What are some good mouthpieces to buy? Currently, I use a Bach 7, which is
good for my tone, but I am starting to think of purchasing a new mouthpiece,
maybe something strong in the upper register.
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Anyone out there have an older MY 15 mouthpiece for
sale? Need one immediately. The older ones had a
slightly smaller shaft, which I need for one of my
European horns. The current ones don't fit quite
right.
Thanks.
Wilbert in SC
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On Sunday, December 19, 2004, at 10:27 PM, Steve Freides wrote:
Am I OK to use the Holton? Is it some special purpose mouthpiece or
is it
OK for me at this early stage of my development?
Generally, a little larger mouthpiece will yield a little fatter tone
on a horn. A small mouthpiece yield
Is this the mouthpiece you're talking about?
http://1800usaband.com/htmls/itementryview.asp?itementryid=6121
I'd be happy to give that one a try at some point in the future. I tend, as
I mentioned, to a flutie sort of sound although that is gradually
diminishing as time goes by.
Question - do
I would guess that most people prefer gold plated rims with a wet embouchure,
but I actually very much prefer silver. I have soft and luxurious lips that
when coupled with a gold rim gives me a playing surface so slick that I can
hardly set my embouchure. I originally ordered my mouthpiece with
Dillon's sends mouthpieces out for plating.
Paul
- Original Message -
From: Chris Tedesco [EMAIL PROTECTED]
To: The Horn List [EMAIL PROTECTED]
Sent: Monday, December 20, 2004 4:24 PM
Subject: RE: [Hornlist] Holton Farkas MC mouthpiece - OK for adult beginner?
I would guess that most
Yes. The gold plated rim is not any particular advantage unless you
are allergic to silver. some folk are. They are a little more
slippery on the lip than silver. I don't use a wet embouchure.
Current prices are quite low from Giardinelli.com.
Paul Mansur
On Monday, December 20, 2004,
That's a very individual thing and depends on your mouth and lip structure. If
you ask anyone, it should be your teacher. I myself find that that a Vincent
Bach 3 gives me a better low range AND better high range. Go figure.
Herb Foster
--- Karl W. Feinauer [EMAIL PROTECTED] wrote:
What are
I am pleased to announce that online registration for the 2005 Southeast
Horn Workshop has begun.
The 2005 Southeast Horn Workshop will take place February 25-27, 2005 at
the North Carolina School of the Arts in beautiful Winston-Salem, North
Carolina. Featured artists will include renowned
There is no mouthpiece, which is strong in the high register. The
player must do it.
Well, admitted, there are some tiny spucknapf mouthpieces with a very
tight bore. You can get the stratospheres with them, but how about the
tone ? It is mere squeaking nothing else.
A bore of 5 mms or just
Hi,
In a couple of weeks I am playing an arrangement for Wind Band of
Orchestral Suite of Bernsteins West Side Story. From Measure 7 or 8 he
writes an number of measures muted. But there is only a little time to get
the mute in. I wonder: Did Berntein really want to have a muted horn or did
he
Hi Paul:
Look up the Concerto for Two Horns by Francesco Barsanti (1690-1772). A
little later than the Vivaldi pieces, much more of a Handelian flavor. The
music should be available; I played it many years ago with a college
orchestra. It was also recorded (on LP) at least once, as far as I know.
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