Dear Gyula Nemes,
Never put film in your checked luggage because the Xray machines are
much stronger for the hold.
You can see those effects in the film Degradation 1 by James
Schneider (there are stills on his website:
http://blog.jamesjune.info/films.html). He put his film successively
thro
-
> From: Scott Dorsey
> To: frameworks@jonasmekasfilms.com
> Cc:
> Bcc:
> Date: Mon, 18 Dec 2017 13:01:34 -0500
> Subject: Re: [Frameworks] 16mm questions
> The effect is cumulative. One pass might not hurt... ten likely will.
> Measure fog density and you'll know,
om/amandat
http://www.irisfilmcollective.com
-- Forwarded message --
From: Scott Dorsey
To: frameworks@jonasmekasfilms.com
Cc:
Bcc:
Date: Mon, 18 Dec 2017 13:01:34 -0500
Subject: Re: [Frameworks] 16mm questions
The effect is cumulative. One pass might not hurt... ten likely will.
Measure fog den
Thank you so much for your answers, dear friends.
It looks airport x-ray doesn't effect the material that much.
The best price/quality option is still Kodak, and those frozen Fuji
materials which I also use recently.
All the best,
2017-12-18 21:31 GMT+01:00 Sean Weitzel :
> And it's polyester.
>
And it's polyester.
On Dec 18, 2017 10:03 AM, "Scott Dorsey" wrote:
> > Wittner Chrome is also making some colour reversal film, although
> > overpriced :
>
> Actually, that's from the remaining Agfa stock. It's an Agfa aerial film
> rebadged.
> --scott
> ___
> Wittner Chrome is also making some colour reversal film, although
> overpriced :
Actually, that's from the remaining Agfa stock. It's an Agfa aerial film
rebadged.
--scott
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The effect is cumulative. One pass might not hurt... ten likely will.
Measure fog density and you'll know, but of course by then it's too late.
--scott
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I have quite a bit of unopened frozen Fuji Reala.
On Mon, Dec 18, 2017 at 9:53 AM, Scott Dorsey wrote:
> I ask for a hand-inspection and I have never had any problems getting a
> hand inspect on film except in Germany. Travelling within Europe it's
> often a good idea just to ship film ahead by
I tried to have hand-inspection in the airports of Stansted London and
Palermo but I was not successful. They insisted that everything has to be
scanned. They said that under 800 ASA film shouldn't be affected (I don't
know if it is true or not).
I was travelling with ADOX PAN-X REVERSO SUPER8 (ASA
Wittner Chrome is also making some colour reversal film, although
overpriced :
http://www.wittnercinetec.com/epages/WittnerCinetec-Super8-16mm-Film.sf/en_GB/?ObjectPath=/Shops/WittnerCinetec-Super8-16mm-Film/Categories/%2216mm%20Filme%22
2017-12-18 15:53 GMT+01:00 Scott Dorsey :
> I ask for a h
I ask for a hand-inspection and I have never had any problems getting a
hand inspect on film except in Germany. Travelling within Europe it's
often a good idea just to ship film ahead by mail. Mark the packages
DO NOT X-RAY and you will not have an issue.
Orwo makes excellent B&W filmstock, and
Dear celluloid enthusiasts,
I'm working on 16mm Bolex, travelling worldwide.
Can I ask you some advices?
1.Do you have any experiences in airport x-ray damages? Is x-ray effective
or not? Do lead-line bags protect the material or make even more problems
with security guards?
Airports say it's OK
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