-faculty/michael-zryd
  €
ampd.yorku.ca 


York University, one of 2015 Canada¹s Greenest Employers

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Re: [Frameworks] Women filmmaker autobiographies

[Robert Haller]

Re. Women writing about their film-making/autobiographies.  See Flesh Into
Light by Robert Haller ‹ on Amy Greenfield, with extensive writing by
Greenfield on her films. Book is in print from University of Chicago Press.
-- R. Haller

From:  George Robinson <george.robinson.communicati...@gmail.com>
Reply-To:  Experimental Film Discussion List
<frameworks@jonasmekasfilms.com>
Date:  Wed, 16 Sep 2015 02:44:40 -0400
To:  Experimental Film Discussion List <frameworks@jonasmekasfilms.com>
Subject:  Re: [Frameworks] Women filmmaker autobiographies


 Woman with a Movie Camera: My Life as a Russian Filmmaker by Marina
Goldovskaya, a documentarian
 The Memoirs of Alice Guy Blache
 HAMMER! Making Movies Out of Sex and Life by Barbara Hammer
 
 Hope this helps a bit,
 
 George Robinson
 
 
-- 

Check out my blogs: www.cine-journal.blogspot.com
<http://www.cine-journal.blogspot.com>  and
http://shirimkhadashim.blogspot.com
Follow me on Twitter: @GRCommunicati13
 
 
 
On 9/15/2015 11:59 PM, Noé Rodríguez wrote:
 
 
> Hello frameworkers,
>  
>  I am compiling a list of books written by filmmakers about their own work and
> contextualizing it within their life experience in the form of an
> autobiography of their life in relation to film.
>  I am interested in books by filmmakers reflecting on their practice in a deep
> personal way, where their ideas about film are framed within their particular
> approach to film-making and their personal understanding of what film is.
>  I am looking for full books, not articles. Books that compile personal essays
> reflecting on the filmmakers work are also considered. i.e Antonioni's
> Architecture of Vision.
>  
>  I have found numerous books written by filmmakers ranging from Jean Renoir to
> Brackhage, however I am having trouble finding examples of books like this
> written by women filmmakers.
>  If you could give me some recommendations, that would be greatly appreciated.
>  
>  Thank you very much,
>  
>  Noé 
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>  
 
 
 
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Re: [Frameworks] Stephanie Beroes

[Robert Haller]

Dear Ben,

I have not talked to Stephnie for some years, but the last address is 7
Partridge Drive, Sag Harbor, NY  11963 -- Robert Haller

On 5/27/15 3:55 PM, Ben Ogrodnik ben.ogrod...@gmail.com wrote:

Hello all, 
Long time lurker here. I wanted to ask if anyone might have contact
information (email address, really) for the filmmaker Stephanie Beroes. I
am a graduate student in film working on a piece about Beroes at the
moment, and wish to ask her some questions about her innovative
practice. Would be *extremely* grateful to anyone who can help me out
with this. Take care.
-Ben

Sent from my iPad
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Re: [Frameworks] Books on the History of Avant-Garde film in US

[Robert Haller]

Crossroads: Avant-Garde film in Pittsburgh in the 1970s, by Robert Haller,
Anthology Film Archives, 2005
First Light: Abstract Light Forms, edited by Robert Haller, Anthology Film
Archives, 1998
-- R. Haller

From:  Andy Ditzler a...@andyditzler.com
Reply-To:  Experimental Film Discussion List
frameworks@jonasmekasfilms.com
Date:  Thu, 29 Jan 2015 13:53:24 -0500
To:  Experimental Film Discussion List frameworks@jonasmekasfilms.com
Subject:  Re: [Frameworks] Books on the History of Avant-Garde film in US

Steve Anker, et al, Radical Light: Alternative Film and Video in the San
Francisco Bay Area, 1945-2000
Bart Testa, Back and Forth: Early Cinema and the Avant-Garde
A. L. Rees et al, Expanded Cinema: Art, Performance, Film
Robin Blaetz, Women¹s Experimental Cinema: Critical Frameworks
Scott MacDonald's edited volumes of primary documents on Art in Cinema and
Cinema 16
Robert Pike, A Critical Study of the West Coast Experimental Film Movement
(UCLA dissertation, 1960)
Jeffrey Skoller, Shadows, Specters, Shards: Making History in Avant-Garde
Film
Stephen Dwoskin, Film Is: The International Free Cinema
David E. James, Allegories of Cinema

-- 

Andy Ditzler
www.filmlove.org http://www.filmlove.org/
www.johnq.org http://www.johnq.org/
Graduate Institute of the Liberal Arts, Emory University

On Thu, Jan 29, 2015 at 1:16 PM, Michael Betancourt
hinterland.mov...@gmail.com wrote:
 I'm sure I'm forgetting something, so please help!
 
 
 Histories of avant-garde film in the United States:
  
  
 Lewis Jacobs, ³Experimental Cinema in America 1921-1947² in The Rise of the
 American Film (1948)
 Roger Manvell, Experiment in the Film (1949)
  
 Gregory Battcock, The New American Cinema (1967)
  
 Sheldan Renan, An Introduction to the American Underground Film (1967)
  
 Parker Tyler, The Underground Film: A Critical History (1698)
  
 Gene Youngblood, Expanded Cinema (1970)
  
 David Curtis, Experimental Cinema (1971)
  
 Amos Vogel, Film as a Subversive Art (1976)
  
 P. Adams Sitney, Visionary Film (1974)
  
 Maureen Turin, Abstraction in Avant-Garde Films (1978/85)
  
 William Wees, Light Moving in Time: Studies in the Visual Aesthetics of
 Avant-Garde Film (1992)
  
 Scott MacDonald, Avant-Garde Film Motion Studies (1993)
  
 James Peterson, Dreams of Chaos, Visions of Order (1994)
  
 Jan-Christopher Horak, Lovers of Cinema: The First American Film Avant-garde,
 1919-1945 (1998)
  
 Joan Hawkins, Cutting Edge: Art-Horror and the Horrific Avant-Garde (2000)
  
 Bruce Posner, Unseen Cinema: Early American Avant-Garde Film 1893-1941 (2001)
  
 Lauren Rabinovitz, Points of Resistance: Women, Power, and Politics in the New
 York Avant-garde Cinema, 1943-71 (2003)
  
 David E. James, The Most Typical Avant-Garde: History and Geography of Minor
 Cinemas in Los Angeles (2005)
  
 Paul Arthur, Line of Sight: American Avant-Garde Film Since 1965 (2005)
  
 Alexander Graf, ed., Avant-Garde Film (Avant-Garde Critical Studies 23) (2007)
  
 A. L. Rees, A History of Experimental Film and Video (2011)
 
 
 Michael Betancourt
 Savannah, GA USA
 
 
 michaelbetancourt.com http://michaelbetancourt.com
 twitter.com/cinegraphic http://twitter.com/cinegraphic  |
 vimeo.com/cinegraphic http://vimeo.com/cinegraphic
 www.cinegraphic.net http://www.cinegraphic.net  | the avant-garde film 
 video blog
 
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Re: [Frameworks] Nam June Paik writings?

[Robert Haller]

Dear Greg,

Please send me you postal address at Columbia, Anthology published several
writings by Paik that you or Joh may not know of. -- Robert Haller

From:  Gregory Zinman gzin...@mac.com
Reply-To:  Experimental Film Discussion List
frameworks@jonasmekasfilms.com
Date:  Thu, 10 Apr 2014 23:49:23 -0400
To:  frameworks@jonasmekasfilms.com
Subject:  [Frameworks] Nam June Paik writings?

Hello,

I am currently editing, with John Hanhardt and Edith Decker-Phillips, the
forthcoming Nam June Paik: Selected Writings (The MIT Press).

The editors are looking for examples of significant writing by Paik,
reflecting his creative and critical thinking, including his ideas about art
and media, history, politics, and technology. We are currently visiting
numerous archives and collections for relevant materials, but would
appreciate any information regarding where other writings of Paik may be
sourced, or if individuals are in possession of writings by or
correspondence from Paik that they would be willing to contribute to the
collection. 

Thank you for your help, and please do not hesitate to contact me with any
questions.

Greatly appreciated,

Greg

Gregory Zinman, Ph.D.
ACLS New Faculty Fellow
Film Program, School of the Arts
Columbia University

gaz2...@columbia.edu
handmadecinema.com http://handmadecinema.com/

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Re: [Frameworks] artist portraits

[Robert Haller]

Dear Nicky,

I urge you to contact Pip Chodorov who is about to publish a catalog of some
40+ portraits that I made.  It is, I am told, at the printer. -- Robert
Haller

From:  nicky.ham...@talktalk.net
Reply-To:  Experimental Film Discussion List
frameworks@jonasmekasfilms.com
Date:  Fri, 07 Feb 2014 14:51:40 -0500
To:  frameworks@jonasmekasfilms.com
Subject:  Re: [Frameworks] artist portraits

If Arnulf Rainer, then by the same logic Kurt Kren: 11/65: Bild Helga
Philipp,

Nicky.
 
 
 
-Original Message-
From: Gawthrop, Rob rob.gawth...@falmouth.ac.uk
To: Experimental Film Discussion List frameworks@jonasmekasfilms.com
Sent: Fri, 7 Feb 2014 14:58
Subject: Re: [Frameworks] artist portraits

Arnulf Rainer by Peter Kubelka
(Nostalgia) by Hollis Frampton  includes: James Rosenquist, Carl Andre,
Frank Stella, Larry Poons, Michael Snow etc.

Rob


On 05/02/2014 01:16, kate lain k...@katemakesfilms.com wrote:

 Hi, frameworkers.  I'm looking for examples of portraits of artists and/or
 their processes or their works -- sculptors, musicians, poets, other
 filmmakers, etc.  Really interested in hearing about non-standard,
 non-straight-doc, artistic/artist-made films and videos about other
 artists.  Particularly keen on short works.  Bonus points for ones
 available in some form online.  Thanks in advance for any suggestions you
 might have!

 All the best,
 Kate



Falmouth University

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Re: [Frameworks] Going rate for licensing film footage to large museums

[Robert Haller]

Dear Bruce,

I don¹t understand the question. Some museums prefer to show a recycling DVD
instead of 16 or 35 mm films‹in galleries. If a film is to be shown two or
three times a week in a theater, the rate would be different. The Museum of
the Moving Image or MoMA have had experience in both options. The problem
with repeatedly showing a film print is that wear and tear degrade prints
rapidly (more than 10 to 20 times), requiring replacements. DVDs have much
less of this problem. Does this address your concerns? -- Robert Haller


On 3/11/13 4:20 PM, Bruce McPherson bmcp...@verizon.net wrote:

  Does anyone have an idea, roughly, what the rate per minute of film would be
 for inclusion in a 5-month art exhibition at a major museum, e.g. MOMA,
 Walker, etc.?
 Thanks,
 Bruce McPherson
  
 
 
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Re: [Frameworks] Johnathan Schwartz contact

[Robert Haller]

Dear Ekrem,

Read the book. A check is in the mail too. -- Robert Haller


On 1/31/13 1:08 AM, Ekrem Serdar ekremser...@gmail.com wrote:

 Got it, thanks folks!
 
 
 On Wed, Jan 30, 2013 at 11:27 PM, Ekrem Serdar ekremser...@gmail.com wrote:
 Hey framers,
 
   If anybody out there has contact info for filmmaker Johnathan Schwartz,
 please do send it along.
 
 cheers!


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Re: [Frameworks] Hi

[Robert Haller]

Dear tony,

My phone is 212-505-5181, ex 12.  Is Jerry back from Singapore? --Robert
Haller


On 11/4/12 3:05 PM, Tony Conrad con...@buffalo.edu wrote:

 Hi Rob--

Been thinking of you, and misplaced your phone number...or
 how about skype?

t0ny

tonyconrad
 716-400-8738


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Re: [Frameworks] Experimental Science Films

[Robert Haller]

Dear Frameworks,

Re. films about or evocative of physics or astronomy. Jim Davis¹s films are
suggestive of cosmic genesis, plasma energy, or ³liquid² light, with waves
of color.  Especially Color Dances (1952), Becoming (1955), Energies (1957),
Impulses (1959). For more on Davis and his often abstract cinema see my
forthcoming book ³Dancing With Light² (Anthology Film Archives, 2012). -R.
Haller


On 6/13/12 2:30 AM, nicky.ham...@talktalk.net nicky.ham...@talktalk.net
wrote:

  In a similar vein: John Smith: Celestial Navigation.
 
 Nicky. 
  
  
 
 On Tue, Jun 12, 2012 at 6:22 PM, Jesse Malmed jesse.mal...@gmail.com wrote:
 A few things that popped into my head:
 
 Christine Negus - For, Like Ever
 Penny Lane - Voyagers
 Ben Popp - Lazslo Lassu
 Makino Takashi - Intimate Stars, still in cosmos, many others
 
 These each have pretty tangential/tenuous/(in)terpretive connections to
 space, science and stars but are each interesting and might add texture to a
 program.
 
 -Jesse
 
 
 On Tue, Jun 12, 2012 at 4:29 PM, Mark Toscano fiddy...@yahoo.com wrote:
 Jean Painleve certainly comes to mind.  And the Eameses.
 
 In a less rigidly scientific vein:
 
 Courtney Hoskins has a series of abstract films based on the Gallilean
 satellites:
 http://www.courtneyhoskins.com/film/the-galilean-satellites-europa/
 
 Stellar (Stan Brakhage)
 Crystals (1951)  Micro 2 (1952) (Elwood Decker)
 It Doesn't Matter (Lori Felker)
 The Man Who Could Not See Far Enough (Peter Rose)
 ...These Blazeing Starrs! (Deborah Stratman)
 Why Man Creates (and other films) (Saul Bass)
 
 Mark T
 
 
  
  
  
   
 
   From: Co-op c...@chicagofilmmakers.org
  To: frameworks@jonasmekasfilms.com
  
 Sent: Tuesday, June 12, 2012 1:18 PM
 
  Subject: [Frameworks] Experimental Science Films
  
  
  
 Besides the work of Semiconductor and Telcosystems, are there other
 experimental science artists or films that take up astronomy, particle
 physics, or other scientific disciplines?
 
 Todd Lillethun
 Program Director
 Chicago Filmmakers
 5243 N. Clark St.
 Chicago, IL 60640
 773-293-1447
 www.chicagofilmmakers.org http://www.chicagofilmmakers.org
 
 
 
 
 
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[Frameworks] Analytic books on experimental film-makers

[Robert Haller]

Re. detailed analysis of an experimental film-maker.  May I, acknowledging
my marital relationship with her, suggest my book Flesh Into Light: The
Films of Amy Greenfield, which has just been published by Intellect Books
(UK), and University of Chicago Press (US). This is not to say my text ranks
above any of the books of P. Adams Sitney or Robin Wood, or the multi-volume
set on D.W. Griffith, all of whom inspired me. -- Robert Haller


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Re: [Frameworks] Experiments in Cinema programs now available!

[Robert Haller]

Dear Bryan,

Please send us the catalog.
Anthology Film Archives
Attn Library
32 Second Avenue
New York, NY 10003
--Robert Haller


On 4/1/12 1:05 PM, Bryan Konefsky bry...@unm.edu wrote:

 Hello everyone - As we have done in past years we would 
like to continue to
 offer a copy of our printed program 
(v7.9) free to those of you who might be
 interested. 
 Please email me (see address below, send me your mailing
 
address and I'll send a copy to you!

all the best and remember, happiness is
 a warm and well 
lubricated projector.

Bryan Konefsky, Visualiste
Lecturer,
 Dept. of Cinematic Arts, University of New 
Mexico
Artistic Director,
 Experiments in Cinema
President, Basement Films
Advisory Board, Ann Arbor Film
 Festival
guest curator, Southwest Gay  Lesbian Film
 Festival

Cell: 505.235.1852

PO Box
 9337
Albuquerque, NM 87119 USA

As the spirit wanes the form
 appears. - Charles Bukowski

NOT sent from my iPhone
 4S
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Re: [Frameworks] alexander hammid the czech avant-garde

[Robert Haller]

Dear Eleni,

Contact Martina Kudlacek mina...@verizon.net. -- Robert Haller


On 12/8/11 10:52 AM, eleni tranouli e.trano...@gmail.com wrote:

 Hello Frameworkers, 
 
 i'm currently searching for books on Alexander Hammid and the czech
 avant-garde of the early 20th century in Paris and I stumbled upon the
 following title: 
 
 Michael Omasta, Tribute to Sasha, SYNEMA 2002, vienna
 
 The book seems so difficult to track down. 
 
 Any suggestions?
 
 Thanks!
 Eleni Tranouli
 
 
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Re: [Frameworks] Millennium Film Workshop Members Meeting Sunday October 16, 7:00pm

[Robert Haller]

Dear Jay,

I am a long time friend of Millennium, am puzzled by what is going on.  If
there is a problem, why has it not been described in your e-mails? Where
does Howard fit into all of this? You speak of the survival of Millennium
but I wonder in what sense. What happened at the last meeting that was
quite a success? Why is there so much mystery here? -- Robert Haller


On 10/12/11 12:34 AM, Jay Hudson jkh30...@gmail.com wrote:

 Dear All:

This is a reminder that there is a members meeting Sunday,
 October
16th at 7:00pm at the Millennium Film Workshop, 66 E 4th
 between
Bowery and 2nd Avenue.  Doors open at 5:00 for those who wish
 to
register as members.  This meeting is crucial to the survival of
 the
Millennium Film Workshop, an essential institution for the New York
film
 community.  It is extremely important that everyone who is
concerned about its
 continuance attend this meeting.

The focus of the meeting will be to elect a
 board of directors and an
executive director.  After that, there will be a
 discussion on the
current issues surrounding the Millennium.  The meeting is
 open to the
public.

Please get the word out to everyone you know.  If we have
 a successful
attendance, the Millennium will not only survive, but revive
 and
flourish.  The last public meeting was quite a success.  I wish to
 see
this members meeting build on this accomplishment.

Please contact me at
 this address with any questions and comments.  I
can't wait to see you
 there!

Best,
Jay Hudson

Members Meeting
Millennium Film Workshop
66 E 4th,
 between 2nd and Bowery
7:00pm
Door open
 5:00pm
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Re: [Frameworks] Mirror/Lens screening/ conference at the University of Cambridge

[Robert Haller]

Dear Meg,

I urge you look at my forthcoming ³Flesh Into Light² from Intellect Books
(www.intellectbooks.com). It should be in print in December, and deals with
images of women by a woman film-maker, Amy Greenfield. --Robert Haller


On 9/22/11 12:29 PM, margaret jamieson mvjamie...@gmail.com wrote:

 Dear Frameworks: I would relish suggestions for a screening I am filling out
 here at the University of Cambridge. We are trying to explore how  feminist
 film studies can provide a framework and language for looking at the images of
 women that female filmmakers create, as well as opening a discussion about the
 realities of women in various film industries. I would love any thoughts you
 may have. 
 
 my thanks--Meg Jamieson
 
 
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