Manual page breaking causing assertion failure

Hi, I'm trying to paginate my score nicely and the automatic paging isn't good enough. So I'm doing all the page breaks manually -- and a certain situation is causing an assertion failure on compilation: << Snippet of output: MIDI output to `BeiMannernScore.mid'... Finding the ideal

RE: Strange beaming error

ore this problem occurs (that may or may not be coincidental), and there's partial bars at the beginning and end of most of the movements Chris --- On 7 January 2016 at 09:05, David Kastrup <d...@gnu.org> wrote: > Chris Yate <chrisy...@gmail.com> writes: > > Are i

Re: How to reproduce this?

Hi there,There's a few things wrong here... I'd start by getting the voices separated. So something like: << \quaver_triplet_stuff % this will be voice 1 and stems-up \\ \chord_notes % this will be voice 2, but you'll have to hide the stems. exercise for the reader ;-) >> Chord notation

Re: Strange beaming error

On 7 January 2016 at 17:12, Mark Stephen Mrotek wrote: > Chris, > > > > As I mentioned in a previous reply, make sure that identical “\set > Timining” instructions are in both the upper and lower staff. > > Once this is done, recompile and check for accuracy. > > > > Mark >

Strange beaming error

Hi, I'm wondering whether anyone can shed some light on the attached image. LH of the piano here is: { bf,16 (ef g8) r8 c,16 g' c, g' bf, g' \clef bass } I have a suspicion this may have something to do with the Timing / beat moment and beat structure, but it's inconclusive. This section

Re: Strange beaming error

On 6 January 2016 at 23:53, Chris Yate <chrisy...@gmail.com> wrote: > Hi, > > I'm wondering whether anyone can shed some light on the attached image. > > LH of the piano here is: > > { > bf,16 (ef g8) r8 > c,16 g' c, g' bf, g' > \clef bass > } > &g

Re: Strange beaming error

Further problems. I commented out the Time settings and here's more, this time in the RH (note paired semiquavers in LH here, which would be in sixes). This is now built with revision 35 (the latest). [image: Inline images 1] On 6 January 2016 at 23:59, Chris Yate <chrisy...@gmail.com>

Re: Strange beaming error

On 7 January 2016 at 00:49, Thomas Morley <thomasmorle...@gmail.com> wrote: > > 2016-01-07 0:53 GMT+01:00 Chris Yate <chrisy...@gmail.com>: > >> Hi, >> >> I'm wondering whether anyone can shed some light on the attached image. >> >> LH of the pi

Re: Unwanted barline. How to get rid of it?

Your 3rd full bar has only 5 quavers. It should be a partial, if that's what you want. On 23 December 2015 at 11:47, Robert Blackstone wrote: > Dear all, > > In one of the pieces that I'm presently typesetting there appears, near > the end, after a repeat, a

Re: Unwanted barline. How to get rid of it?

On 23 December 2015 at 12:03, Chris Yate <chrisy...@gmail.com> wrote: > Your 3rd full bar has only 5 quavers. It should be a partial, if that's > what you want. > Erm. I may be wrong... ___ lilypond-user mailing list lilypond-use

Re: Unwanted barline. How to get rid of it?

Just checked. As I said -- you may want another partial bar \relative c { \clef bass \key c \major \time 6/8 \repeat volta 2 {\partial 8 c'8 c4. c | c c | * \partial 8*5* c r4| } c4.~ c \bar "|."

Re: Unwanted barline. How to get rid of it?

On 23 December 2015 at 12:55, Robert Blackstone <blackstone.rob...@gmail.com > wrote: > > On 23 Dec 2015, at 13:44 , Chris Yate <chrisy...@gmail.com> wrote: > > Just checked. As I said -- you may want another partial bar > >\relative c { >

Adjusting a slur after line break

Hi, I'm having trouble with a long slurred passage, where the final note appears on a new line. The slur shape is quite wrong after the line break in both upper and lower parts, but I've included only the upper part here. Snippet ly (actual excerpt) and a PNG attached -- I think there's a thing

Re: Adjusting a slur after line break

at present! Chris On 19 December 2015 at 22:46, Urs Liska <u...@openlilylib.org> wrote: > I'm only on the phone right now. But wirh \shape you can pass overrides > for multiple parts of a broken curve. > > Am 19. Dezember 2015 23:39:15 MEZ, schrieb Chris Yate <chrisy...@gm

Re: Adjusting a slur after line break

On 20 December 2015 at 00:41, Simon Albrecht <simon.albre...@mail.de> wrote: > On 20.12.2015 00:45, Chris Yate wrote: > >> I can't get /alterBroken to work properly at all on control points. >> >> When I try the "tweak" version, that I assume would look lik

Re: How Beautiful Upon the Mountains by Stainer

It's available at CPDL, did you look there? http://www1.cpdl.org/wiki/images/7/7e/How_beautiful_upon_the_Mountain.pdf On 3 December 2015 at 15:18, Gregory Citarella wrote: > Hello: is there anyway I can get a pdf of the choir anthem that I see on > you tube of

Re: How Beautiful Upon the Mountains by Stainer

Sorry, I see that's an arrangement for ATB On 3 December 2015 at 15:44, Chris Yate <chrisy...@gmail.com> wrote: > It's available at CPDL, did you look there? > > http://www1.cpdl.org/wiki/images/7/7e/How_beautiful_upon_the_Mountain.pdf > > > On 3 December 2015 at

Re: My finances for working on LilyPond

Yes, naturally PayPal takes commission. So does your bank, any credit card provider, WorldPay or Moneygram or any other similar service. However, PayPal is secure and reliable enough for Amazon and a huge number of online stores to be happy using it, not to mention charitable organizations that

Re: My finances for working on LilyPond

> Well, this *something* seems easy to pin down: too few developers. So at > any given moment it is difficult to find someone who has the ability, > the interest, and spare time at the same moment. ... Could we expect to be paid for it? I don't expect to be paid for open-source work. In fact,

Re: Frescobaldi creates the pdf but doesn't export it?

Hi -- yes, I've seen this happen a few times recently (on Windows). Although as far as I know, the file you're looking at in Frescobaldi is a temporary PDF file. I may be corrected by someone. Having said that I'm not sure whether Frescobaldi always has the "working" folder you would expect...

Re: Violin notation advice requested

No, It's quite common to indicate the string by Roman numerals. Printed music would hardly ever indicate position, but it is normal to see either "sul G" or "IV". On 19 Sep 2015 12:31, "Ralph Palmer" wrote: > On Fri, Sep 18, 2015 at 2:14 PM, Michael Gerdau

Re: Extract notes from chords, with silence when there are none

Just to clarify, in the case of 3-voice music, how would you expect it to deal with a 2 note chord? One note to Treble, one to Bass, or one in Treble, one in Alto, or... what? Chris On 16 September 2015 at 13:07, wrote: > I'd like to take a passage of music that

Re: Testing requested: new manuscript viewer tool for Frescobaldi

Sounds a good idea, I will try to test it tonight. Thanks On 17 July 2015 at 16:13, flup2 phili...@philmassart.net wrote: For the few testing I made, it's what I was looking for :-) I would like a larger screen to put the preview and the manuscript side by side ;-) but in the meantime, I'll

Cannot resolve rest collision: rest direction not set

Hi, I'm not sure what I'm meant to do to fix this... Have already used explicit positioning for the rests but that doesn't stop the warnings. Granted they're *only* warnings but I always prefer clean compilation. Thanks in advance! Chris --- \language english \new Score { \relative c''

Easy way to switch off transpositions

Hi, I find it would be very convenient every now and again to be able to change a score to be non-transposing -- in order to easily check pitches etc. I've already organised my music via variables, e.g.: BflatBassMusic = { \transposition bf,, \transpose bf,, c { \relative c{

Re: Easy way to switch off transpositions

On 12 July 2015 at 23:02, David Kastrup d...@gnu.org wrote: Chris Yate chrisy...@gmail.com writes: I find it would be very convenient every now and again to be able to change a score to be non-transposing -- in order to easily check pitches etc. Any better approaches? Well, the Midi

Re: Switching on/off instrument staff

Hi Rob, Wow, thanks, that's a much neater way. I think I should probably look at refactoring my band template. I agree, my method is a bit complicated -- but it's bothering me a bit, because I think there was a reason I did it like this in the first place! Could well be an insufficient

Re: lilypond snippet web page

http://downforeveryoneorjustme.com/lsr.di.unimi.it :-) Down here too On 8 July 2015 at 13:47, MING TSANG tsan...@rogers.com wrote: I am trying to access snippets since Sunday. Web apge down? All I get is : This webpage is not available ERR_CONNECTION_TIMED_OUT

Re: Switching on/off instrument staff

{ \keepWithTag #'score \removeWithTag #'repc \music \layout {} \midi { } } On 8 July 2015 at 00:27, Chris Yate chrisy...@gmail.com wrote: Yes. This is how I do parts and score. Use tags music = { \new StaffGroup \tag #'score \tag #'sop \new Staff \with { instrumentName

Re: Switching on/off instrument staff

Yes. This is how I do parts and score. Use tags music = { \new StaffGroup \tag #'score \tag #'sop \new Staff \with { instrumentName = #Soprano Cornet shortInstrumentName = #Eb Cn } \global \Marks \SopranoCornetVoice \tag #'score \tag #'solc \new

Re: [OT] Bizet op.2

It's in the BnF, according to their catalogue: http://catalogue.bnf.fr/servlet/biblio?idNoeud=1ID=39593555SN1=0SN2=0host=catalogue (The Edition Mario Bois from 1984) via

Re: [OT] Bizet op.2

+02:00 Chris Yate chrisy...@gmail.com: It's in the BnF, according to their catalogue: http://catalogue.bnf.fr/servlet/biblio?idNoeud=1ID=39593555SN1=0SN2=0host=catalogue (The Edition Mario Bois from 1984) via http://www.worldcat.org/title/oeuvres-pour-le-piano-les-inedits-et-3-pieces-du

Re: Partial Bars

On 1 Jul 2015 04:56, Helge Kruse helge.kr...@gmx.net wrote: Hi Bill, Can you please include a minimal compilable example that shows your problem? I don't plan to do both - goto the next shop or library to get that menut - guess what 'part' expresses in the context of that piece - write an

Re: Partial Bars

On 1 July 2015 at 07:28, Chris Yate chrisy...@gmail.com wrote: On 1 Jul 2015 04:56, Helge Kruse helge.kr...@gmx.net wrote: Hi Bill, Can you please include a minimal compilable example that shows your problem? I don't plan to do both - goto the next shop or library to get that menut

Re: transposable figured bass?

On 29 June 2015 at 19:13, Thomas Morley thomasmorle...@gmail.com wrote: 2015-06-29 18:08 GMT+02:00 Ralf Mattes r.mat...@mh-freiburg.de: Just a question - is this an example drawn from a historic source? What you call a flat sign would back then be called a fa-sign and the corresponing

Re: transposable figured bass?

On 29 June 2015 at 14:20, Stefan Thomas kontrapunktste...@gmail.com wrote: Dear community, I run in a problem, when I transpose the below quoted figured bass from g to f. In this special case the natural sign before the 5 in the 2nd chord should be a flat sign. Is it possible to get a

Re: organizing orchestral music

On Thu, 25 Jun 2015 at 11:37 Marc Hohl m...@hohlart.de wrote: Am 25.06.2015 um 12:00 schrieb Orm Finnendahl: [...] violin-music.ly (containing the music only) To make life easier, I'd use violin-music.ily to make clear that this is an _included_ file, not a standalone compilable one.

Re: volta repeat with and without alternative ending

On 25 June 2015 at 09:47, Flaming Hakama by Elaine ela...@flaminghakama.com wrote: Conductor will say bar number. Nope. From my experience I would say she says everytime something different: - from 3 measures before rehearsal mark B - from the lyric measure - second repeat, please -

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