How about re-shooting films? Like Tom,Tom the Piper's son by Jacobs and
Outer Space by Tscherkassky.
On Tue, Apr 8, 2014 at 10:13 PM, Dominic Angerame
dominic.anger...@gmail.com wrote:
16mm
Dominic Angerame
On Thu, Apr 3, 2014 at 6:54 AM, Green, Ron green...@osu.edu wrote:
Stan Lawder's *Runaway *is 16mm copy of a 16mm? or 35mm? film shot
off of a video monitor, with video-to-16mm frame-rate-phase-interference
lines featured as part of the looping rhythmics.
Gary Beydler's *Hand Held Day *and *Pasadena Freeway Stills *demonstrates
the animation of still photos, as does, profoundly, Thom Andersen's
Muybridge film.
Lots of Michael Snow's other work besides *Wavelength* plays with
remediation, e.g. *One Second in Montreal.*
A nice topic--it's no wonder there's so much of it, since we're
constantly under remediation alert.
Ron
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