Re: just two questions

Hi Dario, Le 06/04/2022 à 22:46, Dario Marrini a écrit : hi people, I tried to search for these into docs, but I found everything but not what I needed, so, please, can you explain to me what's the meaning of these notation kinds? : * _\p_ or _ \p _ ( I don't remember well), where 'p'

just two questions

hi people, I tried to search for these into docs, but I found everything but not what I needed, so, please, can you explain to me what's the meaning of these notation kinds? : - _\p_ or _ \p _ ( I don't remember well), where 'p' is a dynamic mark - [ a b c d ] (notes written between

Re: Two questions

Le 17/12/2021 à 14:28, Molly Preston a écrit : Thank you this helped a lot! I couldn't find it under Tempo or Markup and didn't notice MeteonomeMark. Here is a general method to determine what the name of a grob is: - Go to

Re: Two questions

Thank you this helped a lot! I couldn't find it under Tempo or Markup and didn't notice MeteonomeMark. And I mistakenly forgot code for page turns under the paper block. -Molly On Wed, Dec 15, 2021, 14:47 Jean Abou Samra wrote: > Le 15/12/2021 à 19:08, Molly Preston a écrit : > > Hi again! >

Re: Two questions

On Thu, 16 Dec 2021 at 06:21, Molly Preston wrote: > > Hi again! > > Does anyone have issues with \allowPageTurn? I put in two page turns in my score, but it doesn't seem to be making them. What circumstances might create this problem? > > Second question is: > > How do you move up a \tempo

Re: Two questions

Le 15/12/2021 à 19:08, Molly Preston a écrit : Hi again! Does anyone have issues with \allowPageTurn? I put in two page turns in my score, but it doesn't seem to be making them. What circumstances might create this problem? Hard to tell without code. It may be not having a bar line (you

Two questions

Hi again! Does anyone have issues with \allowPageTurn? I put in two page turns in my score, but it doesn't seem to be making them. What circumstances might create this problem? Second question is: How do you move up a \tempo marking" \override TextScript.Y-offset = #2

Re: Two questions regarding line-cap-style

Hi Urs, Someone gave me this: #(define-markup-command (path-draw-line layout props dest) (pair?) #:category graphic #:properties ((line-cap-style 'round) (thickness 1)) (interpret-markup layout props (markup #:override `(line-cap-style . ,line-cap-style)

Re: Two questions regarding line-cap-style

Am 08.03.2017 um 13:01 schrieb Andrew Bernard: > Hi Urs, > > This is something I have asked before on the list. The summary is that > it is not possible presently. What I had to do was take the low level > code in question and modify the line-cap style and incorporate the > modified code into my

Re: Two questions regarding line-cap-style

Hi Urs, This is something I have asked before on the list. The summary is that it is not possible presently. What I had to do was take the low level code in question and modify the line-cap style and incorporate the modified code into my functions. Highly unsatisfactory, but it works. Therefore,

Two questions regarding line-cap-style

Hi all, I have one or two questions regarding the line-cap-style in LilyPond. Is it possible to globally set the line-cap-style to 'square, affecting all kinds of lines like ledger lines, stems, barlines etc.? And specifically, is it possible to use the line-cap-style in a (ly:make-stencil

Re: Two questions about key signatures

On 10/7/2015 5:50 AM, Jacques Menu wrote: Is that the kind of things you’re aiming at? http://lilypondblog.org/2013/09/automatic-generation-of-scales-in-various-modes-for-all-21-pitches/ Exactly. Except I'm doing it manually, instead of programmatically, since I think that will

Re: Two questions about key signatures

Hello TM, Is that the kind of things you’re aiming at? http://lilypondblog.org/2013/09/automatic-generation-of-scales-in-various-modes-for-all-21-pitches/ JM > Le 7 oct. 2015 à 05:24, T. Michael Sommers a écrit : > > On 10/5/2015 2:59 PM, Simon Albrecht wrote:

Re: Two questions about key signatures

On 10/5/2015 12:58 PM, Noeck wrote: Hi Michael, Am 05.10.2015 um 11:33 schrieb T. Michael Sommers: Hmmm. When I change from a key with sharps or flats in it to one with no sharps or flats, the cancelling accidentals still appear. I can understand that, since otherwise there would be no

Re: Two questions about key signatures

On 10/5/2015 2:59 PM, Simon Albrecht wrote: On 05.10.2015 11:33, T. Michael Sommers wrote: Hmmm. When I change from a key with sharps or flats in it to one with no sharps or flats, the cancelling accidentals still appear. I can understand that, since otherwise there would be no indication that

Re: Two questions about key signatures

On 05.10.2015 11:33, T. Michael Sommers wrote: Hmmm. When I change from a key with sharps or flats in it to one with no sharps or flats, the cancelling accidentals still appear. I can understand that, since otherwise there would be no indication that the key had changed, but for my

Re: Two questions about key signatures

> > { \key as \minor ces \key c \major c } > > How on earth would the performer know that the second one is a c natural if > there is no key cancellation? S/He wouldn't. Unless (and I quote) > My application is not an actual score to be played by others, but just a > cheat sheet for me,

Two questions about key signatures

I have a couple of questions about key signatures: 1) When a key change occurs at the end of a printed line, the new key signature is printed at the end of the line. Is there any way to suppress that? 2) When the key changes, the new key signature includes a bunch of naturals to negate the

Re: Two questions about key signatures

Hi T.M., Check the Notation Reference, section 5.4.6 - you'll find the answers to your questions there. http://lilypond.org/doc/v2.18/Documentation/notation/visibility-of-objects Best, Robert __ Truth does not change according to our ability to stomach it. -- Flannery O'Connor > On 5

Re: Two questions about key signatures

Actually, so save you some time finding the relevant passages, your question 1 is answered in the section called "Using break-visibility", and Q2 in section "Visibility of cancelling accidentals". Best, Robert __ Truth does not change according to our ability to stomach it. -- Flannery

Re: Two questions about key signatures

On 10/5/2015 3:33 AM, Robert Schmaus wrote: On 5 Oct 2015, at 09:16, T. Michael Sommers > wrote: I have a couple of questions about key signatures: 1) When a key change occurs at the end of a printed line, the new key signature is printed at

Re: Two questions about key signatures

On 10/5/2015 3:42 AM, Robert Schmaus wrote: Actually, so save you some time finding the relevant passages, your ... Q2 in section "Visibility of cancelling accidentals". Thanks. I hadn't seen that while searching the manual. -- T.M. Sommers -- tmsomme...@gmail.com -- ab2sb

Re: Two questions about key signatures

On 10/5/2015 5:13 AM, T. Michael Sommers wrote: On 10/5/2015 3:42 AM, Robert Schmaus wrote: Actually, so save you some time finding the relevant passages, your ... Q2 in section "Visibility of cancelling accidentals". Thanks. I hadn't seen that while searching the manual. Hmmm. When I

Re: Two questions about key signatures

> > I tried this: > > \override Staff.KeySignature.break-visibility = ##(#f #t #t) > > along with some variations, but it didn't seem to have any effect. Also, I > had used that formula in another situation (with the TimeSignature, I think), > and, although it removed the signature, it

Re: Two questions about key signatures

On 10/5/2015 5:33 AM, Robert Schmaus wrote: I tried this: \override Staff.KeySignature.break-visibility = ##(#f #t #t) along with some variations, but it didn't seem to have any effect. Also, I had used that formula in another situation (with the TimeSignature, I think), and, although it

Re: Two questions about key signatures

Hi Michael, Am 05.10.2015 um 11:33 schrieb T. Michael Sommers: > Hmmm. When I change from a key with sharps or flats in it to one with > no sharps or flats, the cancelling accidentals still appear. I can > understand that, since otherwise there would be no indication that the > key had changed,

Re: Two questions

g...@sdf.org writes: In 2.16, you just put the accidental style definition into the layout block and that's it. Alas, 2.16 is not in Debian as far as I know... I can live with a global = { #(set-accidental-style 'forget) ... } definition at the moment.

Re: Two questions

In 2.16, you just put the accidental style definition into the layout block and that's it. Alas, 2.16 is not in Debian as far as I know... I can live with a global = { #(set-accidental-style 'forget) ... } definition at the moment.

Re: Two questions

On 1/05/2013, at 12:42 pm, g...@sdf.org wrote: Yes, I tried this, too. But it has two drawbacks: (a) All the places where line breaks can occur must be indicated with \bar . This is a bit annoying, but it could be tolerable. (b) What is far less tolerable is that, if I understand

Re: Two questions

In other words, is there a way to combine the benefit of a \time indication (which puts possible line breaks and natural ligatures between the notes) with the benefit of a \cadenzaOn? What about \time 1/4 \override Score.BarLine #'stencil = ##f or something similar?? This is indeed

Re: Two questions

Yes, I tried this, too. But it has two drawbacks: (a) All the places where line breaks can occur must be indicated with \bar . This is a bit annoying, but it could be tolerable. (b) What is far less tolerable is that, if I understand things correctly, all the natural ligatures between

Re: Two questions

g...@sdf.org writes: In other words, is there a way to combine the benefit of a \time indication (which puts possible line breaks and natural ligatures between the notes) with the benefit of a \cadenzaOn? What about \time 1/4 \override Score.BarLine #'stencil = ##f or something

Re: Two questions

David Kastrup d...@gnu.org writes: g...@sdf.org writes: In other words, is there a way to combine the benefit of a \time indication (which puts possible line breaks and natural ligatures between the notes) with the benefit of a \cadenzaOn? \relative c' { \repeat unfold 32 { c4 g'8 g }

Re: Two questions

\relative c' { \repeat unfold 32 { c4 g'8 g } \bar | \repeat unfold 32 { c4 g'8 g } \bar |. } \layout { \set Score.defaultBarType = # } Great! I'm using LilyPond 2.14.2 on Debian, so this has to be written as: \layout { \context { \Score defaultBarType = empty } } And the span bars

Re: Two questions

\relative c' { \repeat unfold 32 { c4 g'8 g } \bar | \repeat unfold 32 { c4 g'8 g } \bar |. } \layout { \set Score.defaultBarType = # } You should also choose your \accidentalStyle judiciously. You mean, put #(set-accidental-style 'voice)? I don't think I need this at the

Re: Two questions

g...@sdf.org writes: \relative c' { \repeat unfold 32 { c4 g'8 g } \bar | \repeat unfold 32 { c4 g'8 g } \bar |. } \layout { \set Score.defaultBarType = # } You should also choose your \accidentalStyle judiciously. You mean, put #(set-accidental-style 'voice)? No. The

Re: Two questions

\relative c' { \repeat unfold 32 { c4 g'8 g } \bar | \repeat unfold 32 { c4 g'8 g } \bar |. } \layout { \set Score.defaultBarType = # } You should also choose your \accidentalStyle judiciously. You mean, put #(set-accidental-style 'voice)? No. The default accidental styles

Re: Two questions

g...@sdf.org writes: \relative c' { \repeat unfold 32 { c4 g'8 g } \bar | \repeat unfold 32 { c4 g'8 g } \bar |. } \layout { \set Score.defaultBarType = # } You should also choose your \accidentalStyle judiciously. You mean, put #(set-accidental-style 'voice)? No. The

Re: Two questions

Not in 2.14 IIRC. You can use \displayLilyMusic on music setting the accidental style and see whether you can hand-translate this into a layout definition. This looks a bit too complicated to me at the moment; I started using LilyPond yesterday... In 2.16, you just put the

Re: Two questions

g...@sdf.org writes: Not in 2.14 IIRC. You can use \displayLilyMusic on music setting the accidental style and see whether you can hand-translate this into a layout definition. This looks a bit too complicated to me at the moment; I started using LilyPond yesterday... In 2.16, you

Re: Two questions

In 2.16, you just put the accidental style definition into the layout block and that's it. Alas, 2.16 is not in Debian as far as I know... I can live with a global = { #(set-accidental-style 'forget) ... } definition at the moment.

Two questions

Hi list, I have two questions, to which I did not find an answer in the manuals; I apologize in advance if they are answered there. (1) I try to typeset choir music, on two staffs, without bars. Most sentences are separated by breathes (one above each staff), but sometimes an explicit

Re: Two questions

g...@sdf.org writes: Hi list, I have two questions, to which I did not find an answer in the manuals; I apologize in advance if they are answered there. (1) I try to typeset choir music, on two staffs, without bars. Most sentences are separated by breathes (one above each staff

Re: Two questions

I have two questions, to which I did not find an answer in the manuals; I apologize in advance if they are answered there. (1) I try to typeset choir music, on two staffs, without bars. Most sentences are separated by breathes (one above each staff), but sometimes an explicit *span* bar

Re: Two questions

Hi In other words, is there a way to combine the benefit of a \time indication (which puts possible line breaks and natural ligatures between the notes) with the benefit of a \cadenzaOn? What about \time 1/4 \override Score.BarLine #'stencil = ##f or something similar?? Hope this

Re: Two questions about vertical layout and lyrics spacing

On Sat, Mar 17, 2012 at 01:53:10PM -0700, Joe Neeman wrote: grrr... I _must_ remember to look to whom I send my replies; stupid mutt. I answered only to Joe again. Here goes a second time: Example #2, padding.png, shows a piece which has a large variation in staff height, because there are

Re: Two questions about vertical layout and lyrics spacing

On Wed, Mar 21, 2012 at 9:46 AM, Frank Steinmetzger war...@gmx.de wrote: On Sat, Mar 17, 2012 at 01:53:10PM -0700, Joe Neeman wrote: There are two competing desires here [...]. Could you suggest, therefore, an extra parameter (or a modification to the [vertical spacing] algorithm) that would

Re: Two questions about vertical layout and lyrics spacing

I suggest that the vertical spacing alrogithm should calculate the area between the objects (staves, systems, lyrics etc). See here how it would work: http://www.freeimagehosting.net/tsr21 Looks right: The area between horizontal skylines should influence the spacing. However, I think we

Re: Two questions about vertical layout and lyrics spacing

On Sat, Mar 17, 2012 at 9:53 PM, Joe Neeman joenee...@gmail.com wrote: There are two competing desires here: you want the systems to be spaced more-or-less evenly (ie. with a similar amount of space between the staves), and you want the white space between the systems to be more-or-less

Re: Two questions about vertical layout and lyrics spacing

On Mon, Mar 19, 2012 at 9:05 AM, Janek Warchoł janek.lilyp...@gmail.comwrote: On Sat, Mar 17, 2012 at 9:53 PM, Joe Neeman joenee...@gmail.com wrote: There are two competing desires here: you want the systems to be spaced more-or-less evenly (ie. with a similar amount of space between the

Re: Two questions about vertical layout and lyrics spacing

On Sat, Mar 17, 2012 at 1:31 PM, Frank Steinmetzger war...@gmx.de wrote: Example #2, padding.png, shows a piece which has a large variation in staff height, because there are either two lines of lyrics to a staff or none at all. As lilypond tries to keep an even system-system-distance, the

Re: Two questions about vertical layout and lyrics spacing

On Sat, Mar 17, 2012 at 9:31 PM, Frank Steinmetzger war...@gmx.de wrote: The first one, lyrics.png, shows a page created by both 2.12 and 2.14.  Thanks to the smaller space between a staff and its lyrics, the systems now become less high.  This is often a good thing, as it allows to get more on

Re: Two questions about vertical layout and lyrics spacing

Frank Steinmetzger Warp_7 at gmx.de writes: [...] However, this is one of the cases where it leads to a lot of empty room between system. What would be a good way to make the overall appearance a bit lighter by un-squeezing the systems? Essentially, I would like to make the basic line

Re: Two questions regarding page numbers

2010/9/14 胡海鹏 - Hu Haipeng hhpmu...@163.com: PS. I'm totally frustrated with the latest versions of devel, whose spacing is becoming stranger and stranger. This is why I have announced, for EVERY SINGLE devel release, that normal users should NOT be attempting to use the unstable releases.

Two questions regarding page numbers

Hello, I have two questions about title pages and prefaced pages. Perhaps they are in the manuals, but I can't find them at this time. 1. Title pages: If I want to set page number to -1 to start the music at the second piece of paper, how can I force the number 0 to hide at the back

Re: Two questions regarding page numbers

Op dinsdag 14-09-2010 om 13:06 uur [tijdzone +0100], schreef Graham Percival: 2010/9/14 胡海鹏 - Hu Haipeng hhpmu...@163.com: PS. I'm totally frustrated with the latest versions of devel, whose spacing is becoming stranger and stranger. This is why I have announced, for EVERY SINGLE devel

Re: Two questions regarding page numbers

On Tue, Sep 14, 2010 at 1:31 PM, Jan Nieuwenhuizen janneke-l...@xs4all.nl wrote: It does, however, give a nice opportunity for interesting release messages/names, eg: ``we proudly present you lilypond 2.13.34 aka the all spacing goes fubar release.  The good news is that 4 bugs were fixed.''

Re: Two questions regarding page numbers

  1. Title pages: If I want to set page number to -1 to start the music at the second piece of paper, how can I force the number 0 to hide at the back of title page? Do this (which works great for me in the 2.12 versions). You will need to modify the code if you don't want the page numbers

Re: Two questions concerning ossias

On 13/07/10 11:51, Nick Payne wrote: This ossia just extends for part of a bar: { g'32_( fis) e_( fis) } \new Staff \with { alignAboveContext = #guitar fontSize = #-4 \override StaffSymbol #'staff-space = #(magstep -4) \override

Two questions concerning ossias

This ossia just extends for part of a bar: { g'32_( fis) e_( fis) } \new Staff \with { alignAboveContext = #guitar fontSize = #-4 \override StaffSymbol #'staff-space = #(magstep -4) \override StaffSymbol #'thickness = #(magstep -4)

RE: Two questions about fingering indications

Thanks. That gets the result I wanted. Nick -Original Message- From: Jonathan Kulp [mailto:[EMAIL PROTECTED] Sent: Tuesday, 16 September 2008 23:36 To: Nick Payne Cc: lilypond-user@gnu.org Subject: Re: Two questions about fingering indications Hi Nick, I saw that someone else answered

Two questions about fingering indications

I have the following code (it's the first couple of measures of Barrios' prelude in C minor). Firstly, with the RH fingering, some of the indications appear above the beam and some below, depending on where on the stave each note is located. How can I get them to all be above the beam? Secondly,

Re: Two questions about fingering indications

Hi Nick, I don't have time to investigate the fingerings at the moment, but I can tell you quickly that the natural on the second b is there because you specified it with the !. Any time you put the ! it forces lilypond to show an accidental. Just take it out and you'll solve that problem.

Re: Two questions about fingering indications

On 16.09.2008, at 14:51, Nick Payne wrote: Jon Thanks for the reply. However, I just removed the natural from the 2nd b in bar 2 and I still get a natural appearing in the output on both b. Bar 3 also contains two b naturals, so I added that bar with a natural only on the 1st b and

RE: Two questions about fingering indications

| % 1 b! b | % 2 d d | % 3 } and it should work. Kind regards, Jan van Dijk. Van: [EMAIL PROTECTED] namens Nick Payne Verzonden: di 16-9-2008 14:51 Aan: lilypond-user@gnu.org Onderwerp: RE: Two questions about fingering indications Jon Thanks

Re: Two questions about fingering indications

Hi Nick, I saw that someone else answered the second question about the b-naturals (just be sure to remove the ! from both voices). Here's a quick fix for the right-hand fingering that will work for this example, but it's kind of crude and not overly flexible. To position individual

Re: Two questions about fingering indications

understand you're looking for - without writing any *!*! hth -Eluze -- View this message in context: http://www.nabble.com/Two-questions-about-fingering-indications-tp19507028p19512876.html Sent from the Gnu - Lilypond - User mailing list archive at Nabble.com

Fw: [SPAM?]: another two questions

Since I don't use Windows, please answer his questions. Werner ---BeginMessage--- Dear Werner: There are two additional questions. First, what's the difference between Lilypad-ascii.exe and Lilypad-unicode.exe? If I edit Chinese characters in the unicode version, will the output fonts

Re: Fw: [SPAM?]: another two questions

Werner LEMBERG wrote: Since I don't use Windows, please answer his questions. Werner Dear Werner: There are two additional questions. First, what's the difference between Lilypad-ascii.exe and Lilypad-unicode.exe? If I edit Chinese characters in the unicode version, will the

Re: Two questions about note heads

Michael O'Donnell wrote: Thanks to Mats for this tip, which also helps me with a similar project (I'm trying to set some old mensural notation just as given by the 15th century copyist, who has somewhat different conventions from those in LilyPond). So, I managed to set some triangular

Re: Two questions about note heads

Thanks for the further hints. Michael O'Donnell wrote: Thanks to Mats for this tip, which also helps me with a similar project (I'm trying to set some old mensural notation just as given by the 15th century copyist, who has somewhat different conventions from those in LilyPond). So, I

Re: Two questions about note heads

. For the future, it would be great to have a user-settable list of noteheads for each duration as a parameter. Cheers, Mike O'Donnell http://people.cs.uchicago.edu/~odonnell/ From: Mats Bengtsson Subject: Re: Two questions about note heads

Re: Two questions about note heads

The basic principle is the same as is described in the section on Polymetric notation. For example, you can do: \version 2.10.0 mynotehead = \markup{\musicglyph #scripts.turn } \score { \relative c''{ a \once \override NoteHead #'stencil = #ly:text-interface::print \once \override

Two questions about note heads

1) Is it possible to remove the note head for just a single note in a line? I still want the stem and all, just not the note head, and only for one note. 2) Can you set a custom symbol as a note head? ___ lilypond-user mailing list

Re: Two questions about note heads

Quoting Peter Budny [EMAIL PROTECTED]: 1) Is it possible to remove the note head for just a single note in a line? I still want the stem and all, just not the note head, and only for one note. See the section called Common Tweaks for instructions on how to make something invisible. The layout

Re: Two questions about note heads

Mats Bengtsson mats.bengtsson at ee.kth.se writes: Quoting Peter Budny gtg655b at mail.gatech.edu: 2) Can you set a custom symbol as a note head? There are many shapes to choose from in LilyPond, see the section called Special noteheads in the manual. I should have been more clear...

Re: Two questions: slashes and rhythmic cues

Graham Percival wrote: On 12-May-06, at 10:33 AM, Stan Mulder wrote: But when the parts are transposed the slashes move all over the place for the Bb and Eb instruments. Is there are way to keep the slash exactly on a certain note and ignore the transposition? As it happens, this is part

Two questions: slashes and rhythmic cues

I've read the archives and see people discussing this but not sure anything was decided. I'm writing a jazz lead sheet and need slashes with chords over them. It's the slashes that I'm having a problem with. I found that I could use the following: \override NoteHead #'style = #'slash

Two questions: slashes and rhythmic cues

Let me try posting this again. Previously post got attached to another thread... I've read the archives and see people discussing this but not sure anything was decided. I'm writing a jazz lead sheet and need slashes with chords over them. It's the slashes that I'm having a problem with. I

Re: Two questions: slashes and rhythmic cues

On 12-May-06, at 10:33 AM, Stan Mulder wrote: But when the parts are transposed the slashes move all over the place for the Bb and Eb instruments. Is there are way to keep the slash exactly on a certain note and ignore the transposition? As it happens, this is part of an example in 9.2.6

Re: Two questions: slashes and rhythmic cues

Graham Percival wrote: On 12-May-06, at 10:33 AM, Stan Mulder wrote: But when the parts are transposed the slashes move all over the place for the Bb and Eb instruments. Is there are way to keep the slash exactly on a certain note and ignore the transposition? I was about to ask the same

Re: two questions compile (times maybe) and question on barline repeats

Graham- I didn't upgrade, and I did add a few lines of rests before it stopped compiling. I get nothing , no error no command box nothing. That's why I asked the question. I'll try to go back and delete the added material until it will compile and start from there. Below is the file the

Re: two questions compile (times maybe) and question on barline repeats

On 30-Dec-05, at 7:10 PM, Jay Hamilton, Sound and Silence wrote: Graham- I didn't upgrade, and I did add a few lines of rests before it stopped compiling. I get nothing , no error no command box nothing. This is odd; at the very least it should spit out a segfault or something. That's

two questions compile (times maybe) and question on barline repeats

v.2.6.4 winxp I have a 1200 line file (so far) and it was compiling in 2 minutes or less and now it has begun not to compile at all. Is there something I can look for that would explain this without submitting the entire file? Secondly I just entered a series of 2 measure exercises

Re: two questions compile (times maybe) and question on barline repeats

On 29-Dec-05, at 7:28 PM, Jay Hamilton, Sound and Silence wrote: v.2.6.4 winxp I have a 1200 line file (so far) and it was compiling in 2 minutes or less and now it has begun not to compile at all. Is there something I can look for that would explain this without submitting the entire

Re: two questions

Hi, Sorry if this has already been answered, but SPAM makes my spam filter kill every other digest or so... :( I tried to answer your first question with the following solution, which is to use \relative in your notes blocks, which should fixed the octaves of you notes at source. However, it

Réf. : Re: two questions

] Objet : Re: two questions

RE: Réf. : Re: two questions

face. -Original Message- From: Jean-marc LEGRAND [mailto:[EMAIL PROTECTED] Sent: 15 October 2004 14:04 To: Ralph Little Cc: [EMAIL PROTECTED]; [EMAIL PROTECTED] Subject: Réf. : Re: two questions I can't remember what you want to do, but if you aim to have a multiple

Re: two questions

For some reason, LilyPond creates new contexts for each of the blocks. Just add a \new Voice or \new Staff to get wbat you want: \score{ \new Voice { \foo \bar ... } By the way, \bar is already occupied as a command, so you have to rename that variable to something else. /Mats Ralph

RE: two questions

PROTECTED] Sent: 15 October 2004 14:24 To: Ralph Little Cc: [EMAIL PROTECTED] Subject: Re: two questions For some reason, LilyPond creates new contexts for each of the blocks. Just add a \new Voice or \new Staff to get wbat you want: \score{ \new Voice { \foo \bar

Re: two questions

A second question is about repeats and alternative endings In the examples in the documentation is an example that would do the first alternative three times, and the second the fourth (page 62 in the manual for version 2.2.0) I was wondering if it could easily be done the other way around: the

Re: two questions

On 11-Oct-04, at 5:10 PM, Michiel Lange wrote: foo = \relative c'' { c4 d e f g a b c r4 } bar = \relative c'' { e4 b c d a g } and then reuse those parts like this \relative c'' { \foo \bar \foo } The music shifts up one octave (quite logically) Try replace your early notes with

two questions

Hello everybody, I hope this question is not very hard, but I have it with a few songs now: when I create a part like this foo = \notes { c4 d e f g a b c r4 } bar = \notes { e4 b c d a g } and then reuse those parts like this \relative c'' { \foo \bar \foo \bar \foo \bar }

Re: two questions

-BEGIN PGP SIGNED MESSAGE- Hash: SHA1 On Oct 11, 2004, at 8:10 PM, Michiel Lange wrote: when I create a part like this [...] The music shifts up one octave (quite logically) I fixed it so far with \octave c'' wherever it would go wrong... Is there a way to prevent this (as \octave c''

Re: Two questions (probably easy: Chords and rit.)

Erwin Dieterich wrote: From a beginner two easy (?) questions: 1) How get I a rit. (for ritardando) in my score? Is there a standard way or do I have to use _rit. on some note? I'd use _rit. or maybe _#'(italic rit.). If you have several tempo instructions of this kind and don't use text

Re: Two questions (probably easy: Chords and rit.)

Hi Erwin, 1) How get I a rit. (for ritardando) in my score? Is there a standard way or do I have to use rit. on some note? on a quarter note of C: c4-rit. 2) Is it possible to get Chords in Jaz mode with a different bass note (like C7/G or G/B)? I coudn't find it in the documentation? c:7/+g

Re: Two questions (probably easy: Chords and rit.)

Erwin, I won't touch the chords question. I always hover over the manual whenever I want to do something more than basic chords. For the ritarando, I would use a \mark instead of a text object. If you are using 1.7.x you can use the new \markup syntax to select an italic font. It is much

Two questions (probably easy: Chords and rit.)

From a beginner two easy (?) questions: 1) How get I a rit. (for ritardando) in my score? Is there a standard way or do I have to use _rit. on some note? 2) Is it possible to get Chords in Jaz mode with a different bass note (like C7/G or G/B)? I coudn't find it in the documentation?

Re: Two questions (probably easy: Chords and rit.)

I can't answer your first question, but the second question was a problem I also had. To make G/B, you would use g/+b I believe for C7/G you would use c:7/+g For Am7/E, you would use a:m7/+e I hope that helps! Dave On mar, 2003-02-25 at 18:27, Erwin Dieterich wrote: From a beginner two