Dear Frameworkers - I am looking for inspiration for a film project. I
would like to see non fiction or documentary films that are abstract or
make extensive use of abstract imagery or sound. Can be narrative, loosely
narrative, or entirely non-narrative.
I am already familiar with Man With The Mo
/sleep furiously/ by Gideon Koppel
George Robinson
On 3/7/2012 11:40 AM, Lars Fuchs wrote:
Dear Frameworkers - I am looking for inspiration for a film project. I
would like to see non fiction or documentary films that are abstract
or make extensive use of abstract imagery or sound. Can be nar
If any of you live in or around Toronto - I’m having a mini-retrospective
at the Art Gallery Of Ontario in Jackman Hall theater this Saturday, March
10th. The screenings will be at 2 PM and 6 PM. I’ll be there to talk with
audience.
And on-going all day in the gallery outside the theater will be
All film by Artavazd *Pelechian*.
2012/3/7 George Robinson
> *sleep furiously* by Gideon Koppel
>
> George Robinson
>
>
>
> On 3/7/2012 11:40 AM, Lars Fuchs wrote:
>
> Dear Frameworkers - I am looking for inspiration for a film project. I
> would like to see non fiction or documentary films
Hey frameworks,
Does anyone on the list have any hands on experience with networkable
standalone media players? There seems to be two different models that I know of
people using: the BrightSign and the Adtec signEdje. i don't see a huge
difference between the two on paper, but wanted to see if
MFJ 55 "Structures & Spaces: Cine-Installation" will be available later this
month. The cover is now uploaded to our blog:
mfj-online.org/news.
Grahame
MIllennium Film Journal
mfj-online.org
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> Anyone can walk by a painting liking it or not, but sitting in a darkened
> room as a captive audience may not have quite as many dedicated fans
True. But people who walk by a painting not liking it aren't exactly fans. One
of the benefits of a proper theatrical screening space is that viewers
Given your examples, i think you might better describe the imagery as poetic or
figurative rather than abstract. That is, we see see images of identifiable
things, but they are not the explicit subject of the text. Yes?
If so, I would highly recommend you take a look at Crooked Beauty by Ken Pau
http://vimeo.com/36093126
Myron Ort
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This reminds me of SOP in the filmmaking department of the School of the Art
Institute of Chicago c. 1980. The department's own screening room was closed
at the start of a screening event, and you couldn't enter or leave until an
official break. Late arrivals had to wait outside. No so much d
Actually I mean both. (BTW I just ordered a copy of Crooked Beauty.)
Figurative imagery as you describe is perhaps my first interest, but I am
very keen to see how abstract imagery can be used expressively.
The project I'm working on is a personal exploration of identity and
belonging. Some of tha
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