Can you post pictures of this underpart online somewhere?
-William
In a message dated 8/14/2009 7:02:21 P.M. Eastern Daylight Time,
lsden...@netzero.net writes:
Hello everyone,
After noticing a new trend in mouthpiece design, several weeks ago I asked
Bob Osmun to employ his CNC
2009/8/14 wells123...@juno.com wells123...@juno.com:
Am I making any sense here? Have any of you had a similar experience? Is
there a strategy I can employ to avoid that sort of disaster again?
Hi Valerie
This isn't an uncommon situation - the 2 pairs of horns quite often
get crooked in
On Sat, Aug 15, 2009 at 3:17 AM, valkh...@aol.com wrote:
Can you post pictures of this underpart online somewhere?
http://www.hornmouthpiece.com/
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I remember playing Mozart's opera Il Re Pastore and it has 4 horns, each
one crooked in a different key. We were using hand horns and it really did
mess with my sense of where I was. It's easy to get kind of comfortable on hand
horn with knowing what part of the chord you have just by
The most extreme example that I know of where this happens is the
Berlioz Symphony Fantastique, where if I recall correctly at one point
all four horns are playing at the same time and each is crooked in a
different key.
Regards
Jonathan West
There's a quartet by Gallay like this too!
I'd
This business of scoring horns in multiple keys is not limited to two
pairs of horns, or four individual horns. Even Mozart wrote for two
horns in different keys -- the well-known example is the outer movements
of the 40th Symphony, one hown each in Bb alto and G. The 25th is in
the same keys,
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