Abstraction and the Holocaust (Yale, 2007), by Mark Godfrey___
FrameWorks mailing list
FrameWorks@jonasmekasfilms.com
https://mailman-mail5.webfaction.com/listinfo/frameworks
Thank you everyone for these suggestions, lots of good works to follow on,
thanks again for sharing.
Kelly
On Tue, Oct 8, 2013 at 3:59 PM, Kate Dollenmayer dollenma...@gmail.comwrote:
Fear of Blushing by Jennifer Reeves
On Tue, Oct 8, 2013 at 11:48 AM, Chuck Kleinhans
Thank you everyone for your responses. These are satisfying the itch
behind this question. I very much agree, the terms 'political' and
'abstract' both have so much grey area around them. I'm interested in
exploring these varying degrees of grey behind this question.
Brakhage's production as
BLACK TV Aldo Tambellini
_
Von: FrameWorks [mailto:frameworks-boun...@jonasmekasfilms.com] Im Auftrag
von Kelly Sears
Gesendet: Montag, 7. Oktober 2013 05:00
An: frameworks@jonasmekasfilms.com
Betreff: [Frameworks] abstraction and politics
Dear frameworkers,
I would love
On Oct 8, 2013, at 11:26 AM, Steve Polta wrote:
Seeking the Monkey King by Ken Jacobs is entirely abstract visually but uses
textual intertitles to specifically comment on capitalism, the current economy,
the Occupy movement, etc.
I agree this is a particularly apt example.
While not quite
Fear of Blushing by Jennifer Reeves
On Tue, Oct 8, 2013 at 11:48 AM, Chuck Kleinhans
chuck...@northwestern.eduwrote:
On Oct 8, 2013, at 11:26 AM, Steve Polta wrote:
*Seeking the Monkey* *King* by Ken Jacobs is entirely abstract visually
but uses textual intertitles to specifically
While they probably wouldn't normally be considered political, some
Stan Brakhage films are short, abstract works that can be seen, at
least in part, as meditations on certain cultural histories. For
examples: Unconscious London Strata, In Consideration of Pompeii,
b Series (containing
Kelly,
This is an interesting question, and it demands a complicated answer. First, I
think it's important to note that abstraction is not an absolute but that
there's a large gray area between abstraction and representation. I'd argue
that many if not most experimental films inhabit that
Of course, Brakhage, and of course, 23rd Psalm Branch. I have also
argued, for example in my liner notes for the Criterion DVD, that his
work as a whole constitutes an argument against our object-oriented,
commodified, static, consumerist culture. This to me is arguably a
profounder
Dear frameworkers,
I would love to pick your collective brain about some film/videos that use
abstraction to address political, social, or cultural histories. I would
double love it if anyone had any suggestions of writings on this topic as
well. I'm interested in learning more about how this
Films and writings of (and about) Paul Sharits, Peter Gidal, Malcolm
LeGrice
Fred Camper
Chicago
Quoting Kelly Sears kelly.se...@gmail.com:
Dear frameworkers,
I would love to pick your collective brain about some film/videos that use
abstraction to address political, social, or
11 matches
Mail list logo
