Thanks to all. I especially appreciate Jonathan Walley's skepticism bout
the entire venture! I share that skepticism, actually
all the best,
Mark
On Fri, Dec 15, 2017 at 6:50 AM, wrote:
>
> As some of this is perhaps about intent and ways of thinking I'd push
As some of this is perhaps about intent and ways of thinking I'd push for
you to consider those that were never made. Leopold Survage, designs for
his 'Le Rythme Colore' for instance. OK it dates from 1913 but being
flexible with dates could accomodate an ever so slightly wider range of
I pretty much agree with Jonathan here.
Two other elements: the avant-garde of the 1920s, and even more so I
think the American movement beginning with Harry Smith and Maya Deren,
operated simultaneously in opposition to the naive representationalism
of the dominant commercial cinema and
Would that I could resist this, but no…
It’s probably a little dangerous to think of these films as “experimental” in
any strong sense of that term, since mostly the “experiments” on view in these
films are about cultivating film’s ability to tell stories; or else, formal
experimentation was
isco
Torres <fjtorre...@gmail.com>
Enviado: Wednesday, December 13, 2017 1:40:30 PM
Para: Experimental Film Discussion List
Asunto: Re: [Frameworks] Experimental Films before 1910
The films of Segundo De Chomon are worth a look.
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The films of Segundo De Chomon are worth a look.
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Mark
Apart from obvious Méliès & Zecca … some regressive historians have
considered early films (sometimes insultingly described as primitive) based
mainly on formal achievement ( the first close-up, edit etc.) or precursors of
hollywood narrative (point of view, establishing shots etc.)
Hi Mark,
One favorite springs to mind immediately: *Ladies Skirts Nailed to a Fence*
(1899)/. Two women (actually men in drag) stand at a fence gossiping, and a
young scalawag sneaks up behind them, pulls the ends of their long,
Victorian skirts through the slats in the fence, and nails them to