2014/2/1 Rachael Thomas Carlson r...@sleeplimited.org
Sometimes the standard notation is at sounding pitch and sometimes it is
at pitch as if there were no capo.
In all books I know (staff + tabstaff) I always see the latter: pitch as if
it were no capo.
I use transpose in the midi block so
I also suggest using just lilypond (lilypond-book makes sense only if you
write a lot of text and want to insert some music fragment).
Of course you'll have to adapt Nick's template and replace the \bookpart
blocks with an \include statement and then wrap the \score block in the
included files
2014-02-01 Nick Payne nick.pa...@internode.on.net:
I've attached my boilerplate
Nice work Nick.
Cheers
Pierre
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2014/2/1 Nick Payne nick.pa...@internode.on.net
I've attached my boilerplate that I use for producing a PDF file with
separate title page, table of contents page, and multiple pieces within the
file. For a single piece just delete the TOC stuff, the additional
bookparts for the additional
On 01/02/14 21:05, Federico Bruni wrote:
2014/2/1 Nick Payne nick.pa...@internode.on.net
mailto:nick.pa...@internode.on.net
I've attached my boilerplate that I use for producing a PDF file
with separate title page, table of contents page, and multiple
pieces within the file. For a
2014/1/30 Federico Bruni fedel...@gmail.com
Il 30/gen/2014 15:57 bart deruyter bart.deruy...@gmail.com ha scritto:
Is there a way to have a one-page count on each separate child-file,
while leaving that out in the master-file? Or what would be 'best-practice'
to achieve this?
I would
Why does this segment go wrong in the second alternative? Is it to do with
the partial? I've tried all sorts of things!
Alan
\version 2.16.2
\header { poet = \markup { \huge }
composer =
arranger = }
melody = \relative c' {
\clef treble
\key b
- Original Message -
From: ALAN ANDERSON
To: lilypond-user@gnu.org
Sent: Saturday, February 01, 2014 1:33 PM
Subject: Repeat volta puzzle
Why does this segment go wrong in the second alternative?
Is it to do with the partial? I've tried all sorts of things!
Alan
It's partly to do
I've been asked to typeset two guitar parts in an orchestral score. For
the full score the parts could be combined on one staff for which
\partcombine is good except where there are chords involved:
\version 2.18.0
guitarI = {
e' a' e''2. r4
e' a' e''2.
}
guitarII = {
ALAN ANDERSON rose.val...@btopenworld.com writes:
Why does this segment go wrong in the second alternative? Is it to
do with the partial? I've tried all sorts of things!
Alan
\version 2.16.2
\header { poet = \markup { \huge }
composer =
- Original Message -
From: ALAN ANDERSON rose.val...@btopenworld.com
To: lilypond-user@gnu.org
Sent: Saturday, February 1, 2014 1:33:12 PM
Subject: Repeat volta puzzle
Why does this segment go wrong in the second alternative? Is it to do with the
partial? I've tried all sorts of
Am 01.02.14 15:07, schrieb David Kastrup:
Try upgrading LilyPond. Current versions get this right. You'll also
need to remove the bar checks at the end of the alternatives as they are
_not_ placed on a proper bar boundary.
do they?
If I compile this example with 2.18 (after using
Jan-Peter Voigt jp.vo...@gmx.de writes:
Am 01.02.14 15:07, schrieb David Kastrup:
Try upgrading LilyPond. Current versions get this right. You'll also
need to remove the bar checks at the end of the alternatives as they are
_not_ placed on a proper bar boundary.
do they?
If I compile
Federico Ernie:
I try to adapt Nick's sample by replacing line 70 with \include my lily full
score and I got the following error
C:/Users/Tsang/Dropbox/Lyndon/LiLy/Down-from-his-glory/down-from-his-glory.ly:4:3:
error: syntax error, unexpected STRING
ti=從榮耀降臨 %title
I am not quite sure how to
On Thu, 2013-11-14 at 21:14 +0100, Jan-Peter Voigt wrote:
On 14.11.2013 16:19, Joseph Rushton Wakeling wrote:
there is an update of this snippet in the mail archives and I will post
my version later.
Fantastic, thank you! :-)
so, here is the version I regularly use ... in fact, this is
2014/2/1 MING TSANG tsan...@rogers.com
Federico Ernie:
I try to adapt Nick's sample by replacing line 70 with \include my lily
full score and I got the following error
C:/Users/Tsang/Dropbox/Lyndon/LiLy/Down-from-his-glory/down-from-his-glory.ly:4:3https://ca-mg6.mail.yahoo.com/neo/0:
Federico Bruni fedel...@gmail.com writes:
2014/2/1 MING TSANG tsan...@rogers.com
Federico Ernie:
I try to adapt Nick's sample by replacing line 70 with \include my lily
full score and I got the following error
In order to show where the separations between music cells are, I wrote:
tic = \markup { \beam #.5 #2 #.5 }
...
r16 c b^a a g e^\tic d^b f e8
which produces
http://lilypond.1069038.n5.nabble.com/file/n158718/tic.png
I'd like to get the tic lower, at least on the two upper lines of the staff.
The
olicha char...@dt.insu.cnrs.fr writes:
In order to show where the separations between music cells are, I wrote:
tic = \markup { \beam #.5 #2 #.5 }
...
r16 c b^a a g e^\tic d^b f e8
which produces
http://lilypond.1069038.n5.nabble.com/file/n158718/tic.png
I'd like to get the tic lower, at
On 2014-02-01 04:53, Rachael Thomas Carlson wrote:
Hello Hilary:
Hello Rachael and other contributors
Please excuse a short notation question!
This is a fun question!
[...]
In all cases, one will find that there is an indication of the use of a
capo in the area of the top of the score that
Hi list,
I want the tempo indication to appear at the leftmost edge of the piece
(I know that Gould has a different opinion about this, but I am using
LilyJAZZ, and the Realbook style does not care about these typographic
conventions).
However, changing the break-align-symbols property does not
Thanks for the tips :-) . I noticed that the title of the first bookpart
got printed in the header of the second bookpart, when there wasn't a new
title defined. I chose not to print the title, and used:
title =
in the subsequent headers of the bookparts
Which worked perfectly :-)
grtz,
Bart
2014/2/1 bart deruyter bart.deruy...@gmail.com
Thanks for the tips :-) . I noticed that the title of the first bookpart
got printed in the header of the second bookpart, when there wasn't a new
title defined. I chose not to print the title, and used:
title =
in the subsequent headers of
This is what I ended up doing. I had a similar problem, but I was including
the file at the wrong point in the Set-List.ly file.
%%%
% Set-List.ly %
%%
\version 2.18.0
\include globalSettings.ily
\include ShortninBread_mandolin.ily %%NOTE: Include this at the top
\paper {
#(define
ok, I found it, it was not the header of a \book .
In the 'master' document in which I include the child-files I have a header
file, which is not in a \book , but just a regular \header like for a
single score, in which I had a title=Studie line. That one got repeated
as title on the different
Sorry, the example use globalSettings.ily which I forgot to copy:
%%%
% globalSettings.ily %
%%%
\version 2.18.0
globalSettings = {
\override Score.RehearsalMark.break-align-symbols = #'(clef)
\set Score.markFormatter = #format-mark-box-alphabet
}
On Sat, Feb 1, 2014 at
On 01.02.2014 15:37, David Kastrup wrote:
2.19.0 captures the timing at the start of the first alternative and
restores it at the end of each alternative (issue 355 in the tracker).
Obviously, that's not a good idea at the end of the last alternative.
2.19.1 fixes that (issue 3792 in the
Hilary Snaden h...@newearth.demon.co.uk writes:
Transposing seemed the most intuitive solution, but it's good to hear
what real guitarists prefer. I'd gone with Capo on 4 above the first
bar of the guitar part, it's now Capo on IV.
I'm acquainted to Capo 4 but I guess it's a matter of taste.
Hi,
I'm new to Lilypond.
I've learned only the very basics.
When I typeset this score with Lilypond 2.18.0-1 on my mac,
the 2nd dotted half note is being obscured by the glissando line.
Please help me resolve this issue by providing the solution
or directing me to a documentation page where I
Antara-Prabhat wrote
Hi,
I'm new to Lilypond.
I've learned only the very basics.
When I typeset this score with Lilypond 2.18.0-1 on my mac,
the 2nd dotted half note is being obscured by the glissando line.
Please help me resolve this issue by providing the solution
or directing me to
2014-01-29 Urs Liska u...@openlilylib.org:
Am 29.01.2014 01:52, schrieb Peter Crighton:
Hello all,
maybe this is of interest for some of you.
Over the last months I created the accompanying songbook for Progressive
Rock band Transatlantic’s new album Kaleidoscope. Like my last book for
2014-01-29 Johan Vromans jvrom...@squirrel.nl:
Peter Crighton petecrigh...@gmail.com writes:
Here is the info page for the album (and book):
http://www.radiantrecords.com/products/483-transatlantic-kaleidoscope.aspx
Nice.
SONGBOOK – For the first time ever! A complete music book of
Am 29.01.2014 06:41, schrieb Graham King:
To generate MIDI output, I use a piece of boilerplate lilypond code,
containing:
\midi { \context { \Score tempoWholesPerMinute = #currentTempo }}
where it is expected that:
currentTempo = #(ly:make-moment TACTUS RF)
I would like to generalise
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