On 2024-06-10 11:11 am, Aaron Hill wrote:
Oops. I attached the wrong image. Sorry about that.
-- Aaron Hill
ricRed #red-text }
{ #normal-text } } #})
%% Testing with automation.
\markup {
\redden Sanc tus
}
\relative { \key f \major bes'2 c4( a) | bes1 \fine }
\addlyrics {
%% Testing with automation.
\redden Glo "" -- ri -- a.
}
-- Aaron Hill
a consistently flat top and bottom
without any optical adjustments. Mind you, I could just be overthinking
things. Nothing would stop me from sampling all uppercase letters and
averaging them.
Regardless, you both have given me plenty to think about.
-- Aaron Hill
. I wish optional parameters existed for markup
commands. If they did, then a user could just specify the number of
sides and omit the size. The default size would be something that
matches the font height, so the shape would naturally fit in with the
surrounding text.
-- Aaron Hill
lyPond. I must also apologize for them. Hopefully, no LilyPond devs
take them too harshly. Again, this code was never really intended for
public reveal. I would have cleaned up such comments and written them
with more tact if given the chance.
-- Aaron Hill\version "2.25.13"
%% Firs
On 2024-06-03 10:39 am, Paolo Prete wrote:
On Mon, Jun 3, 2024 at 7:33 PM Aaron Hill
wrote:
so feel free to
reach out if this is not your area of expertise.
That's what I just did ;-)
cheers
I must admit I have not followed this thread super closely. Do you have
a drawing o
On 2024-06-03 10:33 am, Aaron Hill wrote:
But pretty much, once you are in a \markup context, the world's your
oyster. Start with the more primitive drawing commands and build up
your own shapes. Turn those into reusable markup-commands of your own.
Some of this may require some Scheme
t with the more primitive drawing commands and build up
your own shapes. Turn those into reusable markup-commands of your own.
Some of this may require some Scheme code to achieve, so feel free to
reach out if this is not your area of expertise.
-- Aaron Hill
like?
Spent some time working on your "fork" scenario. Not sure if I got it
entirely correct. Attached is the source. Hope this either gives you
something you can use directly, or at a minimum gives you something to
work from.
-- Aaron Hill\version "2.25.13"
#(defin
rself, have you looked at what
LilyPond supports [1]? There are built-in options to change the style
of the FingerGlideSpanner. Your "V"-bend shape probably could be added
as a new style.
[1]:
https://lilypond.org/doc/v2.25/Documentation/notation/gliding-fingers
-- Aaron Hill
.).
-- Aaron Hill
On 2024-05-27 5:54 pm, Jean-Christophe Énée wrote:
could you reply to the list please for my list filter
I guess I can, but what is stopping you sending your own mail? This is
a highly irregular request.
-- Aaron Hill
ort hacklily". You can type code into hacklily or copy and
paste
it.
hacklily lets you save your work to Github if you like. Back in the
day, hacklily had primitive cloud storage with Base64 URI codes. Looks
like much has changed with the online tool. I had assumed it was
abandoned.
-- Aaron Hill
ough GitHub now, so you need
to have a GitHub account with a public repository. Then you could share
your "sheet-music" repo.
In general, it is often easier pasting the LY code in your email. This
makes it searchable and more accessible.
-- Aaron Hill
erpreted the clef and key signature
differently when trying to recreate the image. You did manage to the
squeeze in the forte, which I did not.
-- Aaron Hill
<\tweak duration-log 2 d, d a>2
<\tweak duration-log 2 d a f'>2
<\tweak duration-log 2 e, c e>2 \fermata
}
-- Aaron Hill
>>
\layout { }
\midi { }
}
\score {
{
...sequential music...
}
\layout { }
\midi { }
}
-- Aaron Hill
if you need help with identifying grobs, the visual index [1]
should be your first place to check.
[1]:
https://lilypond.org/doc/v2.25/Documentation/ly-examples/visualindex.pdf
-- Aaron Hill
On 2024-05-16 7:54 pm, carsonm...@ca.rr.com wrote:
Aaron,
Thank you for the instruction yet how does it apply to my notation?
It is simply a fairly common mistake we see post on the mailing list.
For instance, new users are often tempted to put the square brackets
*around* the notes
clearly indicates beaming beginning with
the 16th note and ending with the 8th.
-- Aaron Hill
}
\tweak break-visibility #end-of-line-visible
\tweak self-alignment-X #RIGHT
\mark \default \break
\repeat unfold 3 { b'4 4 2 } 1 \fine
}
-- Aaron Hill
you could take automation even further to reduce typing:
lyricsWithAutoStanzaOrdinal =
#(define-music-function (lyrics) (ly:music?)
#{ \new Lyrics \with \autoStanza \ordinal \lyricsto mel $lyrics #})
%% . . .
\lyricsWithAutoStanzaOrdinal \verseII
-- Aaron Hill
rride Staff.DotColumn.padding = #1
4.
}
-- Aaron Hill
LSR appears to be running 2.24.x at the moment.
-- Aaron Hill
\new Lyrics \with { } \lyricsto "pedal" {
\analysis } >> >>}
It appears you are using \lyricsto which ignores the durations specified
and instead associates each syllable with a note in the named voice.
You should just reference the lyrics variable directly: \new Lyrics {
\analysis }
-- Aaron Hill
is software development activity appears reduced after a health crisis
in 2021.
Can relate to that. Had open heart surgery myself last year and still
recovering, in and out of hospital. Wishing all the best to him and his
family.
-- Aaron Hill
nless \is-directional \pad-around #0.25 *
}
\layout { indent = 0 }
\asdf
{ b'4-\asdf 4_\asdf 2^\asdf }
-- Aaron Hill
g textMark \etc
melody = { b'4 4 \textMark "Hey!" 2 }
<< \withTextMarks \melody \\ \withoutTextMarks \melody >>
-- Aaron Hill
variable, which gets used three times. The same behavior occurs
without NoteNames:
\version "2.24.3"
melody = { b'4 4 \textMark Hey 2 }
<< \melody \\ \melody >>
-- Aaron Hill
r handles. This was done so that the user
could input lyric bar checks using the same symbol as for normal music
but get the unique behavior. Not sure if this transparent approach is
best, as it could be seen as surprising to some users.
-- Aaron Hill\version "2.25.13"
#(define-event
repeat unfold 3 { b'4 4 2 } }
\addlyrics {
no high -- light
\myHighlight high --
\tweak font-family #'sans
\tweak font-series #'bold
light -- er
\undo \myHighlight none
\once \myHighlight once
done
}
-- Aaron Hill
expect there are
coding mistakes and/or inefficiencies. My apologies.
-- Aaron Hill\version "2.24.3"
%%
%% Bow_pressure_engraver
#(define-event-class 'bow-pressure-event 'span-event)
#(define custom-music-descriptio
On 2024-04-16 12:46 pm, Dimitri Sykias wrote:
Is it possible to make the text italic?
I tried \tweak text \italic “x” and it didn’t work.
You need to specify \markup:
\tweak text \markup \italic x
-- Aaron Hill
On 2024-04-16 4:03 am, Aaron Hill wrote:
On 2024-04-16 3:59 am, Aaron Hill wrote:
What you are looking for, however, can be done with
horizontal/analysis brackets:
\version "2.25.13"
\new Voice
\with { \consists Horizontal_bracket_engraver }
{
b'4
-\tweak layer 0
-\
On 2024-04-16 3:59 am, Aaron Hill wrote:
What you are looking for, however, can be done with horizontal/analysis
brackets:
\version "2.25.13"
\new Voice
\with { \consists Horizontal_bracket_engraver }
{
b'4
-\tweak layer 0
-\tweak direction #UP
-\tweak bracket
0.5
-\tweak HorizontalBracketText.text
\markup \whiteout \pad-around #0.5 "9\""
-\startGroup 4 2\stopGroup
}
-- Aaron Hill
ndication. One would probably want all of these pressure indicators to
vertically line up with each other, so I was thinking the Dynamics
context would be the eventual home.
-- Aaron Hill
her approach:
\version "2.25.13"
#(define anAList '((aVariable . aSymbol)))
aSymbol = { cis' }
{
#(module-ref (current-module) (cdr (assoc 'aVariable anAList)))
}
-- Aaron Hill
e you been hoarding other tricks? /s
-- Aaron Hill
\markup \circle f
\f
{ b'4 4 2\f }
-- Aaron Hill
e was to my user's Downloads folder from which I had
been running LilyPond during testing.
12) Back in a normal command prompt from the Desktop folder...
13) Ran "test.ly" to verify file association and compilation.
No issues.
14) Double-clicked "test.ly" from my Desktop.
No issues.
-- Aaron Hill
omplaining about an unattached
SustainEvent. Is this a bug?
Does the empty chord construct help?
<>\sustainOff
(I'm away from my normal environment, so I cannot test this locally to
confirm.)
-- Aaron Hill
You need to adjust the majorSevenSymbol [1].
[1]:
https://lilypond.org/doc/v2.25/Documentation/notation/customizing-chord-names#chord-name-major7
-- Aaron Hill
x27;'4}
\addQuote "fluteII" {e'''4}
\addQuote "oboeI" {c'''4}
\new Voice {
\ottava 1
\quoteDuring #'("piccolo" "fluteI" "fluteII" "oboeI") { s4 }
}
NOTE: The modified \quoteDurring above produces a nested music
expression, as if you had written:
\quoteDuring "oboeI" \quoteDuring "fluteII" \quoteDuring "fluteI"
\quoteDuring "piccolo" { s4 }
-- Aaron Hill
nd to vary independently.
-- Aaron Hill
strings:
-e '(define-public part '\''cello)'
####
Not sure why the double-quoted string would have failed, though.
-- Aaron Hill
t out.
Shouldn't it be nothing more than setting break-visibility to
'end-of-line-invisible?
https://lilypond.org/doc/v2.25/Documentation/notation/using-break_002dvisibility
-- Aaron Hill
##t`. The property argument would need to become a `key-list?` with the
appropriate handling to redirect to another named context.
-- Aaron Hill
On 2024-03-24 3:45 am, Jonas Hahnfeld wrote:
On Sun, 2024-03-24 at 03:20 -0700, Aaron Hill wrote:
Based on the email thread you linked, perhaps I should nuke all my WSL
distros at this point and start from scratch with the latest Ubuntu
(22,
I gather). Not sure if Alma is an option for WSL
On 2024-03-24 1:23 am, Jonas Hahnfeld wrote:
On Sat, 2024-03-23 at 18:18 -0700, Aaron Hill wrote:
On 2024-03-23 6:25 am, Jonas Hahnfeld wrote:
> We are happy to announce the release of LilyPond 2.25.14. This is
> termed a development release, but these are usually reliable for
> te
-linux-gnu/libc.so.6:
version `GLIBC_2.28' not found (required by
/opt/lilypond/2.25.14/bin/lilypond)
Something changed from .13 to .14? I'm presuming my system is just
out-of-date, and this might be expected.
-- Aaron Hill
rtInstrumentName = "II" } \notes
>>
>>
NOTE: If you do need to use a GrandStaff (or PianoStaff), you can remove
the Span_bar_engraver similar to what the ChoirStaff already does:
\new PianoStaff \with { \remove Span_bar_engraver } { . . . }
-- Aaron Hill
not break how people expect it to work.
-- Aaron Hill
On 2024-03-22 4:08 pm, Michael Bret wrote:
Dear Werner, Aaron and Knute,
(it is y first time attempting to contribute to such lilypond
discussion so I don’t dare cc-ing the whole mailing list)
(Adding the mailing list for visibility...)
Regardless of your experience or comfort level, it is
qpjmjp/document.ly:4:33 <0>: warning:
unterminated tie
\afterGrace c''4\trill { b16 c
~ } c4
Is there any way around this, as I need this for my current project?
\version "2.25.13"
\relative {
\afterGrace c''4\trill { b16 \set tieWaitForNote = ##t c~ } c4
}
-- Aaron Hill
uot; { b'4 4 2 }
\make-score "۲" "2" { b'4 4 2 }
\make-score "3" "3" { b'4 4 2 }
-- Aaron Hill
prepend to existing exceptions.
chExceptions = #(append
(sequential-music-to-chord-exceptions chExceptionMusic #t)
ignatzekExceptions)
theMusic = \chordmode {
\set chordNameExceptions = #chExceptions
cis1:5-
des1:5-
}
\layout {
ragged-right = ##t
}
\new ChordNames { \theMusic }
-- Aaron Hill
On 2024-03-19 1:50 pm, Johannes Roeßler wrote:
thx again Aaron,
I tried it with
%%%
\line {\fromproperty #'header:composer " - " \as-string
\fromproperty #'header:title }
%%%
- then the title (in the footnote) was empty.
But you gave so many valuable insights, that I&
lexibility is necessary. The advanced exercise involves showing
"Edited by" only when the editor field is defined without moving such
text to the field itself. Of course, consider your own real-world
scenario. Are you the editor for all of your scores? If so, there may
be no need to add complexity where it is otherwise wasted effort.)
-- Aaron Hill
the default values are for these markup paper variables.
Copy-and-paste the default definitions and adjust to your needs. NOTE:
These are the sort of things that are best put into include files, so
you can reuse them and easily standardize your formatting across many
scores.
-- Aaron Hill
align #X #CENTER \vcenter
\rotate #90
\score { { \clef treble \accLeft \noNH h'! 1 } }
}
-- Aaron Hill
earing-voices
[2]:
https://lilypond.org/doc/v2.24/Documentation/learning/explicitly-instantiating-voices
-- Aaron Hill
ation/notation/automatic-beams
-- Aaron Hill
ents for text markup:
\paper {
#(add-text-replacements! '(("1↑" . "1")))
}
-- Aaron Hill
blind
guesses.
But the most likely cause for a context not being found is that it was
not kept alive.
Please review the information here [1] and see if that helps in your
situation.
[1]:
https://lilypond.org/doc/v2.24/Documentation/notation/keeping-contexts-alive
-- Aaron Hill
\new Lyrics \lyricsto melody { a i u o }
\new Lyrics \lyricsto melody {
% a i u e u o
% ↑ │ ↑ │ We switch voices one syllable earlier.
% └─┘ └─┘
a \set associatedVoice = alt
i u e \unset associatedVoice
u o
}
>>
-- Aaron Hill
on is to mirror image
all symbols in the right-to-left systems.
Does anyone have more details about this?
-- Aaron Hill
Code 1.
You will need to include whitespace between #endtone and the closing
brace that follows.
-- Aaron Hill
ral-align #X #0.2
\arrow-head #X #RIGHT ##t
}
{ c''1^\circular-bow }
-- Aaron Hill
staff }
\lyricsto soprano { \keepWithTag soprano \words }
\new Lyrics
\lyricsto alto { \keepWithTag alto \words }
>>
-- Aaron Hill
thing such as
global = {
\key c \major
\time 4/4
\tempo \myTempoBase = \myTempo
}
I'd expect it to resolve to \tempo 4 = 80. The above code however fails
on 2.24.1.
Any ideas?
myTempoBase = ##{ 4 #}
That seems to work. Otherwise, myTempoBase is just a number and not
\2[ g8\3] r8 c,8\4 ds8\4[ g8\3] f4\3 f'8\1 r8
}
\score {
\new StaffGroup <<
\new Staff \with { \omit StringNumber } { \clef "bass_8" \riff }
\new TabStaff \with { stringTunings = #bass-tuning } { \riff }
>>
}
(StaffGroup will also get you that nice bracket out front.)
-- Aaron Hill
le to imagine a lefty
getting a true left-handed bass but still wanting an upside-down or
nearly upside-down layout.)
Are you able to provide a link to the source score? If it shows both
the tablature as well as standard notation, it should be pretty easy to
verify the intended tuning.
-- Aaron Hill
y #'header:opus
}
}
}
Just apply the changes to the \fill-line section as you need.
-- Aaron Hill
27;header:piece }
}
}
}
Oh, and in your original question you mentioned wanting to adjust font
size, so you can do that too:
\larger \fromproperty #'header:piece
-- Aaron Hill
customized scoreTitleMarkup in your \paper that applies the header
fields how you wish.
-- Aaron Hill
ill be relevant.
[1]:
https://github.com/openlilylib/oll-core/blob/master/util/include-pattern.ily
-- Aaron Hill
er to that one too! It may be something that
could go in Frescobaldi, if you use that editor.
What about LSR 82?
https://lsr.di.unimi.it/LSR/Item?id=82
-- Aaron Hill
%
NOTE: All of the above is documented in the first sections of the Usage
manual.
https://lilypond.org/doc/v2.24/Documentation/usage/command_002dline-usage
-- Aaron Hill
ame override.
Some fonts include as part of their family name what appears to be a
style, and this has been known to cause problems. Adding a trailing
comma seems to help, e.g. use "Times New Roman," instead of "Times New
Roman".
-- Aaron Hill
quot;fat"
measure, and one after.
For more information, see: NR 4.5.2 - New Spacing Section
https://lilypond.org/doc/v2.24/Documentation/notation/new-spacing-section
If you are talking about something else entirely, please see about
providing a brief example of what you have tried.
-- Aaron Hill
\consists Horizontal_bracket_engraver
}
}
}
You need to do your mods in separate \context sections. See above.
-- Aaron Hill
On 2024-01-10 6:30 pm, Freeman Gilmore wrote:
Aaron Does LP have that?That would be a trick for modes other than
between major and minor and that may not work well.
Thank you, ƒg
Sorry for not linking the docs directly.
https://lilypond.org/doc/v2.25/Documentation/notation/modal
o use \modalTranspose to achieve what you want.
-- Aaron Hill
indicating that the
relative-includes setting can be freely changed during input processing
as needed. So when you go to \include something, it is the current
setting that will affect where LilyPond will search for the file in
question.
-- Aaron Hill
ount = #1
\remove "Ledger_line_engraver"
% or %
\omit LedgerLineSpanner
}
}
-- Aaron Hill
n...
{ \rel-rest b'4. }
However, this feels like more typing than just using the \rest
post-event, apart from being prefixed.
-- Aaron Hill
On 2023-12-16 5:27 am, Aaron Hill wrote:
On 2023-12-16 5:20 am, Sebastian Käppler wrote:
Hello Aaron,
thanks for your response. I tried use-modules and got "
no code for module (scm display-lily)".
If that is of interest, I use Frescobaldi on Windows with lilypond
2.24.1.
Oh, wh
pts of scheme...
Odd. A function like note-name->lily-string is exported from
define-music-display-methods.scm.
Have you tried adding an explicit...
(use-modules (scm display-lily))
...in your source file?
-- Aaron Hill
On 2023-12-12 1:04 pm, David Kastrup wrote:
Aaron Hill writes:
#(define (add-midi-to-score score)
(define (has-midi? score)
(any (lambda (x) (ly:output-def-lookup x 'is-midi))
Wouldn't that need to be (ly:output-def-lookup x 'is-midi #f) ?
The default is to ret
On 2023-12-12 12:06 pm, Stefano Antonelli wrote:
On Tue, 2023-12-12 at 02:31 -0800, Aaron Hill wrote:
Would this not work?
#(define (add-midi-to-score score)
#{ \score { $score \midi {} } #})
toplevel-score-handler =
#(lambda (score)
(collect-scores-for-book (add-midi-to-score
.
Would this not work?
#(define (add-midi-to-score score)
#{ \score { $score \midi {} } #})
toplevel-score-handler =
#(lambda (score)
(collect-scores-for-book (add-midi-to-score score)))
-- Aaron Hill
ote that I have never used ly2video before, so I am
commenting mainly as an outside observer to this use case.
-- Aaron Hill
cmode {
nor -- mal text
\override LyricText.font-shape = #'italic
i -- tal -- ic text
\revert LyricText.font-shape
nor -- mal text a -- gain
}
-- Aaron Hill
the dotted
quarter to beat three, which leads to all the other alignment errors.
-- Aaron Hill
https://lilypond.org/doc/v2.25/Documentation/notation/ornament-scripts
-- Aaron Hill
-4? I know about
ragged-right, but I don't like the look of the ragged edge and would
rather have the power to specify just how wide I want each line to be.
Perhaps something like \pseudoIndents from LSR 1098 [1] would be
helpful.
[1]: https://lsr.di.unimi.it/LSR/Item?id=1098
-- Aaron Hill
ists. You can run
"where lilypond" to verify not only that it is being found but also the
locations of all matches if there are multiple.
(* By "classic", I mean the old-school cmd.exe shell. If you are
running an alternate shell such as PowerShell, then you will need to
consult its documentation.)
-- Aaron Hill
lost totally: 0
Loads into a sequencer as expected, so the MIDI file itself seems fine.
-- Aaron Hill
/file-format-specifications/standard-midi-files/smf-lyric-meta-event-definition
-- Aaron Hill
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