On Dec 31, 2012, at 3:22 PM, Karl Hammar k...@aspodata.se wrote:
How do I merge Ds and Ms below so it will behave as if I wrote the
dynamics together with the notes?
smorz = \markup { \italic smorz }
sotto = \markup { \italic { sotto voce } }
Ds = {
s1*10 | s1^\sotto | s4 s2.\f | s4
It used to not done, in order to emphasize each individual word. Now, it's more
whatever the composer wants. There are no more hard and fast rules.
On Nov 20, 2012, at 4:25 PM, Fr. Michael Gilmary, mma
frmichaelgilm...@maronitemonks.org wrote:
Hi everybody:
Here's a general question that's
On Nov 16, 2012, at 6:10 PM, Mark Stephen Mrotek carsonm...@ca.rr.com wrote:
…
1. Which of these lines (discounting change of pitch and duration)
should be used?
2. Where in an already started Piano score should they be inserted?
Thank you for your kind attention.
Good day!
On Aug 12, 2012, at 6:58 PM, Peter Gentry peter.gen...@sunscales.co.uk
wrote:
I have a score with many repeated beamed quavers and semi-quavers on ledger
lines. The default layout is difficult to read as ledger lines and the staff
produce an almost hypnotic effect which confuses the
Is it possible to alter the pedal symbols with markup?
I'd like to have a 1/2 Ped.
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On Jan 29, 2011, at 7:10 PM, Carl Sorensen wrote:
On 1/29/11 7:45 AM, James Samir Ismail j...@tenable.biz wrote:
The first thing to do is to run the specified command from a terminal
window:
lilypond -dshow-available-fonts x
You said before that it didn't work. We don't know
On Jan 29, 2011, at 9:40 PM, Janek Warchoł wrote:
W dniu 29 stycznia 2011 12:00:50 UTC+1 użytkownik James Bailey
derhindem...@googlemail.com napisał:
On Jan 29, 2011, at 11:25 AM, Janek Warchoł wrote:
2011/1/29 James Bailey derhindem...@googlemail.com:
On Jan 29, 2011, at 12:17 AM
On Jan 27, 2011, at 3:24 PM, Jürgen Ibelgaufts wrote:
Hello, thanks for jumping in.
Devnull was new to me. I tried, and the notes are invisible, leaving no gap.
Very fine so far. But every single syllable leads to a warning lyric
syllable does not have note and the lyrics still are out
On Jan 27, 2011, at 5:32 PM, James Samir Ismail wrote:
Has anybody experienced a problem with getting Arabic text to display
correctly in their scores? Here's a
snippet that contains properly formatted UTF-8 Arabic:
\score
{
\relative d'
{
c^\markup {
On Jan 24, 2011, at 10:07 PM, Seth Williamson wrote:
I have turned out a few simple jobs with LilyPond, mainly simple copying jobs
just for practice and -- as a practical matter -- a few pieces that I needed
to transpose into another key.
However, as I look at LilyPond code generated by
On Jan 19, 2011, at 7:25 PM, James Bailey wrote:
On Jan 19, 2011, at 1:27 AM, Keith OHara wrote:
…
The old LilyPond collapsed everything in each system to take
only the vertical space needed. For lyrics, it seems that did
pretty much the right thing. The new LilyPond will spread things
On Jan 23, 2011, at 11:09 PM, Joseph Haig wrote:
I have (I believe) found a bug in Lilypond, and I am fairly sure what
it is, but I would like to check with people who have better knowledge
of music theory than I before I submit it to the bug list. In the
following code:
{
\time 4/4
On Jan 22, 2011, at 1:21 PM, Michael Dykes wrote:
Sorry to be barraging the list; but I have several pieces) that consist of
several parts, and I need to compile them as a whole piece, but have each
part end and begin separately. How, can I accomplish this?
You can have more than one
On Jan 22, 2011, at 7:24 PM, Disc Magnet wrote:
partOne = \relative c' {
c4 e g e~
}
partTwo = \relative c' {
e1
c4 e g e~
e1
}
\score {
\new PianoStaff
\set PianoStaff.midiInstrument = acoustic grand
\new Staff {
\tempo 4 = 120
On Jan 19, 2011, at 1:27 AM, Keith OHara wrote:
That was quite topical, for an 'off-topic' rant.
You have to tell us how you prefer to enter the lyrics when
they are sometimes shared. Is there one Lyrics for alto,
one for alto-tenor-together, and one for tenor? or do you
just have alto and
On Jan 19, 2011, at 10:53 PM, Graham Percival wrote:
On Wed, Jan 19, 2011 at 10:28:38PM +0100, Jan Warchoł wrote:
2011/1/19 Mike Solomon mike...@ufl.edu:
It may be worth it to add this to the issue tracker and get this fixed in
one of the first 2.14 bug fixes (if not 2.14 itself) -
On Jan 18, 2011, at 7:00 PM, Brett McCoy wrote:
Is there a way to suppress MIDI output for \ChordName context? When I
create a staff with other parts and have chord names at the top, the
output always has a piano playing those chords and it's interfering
with the rest of the piece, plus I
On Jan 11, 2011, at 1:51 PM, Xavier Scheuer wrote:
…
This is a really annoying problem, especially for new users.
I'm currently trying to convince developers to change this behaviour.
http://lists.gnu.org/archive/html/lilypond-devel/2010-11/msg00199.html
…
Cheers,
Xavier
--
Xavier
On Jan 11, 2011, at 11:01 PM, Janek Warchoł wrote:
2011/1/11 Neil Puttock n.putt...@gmail.com:
http://lilypond.org/doc/v2.12/Documentation/user/lilypond/Align#index-_005cdir_002dcolumn-1
Cheers,
Neil
Hi Neil,
unfortunately i cannot see how dir-column can help me :(
Look at this:
I can reproduce this error by including the pop-chords.ly file. Perhaps the
problem is that, as neil says, pop-chords.ly is being included somewhere?
On Jan 8, 2011, at 1:53 AM, Tim McNamara wrote:
I had posted previously about having .ly file fail to compile in 2.13.44-1
which worked in
On Jan 7, 2011, at 10:49 AM, lunar7 wrote:
Hello,
My Max/MSP Lilypond input patch is going well but I'm stuck on one feature I
wanted to include.
I have a set of three tables per key signature I am referring to in the event
a user wants to use the less likely options for how to notate
On Jan 3, 2011, at 4:15 PM, Tim McNamara wrote:
On Jan 3, 2011, at 1:09 AM, -Eluze wrote:
Tim McNamara wrote:
#(ly:set-option 'delete-intermediate-files #t)
\paper {
indent = 0.0
ragged-last = ##f
\header {
title = Lilypond Test
composer = McNamara
meter = Swing
On Dec 28, 2010, at 11:53 AM, Xavier Scheuer wrote:
Hi!
This has been reported on the French user mailing list.
In the following code the c-natural is not printed if there is a clef
change in the middle of the measure.
\relative c' {
\clef bass cis2 c
\clef tenor cis2 \clef bass c
On Jan 4, 2011, at 1:23 AM, Tim McNamara wrote:
On Jan 3, 2011, at 12:25 PM, James Bailey wrote:
I don't know if this is what you were looking for, but this compiled just
fine for me on my osx 10.6.5 on an intel iMac:
Hmm, well doesn't seem to be a bug. That was my main question
On Jan 4, 2011, at 6:52 AM, Tim McNamara wrote:
On Jan 3, 2011, at 11:44 PM, James Bailey wrote:
On Jan 4, 2011, at 1:23 AM, Tim McNamara wrote:
On Jan 3, 2011, at 12:25 PM, James Bailey wrote:
I don't know if this is what you were looking for, but this compiled just
fine for me
On Jan 4, 2011, at 6:52 AM, Tim McNamara wrote:
On Jan 3, 2011, at 11:44 PM, James Bailey wrote:
On Jan 4, 2011, at 1:23 AM, Tim McNamara wrote:
On Jan 3, 2011, at 12:25 PM, James Bailey wrote:
I don't know if this is what you were looking for, but this compiled just
fine for me
On Jan 2, 2011, at 2:33 PM, Peter Van Kranenburg wrote:
Dear list,
I'm typesetting unmetered music. My question is: what is the right (or best)
approach to do so?
If I set Score.timing to false, I have to insert \bar everywhere in order
to let lilypond figure out a nice layout.
On Jan 2, 2011, at 3:23 PM, Peter Van Kranenburg wrote:
On 1/2/11 3:03 PM, Sven Axelsson wrote:
On 2 January 2011 14:33, Peter Van Kranenburg
peter.van.kranenb...@meertens.knaw.nl wrote:
Dear list,
I'm typesetting unmetered music. My question is: what is the right (or best)
approach to
On Dec 30, 2010, at 8:59 AM, David Kastrup wrote:
What's up with the recent bout of social networking address
harvesters? Are there real persons stupid enough to send invitations
to all their contacts including mailing lists? If so, one really should
pull their internet licenses.
--
On Dec 29, 2010, at 6:10 PM, Sven Axelsson wrote:
OK, rtfm:ing and testing a bit further.
I created a music function like this:
pgrace = #(define-music-function (parser location notes) (ly:music?)
#{ \newSpacingSection
\override Score.SpacingSpanner #'spacing-increment = #0.9
On Dec 30, 2010, at 3:52 AM, Tim McNamara wrote:
Is this a bug?
Interpreting music...
/Applications/LilyPond.app/Contents/Resources/share/lilypond/current/scm/chord-ignatzek-names.scm:208:9:
In procedure chord-name-pop-markup in expression (name-root root
lowercase-root?):
On Dec 28, 2010, at 8:08 AM, Keith OHara wrote:
Dear engravers of lyrics,
The next version of LilyPond will handle empty spaces within lyrics
differently.
If we have some adjacent lines of lyrics, version 2.12 collapses any empty
sections, so the set of lines collapses to the minimum
I don't know about this one. Certainly, the accidental should be (and is)
printed. It's the naturals that aren't printed. Not even when changing octaves:
\new Staff \relative c' {
\time 6/4
\clef treble
cis dis fis
\clef tenor
c d f
\clef bass
cis dis fis
\clef
On Dec 26, 2010, at 9:36 PM, Michael Dykes wrote:
I am working on another liturgical piece of music, and it has a refrain that
ends with the word: Alleluia! In most cases, that word is getting scrunched
up, and the dashes are not visible. The rest of the piece is fine, except for
that
On Dec 25, 2010, at 12:32 AM, Disc Magnet wrote:
I have a 4/4 bar containing the following notes with left hand and right hand.
Left hand = f1 (The f key to the left of middle C, i.e. the second
line in bass clef. Occupies the whole bar.)
Right hand = d4 c a b (The D key to the right of
If you haven't already, I would suggest reading the learning manual through, so
you have a basic understanding of how lilypond works. You may want to try and
get one of the integrated environments (frescobaldi, denemo, jEdit
+lilypondtool). You should, at that point, have enough knowledge to be
On Dec 18, 2010, at 11:19 PM, Ludo Beckers wrote:
Just wondering, has there ever been a poll about how many Lilypond users work
with a certain specific tool.
Is the majority in this group using denemo, frescobaldi, lilypondtool or
other tools?
I usually use nano.
How can I pass an argument to the emacs compile command? Usually, when I
compile something on the command line, I include a directory with tons of style
sheets with the -I argument. Is it possible to add this to emacs, or can I only
do it on the command line? Thanks in advance,
James
On Dec 12, 2010, at 10:07 AM, Alexander Kobel wrote:
On 2010-12-12 09:48, James Bailey wrote:
How can I pass an argument to the emacs compile command? Usually, when I
compile something on the command line, I include a directory with tons of
style sheets with the -I argument
On Dec 11, 2010, at 8:33 PM, Martin Kemp wrote:
Dear All
I have nearly got what I want with the following snippet but can't currently
centrally align 12 over 8 (12/8). Any help gratefully apprecitated.
You may be re-inventing the whell. Perhaps
Because spelling counts! D# and E♭may sound the same (on a tempered instrument)
but they are two very different notes. And an performer playing an instrument
that can distinguish between the two, should.
On Dec 10, 2010, at 6:18 PM, Michael Ellis wrote:
Why not set one of the notes to a
, here's a link to the best article I've seen on the subject. It's
by Bert Ligon, head of the Jazz Studies department at the University of South
CarolinaCollege of Music.
MUSIC SPELL CHECK? PURPOSEFUL ACCIDENTALS
Cheers,
Mike
On Fri, Dec 10, 2010 at 12:55 PM, James Bailey derhindem
On Dec 7, 2010, at 5:35 PM, Valentin Villenave wrote:
On Tue, Dec 7, 2010 at 1:39 PM, Graham Percival
gra...@percival-music.ca wrote:
On Tue, Dec 7, 2010 at 12:13 PM, Valentin Villenave
valen...@villenave.net wrote:
In my opinion, the absolute ideal alternative is to use Wubi (it would
On Dec 6, 2010, at 7:31 PM, Br. Athanasius Pelletier wrote:
I fixed up the input, there were alot of errors before.I am not sure
about the use of and in the \score section.
Verses one and two have the same music but three and four each have different
music.
What exactly is
I don't understand alternatives. Can someone explain to me what I'm doing
wrong. Why does the first example not compile properly with the excuse, more
alternatives than repeats but the second example compiles just fine?
\version 2.12.3
\book {
\relative c'' {
\time 3/4
\repeat volta 2 {
On Dec 4, 2010, at 11:19 PM, Neil Puttock wrote:
On 4 December 2010 22:05, James Bailey derhindem...@googlemail.com wrote:
I don't understand alternatives. Can someone explain to me what I'm doing
wrong. Why does the first example not compile properly with the excuse,
more alternatives
On Dec 2, 2010, at 5:06 PM, LazyLew wrote:
I have some simple questions - can't find it in the manuals so far, because
there's so much there.
- is it easy to adapt fonts for chords? I like 'em bold, the way you often
see in jazz sheets.
- is it easy to control the amount of measures
Hello, I asked this exact same question almost exactly two years ago! Here is
the response I got from Mats. It worked for me, even if it was a bit fiddly:
From: Mats Bengtsson mats.bengts...@ee.kth.se
Date: December 11, 2008 5:36:04 PM GMT+01:00
To: james derhindem...@googlemail.com
Cc:
All of the changes between 2.13.4 and 2.13.5 should be here:
http://git.savannah.gnu.org/gitweb/?p=lilypond.git;a=shortlog;h=refs/tags/release/2.13.5-0
However, since this is an unstable branch, it's highly recommended that you
update to the latest unstable version, 2.13.40.
On Nov 25, 2010, at
The triplets are beamed together. See section 2.1.3 in the 2.12 documentation.
On Nov 25, 2010, at 8:17 PM, i...@soundand.com wrote:
Hello-,
I expect the lyrics syllables to go with each note in the triplet figure but
it won't in the following example- what has changed since I last did
I think section 5.1.5, on style sheets in the learning manual for version 2.12
might have tips on how to do what you're trying to do.
On Nov 23, 2010, at 7:59 AM, lunar7 wrote:
Hello everyone,
I am prototyping a lilypond MIDI input tool in Max/MSP (to be later
implemented in C++) and am
Perhaps you will find some tips in section 5 of the learning manual.
On Nov 17, 2010, at 7:40 PM, Paul Thompson wrote:
I have not found a command to insert a comment placed in the .ly file into
the .log file. This is a useful tool for debugging. I am trying to find
which of my \break
Perhaps you will find some tips in section 5 of the learning manual.
Oh, I've just started reading the 2.13 documentation, and this section has been
moved to the usage manual.
On Nov 17, 2010, at 7:40 PM, Paul Thompson wrote:
I have not found a command to insert a comment placed in the .ly
On Nov 7, 2010, at 4:07 AM, Richard Konzen wrote:
Lilyponders,
I'm working on a score which includes the snippet below from the harp part.
I'm finding that the acciaccatura wants to create a second double bar giving
an extra measure with an 8th note value. The new key signature also
I'm glad to see you've made some progress, considering how often you have ossia
measures, you may want to consider just starting and stopping the staff
whenever you need it:
\version 2.12.3
\paper { indent = 0\mm }
music = {
\override Staff.TimeSignature #'style = #'()
\override
On Nov 1, 2010, at 4:14 PM, ander...@notam02.no wrote:
Hello. Im doing some testing on Rachmaninovs C-minor praeludium.
Q: How Can i separate handling of rests from stem-directions in
polyphonic voice-handling?
Id actually want the default behavior of \voiceOne, except for pointing
the
Hi, first of all, let me recommend you to upgrade to version 2.12. It's the
current stable version, and includes numerous bug fixes over 2.10. Secondly,
let me recommend you to read the Learning Manual included in the new
documentation. Even if you've been using LilyPond for quite a while, it
On Oct 27, 2010, at 8:57 PM, Christopher Meredith wrote:
Somewhere in my travels, I saw a LilyPond source file in which the author had
created a voice that contained only formatting directives and no notes, so
that the other voices would contain only notes and no formatting directives.
On Oct 24, 2010, at 10:08 PM, James Lowe wrote:
What I don't understand is what the *1/4 and *4 are doing in this
context. Is this documented?
James
See 1.2.1 in the Notation Reference, Scaling Durations.
___
lilypond-user mailing list
On Oct 21, 2010, at 12:39 PM, James wrote:
Hello,
On 21/10/2010 10:18, Henning Hraban Ramm wrote:
Am 2010-10-20 um 22:06 schrieb Valentin Villenave:
That is an awesome bug. I don't get the complaint about insane min
spring distance, but I do get the jumping around. I wouldn't even
know
On Oct 21, 2010, at 12:39 PM, James wrote:
Hello,
On 21/10/2010 10:18, Henning Hraban Ramm wrote:
Am 2010-10-20 um 22:06 schrieb Valentin Villenave:
That is an awesome bug. I don't get the complaint about insane min
spring distance, but I do get the jumping around. I wouldn't even
On Oct 21, 2010, at 6:18 PM, James Bailey wrote:
On Oct 21, 2010, at 12:39 PM, James wrote:
Hello,
On 21/10/2010 10:18, Henning Hraban Ramm wrote:
Am 2010-10-20 um 22:06 schrieb Valentin Villenave:
That is an awesome bug. I don't get the complaint about insane min
spring distance
On Oct 21, 2010, at 5:43 PM, Jan Warchoł wrote:
Hi,
2010/10/19 Valentin Villenave valen...@villenave.net
On Tue, Oct 19, 2010 at 11:43 AM, Jan Warchoł
lemniskata.bernoulli...@gmail.com wrote:
(...) Lily places all related dynamics at the same vertical position level
Er, it seems that
On Oct 20, 2010, at 6:20 PM, James wrote:
Hello
I am using Mac OSX Snow Leopard (10.6.x) with LilyPond 2.13.35
Here is the smallest example I could get down to
--
\version 2.13.35
RH = \relative c'' {
\repeat unfold 30 { a8 a a a }
}
LH = {
\clef bass
\repeat
If I understand correctly, is this similar to the (rather hackish, imo) lsr
snippet? http://lsr.dsi.unimi.it/LSR/Item?id=450
On Oct 19, 2010, at 8:46 AM, Cordilow wrote:
In most music I see out there, I've noticed that related dynamics (and often
markup) are usually parallel (such that if
On Oct 19, 2010, at 7:59 PM, Cordilow wrote:
If I understand correctly, is this similar to the (rather hackish, imo) lsr
snippet? http://lsr.dsi.unimi.it/LSR/Item?id=450
I don't think so. What I mean is with multiple notes so that the dynamics
above each note (not the same note) are the
On Oct 20, 2010, at 12:21 AM, James Wilkinson wrote:
On 10/11/10 6:22 PM, James Bailey wrote:
On Oct 11, 2010, at 11:22 PM, Graham Percival wrote:
On Mon, Oct 11, 2010 at 04:32:48PM -0400, James Wilkinson wrote:
On 9/23/10 6:00 PM, Vicente Solsona wrote:
if the dynamics are the same
As mentioned frequently on this mailing list, this is a known limitation of
lilypond. See the message at:
http://lists.gnu.org/archive/html/lilypond-user/2007-04/msg00422.html
On Oct 18, 2010, at 1:45 PM, Mario Moles wrote:
In data lunedì 18 ottobre 2010 13:39:12, hai scritto:
What does this
On Oct 19, 2010, at 7:06 AM, Cordilow wrote:
I have a situation where there are only two notes considered, side by side.
One has a crescendo and the next has a decrescendo. Any ideas on how to do
this? I looked at the documentation and could only find something doable
with a three note
On Oct 15, 2010, at 12:09 AM, Janek Warchoł wrote:
Hi!
In the following example, how can i make an indent in the third system (the
one in which both staffs appear) so that the staff name Contralto fits on
the page, while leaving indentation in other systems intact?
I would do it as two
On Oct 15, 2010, at 6:04 AM, Colin Campbell wrote:
I got the attached .PDF Seems to me that four times a whole note should
take up more bars than one, or at least look a whole (!) lot different
than the note to the left, IIUC it should be a longa, as in the second
staff.
You may want to
On Oct 13, 2010, at 2:58 AM, Valentin Villenave wrote:
On Sun, Oct 10, 2010 at 6:13 PM, James Bailey
derhindem...@googlemail.com wrote:
I'm not so good with the advanced options, can anyone help with how I use
the job-count option?
Hi James,
I think it's mostly used when building
On Oct 13, 2010, at 4:01 PM, Carl Sorensen wrote:
Any chance the full-measure/multi-measure problem will get fixed?
How can we merge a multi-measure rest with a part-measure rest?
Unless things have changed, even trying to merge multi-measure rests with other
multi-measure rests doesn't
On Oct 13, 2010, at 8:49 PM, Alex Jones wrote:
I am using the expression to not display the tuplet number
\override TupletNumber #'stencil = ##f
but at some point later in the score I want that number to be displayed again
and when I use what I figured was the appropriate reactivation
my personal experience is that the most productive thing I've done in
Lilypond is learning to search in the documentation :)
I actually think reading the learning manual is more important than searching
the documentation. The learning manual explains how lilypond works, how to find
the
On Oct 11, 2010, at 11:58 PM, James Wilkinson wrote:
So I finally separated the dynamics from the notes, and it works! But I
had a couple of problems:
1) Whenever both instruments have a rest, Lilypond stacks them vertically.
James Bailey sent me a link to a snippet that fixes
On Oct 11, 2010, at 11:22 PM, Graham Percival wrote:
On Mon, Oct 11, 2010 at 04:32:48PM -0400, James Wilkinson wrote:
On 9/23/10 6:00 PM, Vicente Solsona wrote:
if the dynamics are the same, it's better to write them just once. thus
you:
1) save typing
2) help lilypond so it does't
I'm not so good with the advanced options, can anyone help with how I use the
job-count option?
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Is there a reason that the link in the footer goes to the old website,
http://lilypond.org/web/ and not the new website, http://lilypond.org/ ?
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http://lists.gnu.org/mailman/listinfo/lilypond-user
For What Its Worth, I have a document that gets included with all of my files
that has things like:
pdolce = #(
make-dynamic-script (
markup #:line (
#:left-align
#:dynamic p
#:hspace -1
On Oct 8, 2010, at 2:26 PM, Richie Gress wrote:
Hi.
I am wondering if it is possible to have measures that start in one system
and continue on in another.
Thank you in advance for any suggestions!
Technically, no. But you can get the visual output of bars that span different
systems via
On Oct 8, 2010, at 7:25 AM, Nick Payne wrote:
If I have text characters at the left end of a TextSpanner, and some of those
characters are subscripted, then the centering of the TextSpanner line seems
to be calculated using the total height of both the main and subscripted
text, which
On Oct 7, 2010, at 7:56 PM, Fr. Michael Gilmary wrote:
Hi:
I'm using lilypond v. 2.11.62 with \lyricsto as in:
TimeKey= {\key f \major}
MusicOne = \relative c' {
\set autoBeaming = ##f
\partial 8 f8 \bar| a4 f8 g \bar| a([ bes a]) g \bar| f2 \bar| a4 f8
g a([
I can't really use Scheme (other than find and replace), so maybe this doesn't
solve what you need, but what about creating separate variables with the staves
that you want and simply commenting an appropriate \score ? i.e.,
\version 2.12.3
piccolo = \relative a' { a c' a e' e c a e }
On Oct 3, 2010, at 11:34 PM, Alex Jones wrote:
I need to include nested crescendos and decrescendos within a document (e.g.
an overarching crescendo with phrasing decrescendos). Is this possible?
For example the idea would be something like the following:
fis, \ \ (ees') \! f,! \ (d')
On Oct 1, 2010, at 8:04 PM, alexandros wrote:
Hello!
In the result of the following code, the greek letter mu (μ) appears in
another font, smaller and thiner than the other letters. I would be
grateful for any idea that could correct this.
On Sep 28, 2010, at 9:18 PM, Stan Sanderson wrote:
On Sep 28, 2010, at 12:11 AM, James Bailey wrote:
Has something changed with the way fonts in 2.13 work, custom fonts aren't
loaded.
\version 2.12.2
\markup \left-column { \line { How razorback jumping frogs level six piqued
gymnasts
I got from someone (probably kieran) a while back a simple scheme function to
skip the first two page numbers. It works fine, but I'd like to move the page
numbers to the footer.
This, is what I got:
\version 2.11.65-1
\include titling-init.ly
#(define (skip-two-page-numbers layout props arg)
Has something changed with the way fonts in 2.13 work, custom fonts aren't
loaded.
\version 2.12.2
\markup \left-column { \line { How razorback jumping frogs level six piqued
gymnasts. } \line { \override #'(font-name . Times Italic) { How razorback
jumping frogs level six piqued gymnasts. } }
On Sep 25, 2010, at 11:24 PM, Nikolausius wrote:
Hi there,
does anyone know whether or not lilypond supports the twelve-tone notation
system of J.M. Hauer? To point out what I mean, here's a link where the
differences between several 12-tone notation systems are shown and the
system of
On Sep 25, 2010, at 10:45 AM, Patrick Schmidt wrote:
Hi all,
I'm using VirtualBox v.3.0.12 (the last release that supports Mac OS 10.4.11)
and LilyBuntu. I downloaded the source code of the current development
version with git to ~/lilypond-git and compiled it with make all as
On Sep 24, 2010, at 1:27 AM, James Wilkinson wrote:
Gets to the point of saying Applying conversion: and just stops
--
Does the file compile when you try it in 2.13.34? It may be that there are no
changes which need to be made.
___
lilypond-user
On Sep 23, 2010, at 10:19 PM, James Wilkinson wrote:
\version 2.13.31
When I put two voices on the same staff that have identical markings for
dynamics and tempo, Lilypond prints them both, one above the other. Looking
in the archives the other day I saw that the approved solution is
On Sep 21, 2010, at 12:17 AM, mark damerell wrote:
I am using Version 2.12.3.
In a previous post I asked about printing bar numbers in non-standard
places. I was told:
1) \once \override Score.BarNumber #'break-visibility = #all-visible
I believe that the manual fails to say that
On Sep 19, 2010, at 6:09 PM, aliteralmind wrote:
Phil Holmes mail at philholmes.net writes:
Where exactly are they, please?
Um. Learning Manual 5. Entitled Working on LilyPond
projects.
I read the learning manual. I didn't find the words best
practices in it, and thought there was
On Sep 15, 2010, at 2:24 AM, Alonso Silva wrote:
Hello:
First, thank you for make this marvelous software. It was very useful to me!!!
I'm writting a composition for cello solo for a contest and some days ago I
attemped to modify the piano centered dynamics template and kept only a
On Sep 12, 2010, at 10:43 AM, Emir D. wrote:
Hello everyone,
I've got a slight problem. In measure #1, I've got the non-polyphonic melody.
In measure #2, I've got some polyphonic going on. However, I'm having problem
telling Lilypond to put a legato from the last note in measure #1 with
On Sep 11, 2010, at 6:39 PM, Helge Kruse wrote:
Hello,
I try to write a guitar score. In some measures I found small parts of
polyphony. I tried to add temporarily a new voice, but I failed. The example
below shows the intention. The second (commented) line gives nearly the same
result
On Sep 8, 2010, at 8:37 PM, Seth Williamson wrote:
Is there anybody on this list who uses LilyPondTool on a MacBook?
Please get back with me -- feel free to reply offlist.
Seth Williamson
I tried to do it once, but it proved to be far too difficult to set up, so I
just stick with the
. If anybody on the list can help me with this and help me
get the freaking program going, I would be eternally grateful.
James Bailey said he uses the command line. James, I assume you can do that
in Snow Leopard? The only reason I've been trying to run LilyPond with JEdit
and LilyPondTool
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