On 2019-04-02 11:05 AM, Kieren MacMillan wrote:
The auto-beamer should beam according to the settings that it would apply if
there were no rests.
I don't think it's quite that simple as rests that begin or end beam
groups wouldn't have beams over them, only ones in the middle.
It might be
On 2018-12-18 2:22 PM, Kieren MacMillan wrote:
scoreTitleMarkup = ##f
That did it. Thanks.
--
✝✝
Br. Samuel, OSB
(R. Padraic Springuel)
St. Anselm’s Abbey
4501 South Dakota Ave, NE
Washington, DC, 20017
202-269-2300
(c) 202-853-7036
PAX ☧ ΧΡΙΣΤΟΣ
What is the best way to suppress the default scoreTitleMarkup? I've
been using `scoreTitleMarkup = \markup \null` but this is creating an
extra space above the score (which, with lilypond-book-preamble.ly,
comes out as an empty "system"). I'm defining a custom titling format
in which I want
Thanks Harm. The code may not be fully tested, but it does seem to do
the job for me. There was one issue I ran into. I have a
`\wordwrapright-field` and `\wordwrapcenter-field` which I make use of
in this project and I had to load your code before I defined those
commands (if done in
On 2018-12-17 12:08 PM, David Kastrup wrote:
Uh, anything wrong with the obvious
custom = \markup { PRAELUDIUM I \italic { italicized text } Back to
normal }
?
It works in the MWE I posted, but not in my original use case (the
contents of the field disappear entirely. After some
I'm making use of a custom header (with custom fields) and have come
across a situation in which I need to apply custom formatting (italics)
to a piece of the field (just a handful of words in the middle). Given
that the header fields are normally simple strings, is there a way to
format part
On 2018-11-03 2:10 PM, David Baptista wrote:
c'
For Lilypond the tab is 8 spaces, thus the c' is on columns 9 and 10
(one column for each character). Lilypond is not aware of your editor
settings (which change that result) and thus cannot account for that.
The "\t" = "" convention
If the problem is Mac related, then it might have to do with System
fonts (located in /Library/Fonts) vs. User fonts (located in
Users//Library/Fonts). IIRC, the default installation
location when using Font Book is the User location. I've had problems
with some programs (can't remember if
On 10/3/18 7:09 PM, Kevin Barry wrote:
lualatex lyluatest.ly --shell-escape
That's the wrong order. Options come before the file name.
--
✝✝
Br. Samuel, OSB
(R. Padraic Springuel)
St. Anselm’s Abbey
4501 South Dakota Ave, NE
Washington, DC, 20017
202-269-2300
(c)
The one problem that jumps out at me about Karlin's proposal is that the
information about the font type (OTF, SVG, WOFF) and whether or not that
type has a defined brace would be lost. That sort of information can be
important depending on your target file format. If you can find a way
to
On 9/21/18 12:31 PM, Urs Liska wrote:
Slurs and ties are not part of the music font and therefore look the
same, regardless of the font.
Good to know. I guess then they ought to be left out of the preview.
I think the fact that it'd be vocal music would be different enough.
Especially the
As my general use case is hymns for congregational singing, if I were to
find the time to create a sample, it would probably have the following
characteristics:
Notes of all durations from 1/16 to whole.
Some of the 1/8 and 1/16 notes would be beamed while others unbeamed.
Some slurs and ties.
On 9/19/18 6:23 PM, Urs Liska wrote:
Do you have any concerns about the limitations with regard to the use of
the Score Wizard for the Score Wizard's use case too?
The limitations I was worried about were related to the lack of variety
of the glyphs involved in the preview. When it comes to
I was in the process of noting the limitations of the Score Wizard
preview and how they made it less useful for a font preview when your
preliminary demo came through. Since I think the preliminary demo is
great and addresses my concerns, I'm scrapping that post just to say I
like where the
On 6/22/18 12:42 PM, David Wright wrote:
Would the scrot-style approach be a suitable workaround?
(I don't know whether MacOS is sufficiently unix-like to
actually run scrot.)
The MacOS equivalent would be Grab. You can find it in the Utilities
folder of your applications and it allows you
Frescobaldi 3 does not have a Mac installer package. Only those who are
capable of building from source can use v3.0 on a Mac.
--
✝
Br. Samuel, OSB
St. Anselm’s Abbey
Washington, DC
(R. Padraic Springuel)
PAX ☧ ΧΡΙΣΤΟΣ
___
On 6/11/18 1:23 PM, Kieren MacMillan wrote:
#(define-markup-command (when-property layout props symbol markp) (symbol?
markup?)
(if (chain-assoc-get symbol props)
(interpret-markup layout props markp)
empty-stencil))
Works great. Thanks.
--
✝
Br.
I have a custom book titles whose definition looks like this:
bookTitleMarkup = \markup { \fontsize #-3 \column {
\fill-line { \fontsize #6 \fromproperty #'header:title }
\fill-line {
\fromproperty #'header:meter
\concat { "Tune: " \fromproperty
On 5/1/18 3:15 AM, David Kastrup wrote:
Let me quote the documentation on this:
Isolated durations – durations without a pitch – that occur within a
music sequence will take their pitch from the preceding note or
chord.
\relative { \time 8/1 c'' \longa \breve 1 2 4 8 16 32 64 128 128 }
On 4/26/18 12:02 PM, R wrote:
This shows the default duration as a sixteenth note which should be
NOT even considered since it's within an uncalled variable. So why is
this spacer value magically applied to music when it resides it a
completely uncalled variable? This makes no sense to me. Even
On 3/27/18 2:42 PM, Torsten Hämmerle wrote:
Br. Samuel Springuel wrote
Is there a way to import into the new language the note names from an
existing language?
Yes.
All the note name definitions are contained in the associated list
language-pitch-names
When applying (assoc-get 'english
On 3/27/18 4:48 AM, Thomas Morley wrote:
Though, examples to define and use an own language can be found in
makam.ly and bagpipe.ly
>
Leads to below, note: only the method is demonstrated, `myNames' needs
to be extended, ofcourse
Does the new language have to be defined from scratch? Is
I would like to add the basic solfege note names to the english language
module so that I can enter music (mostly chant) using solfege and then
use `\transpose` to adjust its sounding pitch to create a midi file
which can be used for practice. So far, I've done this by editing
How do I apply formatting to text in a header field which is destined to
be inside a `\wordwarp-field` command. Say, for instance, that I wanted
to italicize the words "incididunt ut labore" in the following snippet
(taken from the documentation for `\wordwrap-field`):
%%% BEGIN snippet %%%
On 3/13/18 5:02 PM, Thomas Morley wrote:
Hi,
do you mean like below?
Based on
http://lsr.di.unimi.it/LSR/Item?u=1=765
#(define (general-column align-dir baseline mols)
(let* ((aligned-mols
(map (lambda (x) (ly:stencil-aligned-to x X align-dir)) mols)))
(stack-lines -1 0.0
I'm creating a custom bookTitleMarkup for a project I'm working on and
have some lines which are setup like `meter` and `arranger` in the
default template (two blocks of text, one flushed left the other right,
on the same line).
However, on one of those lines the header properties to be used
That's not the executable script inside the package. Try:
\usepackage[program=/Applications/LilyPond.app/Contents/Resources/bin/lilypond]{lyluatex}
Or, follow the directions on the following page for making LilyPond
available from the command line on a Mac (in which case the program
option
On 2/19/18 10:23 AM, Urs Liska wrote:
The main argument that could speak against that is the requirement to
use LuaLaTeX (instead of XeLaTeX, pdfLaTeX, or even more low-level
variants).
True. I use LuaLaTeX as my default engine, so that's not a
consideration I generally think about. Thanks
LilyPond is not a LaTeX package, but a standalone program for
typesetting music. To combine LilyPond and LaTeX output into the same
document, you have several possibilities:
1) lilypond-book:
http://lilypond.org/doc/v2.18/Documentation/usage/lilypond_002dbook
This is a pre-processor script
Not sure about quotes, but LaTeX, as a rule, hates spaces in filenames.
They should be avoided at all costs in LaTeX documents. Even though
lilypond-book is a preprocessor (and thus not subject to the same
restrictions), it thus wouldn't surprise me that it is the same way.
--
In Frescobaldi you can choose the Engrave (custom) option which lets
you add to the command line, and remembers the last used setting.
I'd never noticed that option. However, after trying it I don't like
that it pulls up the dialog each time. This slows me down because it
requires me to
Absent a way to make Frescobaldi apply the command-line argument, I came
up with the following solution:
To the lyluatex preamble I added a flag which indicated the use of
lyluatex (similar to what lilypond-book does):
#(define inside-lyluatex #t)
This change has been merged into
On 2017-12-12 12:08 PM, David Wright wrote:
You can set the default paper-size with a -d option in the LP command
line. See p10 of the "Usage" manual (2.19.80 page ref.).
That works perfect from the command line. Is it possible to get
Frescobaldi to apply this option when running LilyPond?
I have a project in which I'm including a bunch of scores into a pdf
document using lyluatex. In the final product, lyluatex handles
figuring out what the appropriate line width is for the scores and
passes that information to lilypond by adding a header to score before
processing.
During
On 2017-11-19 5:28 PM, Simon Albrecht wrote:
Font selection, language support, UTF-8 input…
All of these are supported in LuaTeX/LuaLaTeX.
For some key differences see this:
https://www.overleaf.com/blog/500-whats-in-a-name-a-guide-to-the-many-flavours-of-tex#keyfeatures
--
On 2017-11-19 12:12 PM, David Kastrup wrote:
I fail to see why it uses different syntax for embedding LilyPond code
than lilypond-book does, though. Why not make it compatible by just
adding the right \usepackage invocation?
Actually, the package does define some aliases which should allow
I developed something similar based on some suggestions on the list back
in December of last year. You can see what I ended up using here:
http://lists.gnu.org/archive/html/lilypond-user/2016-12/msg00636.html
For my actual implementation I further refined the idea as follows:
In an included
Also, there appear to be unmatched << . Is closing >> implied, or is
this just a short-cut example?
The `>>` are there, but your email reader may interpreting them as a
quotation level (though there is no text in the quotation). Try copying
the whole email into a plain text editor and then
On 2017-01-08 6:01 PM, Thomas Morley wrote:
#(define my-settings
'(
(indent . 10)
(short-indent . 10)
(line-width . 80)
))
#(for-each
(lambda (settings)
(ly:output-def-set-variable! $defaultpaper (car settings) (cdr settings)))
my-settings)
This works when copied and
On 2017-01-08 4:43 PM, Br. Samuel Springuel wrote:
Another option might be using the -e option to initialise a Scheme
variable, which then triggers a switch inside your .ly file.
This sounds like it might be more promising, at least for the scores I
write myself. When borrowing source from
On 2017-01-08 4:53 PM, Thomas Morley wrote:
How about make and makefile?
http://lilypond.org/doc/v2.19/Documentation/usage/make-and-makefiles
Never used them for own scores, though, sounds it may be what you're
looking for.
After reading that page it sounds like this may work for now, but one
On 2017-01-08 3:06 PM, Simon Albrecht wrote:
I think often all you need is a clever \include structure and
invoking different .ly files, which apply different settings and both
include the same content
I've thought about this, but so far haven't found a completely
satisfactory way of doing
Can someone explain to me what the functionality of the init.ly file is?
In particular I'm trying to figure out if I could write one which is
specific to a particular project so that I can use the same ly source
for two different projects and yet produce different output versions by
simply
I'm using the lilypond-book preamble to manually prepare scores for
inclusion in a LaTeX document. However, this preamble produces a bunch
of files which I don't need (.count, .texi, and .eps files) and which
are cluttering up my directory, making it hard to find the scores
themselves. Are
On 2016-12-30 3:07 PM, Jan-Peter Voigt wrote:
mycol = #(rgb-color 0.898 0.208 0.172)
Perfect. Thanks.
--
✝
Br. Samuel, OSB
St. Anselm’s Abbey
Washington, DC
(R. Padraic Springuel)
PAX ☧ ΧΡΙΣΤΟΣ
___
lilypond-user mailing
Is there a way to define a new color name for use with \with-color in
markups?
I have a particular color which I'm trying to match and while I have
it's RGB profile and can use \with-color #(rgb-color 0.898 0.208 0.172)
each time, if I later decide that I need to adjust those numbers to get
Whoops. Spoke to soon. I have some scores where I have these special
bar lines and either "|." or ":|." and when made in a universal manner,
these overrides affect them as well (in both the thick line is thinned,
in ":|." the dots are also reduced in size).
Is there a way to change these
On 2016-12-29 4:26 PM, Thomas Morley wrote:
Does
%
\defineBarLine "[" #'("" "[" "")
\defineBarLine "]" #'("]" "" "")
{
\override Staff.BarLine.thick-thickness = 1
\override Staff.BarLine.font-size = #-4
c' \bar "[" c' c' \bar "]" c'
}
Right now I'm using some alternate bar lines to specially mark off
specific passages in a piece like so:
%%
\version "2.19.53"
% extra bar lines (optional bars)
\defineBarLine "[" #'("" "[" "")
\defineBarLine "]" #'("]" "" "")
{ c' \bar "[" c' c' \bar "]" c' }
%%
I can confirm the error on my Mac (Early 2009 iMac running 10.11.6) with
LilyPond 2.19.53
Interestingly lipo -info tells me that file is for an i386 architecture,
which is the same as what uname -p tells me my machine in fact has.
--
✝
Br. Samuel, OSB
St. Anselm’s
\combine works great.
While \translate works, and I can manipulate the offsets via trial and
error, I'm stumped as to the units. I found the documentation for the
function (lilypond.org/doc/v2.18/Documentation/notation/align) and it's
companion \translate-scaled, but some idea as to the
If I wish to create a markup command that combines two characters from
different fonts (the normal Roman font of the file and another font
which provides special glyphs) in an overlapping fashion, how would I go
about doing that?
Thus far I have the following which has both characters, but no
On 2016-12-21 11:58 PM, Vaughan McAlley wrote:
ismale = ##f
%gender = "m" % manually set to m(ale), f(emale), n(eutral)
heshe = #(if ismale #{ he #} #{ she #})
hisher = #(if ismale #{ his #} #{ her #})
himher = #(if ismale #{ him #} #{ her #})
Hmm... Based on this idea I developed the
On 2016-12-22 8:24 AM, Simon Albrecht wrote:
hold = #(define-music-function (note) (ly:music?)
(withMusicProperty 'duration (ly:make-duration -1 0) note))
This revised function works marvelously for me. I did have to look up
the arguments to ly:make-duration in order to figure out
I'm typesetting a bunch of chant in modern notation (i.e. stemless
without timing, etc.). These pieces are being pulled from different
sources which have different conventions for a hollow note. In some
cases it's a stemless half-note, in others a whole note, and in still
others a breve
On 2016-12-20 3:00 PM, Simon Albrecht wrote:
you can just omit these tests and trust that the \keepWithTag
mechanism will work properly :-) Because it does – the pronouns show
up correctly.
Indeed, the tag mechanism does fine at keeping just the pronouns I want.
I'm not trying to solve that
In trying to implement the idea of a tag set, I came up with the following:
%
\version "2.19.53"
gender = #'male % manually set to male, female, neutral
#(define test 0)
heshe = \lyricmode {
\tag #'male { he #(set! test 1) }
\tag #'female { she #(if (eqv? test 1) (error "more
On 2016-12-20 5:04 AM, Alexander Kobel wrote:
Great. Just out of curiosity (and because we need to pick a default of
the equivalent variable for the release version at some point): which
value for minimum-length did you prefer?
I'm using 0 at the moment. I may lengthen that later, but I
In the following snippet I've got two slurred notes that are fairly far
apart. This leads to one having a natural stem up and the other down.
Naturally, when those stems are present, LilyPond should move the slur
so that it doesn't collide with the stems, as is shown in the first
Staff.
On 2016-12-19 6:27 PM, Simon Albrecht wrote:
I actually meant using an include file like the attached and not having to add
the music function locally at all.
This is definitely an idea I like, as it means I'm less likely to forget
it as I continue to add to the project and will make it
I've included the files as instructed and it seems to be working fine
when applied to the first case. I did need to tweak
LyricExtender.minimum-length, as I wanted them to show up more often
than they were, but a simple override in my score fixed that nicely (I
assume that I'll need to keep
On 2016-12-19 5:04 PM, Thomas Morley wrote:
\once \override NoteColumn.X-offset = 3.5
That works well too. Which will have more predictable results when the
line width and staff size changes? I'm going to be using these snippets
in both a "normal" and a "large print" booklet, eventually,
Is there a way to get lyric extenders to appear automatically when
lyrics have been applied to a voice using `\lyricsto`? I know how to
manually get them to appear (with `__`), but I'm wondering if there is a
simple setting that can be changed in an included style file that would
allow me to
On 2016-12-19 11:56 AM, Klaus Blum wrote:
\cadenzaOn \hide r8 \hide r8 \cadenzaOff
Other than the duration throwing off the later notes (easily corrected)
it works well. Out of curiosity, why `\hide r` instead of `s`? I
tested the later and it seems to work too, is there a reason to favor
In the following snippet, is there a way to set the alignment of the
"℟." so that it always appears after the barline, rather than under it.
I expect more space needs to be added to the bar in which it appears for
this to happen.
Also, is there a way to eliminate the need for the "." to make
On 2016-12-18 6:57 PM, Simon Albrecht wrote:
#(if (not (defined? 'aster))
(define aster #{ \set stanza = \markup "*" #}))
Thanks Simon, that works perfectly.
--
✝
Br. Samuel, OSB
St. Anselm’s Abbey
Washington, DC
(R. Padraic Springuel)
PAX ☧ ΧΡΙΣΤΟΣ
Building on the idea, I could reduce the number of needed files from 3
to 2 if I could test whether aster has been defined or not. In this
instance the source file would check to see if aster is defined, and if
not define it. The second file would would first define aster and then
load the
Question on tags: Is there a way to have a tag set, of which one (and
only one) can be kept on a given compilation? For instance, in Kieren's
code, when compiling only one of male, female, and malefemale should be
kept. Ideally I'd like a staff which neglects to specify which one is
to be
On 2016-12-18 1:12 PM, David Kastrup wrote:
I beg to differ. Have you actually tried compiling the result or just
glanced over it?
I just glanced it over and didn't see any changes in the code. Doing it
again now that I know what to look for, I do indeed spot the change.
Guess that's what
On 2016-12-18 12:24 PM, Malte Meyn wrote:
Try an additional \with:
\new Staff \with \timeless { c' }
That does indeed work, but isn't that redundant programming?
--
✝
Br. Samuel, OSB
St. Anselm’s Abbey
Washington, DC
(R. Padraic Springuel)
PAX ☧ ΧΡΙΣΤΟΣ
When I compile the following snippet I get an error under 2.19.53 that
wasn't there under 2.18.2:
\version "2.19.53"
timeless = \with {
\remove "Time_signature_engraver" }
\new Staff \with {
\remove "Time_signature_engraver" }
{ c' }
\new Staff \timeless
{ c' }
Running the
Thanks Harm, based on what you did I was able to develop the following
which got me what I was looking for:
\version "2.19.52"
#(define ((make-custom-tick-bar-line x y) grob extent)
"Draw a tick bar line."
(let* ((staff (ly:staff-symbol-staff-space grob))
(staff-line-thickness
I have some hymns which are sung on the occasion of saint's days which
have pronouns which refers to the saint. Obviously, these pronouns
should be either "he", "his", "him" or "she", "her" depending on the
gender of the saint. When producing scores which are unattached to a
specific
How would I define a bar line such that the top is in the middle of the
top staff space and the bottom in the middle of the bottom staff space
(i.e. what would be called a divisio minor if I was typesetting
Gregorian chant, except on a modern 5-line staff).
Also, is there a way to make the
I have never worked with TeX and its relatives, so my only experience is in
plain LY files.
For those not familiar with lyluatex, the way I'm using it works as follows:
1) Inside a the TeX file there is a pointer to the lilypond source file
of the snippet I want to include.
2) When LuaTeX
I have some snippets which I'm including in a TeX document (via
lyluatex, not lilypond-book, but the process is largely the same). The
thing is that for some of these snippets I need two variants which
differ by the appearance of a single `*`. I don't want to have maintain
two full versions
I'm not a heavy user, so take my thoughts with whatever grain of salt
you want, but this is how I would naively expect these constructs to work:
<< \\ \\ \\ >>
The voices would be entered in order from top to bottom. In this way
the physical structure of the code would resemble the structure
It is possible to disable SIP (System Integrity Protection, the official
name for Mac's "rootless" system). You can find instructions here:
In order to make keeping up with the development version of Lilypond
easier, I'm thinking of transitioning to the MacPorts version (as then
keeping it up to date would automatically be part of my normal MacPorts
maintenance). However, I've noticed that the lilypond-devel port has
dependencies
You have three options:
1) lilypond-book: This is a script that comes with LilyPond which
enables you to pseudo-include lilypond scores into TeX documents. It
preprocesses the document to extract the lilypond relavent bits, runs
them through lilypond, and then creates a new TeX document
On 2015-09-18 3:20 PM, Blöchl Bernhard wrote:
Am 18.09.2015 19:53, schrieb 70147pers...@telia.com:
...
Csus means it would be fine, if I
could define this once, and then use my definition(s) when entering
the music, instead of, like today, having to enter Csus4 or c:1.4.5,
Do you use a
Pressed send by accident before I was finished.
On Jul 27, 2015, at 11:06 AM, Ralf Mattes r.mat...@mh-freiburg.de wrote:
Am Sonntag, 26. Juli 2015 12:33 CEST, Marc Hohl m...@hohlart.de schrieb:
Not a TeXpert (any more), but from my quick tests - nothing.
I got the same error as you.
Someone provided me with the following trick for inserting a asterisk
that doesn't occupy a note in lyrics:
aster = \set stanza = \markup{*}
Then I just place \aster between the words where I want the asterisk to
appear.
Perhaps that can be adapted to your case (without compilable code I
On 2015-02-06 4:18 PM, Noeck wrote:
You could also enforce this by now allowing all characters between the @:
e.g. @[-a-zA-Z\\_]*@
Rather than include all characters not @ it would be better to simply
exclude @. I.e.:
@[^@]*@
The ^, when it is the first character inside a brace changes
a cross staff arpeggio
Ha! I think I know where to find this one:
http://lilypond.org/doc/v2.18/Documentation/notation/expressive-marks-as-lines#Selected-Snippets-33
✝
Br. Samuel, OSB
(R. Padraic Springuel)
PAX ☧ ΧΡΙΣΤΟΣ
The biggest issue for this would be the fact that gabc and lilypond
notation approach representing music from two different view points.
The different heights (a to m) in gabc represent the actual position of
the neume on the staff, regardless of the clef position. As a result
g may
On 2014-12-21 12:20 AM, pe...@chubb.wattle.id.au wrote:
As both cases have the same stem direction one has to be shifted.
Usually if you want two voices you either give them separate staves,
or give one the \voiceOne and the other the \voiceTwo appellations.
Ah! I didn't notice this because
The piece I'm typesetting is a modern chant Our Father that we use in
our morning office. It's sung acapella and has a melody and harmony
line. The lyrics, dynamics, and articulations are always in sync
between the two parts, it's just that the harmony has a different note
(effectively, the
On 2014-12-21 3:27 PM, Kevin Barry wrote:
Does the piece you are reproducing have two sets of articulations,
both above the staff? I can't remember ever having seen that kind of
notation before.
No, it has only one set of articulations, but they apply to
both parts when they appear.
If you
On 2014-12-21 4:30 PM, Urs Liska wrote:
Your irritation originates in the fact that you want to produce a
score that*looks* like chords but is structurally a polyphonic
setting. There's nothing wrong with this but it implies expecting
some uncommon behaviour. Concretely you have to hide the
So, I'm trying out voices for the first time, switching a piece I had
written using chords for single staff polyphony to using voices. In the
process I have run into a couple of things I don't understand:
1) Some notes that don't collide (to my eye), are getting shifted as if
they did. When
What's the simplest way to get both the development and stable version
of lilypond running on a Mac from a user perspective? I already have
the stable version installed from the downloadable binaries and don't
want to mess with this but also want to test some changes that have
taken place in
Figured out the answer to my own question:
1) Download the binary for the latest development release
2) Unpack the tarball
3) Rename the application file to LilyPond-dev
4) Copy into Applications
5) Create command line alias scripts which point to the development version
--
Does anyone have any experience with putting lilypond generated scores
into eBooks? If so, do you have any tips and tricks for making things
come out nice?
--
✝
Br. Samuel, OSB
(R. Padraic Springuel)
PAX ☧ ΧΡΙΣΤΟΣ
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Like Bart, I'll be using calibre for creating the actual eBook. This
eBook will be for internal use and need only be compatible with Kindles,
as that's all I expect it to be displayed on.
If each line of the score is to be treated as a separate image, is there
a way to cleanly order lilypond
I just tested the work around noted in the issue tracker and want to add
that said work around ignores the relative includes option in the
lilypond files, i.e., #(ly:set-option 'relative-includes #t) at the
beginning of the file.
Thus, to make it work with my example where the lilypond files
I like the ratio of staff size to the size of the lyrics that lilypond
normally uses. However, I have to print out some large format scores
for a confrere who has vision problems and thus need to increase the
size of the lyrics so that he can read them comfortably. I know from
past
On 2014-07-24 2:06 PM, Mark Polesky wrote:
The default point size for lyrics is 12pt. The default
global staff size is 20pt. So adding this at the top of
your file should do what you want:
#(set-global-staff-size (* 20 17/12))
That works perfectly. Even better it works through the
On 2014-07-18 4:37 PM, David Kastrup wrote:
It does not appear like you used the -drelative-includes option, did
you?
If by this you mean putting #(ly:set-option 'relative-includes #t) at
the top of the lilypond files, then yes, I did try this option and it
makes no difference.
If you mean
I'm running LilyPond 2.18.2 on a Mac OS 10.8.5 and reported the same
error back in June:
http://lists.gnu.org/archive/html/lilypond-user/2014-06/msg00610.html
The problem (at least for me) seems to occur only when the --output or
--lily-output-dir options are used for lilypond-book. Take
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