Re: Lyrics and Barchecks

it to be. Thanks -steve On Tue, Apr 23, 2024 at 7:02 PM William Rehwinkel < will...@williamrehwinkel.net> wrote: > Dear Steve, > > I think the reason for this is hinted at by the cryptic "5/8" in the > barcheck failure message. The "mine" at the end of the fir

Lyrics and Barchecks

notes in the first measure and 6 syllables in the lyrics so I don't understand why I'm getting a barcheck warning, especially because if you take out the third measure of music you don't get the warning. (In all cases the layout is exactly what I'm expecting/wanting). Please help me see the e

Re: Tie not working as expected

. Please fix this > by subscribing on https://lists.gnu.org/mailman/listinfo/lilypond-user > > > On 31/01/2023 22:04, Steve Carlock wrote: > > New Lilypond user here. The following code is not working as I expect: > > > > \version "2.24.0&

Tie not working as expected

New Lilypond user here. The following code is not working as I expect: \version "2.24.0" \language "english" \score { << \new Staff { \key d \major \time 4/4 \relative c' { 1 | 1 | g~1 | g2 2 | } } >> \layout { } } I expect to see 4 measures with ties between

Re: Ending second repeat on final \bar "|."

Thats it! thanx very much version 2.18.2 does everything I need and have been using it for years and don't want to deal with compatibility issues.. thanx - steve > Hi, > > (The mailing list is lilypond-user, not lilypond-users, > I've corrected the addr

Ending second repeat on final \bar "|."

2.18.2? thanx - steve \version "2.18.2" %#(define-bar-line ".|:-|." "|." ".|:" "||") \relative c'' { \time 2/4 \repeat volta 2 { c4 c | c c | } \alternative { { d b } { c b^"Fine" } } \bar "|."

split vocal parts

rt's staff. The Lilypond source for my attempt is attached. It's identical to the "Hiding Staves" example in the manual except for the addition of lyrics. Thanks in advance, Steve snippet.ly Description: Binary data

Re: Transparency issue with TabStaff ?

Awesome, thanks Pierre! It worked. Here is where I put it in my .ly file if anyone needs it: \layout { ... \context { \TabStaff \clef moderntab ... \override TabNoteHead.whiteout = ##f } } Have a nice day, Steve Le lun. 27 avr. 2020 à 17:25, Pierre Perol-Schneider

Transparency issue with TabStaff ?

Hi, I'm new to the list, so first thanks for the good job :) I tried to export a .ly file to a transparent PNG. Everything seems fine except for the tab number of the TabStaff (which has a white background, see the image below): [image: image.png] Is it a wrong configuration on my side or a

Re: Identifying non-chord notes in Scheme

n old 'map.' Steve From: Aaron Hill Subject:Re: Identifying non-chord notes in Scheme Date: Wed, 27 Nov 2019 11:09:12 -0800 User-agent: Roundcube Webmail/1.3.8 Hi Steve, Sorry for the delay in responding to your original query. But as some say, "better l

Re: Identifying non-chord notes in Scheme

tes. Thanks for pointing out ContextSpeccedMusic. lilyp...@de-wolff.org wrote on 11/27/2019 8:45 AM: Steve, When you see the music expression as a tree, then the NoteEvent’s belonging to a chord are branches of an EventChord. This is for all chords including 4 etc. And as an extra bonus:

Re: Frescobaldi LilyPond Log

(Apologies for any duplication--I didn't see this alternative mentioned in the thread.) Nothing wrong with the Autohotkey solution but it's pretty easy to unstick the stuck font size setting in the log, a known problem in the Windows version of Frescobaldi. The issue has been fixed in the

Identifying non-chord notes in Scheme

? In the listing below I've marked relevant places with "<<--" Thanks, Steve \version "2.19" #(use-modules (ice-9 receive)) %% so 'receive' can be used #(define (noteEvent? music) (eq? (name-of music) 'NoteEvent)) #(define (name-of music) " (display-scheme-music

Re: Scheme function to return pitchnames as markup/text

First off, further apologies for accidentally posting a follow-up via an second email address. Aaron, thanks for all of this. Helpful to have the demonstration of column-formatted note names from pitches, along with evidence of something called "note-name->markup"; maybe that's all I need if

Scheme function to return pitchnames as markup/text

n procedure car in expression (car (ly:music-property pitchin #)):Wrong type (expecting pair): () Results are the same if I do "define-music-function" instead of "define-scheme-function." Many thanks for your attention and help, Steve PS: I have a working NoteNames

Transpose up or down conditionally

the up/down decision, or even calculate an "average" reference pitch, but for my purposes the reference note will always be the first one in the chord, for example the 'c' in the C major '< c e g >' triad. Thank you, Steve __

Re: Solution to have repeats with upbeat and different alternatives??

Thats it!! thanx - steve > On 2018-05-17 10:22, st...@linuxsuite.org wrote: >> I posted a piece of simplified code to illustrate. This is what >> the default does >> isnt 'it?? >> >> >> https://ln.sync.com/dl/2d42a9

Re: Solution to have repeats with upbeat and different alternatives??

> Hi Steve, > > Just going to chime in here, that I believe it will come out like the > latter version you prefer by default. > I am finished the basic engraving for 3 guitars, but can't get the repeats the way they should be. I posted a piece of simplified cod

Re: Solution to have repeats with upbeat and different alternatives??

. And I can't find a lilypond solution.. and / or a reason why they are notated differently. -steve > Hi Steve, > > I'm unclear what the problem is. Seems also easy. Can you show your code? > > I am also puzzled about you saying there are several ways to set the first > part. Aga

Re: Solution to have repeats with upbeat and different alternatives??

> Hi Steve, > > Does this sketch help you out? Thanks, I am aware of that solution... and there are a couple of others... I am trying to render this second appearance of this after the trio. Here is a a page. The part I am interested in has the downbeat a C flat

Solution to have repeats with upbeat and different alternatives??

ast repeat??? https://ln.sync.com/dl/2d42a9350/ukfaa7s8-rpenm7ne-xqxv7mpk-x99vbzbw thanx - steve test.ly *** \version "2.18.2" music = \relative c'' { \time 3/4 \partial 4 a8 a | a4 a a | \repeat volta2 { b4 b b | b4 b b |

Re: Silencing chordNames

Err! I've never really sorted out the cconcept of contexts. I've just copied them when they looked OK Then fiddled. I've got the immediate problem solved thanks to you both & I am now trying to research cotenxts in a more formal way. Many thanks Steve On Wed, Jul 19, 2017 at 02:25:06PM -

Silencing chordNames

Hello all, Having trouble finding how to silence chordNames while not silencing the rest of the arrangement. I would have thought it wa easy but can't spot it. Can someone point me at it. Many thanks Steve ___ lilypond-user mailing list lilypond-user

Re: version number rejection

On Sun, Apr 16, 2017 at 07:44:55PM -0500, David Wright wrote: > On Sun 16 Apr 2017 at 20:35:41 (+0100), Steve Downes wrote: > > I attach a short script together with the rejection notice. I feel > > confident I shall feel foolish when I recieve a reply but what am I >

version number rejection

c1:maj7 | g2:m9 cis4:7.5+ c4:9 | f2:min9 bes:13 | a2:m7 aes:7 | d2:min7 g:7 | c2:maj7 cis:dim7 | d2:m7 g:7.+5 \bar "||"| > End of Script > start of compiler script steve@office:~/studio/lildat/misty$ lilypond cds.ly GNU LilyPond 2.18.2 Processing `cds.ly' Parsing... cds.ly:

Re: lilypond-user Digest, Vol 172, Issue 139

Greetings... Is there or will there soon be a version of Frescobaldi 3.0 for Mac, either DMG or via MacPorts? Thanks, Steve From: lilypond-user <lilypond-user-bounces+steve=thenolands...@gnu.org> on behalf of lilypond-user-requ...@gnu.org <lily

Re: Replying to posts

) any recipient can open it & read it in any reasonable software 4) it doesn't go out of date due to format change Nearly every email I receive gains nothing from being formatted HTML or word processor of some sort. Steve On Thu, Apr 28, 2016 at 12:43:13PM +0100, Chris Yate wrote: > On 2

Re: ANN: Frescobaldi 2.19.0

Thanks for the new release. When do you expect it to appear in MacPorts? Thanks, Steve ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

Re: lilypond-user Digest, Vol 161, Issue 86

Thanks for the new release. When do you expect it to appear in MacPorts? Thanks, Steve ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

Re: Fonts from the former fonts.openlilylib.org

the content) but given that this is fully intact with original SIL open font licenses, etc., I'm confident that this is the right thing to do to keep these files available in their open form. Steve On Sun, Mar 27, 2016 at 3:06 PM, Sharon Rosner <cico...@gmail.com> wrote: > Abraham, FWIW

Re: It is possible de play Snear Roll Midi with midi TAG, if yes, how ?

...|... |===|... |D-301v38...|... |D-301v29...|... |D-301v47...|... |===|... |D-301v64...|... |...|... |D-301v64...|... 2016-02-08 15:52 GMT-05:00 tisimst <tisimst.lilyp...@gmail.com>: > Steve, > > On Mon, Feb 8, 2016 at

It is possible de play Snear Roll Midi with midi TAG, if yes, how ?

. -- Posté par Steve Prud'Homme ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

Re: It is possible de play Snear Roll Midi with midi TAG, if yes, how ?

s not standardized. > Immanuel > > On Mon, Feb 8, 2016 at 6:39 PM, Steve Prud'Homme <sprud...@gmail.com> > wrote: > >> Hi, I really like this website : >> http://lists.gnu.org/archive/html/lilypond-user/2011-05/msg00028.html >> where they explain how to

Re: More ponderings on Chordmode

they are just visual & then write the notes of the chord into the staff if I am that bothered about the midi track. I can offer some examples & maybe help on this if you think it applies to you. Otherwise I'll just shut up. Steve On Sat, Feb 06, 2016 at 12:24:25PM +0100, lilyp...@an

LilyBin.com wedged?

It looks like lilybin.com is internally wedged or something? The right hand side is just showing a "please wait" spinner for me, and the "Preview" button is greyed. Steve ___ lilypond-user mailing list lilypond-user@gnu.org h

turn off tab double half note stems

 In tab, lilypond draws a double stem for half notes. This is done intentionally to distinguish half notes from quarter notes. Is there a way to turn this feature off so half note stems are drawn with a single line like quarter notes?Thanks for you help.

ragged-right - turn it on and off

 Fiddle tunes usually have 2 parts, each with 8 measures. In tablature that works out to 2 lines of 3 measures and 1 line of 2 measures followed by a \break. The line with 2 measures will be stretched out to fill the page because ragged-right = ##f. This looks odd.I would like the 2 measure line

re: note head extents and event procedures (tabstaff)

 I wasn't very clear in my first post. I've included an example this time.I am taking over the bendAfter stencil and drawing something else in its place. However the 'width' calculation in the code below doesn't account for double digit fret numbers. I think it is returning the width of a music

note head extents and event procedures (tabstaff)

 I am new to Lilypond and extremely confused. I have been working with lilypond tablature and have managed to get everything working except one thing.I need to add an event function that will draw something to the left or right of the last tab note head. I know how to do the drawing part using

Re: Good recipe for numeric scale degree? (numerals with hat/caret)

Wow that looks pretty great, thanks! On Wed, Dec 16, 2015 at 2:06 PM, Klaus Blum <benbigno...@gmx.de> wrote: > Hi Steve, > > what about > > % -- > #(set-global-staff-size 48) > > #(define-markup-command (

Clashing ties & slurs with tieWaitForNote

Any thoughts on avoiding these clashes without having to manually tweak all the slurs? [image: Inline image 1] http://lilybin.com/5sfp1b/1 \score{ { \set tieWaitForNote = ##t c''2 \( ~ b'4 \) c''4 c''2 ~ b'4 \( c''4 \) } \layout{} \midi{} } ___

Re: Clashing ties & slurs with tieWaitForNote

for all the suggestions, I'll just drop the tie and use slurs + phrasing slurs. On Sat, Nov 21, 2015 at 9:58 AM, tisimst <tisimst.lilyp...@gmail.com> wrote: > Steve, > > On Sat, Nov 21, 2015 at 10:29 AM, Urs Liska [via Lilypond] <[hidden email] > <http:///user/SendEmail.jtp?ty

Re: Emacs lilypond-mode and also point-and-click

On Thu, Oct 15, 2015 at 8:03 AM, T. Michael Sommers wrote: > On 10/15/2015 7:24 AM, Andrew Bernard wrote: > >> >> I’m aware that the emacs lilypond-mode needs attention, but I wonder >> if anybody has seen this. When I enter a ‘>’ character to complete a >> chord, emacs

Gallery of Interesting Music Notation

I found this fascinating: http://homes.soic.indiana.edu/donbyrd/InterestingMusicNotation.html I wonder if anyone here (or elsewhere) has tried to engrave some of these, even as musical fragments? I'm sure it would be an eye-opening process. :) Steve

Re: Fwd: [smufl-discuss] SMuFL development moves to the new W3C Music Notation Community Group

I've experimented with this a bit on WikiPedia directly, but it seemed to me to be a limited set of LilyPond functionality, but I didn't dig much farther than that. You can see this extension in action here, on the page for Beethoven's 5th: https://en.wikipedia.org/wiki/Symphony_No._5_(Beethoven)

Re: Fwd: [smufl-discuss] SMuFL development moves to the new W3C Music Notation Community Group

tisimst.lilyp...@gmail.com wrote: On Wed, Jul 29, 2015 at 11:32 AM, Steve Lacy [via Lilypond] [hidden email] http:///user/SendEmail.jtp?type=nodenode=179139i=0 wrote: You're incorrect in saying that this requires Lilypond on the Users machine. It does require LilyPond on the serving machine(s

Re: OT: (Web) server administration advice

if you'd like. Steve On Fri, Jun 26, 2015 at 1:34 PM, Urs Liska u...@openlilylib.org wrote: Hi all, I'm in (some) need for feedback regarding the complexity of (web) server administration. I am running a virtual private server, which is a virtual machine in a server of an ISP's server farm

Re: How many lilypond users are there?

think there's a fairly significant use of LilyPond as Something a little nicer than ABC that we use to engrave our church/choir/band's music Unfortunately, I think MuseScore probably has a much bigger userbase for that use case though... Steve On Tue, May 12, 2015 at 10:15 AM, Jean-Charles

Re: What is the problem with \relative? (Was: Do we really offer the future?)

+1 to Keith's idea. In fact, I remember first learning about \relative and being *amazed* that it didn't work as described. I'm mostly transcribing/re-engraving for solo violin, and most pieces stay within a small 2-octave range. The \relative c'''{ ...} syntax was exactly what I wanted. Steve

Re: the sound of brushes

hydrogen which has the default setting of not reading note off signals. This means the sample plays till either it finishes or is retriggered. Do you get a longer sound if you use just one long note without a following note? Steve ___ lilypond-user mailing

Re: Abbreviations

Works for me noted for future use. Thanks Steve On Fri, Apr 03, 2015 at 01:22:45PM +0100, Neil Puttock wrote: On 3 April 2015 at 12:19, Pierre Perol-Schneider pierre.schneider.pa...@gmail.com wrote: I'm sorry, doesn't seem to work too... ;( This should work: #(define t tuplet

Re: NoteColumn.force-hshift doesn't work on 2nd beat but works on others??

Steve, 1. Remember that the { } \\ { } ... syntax automatically (implicitly) applies \voiceXXX in ascending order. Yes, but I like explicitly stating some of the defaults.. 2. Putting notes in proper voices usually eliminates any need to manually specify \stemUp and \stemDown

NoteColumn.force-hshift doesn't work on 2nd beat but works on others??

/projects/test/test.pdf ideas? - steve \version 2.18.2 voiceone = \relative c' { \voiceOne \clef G_8 \time 4/4 \key c \major s4 \once \override Rest #'extra-offset = #'(1.6 . 0.6 ) g16\rest g8.^~ g2 | } voicetwo = \relative c' { \voiceTwo %\once \override

Re: Notes in voiceone corrupt voicethree after voice splitting?

YES!!! Thank U All 4 u. -$teev On 25/03/2015 07:20, st...@linuxsuite.org wrote: Your attached code still has the note heads in voiceThree and voiceSix changed to black harmonics, when there is a black harmonic in voiceOne Just change

Notes in voiceone corrupt voicethree after voice splitting?

way to do this in LilyPond?? thanx - steve \version 2.18.2 H = \once \override Staff.NoteHead.style = #'harmonic-black voiceone = \relative c'' { \clef G_8 \time 4/4 \key g \major b4 b2 r4 | b4 b4 r r | b4 b b b | b4 b b\harmonic b | b4 b \H b b

Re: Notes in voiceone corrupt voicethree after voice splitting?

| g4\rest g4 \once \override NoteColumn.force-hshift = #1.0 fis2 | } } -steve Each bar shows a different behaviour depending on the first voice bar 1 - seems ok bar 2 - seems ok and NoteColumn.force-hshift works

Re: Notes in voiceone corrupt voicethree after voice splitting?

NoteColumn.force-hshift = #1.0 fis2 | g4\rest g4 \once \override NoteColumn.force-hshift = #1.0 fis2 | } } -steve Each bar shows a different behaviour depending on the first voice bar 1 - seems ok bar 2 - seems

Re: Notes in voiceone corrupt voicethree after voice splitting?

Your attached code still has the note heads in voiceThree and voiceSix changed to black harmonics, when there is a black harmonic in voiceOne -steve Am 24.03.2015 um 19:39 schrieb st...@linuxsuite.org: Howdy! I have reduced a multivoice structure

controlling volume of chordmode

Is it possible to reduce the chordmode volume while keeping it in displaying the chords in the PDF? Failing which is it possible to maintain the PDF output while silencing the midi output and/of change the instrument. Piano stops me listening constructively. Steve

Re: Getting ragged-last-bottom et. al to work?

Phil, Thats IT Pulled my hair out for days.. I'll pay it forward... somehow thanx - steve - Original Message - From: st...@linuxsuite.org To: Phil Holmes m...@philholmes.net Cc: lilypond-user lilypond-user@gnu.org Sent: Tuesday

Re: Getting ragged-last-bottom et. al to work?

/usr/share/lilypond/current/scm/paper.scm by adding a 9 X 12 paper size, which is standard size for music score in my locale (gooeytar_9X12 . (cons (* 9.0 in) (* 12.0 in))) -steve -- Phil Holmes ___ lilypond-user mailing list lilypond-user

Getting ragged-last-bottom et. al to work?

{} and it does nothing.. I have some files at http://www.gooeytar.com/projects/FourMoments/Python/fm.ly http://www.gooeytar.com/projects/FourMoments/Python/fm.pdf never had this problem before? Am I missing something? I can't verify it with a tiny example. -steve

Re: Getting ragged-last-bottom et. al to work?

at their natural spacing, neither compressed nor stretched vertically to fit the page. It seems apparent that setting ragged-* to _true_ will cause a ragged layout, as you want. Umm,,, no I don't want a ragged layout. I want the last line on the last page to fill the line.. -steve -- Phil

Re: ugly default output

-scale classical music engraving only is missing a much larger part of the picture. Steve -- Urs Liska www.openlilylib.org ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

Frescobaldi on Mac Yosemite ?

Dear all, Has Frescobaldi been successfully installed under Mac Yosemite via MacPorts? Thanks, Steve ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

Re: Git/Lilypond workflow

that requires a code review to publish) Good luck and I'm happy to answer more git questions if you ever have some. :) Steve On Thu, Feb 12, 2015 at 1:00 PM, H. S. Teoh hst...@quickfur.ath.cx wrote: On Thu, Feb 12, 2015 at 08:33:31PM +, Craig Dabelstein wrote: Hi list, Would anyone be able

Re: tie to {} \\ {}

Putting the d~ and ees~ inside the ... block gets a bit closer. You can see the ties, but has other differences from your original example. I'm not sure exactly what your final goal is: \relative c' { { d16~ \once \override NoteColumn.force-hshift = #-0.6 \once \override Stem.direction = #DOWN

Re: How to pack notes very tightly?

-shortest-duration is the variable that really needs to be tweaked. Steve On Mon, Jan 19, 2015 at 11:07 PM, Urs Liska u...@openlilylib.org wrote: Am 20. Januar 2015 07:47:20 MEZ, schrieb Steve Lacy sl...@slacy.com: I'm transcribing a Mendelssohn score, and am trying to get Lilypond to pack notes

How to pack notes very tightly?

image 1] I can get the desired result by adding a \noBreak at the end of every bar but that's very laborious and makes the .ly file quite a bit uglier. (even using an alias like nb = { \noBreak }) Are there other tricks for very densely formatted scores? Steve

Vertical alignment of text added to notes.

or skyline? A } and then my notes would be relative c' { a^\A b^\B } Steve ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

Re: Vertical alignment of text added to notes.

Ah, perfect thank you very much! On Thu, Jan 8, 2015 at 11:28 AM, David Nalesnik david.nales...@gmail.com wrote: Hi Steve, On Thu, Jan 8, 2015 at 1:11 PM, Steve Lacy sl...@slacy.com wrote: Hi, I'm engraving some simple music for beginning violin students who are learning to read music. I

continuation bars

also across the middle barline to mean repeat the previous 2 bars. I can see a number of problems, not least the use of % can find nothing on it. Has it been done or can it reasonably be done. Any points very welcome. Steve ___ lilypond-user mailing

Custom Key Signatures

Howdy! I want to make a custom key signature. It should have f# c# a# How can I do this? -steve ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

Re: Custom Key Signatures

On 14-11-13 10:13 AM, st...@linuxsuite.org wrote: Howdy! I want to make a custom key signature. It should have f# c# a# How can I do this? -steve THis will get you started, Steve: http://www.lilypond.org/doc/v2.19/Documentation/snippets

How to control beamed stem length to avoid collision?

this stem collision? Using this thing will lengthen stems but not shorten them \once \override Stem.details.beamed-lengths = #'(7) \once \override Stem.details.beamed-lengths = #'(2) Code below.. thanx - steve * \version 2.18.0 \paper { } \header { } #(set

Where to Download the New Music Fonts?

Dear all, Can you post a link where the new music fonts can be found for downloading? I am unable to get to them on openlillylib.org. Thanks, Steve ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond

Where to Download the New Music Fonts?

Dear all, Can you post a link where the new music fonts can be found for downloading? I am unable to get to them on openlillylib.org. Thanks, Steve ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond

Re: Where to Download the New Music Fonts?

Dear Abraham, I am very interested in the lilyjazz font. Can't wait... Regards, Steve ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

Re: Where to Download the New Music Fonts?

Thanks very much!! Steve On Jul 28, 2014, at 4:56 PM, Abraham Lee tisimst.lilyp...@gmail.commailto:tisimst.lilyp...@gmail.com wrote: On Mon, Jul 28, 2014 at 5:19 PM, Thomas Morley thomasmorle...@gmail.commailto:thomasmorle...@gmail.com wrote: 2014-07-29 0:58 GMT+02:00 Abraham Lee

Bad rest placements?

- steve \version 2.18.0 global = { \time 3/4 \key e \major \clef G_8 } voiceone = \relative c' { \repeat volta 1 { \partial 4 { e'16_\p b gis' e } | b'4 r gis,16 e b' gis | e'4 r gis,,16 e b' gis | a fis' 4 gis e

Bad rest placements?

of position??? http://www.gooeytar.com/projects/test/test4.pdf http://www.gooeytar.com/projects/test/test4.ly They rests in voicethree are way out! Sure I could use \rest for each one but shouldnt this just work?? Here is a minimal reduction of the problem. Ideas? thanx - steve

\afterGrace \glissando draws incorrect line?

Howdy! I have a problem getting lilypond to draw the correct glissando line... Here is a pdf and lilypond source file http://gooeytar.com/projects/test/test.pdf http://gooeytar.com/projects/test/test.ly and another attempt

Re: \afterGrace \glissando draws incorrect line?

! thanx - steve HTH, Harm ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

Re: \afterGrace \glissando draws incorrect line?

wrong and using \stemUp doesn't fix it. ??? -steve James ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

Frescobaldi 2.0.16 on MacPorts?

Dear all, Frescobaldi 2.0.16 does not seem to be available yet on MacPorts - has it been submitted? Thanks, Steve ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

How to separate these voices??

[ b] gis[ b] | } } voicetwo = \relative c { e, e' 4 dis' cis | } guitar = \voiceone \\ \voicetwo thanx - steve ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

Re: How to separate these voices??

{ e, e' 4 dis' cis | } guitar = { \voiceone } \\ { \voicetwo } global = { \time 3/4 \key e \major \clef G_8 } \score { \new Staff { \global \guitar } \layout { } } -steve ___ lilypond-user mailing list

Re: How to separate these voices??

Try putting everything in the same voice with this sort of construct {{}\\{}\\{}} Doesn't change anything... -steve regards, Shane On Mon, Jun 9, 2014 at 11:55 AM, st...@linuxsuite.org wrote: Howdy! How do I get the bass quarter notes to separate from

Re: How to separate these voices??

} \\ { \voicetwo } global = { \time 3/4 \key e \major \clef G_8 } \score { \new Staff { \global \guitar } \layout { } } thanx - steve 2014-06-09 19:41 GMT+02:00 David Kastrup d...@gnu.org: st...@linuxsuite.org writes: Ooops sorry. \version

Re: Issue with jazz-test.ly

Ahhh...thank you! Steve On May 12, 2014, at 12:55 PM, Federico Bruni fedel...@gmail.commailto:fedel...@gmail.com wrote: 2014-05-12 20:45 GMT+02:00 safvet st...@thenolands.usmailto:st...@thenolands.us: Downloaded fresh copy of jazz-chords.ily and jazz-test.lyhttp://jazz-test.ly/ from

Newbie problem in my first or second score

PianoStaff \new Staff = upper { \clef treble \keyTime \upper } \new Staff = lower { \clef bass \keyTime \lower } } Any help appreciated :-) Thanks, Steve Lane ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman

Re: Newbie problem in my first or second score

sixteenths. Doubtless some historical reason. Thanks again, SGL From: David Nalesnik david.nales...@gmail.commailto:david.nales...@gmail.com Date: Monday, April 21, 2014 8:08 AM To: Steve Lane sl...@soliantconsulting.commailto:sl...@soliantconsulting.com Cc: lilypond-user@gnu.orgmailto:lilypond-user

Re: Newbie problem in my first or second score

Neat — I'll see if I can track it down. From: Daniel Rosen drose...@gmail.commailto:drose...@gmail.com Date: Monday, April 21, 2014 5:39 PM To: Steve Lane sl...@soliantconsulting.commailto:sl...@soliantconsulting.com, lilypond-user@gnu.orgmailto:lilypond-user@gnu.org lilypond-user

Frescobaldi - Davide Liesse's Ports Instructions Page 404 message

Dear Davide, It appears that your page that gives clear instructions for installing and updating Frescobaldi under MacPorts has disappeared - I get a 404 warning when accessing the current URL I have been using. Regards, Steve ___ lilypond-user

Fwd: Frescobaldi - Davide Liesse's Ports Instructions Page 404 message

To add to the below, the URL that gives the 404 is: https://github.com/dliessi/ports/blob/master/INSTALL-Frescobaldi.md Regards, Steve Begin forwarded message: From: Steve Noland st...@thenolands.usmailto:st...@thenolands.us Subject: Frescobaldi - Davide Liesse's Ports Instructions Page 404

Strange font in \markup {} with \Dynamics ?

the same.. fontsize works and hspace work Ideas? thanx - steve ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

Re: Strange font in \markup {} with \Dynamics ?

Thats it!! thanx - steve - Original Message - From the NR where make-dynamic-script is introduced: In general, make-dynamic-script takes any markup object as its argument. The dynamic font only contains the characters f,m,p,r,s and z, so if a dynamic mark

[Frescobaldi] Frescobaldi on MacPorts?

Dear all, Is it possible to put Frescobaldi 2.0.15 on MacPorts? MacPorts was down yesterday for server changes, but is back on line today. Thanks very much! Steve ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman

Re: Lines and Ties and Slurs oh my!

? -steve ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

What is LilyPond's ideal of classical music engraving ?

that LilyPond seeks to emulate? -steve ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

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