De: nicky.ham...@talktalk.net nicky.ham...@talktalk.net
Para: frameworks@jonasmekasfilms.com
Enviado: Martes 26 de noviembre de 2013 10:59
Asunto: Re: [Frameworks] Found Soundtrack Films
Ifthis category includes films that use radio broadcast as found sound then
William Raban's At One
: Re: [Frameworks] Found Soundtrack Films
I will citeKen's anamorphic astonishmentKRYPTON IS DOOMED
(2005)http://www.eai.org/title.htm?id=10759also see Mary Helena Clark's most
amazingAND THE SUN FLOWERShttp://vimeo.com/42048057(Here found sound starts at
2:04 approximately.)DBOn Nov 25, 2013
Arthur Lipsett’s films are composed almost entirely of “found sound.”
--Bill Wees
From: FrameWorks [mailto:frameworks-boun...@jonasmekasfilms.com] On Behalf Of
Albert Alcoz
Sent: November 24, 2013 3:56 PM
To: frameworks@jonasmekasfilms.com
Subject: [Frameworks] Found Soundtrack Films
Hi,
Max de Haas, Jean Gremillon, Enrico Fulchignoni, and Jean Rouch are
listed with re: the Groupe de Recherche de Musique Concrète esp
'52-'56
cf Section 2.4.4 in http://music.arts.uci.edu/dobrian/CMC2009/OS12.3.Gayou.pdf
Al Matthews - http://fatmilktv.com
Atlanta, GA, US +1 337 214 4688
On Mon,
I think what Albert's asking for are films that utilize a more or less intact
found soundtrack, rather than a collaged soundtrack that includes found sound
segments.
Lipsett, Pat O'Neill, and plenty of other artists have made some exciting use
of collaged found elements, but I'd also love to
SHELLY WINTERS by Luther Price
(from an interview in Big Red Shiny)
*TN* *In your film SHELLY WINTERS, there is no image at all, just white
leader and a soundtrack We hear the voices of both victims and perpetrators
of domestic violence, telling their stories, but there is no image.*
*LP*
Tara's suggestion reminded me of a piece that Andrew Lampert has shown, I
believe called Head/Tail, which is literally a found soundtrack - it's a 35mm
track negative for a porno trailer, projected in Cinemascope so you get an
empty frame with a salacious narration.
mark t
On Nov 25, 2013,
frameworks@jonasmekasfilms.com
Enviado: Lunes 25 de noviembre de 2013 16:59
Asunto: Re: [Frameworks] Found Soundtrack Films
I think what Albert's asking for are films that utilize a more or less intact
found soundtrack, rather than a collaged soundtrack that includes found sound
segments.
Lipsett
On Nov 25, 2013, at 9:05 AM, Albert Alcoz wrote:
Yes Mark, you are right, I was asking for films that use intact found
soundtracks to produce the entire film, instead of using collaged soundtracks
from different found sources.
Wasn't the soundtrack for Rubin's Christmas in July just having a
How about Ken Jacobs’ “Urban Peasants” with two tape recorded lessons in
Yiddish on the sound track?
--Bill Wees
From: FrameWorks [mailto:frameworks-boun...@jonasmekasfilms.com] On Behalf Of
Albert Alcoz
Sent: November 24, 2013 3:56 PM
To: frameworks@jonasmekasfilms.com
Subject: [Frameworks]
Tom Whiteside's description of his own *Home Safe Badminton* actually
reminds me of a very early Luis Recoder piece, the title of which I do
not recall, which paired an un-edited and untreated sound-off found film
on bomb detection (scanning the underside of parked cars with a mirror on a
long
GLOBE is great, imo.
On 11/25/13 7:05 PM, Fred Camper f...@fredcamper.com wrote:
Quoting Albert Alcoz albertalc...@yahoo.es:
Hi,
Institutional
Qualityby George Landow was created from a found
soundtrack, in this case
a tape recorder about an instructional test.
Does anyone know
Yes, that's a good one too. I was going to mention it but couldn't remember the
title.
--Bill Wees
There is this one by Ken Jacobs:
GLOBE (1971, 22 mins, 16mm, color, sound on cassette) (Previously titled:
EXCERPT FROM THE RUSSIAN REVOLUTION) “Flat image (of snowbound suburban housing
I will cite
Ken's anamorphic astonishment
KRYPTON IS DOOMED (2005)
http://www.eai.org/title.htm?id=10759
also see Mary Helena Clark's most amazing
AND THE SUN FLOWERS
http://vimeo.com/42048057
(Here found sound starts at 2:04 approximately.)
DB
On Nov 25, 2013, at 9:27 PM, William Wees,
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