On 4/26/18 12:02 PM, R wrote:
This shows the default duration as a sixteenth note which should be
NOT even considered since it's within an uncalled variable. So why is
this spacer value magically applied to music when it resides it a
completely uncalled variable? This makes no sense to me. Even t
On Thu 26 Apr 2018 at 12:20:34 (-0400), R wrote:
> On 4/26/2018 12:13 PM, Simon Albrecht wrote:
> >On 26.04.2018 18:02, R wrote:
> >>When the duration of the called variable is explicitly given,
> >>everything is correct. However, if you remove the duration and
> >>have it default to the normal qua
R writes:
> When the duration of the called variable is explicitly given,
> everything is correct. However, if you remove the duration and have it
> default to the normal quarter note, this causes a problem. But it
> shouldn't.
>
> % this snippet has 16th notes which is broken and wrong
> \versio
Kieren MacMillan wrote:
Hi,
it's an uncalled variable. Why should it output anything or impact anything
that's called?
1. It doesn’t output anything on its own — only when you call it. What it
impacts in that case depends on where and how you call it.
2. The input code contained in a variab
Hello R.,
A variable is nothing more than a name for a value, a piece of text in the case
of Lily.
Using it with a backslash ahead of its name leads to this value being inserted
at this point in the Lily code.
It’s the same as in all programming languages, there no implied magic at at all
be
On 4/26/2018 12:13 PM, Simon Albrecht wrote:
On 26.04.2018 18:02, R wrote:
When the duration of the called variable is explicitly given,
everything is correct. However, if you remove the duration and have
it default to the normal quarter note, this causes a problem.
If you don’t give an expli
Hi,
> it's an uncalled variable. Why should it output anything or impact anything
> that's called?
1. It doesn’t output anything on its own — only when you call it. What it
impacts in that case depends on where and how you call it.
2. The input code contained in a variable sets up certain expe
On 4/26/2018 11:56 AM, Simon Albrecht wrote:
On 26.04.2018 17:49, R wrote:
Just one last question to pick your brain. Assuming I build an entire
symphonic piece using global block as holder of tempo and markings.
For a full score when I want to only show tempo markings above
certain staves, ho
On 26.04.2018 18:02, R wrote:
When the duration of the called variable is explicitly given,
everything is correct. However, if you remove the duration and have it
default to the normal quarter note, this causes a problem.
If you don’t give an explicit duration to a note, its duration is going
Am 26.04.2018 um 17:21 schrieb R:
> Thank you but I have difficult understanding why Frescobaldi configured
> the score like that if it's not prone to using the global block easily.
> For instance, what is different about your code structurely and is there
> a con to doing it your way?
The Fresco
On 26.04.2018 17:49, R wrote:
Just one last question to pick your brain. Assuming I build an entire
symphonic piece using global block as holder of tempo and markings.
For a full score when I want to only show tempo markings above certain
staves, how is this easiest done? I understand they must
On 26.04.2018 17:21, R wrote:
Thank you but I have difficult understanding why Frescobaldi
configured the score like that if it's not prone to using the global
block easily.
There are different ways of using a \global variable. One is to use it
just for something like:
global = {
\key as \
On 4/26/2018 11:41 AM, Kieren MacMillan wrote:
Hi,
I have difficult understanding why Frescobaldi configured the score like that
if it's not prone to using the global block easily.
I don’t know what you mean… The \global block is easy to use.
Well I just meant that you had to manually move
On 4/26/2018 11:38 AM, Kieren MacMillan wrote:
Hi,
Also your code still gives me incorrect added measures.
What duration are the cello notes supposed to be? The reason you have "incorrect
added measures" is that you don't indicate what duration the cello notes are
supposed to be, so they imp
On 4/26/2018 11:38 AM, Kieren MacMillan wrote:
Hi,
Also your code still gives me incorrect added measures.
What duration are the cello notes supposed to be? The reason you have "incorrect
added measures" is that you don't indicate what duration the cello notes are
supposed to be, so they imp
Hi,
> I have difficult understanding why Frescobaldi configured the score like that
> if it's not prone to using the global block easily.
I don’t know what you mean… The \global block is easy to use.
> For instance, what is different about your code structurely and is there a
> con to doing it
Hi,
> Also your code still gives me incorrect added measures.
What duration are the cello notes supposed to be? The reason you have
"incorrect added measures" is that you don't indicate what duration the cello
notes are supposed to be, so they implicitly adopt the last duration in the
code (wh
On 4/26/2018 11:15 AM, Kieren MacMillan wrote:
Hi,
I am trying to understand spacer rests and global block.
This is how I would organize your score:
Also your code still gives me incorrect added measures. ? Look at the
notes and then the empty measures. See? Why is this better?
_
On 4/26/2018 11:15 AM, Kieren MacMillan wrote:
Hi,
I am trying to understand spacer rests and global block.
This is how I would organize your score:
%%% SNIPPET BEGINS
\version "2.19.81"
global = {
\key c \major
\numericTimeSignature
\time 4/4
\tempo "Fast!"
s1*4
\tempo "L
Hi,
> I am trying to understand spacer rests and global block.
This is how I would organize your score:
%%% SNIPPET BEGINS
\version "2.19.81"
global = {
\key c \major
\numericTimeSignature
\time 4/4
\tempo "Fast!"
s1*4
\tempo "Largo"
s1*3
\tempo "Allegro"
}
cello = \relative c
Hi list.
I am new to the LilyPond. I am trying to understand spacer rests and global
block. I know that you can use the global block to handle things like tempo
and time throughout a piece however regardless of what I try it always seems
to create an extra unnecessary staff. Of course I tried to c
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