Re: [hugin-ptx] Re: So ow that I've used Hugin to make my panorama . . .

2011-11-03 Thread Harry van der Wolf
Panini is a viewer for multi-platform.

Thomas is currently working on a new PaniniPro which will be a paid
version. The previous free version is available for download and it does
have a Mac version.

And there is the PangeaVR plugin (
http://www.pangeasoft.net/pano/plugin/downloads.html)

Harry

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Re: [hugin-ptx] Re: Vertical line detector

2011-11-03 Thread Robert Krawitz
On Wed, 2 Nov 2011 22:57:08 -0700 (PDT), JohnPW wrote:
 If I don't misunderstand your post . . .
 Yes, one wants a level horizon, but the horizon is an imaginary line
 and is only evident in certain perfect situations without obstructions
 (flat desert, seascape, etc.) In most natural situations like
 landscapes, the viewer's senses are not greatly offended by a slightly
 misaligned horizon and it can estimated and adjusted without
 difficulty. The manmade environment, where most pictures are taken, is
 positively chock full of obviously vertical and horizontal lines. When
 all these cues do not align properly it is can be offensively obvious
 and discordant, so you want them to be properly aligned. in a
 rectilinear projection, only a vertical line always appears vertical
 and straight (like the longitude lines on a globe.) The only
 horizontal line that is level and straight is the horizon (which
 really isn't a line at all since it's theoretical projection and is
 actually a huge circle. All the truly straight, non vertical lines
 actually appear slightly curved, to a greater or lesser extent. The
 only horizontal lines that appear close to straight are on objects
 that directly face the viewer, and only those that happen to be
 coincident with the horizon, and these only over a short distance.
 (Sorry if I have misunderstood and I'm stating the obvious to you.)

I ask because I took a panorama from a tower in Provincetown, MA, at
the tip of Cape Cod.  About 3/4 of the horizon from that spot is the
ocean, and a misalignment of 1 pixel was very apparent; I had to
correct it by editing the final output.

 I suppose the proposed new Apple Inc. campus building (which will be
 huge and round with a round courtyard in the middle) would offer an
 opportunity to use horizontals for alignment. :-)
 http://theinspirationroom.com/daily/design/2011/8/apple_city_rendering_1.jpg

 On Nov 2, 9:18 pm, Robert Krawitz r...@alum.mit.edu wrote:
 On Wed, 2 Nov 2011 20:04:03 +, Bruno Postle wrote:
  On Wed 02-Nov-2011 at 11:47 +0500, Emad ud din Bhatt wrote:
  can we use vertical line detector by Setting equirect pitch to 90
  degree and than call vertical line detector. Than set pano pitch
  to -90 and call vertical line detector again?

  Yes (or roll), but you would have to manually change all the
  'vertical control points' to 'horizontal'.

  This doesn't solve the fundamental problem: vertical lines are
  parallel, but horizontal lines generally are not - This is why
  horizontal control points have very limited use for levelling
  panoramas.

 I don't understand this -- usually one wants a level horizon?

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[hugin-ptx] Re: Vertical line detector

2011-11-03 Thread JohnPW
Well that's one of those easy situations.
When you can see the horizon clearly like that, horizontal CPs
distributed about the pano on the horizon should give you great
results. Contrary to how one might casually think, placing them far
apart (with very wide angle images) produces diminishing accuracy. As
they get closer to 180º apart the effect of minor errors in point
placement is amplified, just as it would be by placing them closer to
0º apart.
Was this at Long Point Light or were you up on a communications tower?

On Nov 3, 7:15 am, Robert Krawitz r...@alum.mit.edu wrote:

 I ask because I took a panorama from a tower in Provincetown, MA, at
 the tip of Cape Cod.  About 3/4 of the horizon from that spot is the
 ocean, and a misalignment of 1 pixel was very apparent; I had to
 correct it by editing the final output.


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[hugin-ptx] Re: Vertical line detector

2011-11-03 Thread JohnPW
BTW my sig would have to be more like
Unix doesn't dictate how I work, it dictates how I don't work (but
only when I consciously try to use it.)
;-) I love that it's there, but I like having that Aqua interface
softening the ride!

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[hugin-ptx] Re: So ow that I've used Hugin to make my panorama . . .

2011-11-03 Thread JohnPW
Thanks for the info Harry.
BTW, As I read these forums I've intensified my desire to be fair,
honest, appreciative and not overly casual when speaking about
panorama software. I've come to notice that most of the  the people
around here have had some hand in making it!
Thanks to Thomas for his work. And to you Harry for compiling the Mac
Hugin binary.
Just yesterday I noticed your name on that little gem,
ImageFuser.  :-)

On Nov 3, 6:51 am, Harry van der Wolf hvdw...@gmail.com wrote:
 Panini is a viewer for multi-platform.

 Thomas is currently working on a new PaniniPro which will be a paid
 version. The previous free version is available for download and it does
 have a Mac version.

 And there is the PangeaVR plugin 
 (http://www.pangeasoft.net/pano/plugin/downloads.html)

 Harry

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Re: [hugin-ptx] Re: Vertical line detector

2011-11-03 Thread Robert Krawitz
On Thu, 3 Nov 2011 07:06:01 -0700 (PDT), JohnPW wrote:
 Well that's one of those easy situations.
 When you can see the horizon clearly like that, horizontal CPs
 distributed about the pano on the horizon should give you great
 results. Contrary to how one might casually think, placing them far
 apart (with very wide angle images) produces diminishing accuracy. As
 they get closer to 180º apart the effect of minor errors in point
 placement is amplified, just as it would be by placing them closer to
 0º apart.

One would think it would be simple, but it wasn't.  There was one
error of about 1 pixel I was never able to get rid of, and I had to
play some games in GIMP to clean it up to my satisfaction.  Even 1
pixel error is very noticeable for something like the sky-sae interface.

 Was this at Long Point Light or were you up on a communications tower?

Provincetown Monument.  See
http://rlk.smugmug.com/Other/Landscapes/4851912_XB4SmT/1079379016_sm6Jy
(the monument itself is
http://rlk.smugmug.com/Travel/Provincetown-MA-October-2010/14616061_32XQRG/1087222681_A2kfU).

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[hugin-ptx] directions inside the source code needed.

2011-11-03 Thread Rogier Wolff

Hi, 

I need directions finding something inside the source code. I've
been grepping and searching for hours 

I find it annoying that when I  cancel  the optimization step
I cannot apply the currently best results. [update: I might 
have been testing this in an older version. The problem seems 
seems fixed now, but I would still like to be able to find
things in the source code ]

For big panos the optimization step can take minutes to hours, and
when you want to see a preliminary layout you don't need those last
few micro-optimizations, a general reasonable layout is just fine. 

So I'm looking for the code that actually does the optimization, 

I think this is:
   pano.updateVariables
in 
   src/hugin_base/panotools/PanoToolsOptimizerWrapper.cpp

(which is called from PTtools::optimize () which is called from

   void OptimizePanel::runOptimizer(const UIntSet  imgs)
in 
   src/hugin1/hugin/OptimizePanel.cpp
)

Things that normally work is that I grep for strings that are printed
during an operation. So for example when the optimizer run finishes
normally it asks Apply the changes?, which is a string that comes
from OptimizePanel.cpp. However searching for strings that appear 
in the optimizing progress window (the one that shows cancel) 
doesn't give me any results. 

So even tough the problem I was trying to fix is already solved, 
I'd like to learn how you guys find these things in the source, 
or in this case specifically where is the code that generates
the optimizing progress window?

Roger.

-- 
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**Delftechpark 26 2628 XH  Delft, The Netherlands. KVK: 27239233**
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The plan was simple, like my brother-in-law Phil. But unlike
Phil, this plan just might work.

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[hugin-ptx] Re: Vertical line detector

2011-11-03 Thread JohnPW
Ah the Pilgrim monument. I haven't been there.
Very nice panoramas. They all look very well done to me. You clearly
have very high production standards.

When I was working for the NPS I did a similar style panorama from the
top of the Cape Lookout Light (not even remotely as nice as yours
though.)
It was my first 360ş panorama and I wasn't sure it would work since I
took it from the outer catwalk, but I figured the closest objects were
far enough away that it wouldn't be a problem. It wasn't that great
(3.5Mp jpegs, no fusion or TCA correction etc., but this was a few
years ago and my colleagues (who had never seen stitched panos before)
were amazed and perplexed by how I got such nice images using a
little digital point and shoot (although the results would probably
not be acceptable to anyone in this forum.) I stitched them together
with well aged Apple QTVR Studio Software running on system 7 via
Rosetta on a G3 PowerMac. Although the whole western sky was blown
out, I was actually pleasantly surprised myself. I should go  back and
run it through Hugin. I'm sure there would be a little noticeable
improvement.

On Nov 3, 9:23 am, Robert Krawitz r...@alum.mit.edu wrote:
 On Thu, 3 Nov 2011 07:06:01 -0700 (PDT), JohnPW wrote:
  Well that's one of those easy situations.
  When you can see the horizon clearly like that, horizontal CPs
  distributed about the pano on the horizon should give you great
  results. Contrary to how one might casually think, placing them far
  apart (with very wide angle images) produces diminishing accuracy. As
  they get closer to 180ş apart the effect of minor errors in point
  placement is amplified, just as it would be by placing them closer to
  0ş apart.

 One would think it would be simple, but it wasn't.  There was one
 error of about 1 pixel I was never able to get rid of, and I had to
 play some games in GIMP to clean it up to my satisfaction.  Even 1
 pixel error is very noticeable for something like the sky-sae interface.

  Was this at Long Point Light or were you up on a communications tower?

 Provincetown Monument.  
 Seehttp://rlk.smugmug.com/Other/Landscapes/4851912_XB4SmT/1079379016_sm6Jy
 (the monument itself 
 ishttp://rlk.smugmug.com/Travel/Provincetown-MA-October-2010/14616061_3...).

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[hugin-ptx] Which EXIF data does Hugin need?

2011-11-03 Thread Thomas Pryds
I'm trying to do a panorama from some .fpx files which contain fotographs
that I shot many years ago with a Kodak DC210 which I don't have any more.
However, as only very few programs read Kodak's .fpx format, I've converted
the files into .jpg -- a process which omitted all meta data, sadly. So
now, I'm trying to recreate the data as EXIF data in the jpg files by
letting http://regex.info/exif.cgi tell me the meta data from the .fpx
files. For the first file, the site tells me the following from the
FlashPix meta data:

Data Object ID13BC5A58-6B90-1B6B-12C9-0800201177F8 Data Object StatusExists,
Not Purgeable Creating TransformSource Image Using Transforms
Cached Image Height864 Cached Image Width1,152 Image Size1,152 × 864
Visible Outputs1 Maximum Image Index1 Maximum Transform Index0
Maximum Operation Index0 Code PageWindows Latin 1 (Western European)
Revision Number1 Modify Date*2001:07:16* 14:58:45
10 years, 3 months, 16 days, 11 hours, 26 minutes, 54 seconds ago SoftwareDC210
Zoom (V05.00) Thumbnail Clip(20,784 bytes binary data) Subimage ColorRGB
Subimage Numerical Format8-bit, Unsigned Decimation MethodNone (Full-sized
Image) JPEG Tables(558 bytes binary data) Number Of Resolutions1
Max JPEG Table Index1 Comp Obj User Type Len16 Comp Obj User Type
FlashPix_Object Code PageWindows Latin 1 (Western European) Code PageUnicode
UTF-16, little endian File SourceDigital Camera Scene TypeOriginal Scene
Software ReleaseDC210 Zoom (V05.00) MakeEastman Kodak Company
Camera Model NameDC210 Zoom (V05.00) Create Date*2001:07:16* 14:58:45
10 years, 3 months, 16 days, 11 hours, 26 minutes, 54 seconds ago
Exposure Time1/125 F Number4.0 Exposure ProgramProgram AE Brightness Value
5.5 Exposure Compensation0 Metering ModeCenter-weighted average Light Source
Unknown Focal Length4.4 mm Max Aperture Value4.0 FlashNo Flash
Exposure Index140 Per Picture Notes
Sensing MethodOne-chip color area Subimage Width1,152 Subimage Height864
Subimage Tile Count252 Subimage Tile Width64 Subimage Tile Height64
Num Channels3

I seem to have reconstructed enough meta data to let Hugin know the focal
length (4.4 mm), but not the focal length multiplicator. What do I need in
the EXIF data to let Hugin determine this?

Is there something else I need to put into the EXIF data?

Thanks in advance,
Thomas

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Re: [hugin-ptx] Re: Vertical line detector

2011-11-03 Thread Robert Krawitz
On Thu, 3 Nov 2011 09:35:04 -0700 (PDT), JohnPW wrote:
 Ah the Pilgrim monument. I haven't been there.
 Very nice panoramas. They all look very well done to me. You clearly
 have very high production standards.

Thanks!

 When I was working for the NPS I did a similar style panorama from the
 top of the Cape Lookout Light (not even remotely as nice as yours
 though.)
 It was my first 360ş panorama and I wasn't sure it would work since I
 took it from the outer catwalk, but I figured the closest objects were
 far enough away that it wouldn't be a problem. It wasn't that great
 (3.5Mp jpegs, no fusion or TCA correction etc., but this was a few
 years ago and my colleagues (who had never seen stitched panos before)
 were amazed and perplexed by how I got such nice images using a
 little digital point and shoot (although the results would probably
 not be acceptable to anyone in this forum.) I stitched them together
 with well aged Apple QTVR Studio Software running on system 7 via
 Rosetta on a G3 PowerMac. Although the whole western sky was blown
 out, I was actually pleasantly surprised myself. I should go  back and
 run it through Hugin. I'm sure there would be a little noticeable
 improvement.

I had the same problem on the Pilgrim monument.  There are only four
spots, at the center of each side, where there's a clear view without
glass and bars getting in the way.  It's fortunate that I have an 8-16
mm lens; I don't think even a 10 or 11 mm lens would have provided
enough overlap for a good stitch and a 12 mm lens probably wouldn't
have been wide enough, period.  I did have to fix some things up by
hand where the parallax error was too great (the parking lot at the
bottom had some problems that I had to fix manually, in addition to
the horizon problem I mentioned earlier).

I actually generally do use JPEGs, and I haven't done TCA correction
or predefined lens models (which are likely to be accurate only at one
particular focal length, anyway).  And all too often I do them
hand-held.  But when I look at my panoramas, I generally don't see a
lot of TCA problems.  As for RAW vs. JPEG, the 7D does a very good job
of in-camera processing.  If the light's such that I'm going to have
serious dynamic range problems, I probably need more than the
additional one or two stops I'll get from my own RAW processing.  The
P-town panorama, for example, did have dynamic range problems, but
simple exposure bracketing and fusion worked very well.

For this one:

http://rlk.smugmug.com/Other/Landscapes/4851912_XB4SmT/1488875261_xzm3Fzn

I really did have to use RAW, though (and fix up a lot of sky by hand,
also).

There is one little trick I sometimes play that I haven't seen
mentioned anywhere to reduce the aspect ratio and get more foreground
detail.  With wide angle lenses, the final output is somewhat torpedo
or barrel shaped due to the projection onto a planar surface.  I make
a second pass with Hugin, treating the first stage panorama as having
been shot by a cylindrical lens (like a Spinshot camera) of between 20
and 35 mm focal length and then re-projecting it as rectilinear, which
applies a pincushion effect.

Panorama stitching really is a lot of fun.

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Re: [hugin-ptx] Which EXIF data does Hugin need?

2011-11-03 Thread Carlos Eduardo G. Carvalho (Cartola)
I don't know how to answer your question, but you can make hugin work
without that. Many times I use images without any of those informations.
You can just guess a possible value and then try to optimize the result
until it gets ok.

Cheers,

Carlos E G Carvalho (Cartola)
http://cartola.org/360



2011/11/3 Thomas Pryds tho...@pryds.eu

 I'm trying to do a panorama from some .fpx files which contain fotographs
 that I shot many years ago with a Kodak DC210 which I don't have any more.
 However, as only very few programs read Kodak's .fpx format, I've converted
 the files into .jpg -- a process which omitted all meta data, sadly. So
 now, I'm trying to recreate the data as EXIF data in the jpg files by
 letting http://regex.info/exif.cgi tell me the meta data from the .fpx
 files. For the first file, the site tells me the following from the
 FlashPix meta data:

 Data Object ID13BC5A58-6B90-1B6B-12C9-0800201177F8 Data Object StatusExists,
 Not Purgeable Creating TransformSource Image Using Transforms
 Cached Image Height864 Cached Image Width1,152 Image Size1,152 × 864
 Visible Outputs1 Maximum Image Index1 Maximum Transform Index0
 Maximum Operation Index0 Code PageWindows Latin 1 (Western European)
 Revision Number1 Modify Date*2001:07:16* 14:58:45
 10 years, 3 months, 16 days, 11 hours, 26 minutes, 54 seconds ago 
 SoftwareDC210
 Zoom (V05.00) Thumbnail Clip(20,784 bytes binary data) Subimage ColorRGB
 Subimage Numerical Format8-bit, Unsigned Decimation MethodNone
 (Full-sized Image) JPEG Tables(558 bytes binary data)
 Number Of Resolutions1 Max JPEG Table Index1 Comp Obj User Type Len16
 Comp Obj User TypeFlashPix_Object Code PageWindows Latin 1 (Western
 European) Code PageUnicode UTF-16, little endian File SourceDigital Camera
 Scene TypeOriginal Scene Software ReleaseDC210 Zoom (V05.00) MakeEastman
 Kodak Company Camera Model NameDC210 Zoom (V05.00) Create 
 Date*2001:07:16*14:58
 :45
 10 years, 3 months, 16 days, 11 hours, 26 minutes, 54 seconds ago
 Exposure Time1/125 F Number4.0 Exposure ProgramProgram AE Brightness Value
 5.5 Exposure Compensation0 Metering ModeCenter-weighted average
 Light SourceUnknown Focal Length4.4 mm Max Aperture Value4.0 FlashNo Flash
 Exposure Index140 Per Picture Notes
 Sensing MethodOne-chip color area Subimage Width1,152 Subimage Height864
 Subimage Tile Count252 Subimage Tile Width64 Subimage Tile Height64
 Num Channels3

 I seem to have reconstructed enough meta data to let Hugin know the focal
 length (4.4 mm), but not the focal length multiplicator. What do I need in
 the EXIF data to let Hugin determine this?

 Is there something else I need to put into the EXIF data?

 Thanks in advance,
 Thomas

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Re: [hugin-ptx] Which EXIF data does Hugin need?

2011-11-03 Thread Thomas Pryds
2011/11/3 Carlos Eduardo G. Carvalho (Cartola) cartol...@gmail.com

 I don't know how to answer your question, but you can make hugin work
 without that. Many times I use images without any of those informations.
 You can just guess a possible value and then try to optimize the result
 until it gets ok.


Thanks. No matter which value I try, though, I get the images placed
directly on top of each other, although lots of (correct) control points
were found. So I figured Hugin is missing some other meta data value, but
with your reply I'm beginning to think something else is wrong. I have no
idea what that is, though.

Thomas

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Re: [hugin-ptx] Which EXIF data does Hugin need?

2011-11-03 Thread Carlos Eduardo G. Carvalho (Cartola)
The placement of the images don't depend on those values. Those are related
to the distortion of the images. The positioning of images are made using
control points. You can try to solve your problem with less images and
starting with only position optimization, like y,p,r to try to make the
images move according to the control points.

You can also try to pub manual control points, just to confirm you have
only correct ones, just to try.

Cheers,

Carlos E G Carvalho (Cartola)
http://cartola.org/360



2011/11/3 Thomas Pryds tho...@pryds.eu

 2011/11/3 Carlos Eduardo G. Carvalho (Cartola) cartol...@gmail.com

 I don't know how to answer your question, but you can make hugin work
 without that. Many times I use images without any of those informations.
 You can just guess a possible value and then try to optimize the result
 until it gets ok.


 Thanks. No matter which value I try, though, I get the images placed
 directly on top of each other, although lots of (correct) control points
 were found. So I figured Hugin is missing some other meta data value, but
 with your reply I'm beginning to think something else is wrong. I have no
 idea what that is, though.

 Thomas

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Re: [hugin-ptx] directions inside the source code needed.

2011-11-03 Thread Bruno Postle

On Thu 03-Nov-2011 at 14:51 +0100, Rogier Wolff wrote:


So I'm looking for the code that actually does the optimization,

I think this is:
  pano.updateVariables
in
  src/hugin_base/panotools/PanoToolsOptimizerWrapper.cpp


I think the optimisation is done using libpano13.

--
Bruno

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[hugin-ptx] Re: Vertical line detector

2011-11-03 Thread JohnPW
So how do folks do their hand adjustments? . . .
[I guess I should start a new topic for this.]

On Nov 3, 12:47 pm, Robert Krawitz r...@alum.mit.edu wrote:
 I had the same problem on the Pilgrim monument.  There are only four
 spots, at the center of each side, where there's a clear view without
 glass and bars getting in the way.  It's fortunate that I have an 8-16
 mm lens; I don't think even a 10 or 11 mm lens would have provided
 enough overlap for a good stitch and a 12 mm lens probably wouldn't
 have been wide enough, period.  I did have to fix some things up by
 hand where the parallax error was too great (the parking lot at the
 bottom had some problems that I had to fix manually, in addition to
 the horizon problem I mentioned earlier).

 I actually generally do use JPEGs, and I haven't done TCA correction
 or predefined lens models (which are likely to be accurate only at one
 particular focal length, anyway).  And all too often I do them
 hand-held.  But when I look at my panoramas, I generally don't see a
 lot of TCA problems.  As for RAW vs. JPEG, the 7D does a very good job
 of in-camera processing.  If the light's such that I'm going to have
 serious dynamic range problems, I probably need more than the
 additional one or two stops I'll get from my own RAW processing.  The
 P-town panorama, for example, did have dynamic range problems, but
 simple exposure bracketing and fusion worked very well.

--   I have no choice but to use jpeg on my Nikon CP4500 (Tiff isn't
really a reasonable choice time wise and the camera has no RAW.)

 For this one:

 http://rlk.smugmug.com/Other/Landscapes/4851912_XB4SmT/1488875261_xzm...

 I really did have to use RAW, though (and fix up a lot of sky by hand,
 also).

 There is one little trick I sometimes play that I haven't seen
 mentioned anywhere to reduce the aspect ratio and get more foreground
 detail.  With wide angle lenses, the final output is somewhat torpedo
 or barrel shaped due to the projection onto a planar surface.  I make
 a second pass with Hugin, treating the first stage panorama as having
 been shot by a cylindrical lens (like a Spinshot camera) of between 20
 and 35 mm focal length and then re-projecting it as rectilinear, which
 applies a pincushion effect.

--   I'd have to see to understand (my fault not yours.) Perhaps you
should make a tutorial? :-)

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[hugin-ptx] how do you do your hand adjustments of your panos?

2011-11-03 Thread JohnPW
In an earlier post Robert Krawitz was sharing some nice panoramas he
did:
http://www.google.com/url?sa=Dq=http://rlk.smugmug.com/Other/Landscapes/4851912_XB4SmT/1488875261_xzmusg=AFQjCNEGlfZgOM7TUL0A2Cykj4HW1NPBnw
and
http://www.google.com/url?sa=Dq=http://rlk.smugmug.com/Other/Landscapes/4851912_XB4SmT/1079379016_sm6Jyusg=AFQjCNHnbrlDK8xjM-rtD7prpZGrLPX2pA

and mentioned that he needed to do some hand adjustments in Gimp to
correct some stitching problems
It occurred to me, so how do folks do their hand adjustments? . . .

I have some images I recently took handheld on a small yacht sailing
in San Francisco Bay. I had to put all the control points on
stationary parts of the boat since anything else was in constant
motion. It has made me want to do more hand blending and masking to
make the (very mismatched) horizon less jarring and to fix a few
things on the boat that moved. I was considering how best to do it.

I have yet to try it, but I was thinking I should output the pano in
two parts to, one with the even images and one with the odd (alternate
source images so there is no image overlap between any of the source
images within each one of the two panos.) My thought is that I can
then combine the two panos as two base layers in a new file to make
the complete combined pano. This will make registering the layers
easier and then I can copy any more desirable part of either of these
two layers to a higher layer for any possibly destructive editing and
adjustment. After that I can just use alpha channels to finalize
blending of the seams. Is this how most people do it? Is there a
better way? Anybody have any helpful thoughts?

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