Scholarly question

Hi all, Is this the correct way to ignore critical remarks in the output file? \ignoreAnnotationTypes #'() Thanks in advance, Craig -- *Craig Dabelstein* Maxime's Music craig.dabelst...@gmail.com *http://maximesmusic.com *

Re: Hairpin 'to-barline' ignored in Dynamics context when grace notes are present?

Thanks, Torsten! Terminating the hairpin on a spacer grace note is the solution. -- Sent from: http://lilypond.1069038.n5.nabble.com/User-f3.html ___ lilypond-user mailing list lilypond-user@gnu.org

Re: First steps in Lilypond

2018-04-10 0:07 GMT+02:00 foxfanfare : > I checked with Gould book and upload an extract. Thanks. > gould.jpg > Thomas Morley-2 wrote >> Instead I had a quick look through some editions of major publishers. >> As a

Re: First steps in Lilypond

I checked with Gould book and upload an extract. gould.jpg Thomas Morley-2 wrote > Instead I had a quick look through some editions of major publishers. > As a result I wouldn't say the end of the Slur should always "align > itself

Re: First steps in Lilypond

Am 09.04.2018 um 23:05 schrieb foxfanfare: Mark Stephen Mrotek wrote Urs, The link provided is nothing like the Chopin Etude #23, Op. 25 No 11 in my Paderewski edition. Hofstadter in his book "Goedel, Escher, Bach: The Golden Braid" offers a mathematical/contrapuntal analysis. Mark Because

Re: First steps in Lilypond

2018-04-09 20:24 GMT+02:00 foxfanfare : > \version "2.19.80" > > \relative c, { > > \voiceOne > \clef bass > \time 3/8 > \key c\minor > %THIS IS THE PROBLEM > \scaleDurations 2/3 { c16( f' aes \clef treble f'[ d f~] } 8) > %ANOTHER EXEMPLE > c'8( d' e,\noBeam)

RE: First steps in Lilypond

Mark Stephen Mrotek wrote > Urs, > > The link provided is nothing like the Chopin Etude #23, Op. 25 No 11 in my > Paderewski edition. > Hofstadter in his book "Goedel, Escher, Bach: The Golden Braid" offers a > mathematical/contrapuntal analysis. > > Mark Because it's Godowsky :-) 53 Studies on

RE: First steps in Lilypond

Urs, The link provided is nothing like the Chopin Etude #23, Op. 25 No 11 in my Paderewski edition. Hofstadter in his book "Goedel, Escher, Bach: The Golden Braid" offers a mathematical/contrapuntal analysis. Mark -Original Message- From: lilypond-user

Re: First steps in Lilypond

Am 9. April 2018 20:24:30 MESZ schrieb foxfanfare : >Hi everybody, and thank you for your several replies. > >I'll try to answer to all and maybe explain a bit better what I think >is an >issue and the code to demonstrate it: > >\version "2.19.80" > >\relative c, { > >

Re: Hairpin 'to-barline' ignored in Dynamics context when grace notes are present?

Ah, sorry, I see what you mean... If you want the hairpin to stop before the bar-line, you could insert a silent grace note and explicitly let the crescendo hairpin stop there: \version "2.19" << \relative { c'2 e4 g | \acciaccatura { a16 b } c4 r r2 | }

Re: First steps in Lilypond

Hi everybody, and thank you for your several replies. I'll try to answer to all and maybe explain a bit better what I think is an issue and the code to demonstrate it: \version "2.19.80" \relative c, { \voiceOne \clef bass \time 3/8 \key c\minor %THIS IS THE PROBLEM

Re: Hairpin 'to-barline' ignored in Dynamics context when grace notes are present?

Hi Dominic, This has nothing to do with the acciaccatura (could be "ordinary" notes or rest), it's the "to-barline" property of the hairpin in combination with the spanner ending at the first note of following bar. If you set \override Hairpin.to-barline = ##f the hairpin will reach over into

Hairpin 'to-barline' ignored in Dynamics context when grace notes are present?

Illustration below: In the upper example, the hairpin stretches all the way to the terminating dynamic, despite explicitly telling it not to with the 'to-barline' property. If I take away the acciaccatura (in the lower

Re: First steps in Lilypond

Wow, yeah, that's easier, huh? Thanks for pointing that out. --- Knute Snortum (via Gmail) On Mon, Apr 9, 2018 at 8:35 AM, David Kastrup wrote: > Knute Snortum writes: > > > Here's how I engraved the snippet in LilyPond (there are other ways too): > > > >

Re: First steps in Lilypond

Knute Snortum writes: > Here's how I engraved the snippet in LilyPond (there are other ways too): > > %%% Start > \version "2.19.81" > \language "english" > > global = { > \key c \minor > \time 3/8 > } > > tupletInvisible = { > \override TupletBracket.bracket-visibility

Re: First steps in Lilypond

Here's how I engraved the snippet in LilyPond (there are other ways too): %%% Start \version "2.19.81" \language "english" global = { \key c \minor \time 3/8 } tupletInvisible = { \override TupletBracket.bracket-visibility = ##f \override TupletNumber.transparent = ##t } rightOne =