Robert Schmaus wrote:
Maybe that's what you're looking for ...
Or, more directly: page-count
to be found further down in the same section.
Cheers,
Robin
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Nathan Ho wrote:
% And, of course, the slur's too short vertically
Adjust 0.3 to taste:
\override Staff.Arpeggio #'positions = #(lambda (grob)
(interval-widen (ly:arpeggio::calc-positions grob) 0.3))
Cheers,
Robin
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rsfjr wrote:
It keeps throwing an error message
Well, tell us some more ...
- what message
- with what lilypond version
But preferably, send a small .ly file which has this problem.
Cheers,
Robin
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Peter Heisen wrote:
Is there a way to globally change the color of an entire printed score
without having to change every color property of every possible grob?
Start here
http://lsr.di.unimi.it/LSR/Item?id=443
Cheers,
Robin
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Stephen MacNeil wrote:
the overlay on the lsr will do this
That would be Absolute positioning of markup elements
http://lsr.di.unimi.it/LSR/Item?id=628
Then to position millimetre-wise, you need something like
%%
Pierre G. wrote:
I wonder if there is a way to position precisely a text markup
One way to insert vertical millimetres is
http://lists.gnu.org/archive/html/lilypond-user/2010-04/msg00035.html
This may not be the current method, but it still works e.g.
\markup \mm-feed #27
in order to
William Marchant wrote:
How can I control the length of the [bottom] line
Have a look at answers in a similar thread last July:
http://lists.gnu.org/archive/html/lilypond-user/2014-07/msg00341.html
http://lists.gnu.org/archive/html/lilypond-user/2014-07/msg00371.html
Cheers,
Robin
Michael Rivers wrote:
I just engraved a piece for which the standard solutions given in this thread
worked especially badly. There were many 8th notes alternating with 8th
rests (which should be merged by Lilypond, but can't be automatically), so
switching back and forth between a polyphonic
MING TSANG wrote:
The arpeggio did not show on the score.
If you insist on it showing (for this _single_ note),
try applying the workaround given for issue 794
https://code.google.com/p/lilypond/issues/detail?id=794
Result shown for 2.18.2.
Cheers,
Robin
My contribution of two days ago hasn't turned up on the list (yet),
so here goes again:
Here is a variant of Pierre's proposal:
\transpose c c' {
%d ees16 ~
{
\once \override NoteColumn #'ignore-collision = ##t
\once \hideNotes d ees ~ 16
\once \override
David Sumbler wrote:
But why doesn't '\tweak Script.font-size' work?
The note g and the tenuto belong together musicwise,
but in the input stream they are two separate items.
Your tweak command is applied to the note g.
{ \tweak font-size #6 g-- }
will change the notehead's font size.
But
Peter Crighton wrote:
But I would like to be able to use the function [...]
so it doesn’t only affect the next note,
but a sequence of notes enclosed in { … }:
The source file music-functions.scm defines
music-map
which you can use for this:
bgr = #(define-music-function (parser
Peter Crighton wrote:
I don’t know why the \bgr function causes it.
Any ideas?
...
Are there other places to learn about Scheme in LilyPond
than the Scheme tutorial?
Welcome to Scheme in LilyPond.
This example shows that knowing Scheme isn't enough.
You have to cooperate with Lilypond,
Son_V wrote:
I had two choices: to make it in a
single page but really crowded
or to make it in two pages.
I choose another way;
I divided it in SA and TB voices.
I don't quite understand, unless your first choice
would have been to use one staff for each voice,
i.e. 4 staves in total.
But
Jay Vara wrote:
If I define lilyA, lilyB, lilyC to be strings containing lilypond commands,
and I have set xyz = lilyA, is there a way to execute xyz?
Does this work?
#(ly:parser-include-string parser #'xyz)
Maybe this thread is relevant:
Jay Vara wrote:
Wow, that works!
This also seems to do what you want:
xyz = #(eval-string abc)
Cheers,
Robin
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Jay Vara wrote:
In the following program, I set xyz to the variable abc using scheme
string-symbol as well as the usual \abc.
Instead of giving the same value for xyz, the first one sets it to string
abc and the second sets it to value of abc.
Maybe you are reading out the symbol name (which
Phil Holmes wrote:
The difficulty would be allowing for varying staff spacing
Cross-staff arpeggios will do this for you. See
http://lists.gnu.org/archive/html/lilypond-user/2010-02/msg00659.html
That was for version 2.12.
With 2.18 you still need to cater for the closing bracket
Phil Holmes wrote:
we only get two threes: the initial one is missing. Is there a better way
of providing the 3 mark, or an override I'm missing?
This is like
http://lists.gnu.org/archive/html/lilypond-user/2014-02/msg00059.html
Cheers,
Robin
Phil Holmes wrote:
I don't _think_ it's the same.
I meant just the break-visibility aspect:
adding only
\once \override BreathingSign.break-visibility = #all-visible
gets you the initial 3 showing.
But then the placement will probably not satisfy you;
you have to start wrestling with
-
On 23.08.2014 18:34, Robin Bannister wrote:
you have to start wrestling with
- breathing sign placement in break-align-orders
This can get very unwieldly,
which always makes the deprecated custos trick very tempting.
See the (by now unfamiliar)
http://lists.gnu.org/archive/html/lilypond
MarcM wrote:
I am wondering if this is an expected behavior or something is wrong my
computer and/or printer (HP Officejet Pro).
.
.
.
When i print with the default settings the margins are truncated and the
only half of the title of the piece is printed.
Does your printer maybe have an
Charles Marshall wrote:
How can the length of a ragged last line be adjusted? With
ragged-last-line = ##t , the line is too short to look good; with = ##f
, it's right-justified and too long.
Quick and nasty: at the end, append (in any voice)
\stopStaff s16*40
and adjust the 40 to suit.
Thomas Ruedas wrote:
[...]
the second a fatal error,
[...]
I guess that is due to compatibility issues,
because the hacks seem to be several years old
But the thumbBracket code still works; see the recent
http://lists.gnu.org/archive/html/lilypond-user/2014-04/msg00520.html
Just one of
Zack wrote:
I'm hoping [...] someone in the musical typesetting world
will know its name and can point me to how to recreate it
Well, I don't know its name but I chose a private one once,
slightly unlikely so as to avoid conflict with the real name.
Search the user archives for my
Martin Tarenskeen wrote:
look like Cm % % %
where the % is not really a percentage sign
How about the following?
\version 2.18.0
simile = \markup { \bold \fontsize #1 \char ##x066A } % arabic
simileCN = \once \override ChordNames.ChordName #'text
Marc Hohl wrote:
But why does LilyPond seem to ignore '(left-edge)?
It seems it is not visible.
The first left edge doesn't arise via a line break,
so for pedantic Lilypond the _unbroken_ case applies.
Try
\once \override Score.LeftEdge.break-visibility = #all-visible
Cheers,
Robin
Marc Hohl wrote:
Try
\once \override Score.LeftEdge.break-visibility = #all-visible
Thanks, sounds plausible, but it doesn't work either:
Umm ... and with MetronomeMark ?
Cheers,
Robin
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On 19.01.2014 13:51, Speldosa wrote:
I want a file that is mixed so that the soprano part isthe loudest,
for the altos I want the alto part to be the loudest, and so on.
I don't understand your problem,
but I do this without volume adjustments,
based on several midi scores along the lines of:
Annette Kusma wrote:
Is this a bug or am I missing something?
The example you supplied did not run without errors.
You didn't mention these errors, so my impression is that
you are missing the error reports contained in the log file.
Lilypond specifically mentions having trouble with
Ben Beeson wrote:
I'd like to do this without splitting the notes
into a left and right score in a ly file if possible.
That's probably the best way (easiest to maintain),
provided you can force them to stay in sync vertically.
For a cheap hack, have a look at LSR502
Emil Salim wrote:
How do I add the descant line on top of the SATB
The score block currently contains just a ChoirStaff context.
You need to add a new Staff context which runs simultaneously.
So wrap the ChoirStaff block in a pair of double angle brackets
and insert the new Staff at the
EdBeesleywrote:
temporary fix very welcome
You can move force the vertical position like this:
\override StemTremolo #'Y-offset = #-2
Cheers,
Robin
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Steve Noland wrote:
I am having problems with some of the jazz chordnames engraving correctly.
Specifically, a Dm7(b5) chord (D minor 7, flat 5) ...
Check out this recent thread:
http://lists.gnu.org/archive/html/lilypond-user/2013-08/msg00568.html
Cheers,
Robin
MING TSANG wrote:
works fine except I have undesired background image
Here is a black white version.
Cheers,
Robin
black.eps
Description: PostScript document
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Werner LEMBERG wrote:
However, I want a fixed space between \markup and \score
that doesn't get stretched.
How about mm-feed?
http://lists.gnu.org/archive/html/lilypond-user/2010-04/msg00057.html
Cheers,
Robin
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Werner LEMBERG wrote:
\markup \mm-feed #10 % -- here I want a fixed space of, say, 10mm
Ok, maybe I get it;
mm-feed gives you a fixed space (which you could use)
but is followed by flexible space (which you don't want).
Would it be acceptable to clobber the flexible space by adding
Peter Bjuhr wrote:
My starting point was that this could be achieved by using some kind of
alternative arpeggio, but so far this has not been a successful approach.
Here is a rough sketch of such an approach,
without considering collisions and other subtleties.
It has its own arrowdir
Derek Klinge wrote:
Exactly, how do I write a chordname exception for a Half Diminished 7th?
Here's one way (2.16):
%%
flatadj = \markup { \translate #'(0.2 . 0.2) \fontsize #-1 \flat }
chExceptionMusic =
{
c ees ges bes1-\markup
{ m \super \concat {7 \hspace #0.3 \flatadj
Adam Spiers-5 wrote
How can I put text *after* a staff?
I.e. directly to the right of the final barline?
And here is another way:
\version 2.16.2
{
\repeat unfold 44 R1
\bar |.
% after final barline:
\stopStaff
\once \override TextScript #'Y-offset = #-0.5
s1^text at the right
Robert Honoré wrote:
I am attempting a complete cleanup ...
This would include deleting the font cache,
or rather: _all_ lilypond font caches.
I had a mix-up with these caches (on XP)
with somewhat similar symptoms.
Check out the thread ending in
Jean-Charles Malahieude wrote:
Could anyone help me finish this BWV246 project?
Well, I don't know anything about figured bass
but it seems that Lilypond's square brackets are
not intended to be spread apart.
add_brackets is called eventwise, and at each call
initialises its local
Mark Polesky wrote:
1) How do I get the right vertical edges of the volta
spanners to print when I've overridden the bar type at those
moments? They only seem to print when there's a repeat bar
in the staff.
Welcome back!
I have an amusing workaround for this particular case,
but this
Jim Long wrote:
I was looking for the counterpart to bendAfter
This might do what you want:
http://lists.gnu.org/archive/html/lilypond-user/2009-06/msg00137.html
Cheers,
Robin
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Rustik wrote:
Tell me please only how can I make right-aligned bracket «]» by \arpeggio
command.
Have a look at
http://lists.gnu.org/archive/html/lilypond-user/2012-03/msg00725.html
Cheers,
Robin
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luis jure wrote:
... chords with some non-standard notation
...
i'd be very grateful for any pointers.
This an old annoyance [1].
You could try using my besideCN and replaceCN.
See stencilCN.ly for recent code and a demo.
Make sure you update it to your lilypond version. [2]
Two
Is there a way of adjusting the vertical spacing within a header block?
See also
http://lists.gnu.org/archive/html/lilypond-user/2010-04/msg00035.html
Cheers,
Robin
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Mike wrote:
Is it known, with or without a workaround?
This is a well-known bug. See
http://lilypond.org/doc/v2.14/Documentation/notation/special-rhythmic-concerns#Known-issues-and-warnings-50
Cheers,
Robin
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Gerry Prosser wrote:
Removing the dollars certainly seems to work - thank you!
Hopefully someone cleverer than us will be along shortly to explain why ...
It was David Kastrup's work which makes it possible to remove the dollars.
And please note that any dollars you remove should of course
diekunstderfuge wrote:
this has only worked for the final bar line at the end of the second system.
You have modifed the mensurstrich global to do dashed,
and it has done its final barline at the end of bar 3 and bar7.
Is this something you want?
The spacers in the mensurstrich global
Gagi Petrovic wrote:
somehow the \hspace command gets ignored
It looks to me more like a baseline-skip problem
e.g. its override is corrupted or ineffective.
Note that commands like \fontsize reset baseline-skip.
Cheers,
Robin
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Klaus Föhl worte:
the bracket should be after the notes and not in front of them.
When you want that to happen you should precede the chord with
\once \override Arpeggio #'direction = #RIGHT
When you have got it on the other side you will see that
it is still looking to the right and so
Frank Steinmetzger wrote:
Could you give me a nudge, please?
Have a look at this old thread :
http://lists.gnu.org/archive/html/lilypond-user/2009-03/msg00176.html
Cheers,
Robin
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MING TSANG wrote:
In both cases the output is the same.
Did you see the warning produced by this snippet?
margins do not fit with line-width, setting default values
There may be other problems, but I think yout current problem is that
you haven't foreseen any width for the binding-offset.
Nick Payne:
Is it possible to get a dashed double barline?
I don't think that there is anything set up for this.
One way to do it is to ask for a double portion.
You can test barDoubled.ly for authenticity
by comparing \barDoubled | with \bar ||.
Cheers,
Robin\version 2.15.25
Thomas Morley wrote:
how about the code below? Is there something wrong with it?
(Tested with 2.14.2 and 2.15.24)
I thought Neil was implying it would stop working.
I see it works with 2.15.29 too.
But the result seems pretty halfbaked to me;
what additional information is the player
what Francisco wanted [?]
http://lists.gnu.org/archive/html/lilypond-es/2012-02/jpgGbKXsMUjKS.jpg
Cheers,
Robin
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Francisco Vila wrote:
Perhaps http://lists.gnu.org/archive/html/lilypond-user/2009-03/msg00705.html
is of some use here?
Thanks, I think yes, but I obtain Scheme errors.
Maybe you can make do with the (cheap imitation) slash
provided towards the end of the same thread?
See simile.ly
Paolo Prete wrote:
is it possible to place a breathing sign at a specified position?
I can do that for a rest, in this way:
\override Rest #'staff-position = #-12
In your example
- replace Rest #'staff-position with BreathingSign #'Y-offset
- use only half the value
Cheers,
Robin
Zbyněk Burget wrote:
How do I make a definition that increase size of both characters?
Instead of \magnify #2 use \scale #'(2 . 2).
The scale command was introduced between 2.12 and 2.14.
See http://lilypond.org/doc/v2.14/Documentation/notation/graphic
Cheers,
Robin
Svetlana wrote:
It works like a charm.
But please note that in LSR377 the line after
% Trick to print it after barlines and signatures:
should read
[ ... ] #'break-align-symbol = #'custos
as in
http://lists.gnu.org/archive/html/lilypond-user/2008-01/msg00580.html
Cheers,
Robin
gajatko wrote:
in future I will also need numbers like 9,11,13 etc.
Check out LSR 756
http://lsr.dsi.unimi.it/LSR/Item?id=756
and some context
http://lists.gnu.org/archive/html/lilypond-user/2011-03/msg00138.html
Cheers,
Robin
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Frederic Dannen wrote:
Is there also a way to supress the first page number,
and move the numbers to the outer edge?
For that you have to get involved with
http://lilypond.org/doc/v2.12/Documentation/user/lilypond/Custom-titles
and how the source code in titling-init.ly does these things.
Frederic Dannen wrote:
It works, but as I said, not very elegant.
Would it be more elegant without the blank pages?
You could make lily *seem* to count pages twice as fast by
doubling what \fromproperty #'page:page-number-string delivers.
Kieren MacMillan wrote:
I've also tried to override the BarLine #'stencil, to no avail.
Maybe you weren't using ly:stencil-combine-at-edge
as demonstrated in
http://lsr.dsi.unimi.it/LSR/Item?id=650
Cheers,
Robin
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Stan Mulder wrote:
Is it possible to put a different set of chords
above the main line of chords
...
And what about the parenthesis around the chord name.
For parenthesizing see the thread with
http://lists.gnu.org/archive/html/lilypond-user/2009-03/msg00016.html
which also links to
Hu Haipeng wrote:
this doesn't work at all.
The hidden breathe sign strangely leaves an apostrophe like sign
This apostrophe is the breathe glyph; so I suppose the #'transparent
override wasn't being effective. My workaround did work for your snippet
(as my attachment for sighted
Hu Haipeng wrote:
the arpeggio sign collides with the a'4 natural of the treble
It is as if the arpeggio code doesn't notice the staff change.
Here is a workaround which doesn't prevent a collision but disguises it.
Insert a transparent breathing sign after s2 in the right hand:
Javier Ruiz wrote:
just adding [\bar |.] doesn't reset lilypond's automatic bar generator.
You can use \cadenzaOn to turn off the bar generator.
a set of alternate fingering digits stacked vertically.
Lilypond doen't object to you asking for two fingers on one note.
If that is too
Marek Klein wrote:
how can I get the staff-lines vertically aligned?
Here's another padding hack:
\layout { line-width = 6.2\cm ragged-right = ##f }
centeredVAG = \with { \override VerticalAxisGroup #'Y-extent = #'(-8 . 8) }
\markup \fill-line \vcenter {
\column{
\score
Tim Sheasby wrote:
how do I apply it to a specific note in a \set shapeNoteStyles context
Well, I'm not sure what you're aiming for, but try this:
miNarrow = #(lambda (grob)
(if (eqv? (ly:grob-property grob 'style) 'miMirror)
(ly:stencil-scale (ly:note-head::print grob)
Gabriel Espelleta wrote:
I have tried to generate a PDF out of this here below file,
but it does not work.
The Lilypond code you supplied says what the lead violin should play.
This, by itself, is not enough for what you are expecting.
You must also have code which asks Lilypond to
Helga Kruse wrote:
... avoiding the clash with the last e note?
A fairly reliable method would be to reference the whole markup to
this last note instead of the rest following it.
... so that they have the same base line ... ?
There is a \vcenter but there seem to be no \vbottom;
but
Carl Testa wrote:
Is there a way to define how big a stencil is
In your case, using ly:make-stencil, the parameters xext and yext
are for saying how big, and you have done this OK.
The problem is that these values don't get to affect the layout,
because the overridden rest is still
This is hardcoded. See
http://lists.gnu.org/archive/html/lilypond-user/2009-04/msg00691.html
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Tim McNamara wrote:
I am not sure how to actually use this in a file.
The multimeasure.ly has four sections;
the first two are needed to define inlineMMRN,
the last two give an example of using \inlineMMRN.
The example I used is a rough skeleton of Blessed Relief,
whose last part
Tao wrote:
I have a global frame with rehearsal marks etc., which I wanted
to use for all parts but I guess I'll just have to make an
alternative one for the rhythm section in this case.
The next time try doing it like this:
\set Score.skipTypesetting = ##t
[ ... empty section ...
Tim McNamara wrote:
There is a number in the middle of the bar
which indicates how many bars to repeat,
with a heavy horizontal bar on either side of the number.
Would this do the sort of thing you're looking for?
You ask for a multi-measure rest (big R)
and let \inlineMMRN move its
Tao wrote:
I tried overriding the #'text property of BarNumber but nothing happens.
Maybe this is because the bar counter sets up the #'text property at
a late stage and so overwrites what you had put there;
ChordName does that too.
You can bypass the #'text property with
Tao wrote:
maybe this is a bug?
It is an issue:
http://lists.gnu.org/archive/html/bug-lilypond/2009-03/msg00019.html
Try turning skipTypesetting on and off:
\set Score.skipTypesetting = ##t
[ ... empty section ... ]
\set Score.skipTypesetting = ##f
Cheers,
Robin
Tao wrote:
Unfortunately this seems to neutralize all \break commands.
This is probably due to the new vertical spacing.
Something relevant must have changed between 2.13.40 and 2.13.46.
Cheers,
Robin
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Robin Bannister wrote:
Something relevant must have changed between 2.13.40 and 2.13.46.
I've narrowed this down to between 2.13.42 and 2.13.43,
so it's probably the commit to fix issue 1336
http://code.google.com/p/lilypond/issues/detail?id=1336
Don't make paper columns
Tim Sheasby wrote:
Can a notehead be scaled by different factors in the x and y directions?
In the recent development versions (starting with 2.13.38) you can.
The following snippet uses an X-factor of 2:
wideNH = #(lambda (grob) (ly:stencil-scale (ly:note-head::print grob) 2 1))
Frank Weichert wrote:
I'm looking for special symbols used for harp-notation
You could try following up Mario's TabSymbols font
http://www.lilypondforum.de/index.php?topic=252.0
And for a possible markup approach and some discussion, see
Matthias Hüsken wrote:
What I'd like to achieve:
When ending a bar with the repetition sign :|,
I need double lines (||) at the beginning of the next bar.
It looks as though you actually mean ending/beginning lines, not bars.
[...]
(:|| . (:| . ||))
[...]
Unfortunately, this does not work:
ornello wrote:
My solution is not working because it affects all line breaks
(not just the beginning of the piece
Having to affect all line breaks was what made was-empty.ly so cumbersome.
You can make LSR 500 work by adding:
\once \override Staff.BarLine #'glyph-name = ||
Xavier Scheuer wrote:
[...] James Bailey wrote:
I haven't checked it, but they're probably in different voice contexts.
Possible explicity doing a \new Voice = first and \context Voice = first
where appropriate may solve the problem.
Yes, or simply putting all in a \new Voice works:
Disc Magnet wrote:
the MIDI output misses the second note in the last bar
This looks like issue 676, so you are probably using a 2.12 version.
See
http://code.google.com/p/lilypond/issues/detail?id=676
The MIDI behaviour was corrected in version 2.13.8.
Warnings for this situation
David Kastrup wrote:
the vertical extent should fit in the circles
necessitated by the horizontal extent.
The 4 is big enough to ensure that all the vertical extents do fit,
but (because of this) they all fit loosely.
This looseness means that to decide where to position a circle
Peter Buhr wrote:
the arpeggio symbol appears [...] about 1cm from the chord,
and the finger number is to the left of the arpeggio symbol,
while I want the finger number to be on the right of the arpeggio symbol.
Suggestions?
Check out my hack at
Dominic Neumann wrote:
[...] Gilles, said that using a |. bar the bracket has an end line.
You can make the |. merely look like || by saying
\once \override Score.BarLine #'thick-thickness = #1.9
That way you don't need the s4 and the extra-(X-)offsets:
\set Score.repeatCommands =
Rodolfo Zitellini wrote:
and I can't use \tweak (the notation manual states quite
clearly that accidentals can not be modified with \tweak)
You mean at the end of Notation Reference 5.3.4.
Well, it used to be quite categorical on this, e.g in the 2.12.1 docs.
Last year Mark Polesky found
Jiri Zurek wrote:
put into the brackets not the normal key signature
but only the cautionary cancellation key signature?
Say 'Staff.KeyCancellation' instead of 'Staff.KeySignature'.
Cheers,
Robin
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carbon14 wrote:
Is there a way to make the bar span a dashed or dotted line,
but leave the bar lines themselves solid?
This works with 2.12.3 (I can't test it with 2.12.4!) :
\override Score.SpanBar #'glyph-name = #dashed
Cheers,
Robin
Sam Domonkos wrote:
I would like to explicitly separate parts of music by having
these bar lines always at the beginning and end of parts
...
\bar .| a4 b c d \bar |. \break
\bar .| a b c d \bar |.
I'm not sure what you mean by a part.
Xavier Scheuer wrote:
Robin (or somebody else), could you provide me a version of your
put-mm but using \hspace instead of \vspace ?
...
in order to make a _horizontal_ space with a value in millimeters
Well, I've had Lilypond on the back burner for a while, so I'm a bit rusty.
By swapping
Kieren MacMillan wrote:
Any tips/suggestions on best practice(s) would be appreciated.
I don't presume to know about best practice,
but I suspect it doesn't include negative spacing.
It's too easy to ask for nonsensical intervals and then
Lilypond quietly discards the whole markup,
Tom Cloyd wrote:
One more small problem: the measure 20 arpeggio across all three voices
(line 174) is wiping out the bar line. Ouch! Is that fixable?
This is issue 880, fixed in 2.13.12.
But my constrain-hidden-positions workaround fixes it on 2.12.3
Paul Scott wrote:
If anyone has an acceptable solution for this
I would appreciate hearing about it.
Inserting a grace spacer is fairly painless (unless it triggers issue 34).
Cheers,
Robin
{
\compressFullBarRests
R1
\tempo rall
\grace s1
R1*20
R1
\tempo a tempo
David Stocker wrote:
center the entire chord symbol (root and suffix) on its rhythmic axis?
#(define (centerCN grob)
(ly:stencil-aligned-to (ly:text-interface::print grob) X CENTER ))
and then apply as
\override ChordNames.ChordName #'stencil = #centerCN
Cheers,
Robin
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