On Sat, Jun 14, 2014 at 1:43 PM, Knute Snortum ksnor...@gmail.com wrote:
I am still a novice at using LilyPond (maybe a sophomore) but I'd like to
make one case for relative notes. I'm typesetting a piece where there are
a lot of octave scale runs between both hands. It's very nice to be
David Nalesnik david.nales...@gmail.com writes:
I just discovered that typesetting a piano piece which constantly uses
temporary voices is much easier in absolute mode. Switching from voice
to voice no longer gives any register surprises.
Absolute mode also tempts me to skip a few measures
On Fri, Jul 25, 2014 at 12:48 PM, David Kastrup d...@gnu.org wrote:
David Nalesnik david.nales...@gmail.com writes:
I just discovered that typesetting a piano piece which constantly uses
temporary voices is much easier in absolute mode. Switching from voice
to voice no longer gives any
Thomas Morley thomasmorle...@gmail.com writes:
2014-06-13 17:42 GMT+02:00 Hlolli hlo...@gmail.com:
Is is possible to do smoething like this:
{c'8 d' e' d'}*4 - c'8 d' e' d' | c'8 d' e' d' | c'8 d' e' d' | c'8 d' e'
d' ?
Just to save space I was hoping that repetitive musical patterns could
I am still a novice at using LilyPond (maybe a sophomore) but I'd like to
make one case for relative notes. I'm typesetting a piece where there are
a lot of octave scale runs between both hands. It's very nice to be able
to copy several beats or even bars of notes, irrespective of the clef, and
I would imagine that kind of practice, just squeeze musical material into
instruments into their suitable range will make you less sensitive to which
octave you are composing on. If it works for some, then good. Both in terms
of timbre and counterpoint I would want to know excacly if I'm working
Another aspect: on english keyboards, the single quote ' is easily
reachable. But on german (and maybe other?) keyboards it’s further on
the right and you need the shift key to get it; the neo layout (a german
ergonomic layout which I use) also needs an extra key (called mod3, at
qwerty’s caps
Knute Snortum ksnor...@gmail.com writes:
I am still a novice at using LilyPond (maybe a sophomore) but I'd like to
make one case for relative notes. I'm typesetting a piece where there are
a lot of octave scale runs between both hands. It's very nice to be able
to copy several beats or even
2014-06-13 17:42 GMT+02:00 Hlolli hlo...@gmail.com:
Is is possible to do smoething like this:
{c'8 d' e' d'}*4 - c'8 d' e' d' | c'8 d' e' d' | c'8 d' e' d' | c'8 d' e'
d' ?
Just to save space I was hoping that repetitive musical patterns could be
repeted with multiplication/asterix sign?
Do you know \repeat unfold?
\repeat unfold 4 { c'8 d' e' d' }
or
\repeat unfold 4 { c'8 d' e' d' | }
would do what you want (depending on whether you want bar checks).
Another hint (seems like you’re a LilyPond novice, correct me if I’m
wrong): have you already seen \relative?
\relative c'
bingo, thanks!
Yes I'm novice. After 10+ years of music training, the relative instead of
absolute is less comfortable. But that's just me.
--
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2014-06-13 17:42 GMT+02:00 Hlolli hlo...@gmail.com:
Is is possible to do smoething like this:
{c'8 d' e' d'}*4 - c'8 d' e' d' | c'8 d' e' d' | c'8 d' e' d' | c'8 d' e'
d' ?
Just to save space I was hoping that repetitive musical patterns could be
repeted with multiplication/asterix sign?
Hello all,
the relative instead of absolute is less comfortable. But that's just me.
When I started with Lilypond (ca. 2003), I immediately latched on to relative
coding, and found absolute coding difficult, confusing, and [I thought] a waste
of time.
Now that I’m cranking out very big
2014-06-13 19:19 GMT+02:00 Kieren MacMillan kieren_macmil...@sympatico.ca:
Hello all,
Hi Kieren,
I now code everything in absolute mode, and cannot believe how such a
little change has improved my life.
+1
But, as you say, “that’s just me”. =)
Not just you, Kieren... ;)
Cheers,
Thomas Morley thomasmorle...@gmail.com writes:
{ \*3 { \*4 { c'8 d' e' d' \*2 g'4 \bar || } \bar S } }
Allow me to quote David's approach:
\\* =
#(define-music-function (parser location n m) (index? ly:music?)
(make-music 'UnfoldedRepeatedMusic
'repeat-count n
'element m))
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