Re: [Frameworks] films for the anthropocene
Hello Bernie, apologies for my late reply. I took a weekend off, which once in a while happens. Your comments I think are to the point. One of my students reacted in a similar way, stating that what I screened was in a way a curatorial choice. Which in this case was a difficult process because there is already a lot of theoretical material on the concept (the anthropocene), which resulted in reading assignments for the students, but very little visual material (films, art pieces, ...) that engages the issues we discussed in a direct way. Marco On 29 January 2016 at 21:15, Bernard Roddy wrote: > Marco, we don't know one another. But the question posed here is > appropriate for the list, in my opinion. This is because film is, in my > opinion, just an element of a larger project, of which we are a part. For > my part, the films will be shown as film. I can say that about work I make. > But it's far from all I will think about or do. And then, assuming these > questions about art and exhibition are ironed out, we can get onto the > substantive project, if I may call it that. Where to turn? Your list of > titles reminded me of an artist who presented a website he built under the > theme, "nothing." He had such diverse works under the heading that it > struck me as a kind of designer-project that raises questions about the > value of design. I very much appreciate the reservations such a list and > such a talk provoke for me. But it means I begin to think about, not film, > not formats, but art . . in an expanded sense, in a curatorial sense, in a > sense that is timely . . may I say, interesting? Matthew Fuller's Media > Ecologies gets me there. > > Bernie > > On Thu, Jan 28, 2016 at 4:52 PM, Marco Poloni wrote: >> >> Hi Bernie, >> Maybe we should have this conversation off list. As I just wrote it's >> an itemized list that I shared on request of some members of >> frameworks to comunicate what selection of films my idea brought me >> to. >> To answer specifically, yes they were shown digitally (including my >> work, shot on film). I'd be happy to hear of a school of art that has >> the budget to rent a 16mm and a 35mm projector for an audience of 12 >> students. So the choice is to share knowledge with the means available >> to you, or to keep it to yourself. >> Marco >> >> On 28 January 2016 at 22:02, Bernard Roddy >> wrote: >> > This may be a bit academic, but there are conventions of citation within >> > publishing, as well as a body of thought about "best practices" bearing >> > on >> > digital uses. I was remarking on the fact that all of the titles are >> > written in lower case, and this seems unlikely to be how they were all >> > titled. Your list doesn't identify format, either in production or >> > exhibition. There might be an interesting conversation you are having >> > in >> > your programming and with your audience members, but from my experience, >> > the >> > odds are growing that a film will be shown WITHOUT the artist's consent, >> > that it will be shown DIGITALLY, and that it will be listed, of course, >> > in a >> > way that misrepresents the artist's intentions. >> > >> > Bernie >> > >> > On Thu, Jan 28, 2016 at 2:41 PM, Marco Poloni >> > wrote: >> >> >> >> Hey Bernard, >> >> I am not sure I get your point about higher and lower case. What I >> >> sent you is a copy paste of one of my work documents. The films were >> >> organized in groups according to thematic lines and some conceptual >> >> affinities amongst them, and properly introduced. >> >> >> >> >> >> On 28 January 2016 at 21:09, Bernard Roddy >> >> wrote: >> >> > Hi Marco: >> >> > >> >> > I wasn't watchng when you posted the request, but I have to wonder >> >> > how >> >> > these >> >> > works were shown, given that everything has been forced into lower >> >> > case >> >> > titles. >> >> > >> >> > On Thu, Jan 28, 2016 at 1:56 PM, Marco Poloni >> >> > wrote: >> >> >> >> >> >> Hello all, >> >> >> I just finished screening a number of films at the University of the >> >> >> Arts of Helsinki, in the context of a workshop for graduate students >> >> >> about filmmaking at the anthropocene. >> >> >> Some of you helped me identify suitable movies, and I am very >> >> >> thankful >> >> >> to you. I had promised, in return, to share my final selection. Here >> >> >> it is. >> >> >> Very best, >> >> >> Marco >> >> >> >> >> >> susan schuppli, can the sun lie?, 2011 (?) >> >> >> michael snow, la region centrale, 1971 >> >> >> carlos reygadas, silent light, 2007 >> >> >> bruce conner, crossroads, 1975 >> >> >> steven osazaki, white light, black rain, 2007 >> >> >> robert smithson, spiral jetty, 1970 >> >> >> james benning, casting a glance, 2007 >> >> >> marco poloni, the analogue dam, 2010 >> >> >> thomas campbell, the present, 2009 >> >> >> jean painlevé, the love life of the octopus, 1967 >> >> >> walon green, the secret life of plants, 1978 >> >> >> ramin bahrani, the plastic bag, 2009 >> >> >> chris welsby, wind
Re: [Frameworks] films for the anthropocene
Thanks so much for posting this list. It's useful to my current teaching at Evergreen which is focused on integrating animation with marine microbiology and the anthropocene. In fact I just screened a few of Painlevés films day before yesterday. Ruth Hayes http://www.randommotion.com blogs.evergreen.edu/hayesr On Jan 28, 2016, at 12:43 PM, Marco Poloni wrote: > i was trying to articulate a flat ontology in which human and nonhuman > entities somehow have an equivalent agency. la jetée didn't do it to > me: it's a narrative about humans against a passive backdrop > > On 28 January 2016 at 21:33, Francisco Torres wrote: >> la jette ? >> >> 2016-01-28 16:09 GMT-04:00 Bernard Roddy : >>> >>> Hi Marco: >>> >>> I wasn't watchng when you posted the request, but I have to wonder how >>> these works were shown, given that everything has been forced into lower >>> case titles. >>> >>> On Thu, Jan 28, 2016 at 1:56 PM, Marco Poloni >>> wrote: Hello all, I just finished screening a number of films at the University of the Arts of Helsinki, in the context of a workshop for graduate students about filmmaking at the anthropocene. Some of you helped me identify suitable movies, and I am very thankful to you. I had promised, in return, to share my final selection. Here it is. Very best, Marco susan schuppli, can the sun lie?, 2011 (?) michael snow, la region centrale, 1971 carlos reygadas, silent light, 2007 bruce conner, crossroads, 1975 steven osazaki, white light, black rain, 2007 robert smithson, spiral jetty, 1970 james benning, casting a glance, 2007 marco poloni, the analogue dam, 2010 thomas campbell, the present, 2009 jean painlevé, the love life of the octopus, 1967 walon green, the secret life of plants, 1978 ramin bahrani, the plastic bag, 2009 chris welsby, wind vane, 1972 (not projected, could not find a copy in time) and, along the lines of an animistic turn: jean rouch, les maîtres-fous, 1955 alfred clah, intrepid shadows, 1966 lucien castaing-taylor & véréna paravel, leviathan, 2012 -- Marco Poloni http://www.theanalogueislandbureau.net Usedomer Strasse 8 D – 13355 Berlin gsm de +49.163.6294080 gsm ch +41.78.6322028 skype marcopoloni ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks >>> >>> >>> >>> ___ >>> FrameWorks mailing list >>> FrameWorks@jonasmekasfilms.com >>> https://mailman-mail5.webfaction.com/listinfo/frameworks >>> >> >> >> ___ >> FrameWorks mailing list >> FrameWorks@jonasmekasfilms.com >> https://mailman-mail5.webfaction.com/listinfo/frameworks >> > > > > -- > > > > Marco Poloni > http://www.theanalogueislandbureau.net > Usedomer Strasse 8 > D – 13355 Berlin > gsm de +49.163.6294080 > gsm ch +41.78.6322028 > skype marcopoloni > ___ > FrameWorks mailing list > FrameWorks@jonasmekasfilms.com > https://mailman-mail5.webfaction.com/listinfo/frameworks ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks
Re: [Frameworks] films for the anthropocene
Marco, we don't know one another. But the question posed here is appropriate for the list, in my opinion. This is because film is, in my opinion, just an element of a larger project, of which we are a part. For my part, the films will be shown as film. I can say that about work I make. But it's far from all I will think about or do. And then, assuming these questions about art and exhibition are ironed out, we can get onto the substantive project, if I may call it that. Where to turn? Your list of titles reminded me of an artist who presented a website he built under the theme, "nothing." He had such diverse works under the heading that it struck me as a kind of designer-project that raises questions about the value of design. I very much appreciate the reservations such a list and such a talk provoke for me. But it means I begin to think about, not film, not formats, but art . . in an expanded sense, in a curatorial sense, in a sense that is timely . . may I say, interesting? Matthew Fuller's Media Ecologies gets me there. Bernie On Thu, Jan 28, 2016 at 4:52 PM, Marco Poloni wrote: > Hi Bernie, > Maybe we should have this conversation off list. As I just wrote it's > an itemized list that I shared on request of some members of > frameworks to comunicate what selection of films my idea brought me > to. > To answer specifically, yes they were shown digitally (including my > work, shot on film). I'd be happy to hear of a school of art that has > the budget to rent a 16mm and a 35mm projector for an audience of 12 > students. So the choice is to share knowledge with the means available > to you, or to keep it to yourself. > Marco > > On 28 January 2016 at 22:02, Bernard Roddy > wrote: > > This may be a bit academic, but there are conventions of citation within > > publishing, as well as a body of thought about "best practices" bearing > on > > digital uses. I was remarking on the fact that all of the titles are > > written in lower case, and this seems unlikely to be how they were all > > titled. Your list doesn't identify format, either in production or > > exhibition. There might be an interesting conversation you are having in > > your programming and with your audience members, but from my experience, > the > > odds are growing that a film will be shown WITHOUT the artist's consent, > > that it will be shown DIGITALLY, and that it will be listed, of course, > in a > > way that misrepresents the artist's intentions. > > > > Bernie > > > > On Thu, Jan 28, 2016 at 2:41 PM, Marco Poloni > wrote: > >> > >> Hey Bernard, > >> I am not sure I get your point about higher and lower case. What I > >> sent you is a copy paste of one of my work documents. The films were > >> organized in groups according to thematic lines and some conceptual > >> affinities amongst them, and properly introduced. > >> > >> > >> On 28 January 2016 at 21:09, Bernard Roddy > >> wrote: > >> > Hi Marco: > >> > > >> > I wasn't watchng when you posted the request, but I have to wonder how > >> > these > >> > works were shown, given that everything has been forced into lower > case > >> > titles. > >> > > >> > On Thu, Jan 28, 2016 at 1:56 PM, Marco Poloni > >> > wrote: > >> >> > >> >> Hello all, > >> >> I just finished screening a number of films at the University of the > >> >> Arts of Helsinki, in the context of a workshop for graduate students > >> >> about filmmaking at the anthropocene. > >> >> Some of you helped me identify suitable movies, and I am very > thankful > >> >> to you. I had promised, in return, to share my final selection. Here > >> >> it is. > >> >> Very best, > >> >> Marco > >> >> > >> >> susan schuppli, can the sun lie?, 2011 (?) > >> >> michael snow, la region centrale, 1971 > >> >> carlos reygadas, silent light, 2007 > >> >> bruce conner, crossroads, 1975 > >> >> steven osazaki, white light, black rain, 2007 > >> >> robert smithson, spiral jetty, 1970 > >> >> james benning, casting a glance, 2007 > >> >> marco poloni, the analogue dam, 2010 > >> >> thomas campbell, the present, 2009 > >> >> jean painlevé, the love life of the octopus, 1967 > >> >> walon green, the secret life of plants, 1978 > >> >> ramin bahrani, the plastic bag, 2009 > >> >> chris welsby, wind vane, 1972 (not projected, could not find a copy > in > >> >> time) > >> >> and, along the lines of an animistic turn: > >> >> jean rouch, les maîtres-fous, 1955 > >> >> alfred clah, intrepid shadows, 1966 > >> >> lucien castaing-taylor & véréna paravel, leviathan, 2012 > >> >> > >> >> -- > >> >> > >> >> > >> >> > >> >> Marco Poloni > >> >> http://www.theanalogueislandbureau.net > >> >> Usedomer Strasse 8 > >> >> D – 13355 Berlin > >> >> gsm de +49.163.6294080 > >> >> gsm ch +41.78.6322028 > >> >> skype marcopoloni > >> >> ___ > >> >> FrameWorks mailing list > >> >> FrameWorks@jonasmekasfilms.com > >> >> https://mailman-mail5.webfaction.com/listinfo/frameworks > >> > > >> > > >> > > >> > ___
Re: [Frameworks] films for the anthropocene
''la jetée didn't do it to me: it's a narrative about humans against a passive backdrop'' and yet what haunts me after all these years are the objects (the googles, blindfolds etc) and the observation deck itself. 2016-01-28 18:52 GMT-04:00 Marco Poloni : > Hi Bernie, > Maybe we should have this conversation off list. As I just wrote it's > an itemized list that I shared on request of some members of > frameworks to comunicate what selection of films my idea brought me > to. > To answer specifically, yes they were shown digitally (including my > work, shot on film). I'd be happy to hear of a school of art that has > the budget to rent a 16mm and a 35mm projector for an audience of 12 > students. So the choice is to share knowledge with the means available > to you, or to keep it to yourself. > Marco > > On 28 January 2016 at 22:02, Bernard Roddy > wrote: > > This may be a bit academic, but there are conventions of citation within > > publishing, as well as a body of thought about "best practices" bearing > on > > digital uses. I was remarking on the fact that all of the titles are > > written in lower case, and this seems unlikely to be how they were all > > titled. Your list doesn't identify format, either in production or > > exhibition. There might be an interesting conversation you are having in > > your programming and with your audience members, but from my experience, > the > > odds are growing that a film will be shown WITHOUT the artist's consent, > > that it will be shown DIGITALLY, and that it will be listed, of course, > in a > > way that misrepresents the artist's intentions. > > > > Bernie > > > > On Thu, Jan 28, 2016 at 2:41 PM, Marco Poloni > wrote: > >> > >> Hey Bernard, > >> I am not sure I get your point about higher and lower case. What I > >> sent you is a copy paste of one of my work documents. The films were > >> organized in groups according to thematic lines and some conceptual > >> affinities amongst them, and properly introduced. > >> > >> > >> On 28 January 2016 at 21:09, Bernard Roddy > >> wrote: > >> > Hi Marco: > >> > > >> > I wasn't watchng when you posted the request, but I have to wonder how > >> > these > >> > works were shown, given that everything has been forced into lower > case > >> > titles. > >> > > >> > On Thu, Jan 28, 2016 at 1:56 PM, Marco Poloni > >> > wrote: > >> >> > >> >> Hello all, > >> >> I just finished screening a number of films at the University of the > >> >> Arts of Helsinki, in the context of a workshop for graduate students > >> >> about filmmaking at the anthropocene. > >> >> Some of you helped me identify suitable movies, and I am very > thankful > >> >> to you. I had promised, in return, to share my final selection. Here > >> >> it is. > >> >> Very best, > >> >> Marco > >> >> > >> >> susan schuppli, can the sun lie?, 2011 (?) > >> >> michael snow, la region centrale, 1971 > >> >> carlos reygadas, silent light, 2007 > >> >> bruce conner, crossroads, 1975 > >> >> steven osazaki, white light, black rain, 2007 > >> >> robert smithson, spiral jetty, 1970 > >> >> james benning, casting a glance, 2007 > >> >> marco poloni, the analogue dam, 2010 > >> >> thomas campbell, the present, 2009 > >> >> jean painlevé, the love life of the octopus, 1967 > >> >> walon green, the secret life of plants, 1978 > >> >> ramin bahrani, the plastic bag, 2009 > >> >> chris welsby, wind vane, 1972 (not projected, could not find a copy > in > >> >> time) > >> >> and, along the lines of an animistic turn: > >> >> jean rouch, les maîtres-fous, 1955 > >> >> alfred clah, intrepid shadows, 1966 > >> >> lucien castaing-taylor & véréna paravel, leviathan, 2012 > >> >> > >> >> -- > >> >> > >> >> > >> >> > >> >> Marco Poloni > >> >> http://www.theanalogueislandbureau.net > >> >> Usedomer Strasse 8 > >> >> D – 13355 Berlin > >> >> gsm de +49.163.6294080 > >> >> gsm ch +41.78.6322028 > >> >> skype marcopoloni > >> >> ___ > >> >> FrameWorks mailing list > >> >> FrameWorks@jonasmekasfilms.com > >> >> https://mailman-mail5.webfaction.com/listinfo/frameworks > >> > > >> > > >> > > >> > ___ > >> > FrameWorks mailing list > >> > FrameWorks@jonasmekasfilms.com > >> > https://mailman-mail5.webfaction.com/listinfo/frameworks > >> > > >> > >> > >> > >> -- > >> > >> > >> > >> Marco Poloni > >> http://www.theanalogueislandbureau.net > >> Usedomer Strasse 8 > >> D – 13355 Berlin > >> gsm de +49.163.6294080 > >> gsm ch +41.78.6322028 > >> skype marcopoloni > >> ___ > >> FrameWorks mailing list > >> FrameWorks@jonasmekasfilms.com > >> https://mailman-mail5.webfaction.com/listinfo/frameworks > > > > > > > > ___ > > FrameWorks mailing list > > FrameWorks@jonasmekasfilms.com > > https://mailman-mail5.webfaction.com/listinfo/frameworks > > > > > > -- > > > > Marco Poloni > http://www.theanalogueislandbureau.net > Use
Re: [Frameworks] films for the anthropocene
Hi Bernie, Maybe we should have this conversation off list. As I just wrote it's an itemized list that I shared on request of some members of frameworks to comunicate what selection of films my idea brought me to. To answer specifically, yes they were shown digitally (including my work, shot on film). I'd be happy to hear of a school of art that has the budget to rent a 16mm and a 35mm projector for an audience of 12 students. So the choice is to share knowledge with the means available to you, or to keep it to yourself. Marco On 28 January 2016 at 22:02, Bernard Roddy wrote: > This may be a bit academic, but there are conventions of citation within > publishing, as well as a body of thought about "best practices" bearing on > digital uses. I was remarking on the fact that all of the titles are > written in lower case, and this seems unlikely to be how they were all > titled. Your list doesn't identify format, either in production or > exhibition. There might be an interesting conversation you are having in > your programming and with your audience members, but from my experience, the > odds are growing that a film will be shown WITHOUT the artist's consent, > that it will be shown DIGITALLY, and that it will be listed, of course, in a > way that misrepresents the artist's intentions. > > Bernie > > On Thu, Jan 28, 2016 at 2:41 PM, Marco Poloni wrote: >> >> Hey Bernard, >> I am not sure I get your point about higher and lower case. What I >> sent you is a copy paste of one of my work documents. The films were >> organized in groups according to thematic lines and some conceptual >> affinities amongst them, and properly introduced. >> >> >> On 28 January 2016 at 21:09, Bernard Roddy >> wrote: >> > Hi Marco: >> > >> > I wasn't watchng when you posted the request, but I have to wonder how >> > these >> > works were shown, given that everything has been forced into lower case >> > titles. >> > >> > On Thu, Jan 28, 2016 at 1:56 PM, Marco Poloni >> > wrote: >> >> >> >> Hello all, >> >> I just finished screening a number of films at the University of the >> >> Arts of Helsinki, in the context of a workshop for graduate students >> >> about filmmaking at the anthropocene. >> >> Some of you helped me identify suitable movies, and I am very thankful >> >> to you. I had promised, in return, to share my final selection. Here >> >> it is. >> >> Very best, >> >> Marco >> >> >> >> susan schuppli, can the sun lie?, 2011 (?) >> >> michael snow, la region centrale, 1971 >> >> carlos reygadas, silent light, 2007 >> >> bruce conner, crossroads, 1975 >> >> steven osazaki, white light, black rain, 2007 >> >> robert smithson, spiral jetty, 1970 >> >> james benning, casting a glance, 2007 >> >> marco poloni, the analogue dam, 2010 >> >> thomas campbell, the present, 2009 >> >> jean painlevé, the love life of the octopus, 1967 >> >> walon green, the secret life of plants, 1978 >> >> ramin bahrani, the plastic bag, 2009 >> >> chris welsby, wind vane, 1972 (not projected, could not find a copy in >> >> time) >> >> and, along the lines of an animistic turn: >> >> jean rouch, les maîtres-fous, 1955 >> >> alfred clah, intrepid shadows, 1966 >> >> lucien castaing-taylor & véréna paravel, leviathan, 2012 >> >> >> >> -- >> >> >> >> >> >> >> >> Marco Poloni >> >> http://www.theanalogueislandbureau.net >> >> Usedomer Strasse 8 >> >> D – 13355 Berlin >> >> gsm de +49.163.6294080 >> >> gsm ch +41.78.6322028 >> >> skype marcopoloni >> >> ___ >> >> FrameWorks mailing list >> >> FrameWorks@jonasmekasfilms.com >> >> https://mailman-mail5.webfaction.com/listinfo/frameworks >> > >> > >> > >> > ___ >> > FrameWorks mailing list >> > FrameWorks@jonasmekasfilms.com >> > https://mailman-mail5.webfaction.com/listinfo/frameworks >> > >> >> >> >> -- >> >> >> >> Marco Poloni >> http://www.theanalogueislandbureau.net >> Usedomer Strasse 8 >> D – 13355 Berlin >> gsm de +49.163.6294080 >> gsm ch +41.78.6322028 >> skype marcopoloni >> ___ >> FrameWorks mailing list >> FrameWorks@jonasmekasfilms.com >> https://mailman-mail5.webfaction.com/listinfo/frameworks > > > > ___ > FrameWorks mailing list > FrameWorks@jonasmekasfilms.com > https://mailman-mail5.webfaction.com/listinfo/frameworks > -- Marco Poloni http://www.theanalogueislandbureau.net Usedomer Strasse 8 D – 13355 Berlin gsm de +49.163.6294080 gsm ch +41.78.6322028 skype marcopoloni ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks
Re: [Frameworks] films for the anthropocene
This may be a bit academic, but there are conventions of citation within publishing, as well as a body of thought about "best practices" bearing on digital uses. I was remarking on the fact that all of the titles are written in lower case, and this seems unlikely to be how they were all titled. Your list doesn't identify format, either in production or exhibition. There might be an interesting conversation you are having in your programming and with your audience members, but from my experience, the odds are growing that a film will be shown WITHOUT the artist's consent, that it will be shown DIGITALLY, and that it will be listed, of course, in a way that misrepresents the artist's intentions. Bernie On Thu, Jan 28, 2016 at 2:41 PM, Marco Poloni wrote: > Hey Bernard, > I am not sure I get your point about higher and lower case. What I > sent you is a copy paste of one of my work documents. The films were > organized in groups according to thematic lines and some conceptual > affinities amongst them, and properly introduced. > > > On 28 January 2016 at 21:09, Bernard Roddy > wrote: > > Hi Marco: > > > > I wasn't watchng when you posted the request, but I have to wonder how > these > > works were shown, given that everything has been forced into lower case > > titles. > > > > On Thu, Jan 28, 2016 at 1:56 PM, Marco Poloni > wrote: > >> > >> Hello all, > >> I just finished screening a number of films at the University of the > >> Arts of Helsinki, in the context of a workshop for graduate students > >> about filmmaking at the anthropocene. > >> Some of you helped me identify suitable movies, and I am very thankful > >> to you. I had promised, in return, to share my final selection. Here > >> it is. > >> Very best, > >> Marco > >> > >> susan schuppli, can the sun lie?, 2011 (?) > >> michael snow, la region centrale, 1971 > >> carlos reygadas, silent light, 2007 > >> bruce conner, crossroads, 1975 > >> steven osazaki, white light, black rain, 2007 > >> robert smithson, spiral jetty, 1970 > >> james benning, casting a glance, 2007 > >> marco poloni, the analogue dam, 2010 > >> thomas campbell, the present, 2009 > >> jean painlevé, the love life of the octopus, 1967 > >> walon green, the secret life of plants, 1978 > >> ramin bahrani, the plastic bag, 2009 > >> chris welsby, wind vane, 1972 (not projected, could not find a copy in > >> time) > >> and, along the lines of an animistic turn: > >> jean rouch, les maîtres-fous, 1955 > >> alfred clah, intrepid shadows, 1966 > >> lucien castaing-taylor & véréna paravel, leviathan, 2012 > >> > >> -- > >> > >> > >> > >> Marco Poloni > >> http://www.theanalogueislandbureau.net > >> Usedomer Strasse 8 > >> D – 13355 Berlin > >> gsm de +49.163.6294080 > >> gsm ch +41.78.6322028 > >> skype marcopoloni > >> ___ > >> FrameWorks mailing list > >> FrameWorks@jonasmekasfilms.com > >> https://mailman-mail5.webfaction.com/listinfo/frameworks > > > > > > > > ___ > > FrameWorks mailing list > > FrameWorks@jonasmekasfilms.com > > https://mailman-mail5.webfaction.com/listinfo/frameworks > > > > > > -- > > > > Marco Poloni > http://www.theanalogueislandbureau.net > Usedomer Strasse 8 > D – 13355 Berlin > gsm de +49.163.6294080 > gsm ch +41.78.6322028 > skype marcopoloni > ___ > FrameWorks mailing list > FrameWorks@jonasmekasfilms.com > https://mailman-mail5.webfaction.com/listinfo/frameworks > ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks
Re: [Frameworks] films for the anthropocene
i was trying to articulate a flat ontology in which human and nonhuman entities somehow have an equivalent agency. la jetée didn't do it to me: it's a narrative about humans against a passive backdrop On 28 January 2016 at 21:33, Francisco Torres wrote: > la jette ? > > 2016-01-28 16:09 GMT-04:00 Bernard Roddy : >> >> Hi Marco: >> >> I wasn't watchng when you posted the request, but I have to wonder how >> these works were shown, given that everything has been forced into lower >> case titles. >> >> On Thu, Jan 28, 2016 at 1:56 PM, Marco Poloni >> wrote: >>> >>> Hello all, >>> I just finished screening a number of films at the University of the >>> Arts of Helsinki, in the context of a workshop for graduate students >>> about filmmaking at the anthropocene. >>> Some of you helped me identify suitable movies, and I am very thankful >>> to you. I had promised, in return, to share my final selection. Here >>> it is. >>> Very best, >>> Marco >>> >>> susan schuppli, can the sun lie?, 2011 (?) >>> michael snow, la region centrale, 1971 >>> carlos reygadas, silent light, 2007 >>> bruce conner, crossroads, 1975 >>> steven osazaki, white light, black rain, 2007 >>> robert smithson, spiral jetty, 1970 >>> james benning, casting a glance, 2007 >>> marco poloni, the analogue dam, 2010 >>> thomas campbell, the present, 2009 >>> jean painlevé, the love life of the octopus, 1967 >>> walon green, the secret life of plants, 1978 >>> ramin bahrani, the plastic bag, 2009 >>> chris welsby, wind vane, 1972 (not projected, could not find a copy in >>> time) >>> and, along the lines of an animistic turn: >>> jean rouch, les maîtres-fous, 1955 >>> alfred clah, intrepid shadows, 1966 >>> lucien castaing-taylor & véréna paravel, leviathan, 2012 >>> >>> -- >>> >>> >>> >>> Marco Poloni >>> http://www.theanalogueislandbureau.net >>> Usedomer Strasse 8 >>> D – 13355 Berlin >>> gsm de +49.163.6294080 >>> gsm ch +41.78.6322028 >>> skype marcopoloni >>> ___ >>> FrameWorks mailing list >>> FrameWorks@jonasmekasfilms.com >>> https://mailman-mail5.webfaction.com/listinfo/frameworks >> >> >> >> ___ >> FrameWorks mailing list >> FrameWorks@jonasmekasfilms.com >> https://mailman-mail5.webfaction.com/listinfo/frameworks >> > > > ___ > FrameWorks mailing list > FrameWorks@jonasmekasfilms.com > https://mailman-mail5.webfaction.com/listinfo/frameworks > -- Marco Poloni http://www.theanalogueislandbureau.net Usedomer Strasse 8 D – 13355 Berlin gsm de +49.163.6294080 gsm ch +41.78.6322028 skype marcopoloni ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks
Re: [Frameworks] films for the anthropocene
Hey Bernard, I am not sure I get your point about higher and lower case. What I sent you is a copy paste of one of my work documents. The films were organized in groups according to thematic lines and some conceptual affinities amongst them, and properly introduced. On 28 January 2016 at 21:09, Bernard Roddy wrote: > Hi Marco: > > I wasn't watchng when you posted the request, but I have to wonder how these > works were shown, given that everything has been forced into lower case > titles. > > On Thu, Jan 28, 2016 at 1:56 PM, Marco Poloni wrote: >> >> Hello all, >> I just finished screening a number of films at the University of the >> Arts of Helsinki, in the context of a workshop for graduate students >> about filmmaking at the anthropocene. >> Some of you helped me identify suitable movies, and I am very thankful >> to you. I had promised, in return, to share my final selection. Here >> it is. >> Very best, >> Marco >> >> susan schuppli, can the sun lie?, 2011 (?) >> michael snow, la region centrale, 1971 >> carlos reygadas, silent light, 2007 >> bruce conner, crossroads, 1975 >> steven osazaki, white light, black rain, 2007 >> robert smithson, spiral jetty, 1970 >> james benning, casting a glance, 2007 >> marco poloni, the analogue dam, 2010 >> thomas campbell, the present, 2009 >> jean painlevé, the love life of the octopus, 1967 >> walon green, the secret life of plants, 1978 >> ramin bahrani, the plastic bag, 2009 >> chris welsby, wind vane, 1972 (not projected, could not find a copy in >> time) >> and, along the lines of an animistic turn: >> jean rouch, les maîtres-fous, 1955 >> alfred clah, intrepid shadows, 1966 >> lucien castaing-taylor & véréna paravel, leviathan, 2012 >> >> -- >> >> >> >> Marco Poloni >> http://www.theanalogueislandbureau.net >> Usedomer Strasse 8 >> D – 13355 Berlin >> gsm de +49.163.6294080 >> gsm ch +41.78.6322028 >> skype marcopoloni >> ___ >> FrameWorks mailing list >> FrameWorks@jonasmekasfilms.com >> https://mailman-mail5.webfaction.com/listinfo/frameworks > > > > ___ > FrameWorks mailing list > FrameWorks@jonasmekasfilms.com > https://mailman-mail5.webfaction.com/listinfo/frameworks > -- Marco Poloni http://www.theanalogueislandbureau.net Usedomer Strasse 8 D – 13355 Berlin gsm de +49.163.6294080 gsm ch +41.78.6322028 skype marcopoloni ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks
Re: [Frameworks] films for the anthropocene
la jette ? 2016-01-28 16:09 GMT-04:00 Bernard Roddy : > Hi Marco: > > I wasn't watchng when you posted the request, but I have to wonder how > these works were shown, given that everything has been forced into lower > case titles. > > On Thu, Jan 28, 2016 at 1:56 PM, Marco Poloni > wrote: > >> Hello all, >> I just finished screening a number of films at the University of the >> Arts of Helsinki, in the context of a workshop for graduate students >> about filmmaking at the anthropocene. >> Some of you helped me identify suitable movies, and I am very thankful >> to you. I had promised, in return, to share my final selection. Here >> it is. >> Very best, >> Marco >> >> susan schuppli, can the sun lie?, 2011 (?) >> michael snow, la region centrale, 1971 >> carlos reygadas, silent light, 2007 >> bruce conner, crossroads, 1975 >> steven osazaki, white light, black rain, 2007 >> robert smithson, spiral jetty, 1970 >> james benning, casting a glance, 2007 >> marco poloni, the analogue dam, 2010 >> thomas campbell, the present, 2009 >> jean painlevé, the love life of the octopus, 1967 >> walon green, the secret life of plants, 1978 >> ramin bahrani, the plastic bag, 2009 >> chris welsby, wind vane, 1972 (not projected, could not find a copy in >> time) >> and, along the lines of an animistic turn: >> jean rouch, les maîtres-fous, 1955 >> alfred clah, intrepid shadows, 1966 >> lucien castaing-taylor & véréna paravel, leviathan, 2012 >> >> -- >> >> >> >> Marco Poloni >> http://www.theanalogueislandbureau.net >> Usedomer Strasse 8 >> D – 13355 Berlin >> gsm de +49.163.6294080 >> gsm ch +41.78.6322028 >> skype marcopoloni >> ___ >> FrameWorks mailing list >> FrameWorks@jonasmekasfilms.com >> https://mailman-mail5.webfaction.com/listinfo/frameworks >> > > > ___ > FrameWorks mailing list > FrameWorks@jonasmekasfilms.com > https://mailman-mail5.webfaction.com/listinfo/frameworks > > ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks
Re: [Frameworks] films for the anthropocene
Hi Marco: I wasn't watchng when you posted the request, but I have to wonder how these works were shown, given that everything has been forced into lower case titles. On Thu, Jan 28, 2016 at 1:56 PM, Marco Poloni wrote: > Hello all, > I just finished screening a number of films at the University of the > Arts of Helsinki, in the context of a workshop for graduate students > about filmmaking at the anthropocene. > Some of you helped me identify suitable movies, and I am very thankful > to you. I had promised, in return, to share my final selection. Here > it is. > Very best, > Marco > > susan schuppli, can the sun lie?, 2011 (?) > michael snow, la region centrale, 1971 > carlos reygadas, silent light, 2007 > bruce conner, crossroads, 1975 > steven osazaki, white light, black rain, 2007 > robert smithson, spiral jetty, 1970 > james benning, casting a glance, 2007 > marco poloni, the analogue dam, 2010 > thomas campbell, the present, 2009 > jean painlevé, the love life of the octopus, 1967 > walon green, the secret life of plants, 1978 > ramin bahrani, the plastic bag, 2009 > chris welsby, wind vane, 1972 (not projected, could not find a copy in > time) > and, along the lines of an animistic turn: > jean rouch, les maîtres-fous, 1955 > alfred clah, intrepid shadows, 1966 > lucien castaing-taylor & véréna paravel, leviathan, 2012 > > -- > > > > Marco Poloni > http://www.theanalogueislandbureau.net > Usedomer Strasse 8 > D – 13355 Berlin > gsm de +49.163.6294080 > gsm ch +41.78.6322028 > skype marcopoloni > ___ > FrameWorks mailing list > FrameWorks@jonasmekasfilms.com > https://mailman-mail5.webfaction.com/listinfo/frameworks > ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks
