Yes, I regularly use this snippet to set the document fonts. I think I
learned it from Abraham Lee. IIRC, Frescobaldi also pasted it with the
menu entry
Tools > Document fonts …
What is the new and correct command? What Frescobaldi gives me?
\paper {
#(define fonts
(set-global-fonts
#
Hi Lukas,
once again, I am no expert on ancient notation. So I don't know whether the
length of the stems in your renaissance style are required to be exactly as long
as they are now. They roughly end in the middle of a staff space for notes on
this position and on a staff line for notes on a staf
> http://clairnote.org / lilypond-web-demo2/
Hi Paul,
I like your changes to the website. Especially the flatter gradient in the top
menu is more modern. I would even have preferred the removal of the background
image and the small icon next to LilyPond. Others see that differently.
Two small su
> Well, it's also in the market for dinosaur tools, namely text-based
> batch processing tools.
If dinosaur means that they will die out as time passes, I don't agree.
Considering the recent emphasis on web-techniques, I feel like some
people actually start liking text-based approaches due to th
Am 20.01.2014 18:02, schrieb Alex Loomis:
> I'm still getting a lot of warnings, but it works beautifully!
>
> The word silence is in roman, but commenting out the line
>
> \override-lines #'(font-name . "Century Schoolbook L")
>
> makes it italic. I assume this is because you need to specify
works for me now.
Joram
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Am 13.01.2014 14:04, schrieb Werner LEMBERG:
>
>> For me it now looks heavily distorted (wrong aspect ratio)
>
> Which browser?
Firefox 26, Chromium and Konqueror 4.8.5 - also after reload.
> On the other hand, the uncropped SVG image
>
>
> http://upload.wikimedia.org/wikipedia/de/archive
For me it now looks heavily distorted (wrong aspect ratio)
Joram
Am 13.01.2014 12:26, schrieb Werner LEMBERG:
>
>> Attached are a source version, without the font change for the time
>> sig which crashes SVG creation, and the SVG output.
>
> Thanks! Looks great. I've updated the Wikipedia pa
Hi,
this is another thing, but how about adding a nice standard notation
example to the wikipedia entry?
(like http://lilypond.org/ly-examples/bach-bwv610.png)
This Stockhausen is very impressive if you want to know that you can
tweak most everything to your needs. And it is now really close to t
Am 06.01.2014 12:17, schrieb lemzw...@googlemail.com:
> I've now had some time to check the glyphs. Here my comments.
>
> 1. Please make all corners round in `clefs.varC' and `clefs.tenorG'.
>
> 2. In `clefs.tenorG', I'm not sure that the left `slanted' end of the
> top horizontal bar should rea
Am 24.03.2013 12:34, schrieb David Kastrup:
> Werner LEMBERG writes:
>
The axis names are #X and #Y so I am not in favor.
>>>
>>> What about changing axis names as well?
>>
>> I'm all for it.
>
> Not really easy. We have in C++ macros X Y LEFT RIGHT etc, and making
> them lowercase would h
Am 20.03.2013 19:10, schrieb Werner LEMBERG:
> But there are millions of TeX users who are used to \phantom. And I
> believe that a lot of Lilypond users are TeX users also. This means
> that those users are already acquainted with this command and can
> easily deduce what it does.
I think knowi
Even while I am a bit sceptical whether the syntax for R should differ
from r, I see your point.
Rather than R14 for a 14 measure rest, I would suggest to keep the
syntax close to the one before: R*14 (This way I would almost be
convinced ;) )
Could the duration be optional this way, keeping the
Hi,
I would like to add some thoughts to that:
1.) What I use (and what is probably the most frequent case) are:
a) \repeat {} and \alternative { {} {} } % repeats
b) \bar "||" % new section
c) \bar "|." % end of staff
The first is syntactical the others are bar lines. Syntactical elements
>> Is
>> http://lilypond.org/website/pictures/double-lily-modified3.png
>> available at higher resolution (or even as a vector graphic) anywhere?
Hi!
Wouldn't it be a good idea to invent a new/derived LilyPond logo as
vector graphic and perhaps a bit more schematic/abstract (like logos
typicall
Am 13.01.2013 19:31, schrieb m...@mikesolomon.org:
> … It is possible to do accidental configuration
> "scoring" with a priority queue, very much how we do slurs. But I have
> no clue how much this would slow the program down.
It is only an issue for chords with more than 2 accidentals, which
sho
I summarize the open issues, concerning the German translation (point 3
is could be also concerns the English documentation).
Am 13.11.2012 21:15, schrieb Joram Berger:
> Hi,
>
> recently, I noticed some spots in the documentation, where I think that
> could be wrong – at l
Am 14.11.2012 00:15, schrieb Trevor Daniels:
>
> Joram Berger wrote Tuesday, November 13, 2012 8:15 PM
>
>> recently, I noticed some spots in the documentation, where I think that
>> could be wrong – at least I don't understand why it is documented like that:
>>
Am 13.11.2012 23:59, schrieb Keith OHara:
> Joram Berger gmx.de> writes:
>
>> http://lilypond.org/doc/v2.16/Documentation/notation/writing-rhythms#scaling-
> durations
>> It is:
>> % Scale music by *2
>> Should it be?
>> [ ... ] % Divide duration
Hi,
recently, I noticed some spots in the documentation, where I think that
could be wrong – at least I don't understand why it is documented like that:
1)
http://lilypond.org/doc/v2.16/Documentation/notation/writing-rhythms#scaling-durations
It is:
% Scale music by *2
Should it be?
% Scale m
Some comments from my usage experience.
Am 12.11.2012 12:27, schrieb David Kastrup:
> Francisco Vila writes:
...
>> The fundamental question for an user (and he thinks it is for all new
>> users, too) was to realize that lilypond is a programming
>> language. Every syntax is more or less compl
Am 07.11.2012 00:10, schrieb David Kastrup:
> Joram Berger writes:
>
>> Am 06.11.2012 22:10, schrieb David Kastrup:
>>> Joram Berger writes:
>>>
>>>> Hi,
>>>>
>>>> here is another (probably not so well thought) idea:
>>&g
Am 06.11.2012 22:10, schrieb David Kastrup:
> Joram Berger writes:
>
>> Hi,
>>
>> here is another (probably not so well thought) idea:
>>
>> Issue: \noBeam is a quite long command if used heavily and for the
>> opposite feature [ and ] represent much
Hi,
here is another (probably not so well thought) idea:
Issue: \noBeam is a quite long command if used heavily and for the
opposite feature [ and ] represent much more convenient solutions.
Possible solution: use X or ; (or any other reasonable token as a
\noBeam equivalent.
Again, this is jus
Dear developers,
how about integrating the chordmode into normal music syntax?
Reasoning: chords are music, too. And with <…> chords are already
possible in the music input. Many modifiers like duration, alteration,
etc. are also possible with chords. So they are similar in many ways.
A solution
Hi,
concerning bug #1594:
http://code.google.com/p/lilypond/issues/detail?id=1594
Could "s" be used as an empty figure instead of "_"? That would be
consistent with the usual mode where "s" an invisible space/rest. That
would free the "_" to be used for the common task to put something below it.
Am 04.11.2012 00:17, schrieb David Kastrup:
> Joram Berger writes:
>> Would it be an idea to add … "français" as aliases to "italiano"?
>>
>> According to my knowledge in French, the note names are the same and
>> bémol/dièse also fits with the Ita
Am 04.11.2012 01:36, schrieb David Kastrup:
> Eluze writes:
>> do you really want to add /francais/?
>
> It's not likely more scary to the French than "espanol" is to the
> Spanish. Basically there are two options making sense to me: native
> language name in utf-8, or English language name ("fr
> janek.lilyp...@gmail.com:
>
> Ah, so \language "español" will do the same as \language "espanol"?
> That's nice.
>
> http://codereview.appspot.com/__6811060/
As far as I see, there is no language "french" or "français".
Would it be an idea to add "french", "francais" and "français" as
aliases
> janek.lilyp...@gmail.com:
>
> Ah, so \language "español" will do the same as \language "espanol"?
> That's nice.
>
> http://codereview.appspot.com/__6811060/
As far as I see, there is no language "french" or "français".
Would it be an idea to add "french", "francais" and "français" as
aliases
Am 23.10.2012 09:08, Federico Bruni:
> 2012/10/23 Joram Berger :
>> Even though things are perhaps a little bit different, I would suggest
>> to include svg (or the whole backend-options) into formats, if possible.
>> Because thats essentially what the user wants: get the ou
Hi,
could the lilypond options to specify the output file format be unified?
Currently, depending on the format, there are different options:
--pdf or --formats=pdf (and ps and png)
-dbackend=svg (eps, scm, …)
Even though things are perhaps a little bit different, I would suggest
to include svg
Dear developers,
is there a reason that the forced accidental must not be written before
the octavation? It took me some time to figure out which order does compile.
(a) This works: cis'!='
(b) This doesn't: cis!'='
However, I would consider (b) more logical as the exclamation mark
forces the
Am 16.10.2012 02:44, schrieb David Kastrup:
> Most of the things that would count as simplifications are so because
> they drop details used for distinguishing things told to the computer.
> Where those distinctions are distinctions between non-sensical
> directions and potentially useful directio
Am 15.10.2012 22:14, schrieb Janek Warchoł:
> dear Werner,
>
> On Mon, Oct 15, 2012 at 9:38 PM, Werner LEMBERG wrote:
>> we've now had zillions of e-mails without coming to a concensus.
>> David has shown extreme patience in discussing all aspects, and I want
>> to have at least *some* outcome.
Dear Lilypond developers,
I joined this list to thank you all for your amazing work!
In 2002, I was searching for a free music typesetting program. From the
first moment, when I found Lilypond I liked how Lilypond cares about
beautiful scores and how well thought the basic syntax is. Since then
I
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