Oops: I am so sorry, Jean. Must work out how to turn AutoCorrect off, or
actually read messages before I send them.
Apologies, once again
Alex
> On Aug 18, 2023, at 12:07 PM, Jean Abou Samra wrote:
>> Le 18 août 2023 à 12:59, Alex Voice via LilyPond user discussion
&g
\once \omit Staff.BarLine
\replicateDelims
\startStaff
\key as \minor
\section
\sectionLabel "Coda"
c'1
\bar "|."
}
\score {
\new PianoStaff
<<
\new Staff = "upper" \upper
\new Staff = "lower" \lower
>>
}
Jean’s original code is at
https://music.stackexchange.com/questions/127631/how-can-i-insert-an-additional-systemstartbrace-into-a-pianostaff-in-lilypond,
along with an equally successful alternative from Valentin Petzel.
The code above should lead to this:
I hope that this is helpful. Do let me know if you discover a more
straightforward method!
Alex Voice
Dear Valentin and Jean,
Thank you for your help. I now understand what you meant (my brain is getting
there slowly) about the replicateDelims method 'taking a copy' of the existing
bracket stencil at the beginning of the line and translating it to the
restarted system; hence if the system is
wizardry.
Alex
> On Jul 24, 2023, at 11:00 PM, Jean Abou Samra wrote:
>
>
> Le lundi 24 juillet 2023 à 22:23 +0100, Alex Voice a écrit :
>>
>>
>> > I tried replacing the replicate-stil code with your version, but the whole
>> > code does n
work out the
correct parameters, but I have no idea where to start with the bracket stencil!
If there is another method that would work in some way, I’d be really pleased
to hear about it.
Many thanks again,
Alex Voice
> On Jul 23, 2023, at 11:08 PM, Valentin Petzel wrote:
>
taff
line in the ChoirStaff), so producing as little interruption to the flow of the
PianoStaff as possible.
This has been the most challenging score I have tackled (my colleague having
given up on other engraving programs for this). If it were possible to achieve
any or all this I would be so grateful.
With many thanks in advance.
Alex Voice
single hairpin whilst retaining individual
hairpins in the parts?
Otherwise, sorry for the noise.
Alex
> On Sep 27, 2016, at 10:14 PM, Thomas Morley wrote:
>
>
> 2016-09-27 22:56 GMT+02:00 Alex Voice :
>>
>>
>> Hi Harm,
>>
>>
>> I'
> g'1\> \endI R1\!
>
> }
>
> musicB = {
>
> b'1\> \endII R1\!
>
> }
>
>
>
>
> \new Staff \partcombineII \musicA \musicB
>
>
I have tried your solution to Kieran’s recent problem with \pa
You need the magic of: http://lsr.di.unimi.it/LSR/Snippet?id=782 - Good Luck!
Alex Jones-2 wrote
> Does anyone have a suggestion for a good way to accomplish this in
> lilypond?
> time signature with a second time signature in parentheses?
>
> Screen Shot 2015-05-23 at 5.41.47 PM.png (14K)
>
On 05/04/2013 14:12, "Phil Holmes" wrote:
>Thank you very much for your swift reply. I think your example B is
>similar in output to my example B' - it would be great to get a tie
>underneath instead of a slur\phrasing slur, so that the whole effect is
>more like that of example A. I suppose it's
On 05/04/2013 13:36, "Thomas Morley" wrote:
>2013/4/5 Alex Voice :
>> Hi Lilypond Experts,
>>
>> In a piece of music I am currently engraving, the composer requests a
>> combination of dashed slur on the harmonic but solid tie on the base
>>note,
&g
harmonic^\markup "B'" ^( | d2.\harmonic ) }
{ g,2._\( | g2.\) }
>>
% --
<<
{ \slurDashed
d'2.\harmonic^\markup "B''" ^( | d2.\harmonic) }
\\
{
\stemUp
g,2._~ | g2.
}
>>
}
Am I miss
> I would like more space between note-head / end of a stem and
tenuto/staccato/portato-marks. How to get that?
Werner,
The following works, with adaptation according to the stem direction:
\version "2.16.2"
\relative c''
{
c4-. r
\once \override Script #'extra-offset = #'(0 . 0.1)
c4-. r
}
On 22/12/2012 21:45, "Reinhold Kainhofer"
wrote:
>On 2012-12-22 19:25, Alex Voice wrote:
>> I have been setting myself various tasks to see if I can use LilyPond to
>> its utmost, but some bars of Godowsky (an arrangement of Chopin for
>> piano left hand) are stre
On 22/12/2012 22:15, "Xavier Scheuer" wrote:
>Nice challenge!
>
>I only did measure 3 (plus partial of measure 2).
>It is far from perfect (appoggiatura subdivided beam is a bit tricky
>but unfortunately the beam slope is not good), but it should give you an
>idea how to (try to) do it. Some fi
Sorry just found (stumbled over) a cure in the documentation: inserting a
space in the \global fixes it. Wonderful!
global =
{ s1 \bar "||" \acciacciatura s8 s1 }
Many thanks,
Alex
From: Alex Voice
Date: Sunday, 18 November 2012 08:15
To:
Subject: Acciaccaturas
gs
for this large orchestral piece, of which this is just a short excerpt from
one stave.
Could you suggest either what I may be doing wrong or what way there might
be to work around it.
Many thanks as always,
Alex Voice
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lilypond-user mailing list
Date: Fri, 09 Nov 2012 10:11:15 +0100
From: David Kastrup
To: lilypond-user@gnu.org
Subject: Re: Increasing the size of rehearsal marks
Message-ID: <87vcdfi1jg@fencepost.gnu.org>
Content-Type: text/plain
Marc Hohl writes:
> Am 09.11.2012 09:32, schrieb Alex Voice:
>> Hi L
is a bit of the documentation I've missed, but I've
tried looking in various places and even other websites!
Many thanks,
Alex Voice
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>Date: Tue, 9 Oct 2012 04:29:00 -0700 (PDT)
>From: Eluze
>To: lilypond-user@gnu.org
>Subject: Re: Removing empty systems/groups
>Message-ID: <1349782140489-134469.p...@n5.nabble.com>
>Content-Type: text/plain; charset=UTF-8
>
>Alex Voice wrote
>> Hi Lilypond E
}
>>
\new StaffGroup = "StaffGroup_Strings"
<<
\new GrandStaff = "GrandStaff_violins"
<<
\new Staff = "Staff_violinI" { c'1 | b }
\new Staff = "Staff_violinII" { c1 | g }
>>
\new Staff = "St
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