Hello all, recently I put out a call for material for a show. I wanted to
restrict it to SF Bay Area filmmakers only, but now I've decided to extend
it to anyone anywhere. If it happens, the screening will occur at De Anza
College in California, one of the best community colleges in the Silicon
Val
http://www.guardian.co.uk/artanddesign/2011/oct/10/tacita-dean-film-turbine-hall
http://www.guardian.co.uk/artanddesign/2011/oct/10/tacita-dean-film-review
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Hello frameworks community!
My name is Tess Martin and I'm an animator based in Seattle. I posted a while
back about needing a place to stay in NYC, when I was there with a program of
experimental animated shorts from Seattle called 'Inter-Action'. I was
delighted to receive a very nice offer f
Dear Frameworkers,
In light of the recent revival of the perpetual film vs. video conflict, I
would like to publicize this screening that will be occurring in San
Francisco at Artist Television Access next weekend which hopes to focus on
affinities between certain experimental film and video practi
Hi Frameworks, I'm at last attempting to do some Super 8 blowups to 16mm but am
confounded at finding the right printer/lens/bellows configuration. I've
attempted to do the setup recommended by JK at:
http://www.jkcamera.com/digital_instr_.htm
with no luck, I just get a blurry grey image. I'm us
What camera are you using? Is it a bolex reflex? Can you see the image through
viewfinder? And if so, is it in focus when youve sot your previous outoffocus
attempts?
Sent from my iPod
On Oct 10, 2011, at 9:47 PM, John Woods wrote:
> Hi Frameworks, I'm at last attempting to do some Super 8 bl
What kind of a lens are you using? I believe the proper lens to use for
optical printing is an enlarging lens. Camera lenses have different number
and arrangement of optical elements. I have used a 50mm slr lens to blow up
s8 to 16 and it required a ridiculous amount of extension tubes, like
200mm
Thanks Robbie, its a H16 Rex 5 Bolex. I've used this printer setup to
successfully do straight 16mm work in the recent past. In trying out the Super
8 gate I have not yet printed any film.
JK recommends a 50mm lens with ballpark distances of 9" from gate to gate, with
a 1.5" tube extension and
