Re: Hairpin at an angle, parallel to glissando line

, Jacques Menu wrote: Hello David, Maybe this snippet can help you : http://lsr.di.unimi.it/LSR/Item?id=562 JM Le 26 mai 2015 à 08:53, David G castle.cub...@gmail.com a écrit : Hello all, Does anyone have any tips for achieving the effect in the attached image? image.png

Hairpin at an angle, parallel to glissando line

Hello all, Does anyone have any tips for achieving the effect in the attached image? [image: Inline images 2] Effectively I want to make it automatically parallel to the glissando - there are two or three in the piece I'm engraving. Firstly I was hoping to be able to create a second voice of

More sophisticated/complicated display of harmonics

I'm trying to create a function to display harmonics as shown in the attached images. harmonic1.png is in the alto clef with the sounded pitches written in the treble clef [image: Inline images 3] harmonic4.png is an acciaccatura all in the alto clef [image: Inline images 4] This is where I

Re: \relative is not the best way of entering complicated music

In relative, a note with no ' or , indicates the closest octave, e.g. for adjacent notes a b means the B one note above whatever A it was, d c means the C one note below whatever D it was, Effectively this means that using no ' or , will always produce a note within a fourth of the previous

Re: dodecaphonic-first accidental style

I had been wondering that as well because I don't think it's all that unusual, at least for early 20th century music (I have some Webern scores printed in this way) but I couldn't see anything in the Lilypond documentation. If anyone has any suggestions I would be grateful too! On 2 March 2013

Re: dodecaphonic-first accidental style

bars can be very long). On 5 March 2013 11:05, David G castle.cub...@gmail.com wrote: I had been wondering that as well because I don't think it's all that unusual, at least for early 20th century music (I have some Webern scores printed in this way) but I couldn't see anything in the Lilypond

Re: Measure counter

Hi Eluze, I'm not at my computer to check my actual code, but it is only trivially different from the snippet I linked from the lilypond documentation (copied here): \context Voice = foo { \clef bass c4 r g r c4 r g r c4 r g r c4 r g r } \context Voice = foo { \set

Re: Measure counter

That is marvellous - thank you very much! ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

Measure counter

I'm currently using code based on the snippet in http://www.lilypond.org/doc/v2.16/Documentation/snippets/repeats#repeats-measure-counterto create numbers above bars where they are repeated. However this starts with a number 2 above the second bar, and I would like a 1 above the first bar. What's

Re: How to get a (rhythmic) dot to follow a barline

Thanks to everyone - you've been very helpful! I used James' function because it looks a bit more flexible - in case anyone searches for this in future I made a couple of tweaks to hide ledger lines and increase the size a bit: \version 2.15.39 tieToDotted = #(define-music-function (parser

Re: How to get a (rhythmic) dot to follow a barline

Sorry - read the wrong name there. I meant Thomas' function of course...! On 8 August 2012 20:25, David G castle.cub...@googlemail.com wrote: Thanks to everyone - you've been very helpful! I used James' function because it looks a bit more flexible - in case anyone searches for this in future

How to get a (rhythmic) dot to follow a barline

I would like to put a dot after the barline to show (something like) a crotchet tied to a quaver - or according to http://ranumspanat.com/jacquet_dots.htm subtly different(!) It's more clear in this Beethoven string quartet: