I have found the problem: Windows was hiding a version of Lilypond in the
program files. I deleted that and was able to install the program.
All Best,
Joshua Nichols
On Sat, Nov 23, 2019 at 10:00 AM Joshua Nichols
wrote:
> Hello all!
>
> I went to install 2.19 on my Windows 1
was
found. How can I install it?
All Best,
Joshua Nichols
wrote:
> Hey!
>
> On Sat, Nov 3, 2018 at 11:05 AM Joshua Nichols
> wrote:
>
>> I'm in MacOS. I completely forgot about that function. How do I check
>> that?
>> --
>> Josh
>>
>>
>> On Sat, Nov 3, 2018 at 12:52 PM Abraham Lee
>> wrote:
>
>
> On 11/3/2018 12:31 PM, Joshua Nichols wrote:
> >
> >
> >
> >
> > Message: 1
> > Date: Fri, 2 Nov 2018 22:12:52 -0400
> > From: Ben > <mailto:soundsfromso...@gmail.com>>
> > To: lilypond-user@gnu.
I'm in MacOS. I completely forgot about that function. How do I check that?
--
Josh
On Sat, Nov 3, 2018 at 12:52 PM Abraham Lee
wrote:
> Hi, Josh!
>
> On Sat, Nov 3, 2018 at 10:32 AM Joshua Nichols
> wrote:
>
>>
>>>
>>>
>>> Message: 1
>&g
>
>
>
>
> Message: 1
> Date: Fri, 2 Nov 2018 22:12:52 -0400
> From: Ben
> To: lilypond-user@gnu.org
> Subject: Re: Using various weights and widths of fonts
> Message-ID:
> Content-Type: text/plain; charset="utf-8"; Format="flowed"
>
&
this helps.
--
Josh
On Fri, Nov 2, 2018 at 9:40 PM Joshua Nichols
wrote:
> Hello all!
>
> I am trying to use different variants of Garamond Premier, especially the
> Display weight and Narrow Widths. at any moment's notice. I seem to be able
> to do it for some of them, but not others
Hello all!
I am trying to use different variants of Garamond Premier, especially the
Display weight and Narrow Widths. at any moment's notice. I seem to be able
to do it for some of them, but not others. In particular, I'll use the
narrow variant of Minion Pro for lyrics by calling:
\override
Hi David,
I'll look into GraphicsMagick.
Thanks!
--
Josh
On Sat, Jun 23, 2018 at 12:22 AM, David Wright
wrote:
> On Fri 22 Jun 2018 at 13:15:36 (-0400), Joshua Nichols wrote:
> > I think you miss it because the functionality is within Frescobaldi
> itself.
> > It's
on 3.0? Or what
about a different reinstall process?
On Fri, Jun 22, 2018, 13:36 Ben wrote:
> On 6/22/2018 1:16 PM, Joshua Nichols wrote:
>
> Ben, this is exactly what I'm talking about. Using the auto-crop feature
> is so useful when including pictures in scholarly works, etc. That's
>
low.
--
Josh
On Fri, Jun 22, 2018 at 1:05 PM, Ben wrote:
> On 6/22/2018 12:42 PM, David Wright wrote:
>
> On Fri 22 Jun 2018 at 11:38:35 (-0400), Joshua Nichols wrote:
>
> I have tried to install 3.0 but I cannot self-compile from the source (I am
> not capable of doing that). I a
crop the image to the
boundaries of the music, which is primarily why I use it.
--
Josh
On Fri, Jun 22, 2018 at 12:42 PM, David Wright
wrote:
> On Fri 22 Jun 2018 at 11:38:35 (-0400), Joshua Nichols wrote:
> > I have tried to install 3.0 but I cannot self-compile from the sourc
: lilypond-user@gnu.org
> Subject: Re: Cannot PNG capture with Frescobaldi macOS 10.13.5
> Message-ID: <1efe7d36-d585-a734-43ca-ca06ac0a3...@gmail.com>
> Content-Type: text/plain; charset="utf-8"; Format="flowed"
>
> On 6/21/2018 11:36 AM, Joshua Nichols
The most current version: Frescobaldi 2.20.0
--
Josh
>
>
> Message: 3
> Date: Wed, 20 Jun 2018 09:36:05 +1000
> From: Andrew Bernard
> To: lilypond-user Mailinglist
> Subject: Re: Cannot PNG capture with Frescobaldi macOS 10.13.5
> Message-ID:
> mail.gmail.com>
> Content-Type:
I have tried to use the PNG capture feature in the viewer on Frescobaldi
and it will no longer work. It was working literally one moment before. Any
ideas what to do? I did a fresh install of Frescobaldi before pasting the
error below.
Traceback (most recent call last):
> File
>
... Hence my hesitation.
Thank you for your feedback!
--
Josh
On Sun, Feb 18, 2018 at 7:25 PM, Brian Barker <b.m.bar...@btinternet.com>
wrote:
> At 17:30 18/02/2018 -0500, Joshua Nichols wrote:
>
>> I really need this SSD to last a long time, though, as the SSD is
&g
Thank you, I already save all of my data to a separate drive, so everything
that goes on the SSD is trivial and retrievable (such as purchased apps,
etc). I really need this SSD to last a long time, though, as the SSD is
soldered directly to the motherboard... This would mean an expensive
The reason I asked was not because I didn't know this, but because an
article said "under normal use, SSDs will last longer than the computer
themselves." I don't know if constantly saving, writing, and compiling
lilypond files with temporary files saved in Frescobaldi would be
considered "beyond
Does anyone have any experience re-directing the writing and temporary
files created with Frescobaldi? I just received a new computer and it
contains an embedded SSD, and I don't want to wear it out prematurely from
constant writing of the drive.
--
Josh
David,
This looks fantastic. I'll play with it. Thank you so much!
--
Josh
On Mon, Jan 8, 2018 at 6:19 PM, David Nalesnik <david.nales...@gmail.com>
wrote:
> Hi Josh,
>
> On Mon, Jan 8, 2018 at 4:34 PM, Joshua Nichols <josh.d.nich...@gmail.com>
> wrote:
>
Unfortunately it does not, and I don't know SCHEME well enough to know what
to do, or even start.
On Jan 8, 2018 5:55 PM, "Thomas Morley" <thomasmorle...@gmail.com> wrote:
> 2018-01-08 18:44 GMT+01:00 Joshua Nichols <josh.d.nich...@gmail.com>:
> > I'm looking f
Hi! This is for education!
On Jan 8, 2018 3:08 PM, "Karlin High" <karlinh...@gmail.com> wrote:
> On 1/8/2018 11:44 AM, Joshua Nichols wrote:
>
>> I'm looking for a resource that can generate pitches at different
>> octaves, using different spellings,
I'm looking for a resource that can generate pitches at different octaves,
using different spellings, including accidentals.
Has someone already implemented this? I'm trying not to reinvent the wheel.
--
Josh
___
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Kieren,
I felt a little intimidated by the significant snippet you were probably
thinking of. But, Hwaen provided a sufficient hack for my small ensemble
music. :) Thanks! I'll look into that other hack when I feel a little less
intimidated. :/
--
Josh
On Fri, Jul 14, 2017 at 9:19 PM, Kieren
_mark_engraver"
> \consists "Mark_engraver"
> }
>
> Hope this helps!
>
> Hwaen Ch'uqi
>
>
> On 7/14/17, Joshua Nichols <josh.d.nich...@gmail.com> wrote:
> > Elaine Gould recommends that rehearsal and tempo marks be printed in
&g
Elaine Gould recommends that rehearsal and tempo marks be printed in
multiple places in addition to the top of the systems.
How can I force Lilypond do print tempo marks in multiple places? e.g. at
the top of the vocal section and at the top of the keyboard accompaniment.
Thanks!
--
Josh
Can it be done? I've tried it in a straight forward manner, but the music
always runs off the page.
Sincerely,
Josh
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I'm trying to shift a note one place to either direction using the
following:
\once \override NoteColumn.force-hshift = #1
In monophonic texures. However, It doesn't work/compile.
Why is this so? What is the solution?
forceHShift = { \once \override NoteColumn.force-hshift = #40 }
\relative
>
> 2.18 already allows for the neater dot-separated list syntax:
>
Thank you.
IX,
Josh
On Wed, Aug 17, 2016 at 5:11 AM, Simon Albrecht
wrote:
> On 17.08.2016 04:06, David Nalesnik wrote:
>
>> \override VerticalAxisGroup #'nonstaff-nonstaff-spacing =
>>
On Tue, Aug 16, 2016 at 9:06 PM, David Nalesnik
wrote:
> \layout {
> \context {
> \Lyrics
> \override VerticalAxisGroup #'nonstaff-nonstaff-spacing =
> #'((basic-distance . 5))
> }
> }
>
That worked very well! Thanks!
Can anyone
@gmail.com>
wrote:
> Hi Josh,
>
> On Tue, Aug 16, 2016 at 8:34 PM, Joshua Nichols
> <josh.d.nich...@gmail.com> wrote:
> > I am looking for a tweak to decrease or increase the vertical distance
> > between multiple stanzas.
> >
> > I found this onl
I am looking for a tweak to decrease or increase the vertical distance
between multiple stanzas.
I found this online (not in the manual):
\context {
\Lyrics
minimumVerticalExtent = #'(0 . 0)
}
But, when I compile (with any number in the variable) I get this message:
warning: cannot
to embed EPS files.
>
> Kevin
> On 13 Jul 2016 4:46 a.m., "Joshua Nichols" <josh.d.nich...@gmail.com>
> wrote:
>
>> Hello List,
>>
>> I'm having issues embedding EPS files produced in the back end feature in
>> 2.18.x.
>>
>> Wheneve
Hello List,
I'm having issues embedding EPS files produced in the back end feature in
2.18.x.
Whenever I create it, I cannot adequately open it in, lets say,
illustrator, or another vector editor, nor can I embed it in a pages or
lyx/latex file without getting errors about the file type.
I once
>
The only way I know is to use a dynamics context and vary the length of the
spacer rests the occur between the start and end of the hairpin.
Thanks.
___
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> For the opening height:
> >
> \override Hairpin.height = 2
>
> This is great...
>
> > For the length if it?s too short by default:
> > \override Hairpin.minimum-length = 10
>
> This not the answer I'm looking for. This also changes the length of the
> hairpin and spacing inside the
>
For the opening height:
>
\override Hairpin.height = 2
This is great...
> For the length if it?s too short by default:
> \override Hairpin.minimum-length = 10
This not the answer I'm looking for. This also changes the length of the
hairpin and spacing inside the measure. I
I've looked all over the notation reference and I can't seem to find a
specific application for adjusting the length of a hairpin manually, or to
what degree it opens.
Anyone know where I can find it or can elaborate? Thanks!
Sincerely
,
Josh
___
>
From: Andrew Bernard
>
To: lilypond-user
>
Subject: Re: Ties across different voices?
>
Message-ID:
>
I've run into the need to do this, and I can't quite figure out how to make
it happen. Please see the attached image.
Basically, for those who can't load it, I want to create a tie from a
"chord" into a "new voice." It's fairly common in classical literature, but
I am wondering if this is
>
> 2. \markup { \normal-text "I'm not bold" }
>
This is exactly what I was looking for! Thanks!
Sincerely, Josh
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I know that the \set stanza = "" is reformatted to be bold. I would like to
changes this to regular (not bolded). Is this possible?
This does relate to other environments, such as the subtitle, etc.
Sincerely,
Josh
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I'm possibly going to be taking on a hymnal project, and would like to know
if anyone has come up with a good style-sheet for lilypond engraving at
small sizes in hymnals!
Thanks!
Sincerely,
Josh
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lilypond-user@gnu.org
Thanks for the lead. How can I apply this to force the item it puts space
before to the bottom of the page? All I see is application for mm specific
intervals.
IX,
Josh
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I'm looking to force a \markup{} after a score block to the bottom of the
page for a project I am in. In LaTeX, this looks like \vfill, which forces
the next bit of text/content to the bottom of the page. Is there something
like it in LilyPond?
Sincerely,
Josh
Thanks, I feel this particularly nails my problem on the head. I don't know
what to do at this point.
IX,
Josh
On Fri, Jul 24, 2015 at 4:08 AM, Alexander Kobel n...@a-kobel.de wrote:
Hi all,
On 2015-07-24 04:06, Nick Baskin wrote:
[...] some piano music [...]
aha!
[...] Anywho,
:
On Thu, Jul 23, 2015 at 6:35 PM, Joshua Nichols josh.d.nich...@gmail.com
wrote:
attached is a picture of what I'm attempting (created with MuseScore)
IX,
Josh
On Thu, Jul 23, 2015 at 9:29 PM, Joshua Nichols josh.d.nich...@gmail.com
wrote:
I'm thinking about making some piano music that has
Thanks! This is quite helpful!
IX,
Josh
On Wed, Jul 15, 2015 at 6:16 PM, David Kastrup d...@gnu.org wrote:
Joshua Nichols josh.d.nich...@gmail.com writes:
On Sun, Jul 5, 2015 at 5:26 PM, David Kastrup d...@gnu.org wrote:
David Kastrup d...@gnu.org writes:
Joshua Nichols
I'm thinking about making some piano music that has a very distinct section
break. I'm not sure how to describe it, so I'm sure I've missed it in the
manuals somewhere.
Anywho, I'm trying to break a system mid line and re start another one on
the same line with a small amount of space between
attached is a picture of what I'm attempting (created with MuseScore)
IX,
Josh
On Thu, Jul 23, 2015 at 9:29 PM, Joshua Nichols josh.d.nich...@gmail.com
wrote:
I'm thinking about making some piano music that has a very distinct
section break. I'm not sure how to describe it, so I'm sure I've
It looks like it could work in theory, but I'm having a bit of trouble
deciphering it to modify it.
IX,
Josh
On Thu, Jul 23, 2015 at 10:06 PM, Nick Baskin amphio...@gmail.com wrote:
On Thu, Jul 23, 2015 at 6:35 PM, Joshua Nichols josh.d.nich...@gmail.com
wrote:
attached is a picture
percent 3 {
a c a[ c]
}
a[ c] a r \bar ||
}
\score {
\new Staff \with { \clef F } {
\timp
}
\layout {
\context {
\Score
\omit BarNumber
\omit TimeSignature
}
}
}
IC,
Josh
On Sun, Jul 5, 2015 at 4:00 PM, David Kastrup d...@gnu.org wrote:
Joshua
I've got this snippet:
\repeat percent 2 {
\time 5/16 a16\[ r c r a] |
\time 4/16 c\! r r8
}
and I'm having trouble getting it to show up with the percent correctly
placed between the barlines.
It also needs to be noted that I have \omit \TimeSignature in my \score{}.
Any help would
TimeSignature
}
}
}
IC,
Josh
On Sun, Jul 5, 2015 at 4:11 PM, Joshua Nichols josh.d.nich...@gmail.com
wrote:
See attached and also below.
\version 2.18.2
#(set-global-staff-size 17)
\paper {
paper-height = 3.5\in
paper-width = 6\in
indent = 0\in
right-margin = 0.5\in
bottom
...@gnu.org writes:
Joshua Nichols josh.d.nich...@gmail.com writes:
I absolutely sent the wrong example. This is my work around for right
now,
here below, and re-attached, is the example I'm having trouble with.
Ok, here's the deal: percent repeats don't work with changed time
I've looked for a hack, but I haven't found one yet. I was wondering if
y'all could expedite my question:
I'd like to be able to change the default lyric font to a different font
within the same font family. I have an expert font that has many different
weights and a condensed form, and I'm not
;-)
You are right. I also continually forget to check the List in addition to
personal replies. I did not intend to not respond to your response. :\
Hey, from the blog post this looks like a nice font for lyrics. (I think
Joshua didn't want to say that he doesn't _like_ the looks of Minion but
On Thu, Apr 30, 2015 at 9:20 AM, Joshua Nichols josh.d.nich...@gmail.com
wrote:
I'm looking for something other than minion pro. It also needs to have
serifs (if not clear by the indication in the subject). What do you all use
(free or otherwise)?
Thanks,
Josh
What about Romande ADF?
I'll check it out, thanks!
IC,
Josh
On Thu, Apr 30, 2015 at 12:06 PM, Alexander Kobel n...@a-kobel.de wrote:
On 2015-04-30 17:20, Joshua Nichols wrote:
I'm looking for something other than minion pro. It also needs to have
serifs (if not clear by the indication
I'm looking for something other than minion pro. It also needs to have
serifs (if not clear by the indication in the subject). What do you all use
(free or otherwise)?
Thanks,
Josh
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thinking about the benefit for others to finally have the proper
kerning in the more regularly downloaded versions.
IC,
Josh
On Mon, Apr 20, 2015 at 9:04 AM, Phil Holmes m...@philholmes.net wrote:
- Original Message - From: Federico Bruni fedel...@gmail.com
To: Joshua Nichols josh.d.nich
Hello all,
I apologize if this question has already been asked.
Has the new version of pango been ported to the binaries on
mac/windows/linux? I noticed here
https://code.google.com/p/lilypond/issues/detail?id=2656 that there has
since been bug issues with a previous version that LilyPond has
This project on indiegogo happened a while ago, and I have a general
question to people who donated for packages:
Have you had those fulfilled? I seem to be out of the loop on the timing of
those things.
Thanks!
Sincerely,
Josh
___
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I'm typesetting some Rachmaninoff (G-flat prelude) and I'm running into a
hairy situation. See attached.
Any way to fix this problem? I have tried changing the default spacing, but
it's still the same problem - two itty-bitty ties.
Snippet -
\version 2.18.2
\relative c' { \stemDown \tieDown
e
For finer control, you’ll likely want to use Janek’s amazing \shape
function(s).
Yes, This is very good, but I only think it works for single slurs and
ties? I'm looking for something that can deal with individual ties in a
single chord.
IC,
Josh
On Wed, Dec 3, 2014 at 10:53 AM, Kieren
for.
HTH
Urs
Am 29. November 2014 05:02:41 MEZ, schrieb Joshua Nichols
josh.d.nich...@gmail.com:
Has anyone used \markup (or know of a way to use \markup) to create
beamed rhythms? I imagine being able to do this:
\markup { \note #8[ 8 8 8] #UP }
I checked a cursory search
Someone recently gave \partcombine an option to double-stem unisons...
This looks very promising. Thanks for the update!
Sincerely,
Josh
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Has anyone used \markup (or know of a way to use \markup) to create beamed
rhythms? I imagine being able to do this:
\markup { \note #8[ 8 8 8] #UP }
I checked a cursory search for it on the interwebs. Alas, no immediate luck.
Thanks,
Josh
___
Hi Marco,
It is possible to type to the lilypond notations the registration marks
for Harpsichord, or organ?
I think I know what you are trying to do. Could you give me a little more
detail?
For example, I have done this with lilypond:
\markup { \general-align #Y #0.5 \left-brace #50
The simplest solution here is to keep the voices separate through the
slurs...
Thanks, this is helpful.
Is there talk about improving this feature? Or do you know of a hack for
getting the desired output?
Your solution will be a solid work around from here on out. Thanks.
Josh
I was recently typesetting a song, using part combine, from a hymnal. I ran
into a problem: everytime I ran \partcombine, I found that unterminated
slur and cannot end slur, were common warnings. I was confused, and so I
created this small snippet that should reproduce the same issues.
\version
To reiterate, most of what is said is over my head. I'll continue to follow
and help as I can.
IC,
Josh
On Tue, Oct 7, 2014 at 3:41 AM, Werner LEMBERG w...@gnu.org wrote:
Sorry for the late reply.
This is not correct. The most important part, namely to write a
small test program for
I apologize for not responding sooner.
I went back over the bug report, and I'm more confused now than I was
before. Some seem to suggest that it may be a limitation with the
simplicity of pango, but I know that it is at least working on 32-bit
versions of linux. What needs to be tested then?
at small sizes. Unfortunately, it's a different
issue.
-Abraham
Sent from my iPhone
On Oct 6, 2014, at 8:25 PM, Joshua Nichols josh.d.nich...@gmail.com
wrote:
I apologize for not responding sooner.
I went back over the bug report, and I'm more confused now than I was
before. Some seem
Read https://code.google.com/p/lilypond/issues/detail?id=2656...
I have read it. I know essentially what is happening, but I am not
experienced at all with testing this sort of thing. It seems that the issue
reported is stated pretty clearly, and that the questions are pretty much
answered, it's
You have rather to actively find a developer interested in Lilypond on a
Windows platform...
Last time I checked, this is a problem with Linux 64bit versions as well.
But for some reason it only works on 32bit Linux?
I would willingly volunteer to do the work, I just have NO idea where to
I am not astute nor a programmer to know even how to begin fixing this
issue. I know it has been discussed as a possible limitation of the pango.
However, it seems that it works on some systems and others not.
What has to be done to fix the issue?
What would be an appropriate bounty to have this
I wonder if this problem has occurred with 2.18.2, but I have not tried it.
Anyone understand why the composer is coming out all the way to the right
of the margin? see attached.
Sincerely,
Josh
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, Joshua Nichols josh.d.nich...@gmail.com
wrote:
I wonder if this problem has occurred with 2.18.2, but I have not tried it.
Anyone understand why the composer is coming out all the way to the right
of the margin? see attached.
Sincerely,
Josh
Josh,
I, personally, haven't noticed
(or rather, the empty markup)...
What do you mean? I don't see an empty markup.
So it must be the current composer...
Is it too long?
IC,
Josh
On Fri, Sep 26, 2014 at 3:44 PM, Abraham Lee tisimst.lilyp...@gmail.com
wrote:
On Fri, Sep 26, 2014 at 1:50 PM, Joshua Nichols josh.d.nich
It's not that YOU put empty markup in it,
Oh, that is a relief. I'm always afraid of being more blatantly stupid in
this things. Thanks for clarifying!
I did go through the motions of getting 2.18.2 to work, and you are exactly
right. I apologize for being lazy and not trying that first. At any
I've never experienced this before now...
I go to use the following settings:
global = {
\key c \major
\numericTimeSignature
\time 4/4
\tempo 4=100
}
and I got the attached picture. I have no idea what I'm doing wrong, or if
this is a bug worth noting.
I was using absolute pitch mode.
Thanks!
IC,
Josh
On Thu, Apr 3, 2014 at 3:58 AM, Trevor Daniels t.dani...@treda.co.ukwrote:
Joshua Nichols wrote Thursday, April 03, 2014 1:21 AM
I just realized that I had isolated the problem to other layers getting
priority over it, so it wouldn't become whiteout. Is it the higher
Hello all,
I'm having trouble with this:
global = { \override TupletNumber.whiteout = ##t }
working in my project. I've also tried: \override
Score.TupletNumber.whiteout... and \override Staff.TupletNumber.whiteout...
Am I missing something? I obviously am somewhere...
IC,
Josh
I just realized that I had isolated the problem to other layers getting
priority over it, so it wouldn't become whiteout. Is it the higher the
level number, the farthest forward that that engraver sits?
On Wed, Apr 2, 2014 at 5:24 PM, Pierre Perol-Schneider
pierre.schneider.pa...@gmail.com
I think that this would be an interesting feature, but the issue with this
is
giving a default title page. It would require a user to adjust the title
page to fit the needs of the user. I have created a personal title page
template, if you will. I'll attach it in the email to see what you
I am curious overall on what might be a useful enhancement:
Has anyone thought about writing a permanent title page feature for
lilypond? You know, something that I could invoke through the paper block?
I perused a very light search for this kind of thing, and I didn't find
anything.
I'm
Does anyone have a fix to this problem? I'd really like to have my ff,
fl, and other such things work within the font systems with Windows. Last
time I check, it looked like it was a GhostScript problem...? Not sure what
I'm saying at the moment, but I'd like to know the status of this, or if
://code.google.com/p/lilypond/issues/detail?id=2656. I think there
are 2 options; offer to help fix them or run Linux in a VM.
--
Phil Holmes
- Original Message -
*From:* Joshua Nichols josh.d.nich...@gmail.com
*To:* Mailinglist lilypond-user lilypond-user@gnu.org
*Sent:* Tuesday
So, after taking the advice of the forum, I supplanted the following
snippet:
oddFooterMarkup = \markup \fill-line { \fontsize #2
\on-the-fly #not-first-page \fromproperty #'page:page-number-string
\on-the-fly #first-page \fromproperty #'header:copyright
}
and compiled. What I'm getting is a
Hello List,
I'm having trouble getting the copyright notice to show up on the first
page when I'm using the following (in the \paper block):
oddFooterMarkup = \markup \fill-line { \fontsize #2 \on-the-fly
#not-first-page \fromproperty #'page:page-number-string }
evenFooterMarkup = \markup
Hello all,
I am transcribing Mendelssohn's He Watching Over Israel from Elijah.
The setup I have has a vocal reduction. One of the things I'm using is text
markup for cresc. and dim. because I don't want the text spanners in
the regular commands.
My question is, how do I remove the markup
@gmail.com wrote:
To your second question, remove the text spanners throughout with,
\layout {
\context {
\Dynamics
\override DynamicTextSpanner #'style = #'none
}
}
On Wed, Jan 29, 2014 at 10:14 AM, Joshua Nichols josh.d.nich...@gmail.com
wrote:
Hello all,
I am transcribing
I'm sorry, it should read #'none. It does not work even there.
IC,
Josh
On Wed, Jan 29, 2014 at 4:47 PM, Joshua Nichols josh.d.nich...@gmail.comwrote:
I'm sorry, but it doesn't work.
blah = \relative c' { c\dim d e f\!}
\score {
\new Staff { \blah}
\layout { \context {
\Dynamics
Thanks to Kieren, David, and Phil for your responses. Kieren, that was a
fantastic snippet.
I guess I would be willing to help, but I have no where to begin to start
that process. I would love to come up with some documentation on
contemporary music, but it seems that LilyPond does convential
wrote:
Joshua Nichols josh.d.nich...@gmail.com schrieb:
Thanks to Kieren, David, and Phil for your responses. Kieren, that was
a
fantastic snippet.
I guess I would be willing to help, but I have no where to begin to
start
that process. I would love to come up with some documentation
So I check the documentation for the dev version, and I notice that there
are a few ideas for the next release. Any ideas not mentioned via
documentation?
Also, I was wondering if any examples of contemporary notation were ever
going to be put in the documentation. I know there is a spot for
=
#'leftsided-stairs b2 d' a f f4 g a b f f a a d4 e f g a b c b f g g g
a g }
Shane
On Sat, Jan 4, 2014 at 1:10 AM, Joshua Nichols josh.d.nich...@gmail.com
wrote:
I am absolutely baffled by this question.
Tell me about it.
...it might be simplest to reduce
the note head sizes. Tried
The function `ly:font-config-display-fonts' (available via the
`-dshow-available-fonts' command line option of lilypond)
I don't even know how to access that. I don't see an option from the GUI to
be able to do that.
I tried doing some of the things aforementioned through Frescobaldi's
command
On Fri, Jan 3, 2014 at 10:53 AM, Federico Bruni fedel...@gmail.com wrote:
open the terminal of Mac and write:
lilypond -dshow-available-fonts
I got:
-bash: lilypond: command not found
IC,
Josh
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