Greetings Michael,
I find this worked in one of my transcriptions - v2.13.?? - adjust
bracketted values as necessary...
\once\override TextScript #'extra-offset = #'(-5 . 2) g'2^\markup {
\bold All }
hope this helps
Bill
___
lilypond-user mailing
On 22 January 2011 06:21, Michael Dykes thedoctor81...@gmail.com wrote:
I think I figured out my mark-up problem, but I still would like for the
markup to begin at the beginning of the measure. Is that possible? Thanks.
RehearsalMark are aligned on the bar line (i.e. at the beginning of the
How do I take a nwc (under wine) file convert it to a ly file? I have
tried Rosegarden (the results are not good -- note values are off, lyrics
are not in the correct place, etc), and with Denemo, I just get a score with
key signature and that's all. Thanks in advance for the help.
--
In
On 22 January 2011 11:27, Michael Dykes thedoctor81...@gmail.com wrote:
How do I take a nwc (under wine) file convert it to a ly file? I have
tried Rosegarden (the results are not good -- note values are off, lyrics
are not in the correct place, etc), and with Denemo, I just get a score with
Hello,
-Original Message-
From: Xavier Scheuer x.sche...@gmail.com
Date: Sat, 22 Jan 2011 11:19:20 +0100
To: Michael Dykes thedoctor81...@gmail.com
Cc: lilypond-user@gnu.org lilypond-user@gnu.org
Subject: Re: mark-ups
On 22 January 2011 06:21, Michael Dykes thedoctor81...@gmail.com
Hello,
-Original Message-
From: Pierre Chépélov pie...@chepelov.org
Date: Fri, 21 Jan 2011 01:08:55 -0800
To: lilypond-user@gnu.org lilypond-user@gnu.org
Subject: 4-lines staff, and Vaticana clefs
Hello,
I'm trying to use Mensural notation with only four lines staves:
\override
I don't know how the code works, but as someone who browses the LSR
I would just say that there is only one tweak needed, but you are
implying there are cases when you need more than one tweak.
i'm not implying, i'm saying it quite explicitly. and i sent a
complete example demonstrating
- Original Message -
From: Xavier Scheuer x.sche...@gmail.com
To: Michael Dykes thedoctor81...@gmail.com; Phil Holmes
em...@philholmes.net
Cc: lilypond-user@gnu.org
Sent: Saturday, January 22, 2011 10:41 AM
Subject: Re: Converting .nwc files to .ly
On 22 January 2011 11:27, Michael
Hello
-Original Message-
From: l...@internet.com.uy l...@internet.com.uy
Date: Sat, 22 Jan 2011 08:57:02 -0200
To: lilypond-user@gnu.org lilypond-user@gnu.org
Subject: RE: horizontal beams
I don't know how the code works, but as someone who browses the LSR
I would just say that there
Sorry to be barraging the list; but I have several pieces) that consist of
several parts, and I need to compile them as a whole piece, but have each
part end and begin separately. How, can I accomplish this?
--
In Christ,
Michael D
\version 2.12.2
\include english.ly
\include gregorian.ly
Michael,
It looks like you're going in the right direction by using 2 \score blocks.
However, it would be helpful if you could post a score that compiles. Please
could you correct the naming errors in this one?
--
Phil Holmes
- Original Message -
From: Michael Dykes
To:
Then I think we might need to find out if \override Beam #'damping =
#+inf.0 without any extra tweaks *should* work in all cases or not. If it
should then we have a bug and it should be reported as such.
yes, i think that the tweak definitely should work without further
tweaks. it looks
Michael,
First of all, please reply-all to keep responses on the mailing list. That way
others may benefit and more experienced users can chime in with help if
necessary.
My response to your request is going to seem harsh. You could not have tried
very hard, since I asked you to look at the
Since I don't use the number engraver I'm not sure how that looks (meaning
after you've used 5 fingers what do the numbers mean?) but reading the
section on fingering gives you numbers adjacent to the notes (or above or
below) and if you need numbers higher than 5? I use markups.
Jay
On Fri, 21
Hello
-Original Message-
From: l...@internet.com.uy l...@internet.com.uy
Date: Sat, 22 Jan 2011 10:45:26 -0200
To: lilypond-user@gnu.org lilypond-user@gnu.org
Subject: Re: horizontal beams
Then I think we might need to find out if \override Beam #'damping =
#+inf.0 without any extra
On Jan 22, 2011, at 1:21 PM, Michael Dykes wrote:
Sorry to be barraging the list; but I have several pieces) that consist of
several parts, and I need to compile them as a whole piece, but have each
part end and begin separately. How, can I accomplish this?
You can have more than one
Hi, Jay Shane:
I am not talking about fingers. May be the following snippet can explain it
better.
Now the note head is too big. If I don't enlarge them it will be hard to read.
I was thinking, if it is possible to have a normal note head, but the numbers
is
printed beside the note
I have a PianoStaff
\score {
\new PianoStaff
\set PianoStaff.midiInstrument = acoustic grand
\new Staff {
\treble
}
\new Staff {
\clef bass
\bass
}
\midi { }
\layout{ }
}
My treble is defined as:
I have the following LilyPond file:
\score {
\new PianoStaff
\set PianoStaff.midiInstrument = acoustic grand
\new Staff {
\tempo 4 = 120
\relative c' {
c e g e
\repeat volta 2 {
c f a f
On Sat, Jan 22, 2011 at 09:19:35PM +0530, Disc Magnet wrote:
However, in the midi generated only 8 notes are played: C E G E C F A F.
I expect a total of 12 notes to be played: C E G E C F A F C F A F.
How can I make the repeat effective in the MIDI file as well?
Assuming you're looking at
On Sat, Jan 22, 2011 at 7:55 AM, Disc Magnet discmag...@gmail.com wrote:
I want to know whether the repeat line would be drawn right from the
treble clef through the bass clef? I tested this and the answer seems
to be 'yes'. I want to know if this is a reliable and defined behavior
or there is
- Original Message -
From: Disc Magnet discmag...@gmail.com
To: lilypond-user Mailinglist lilypond-user@gnu.org
Sent: Saturday, January 22, 2011 3:49 PM
Subject: \repeat volta 2 {} doesn't repeat notes in the .MIDI file
I have the following LilyPond file:
\score {
\new PianoStaff
Michael == Michael Dykes thedoctor81...@gmail.com writes:
Michael How do I take a nwc (under wine) file convert it to a ly
Michael file?
I know there's an nwc2abc program somewhere that might be some use. I
personally just re-transcribe NWC files.
--
Laura
I have the following code.
music = \relative c' {
c4 e g e~
\repeat volta 2 {
e1
c4 f a f~
}
}
\score {
\new PianoStaff
\set PianoStaff.midiInstrument = acoustic grand
\new Staff {
\tempo 4 = 120
\unfoldRepeats {
Hello,
I don't often use multiple voices in a single staff, so am a bit
unfamiliar and am still finding my way.
However I cannot easily see how I can take two 'voices' each from a single
source such that when they are combined on a single staff the rests that
both voices share are only printed
I'm transcribing a flute sonata from an eighteenth centuray facsimile,
and there's a decoration that I don't know either what it means (so that
I could translate it into an equivalent modern articulation mark), or
how to produce something that looks like that in lilypond. I'm
attaching a scan.
On 22 January 2011 18:52, James Lowe james.l...@datacore.com wrote:
Hello,
I don't often use multiple voices in a single staff, so am a bit
unfamiliar and am still finding my way.
However I cannot easily see how I can take two 'voices' each from a single
source such that when they are
- Original Message -
From: Laura Conrad lcon...@laymusic.org
To: lilypond-user@gnu.org
Sent: Saturday, January 22, 2011 6:00 PM
Subject: Baroque Articulation mark
I'm transcribing a flute sonata from an eighteenth centuray facsimile,
and there's a decoration that I don't know either
Laura == Laura Conrad lcon...@laymusic.org writes:
Laura I'm transcribing a flute sonata from an eighteenth centuray
Laura facsimile, and there's a decoration that I don't know either
Laura what it means (so that I could translate it into an
Laura equivalent modern articulation
Phil == Phil Holmes m...@philholmes.net writes:
I'm transcribing a flute sonata from an eighteenth centuray facsimile,
and there's a decoration that I don't know either what it means (so that
I could translate it into an equivalent modern articulation mark), or
how to
Hello
-Original Message-
From: Xavier Scheuer x.sche...@gmail.com
Date: Sat, 22 Jan 2011 19:06:14 +0100
To: James Lowe james.l...@datacore.com
Cc: lilypond-user@gnu.org lilypond-user@gnu.org
Subject: Re: Merging Rests in Single Staff with more than one 'voice'
On 22 January 2011 18:52,
On Saturday 22 January 2011 12:52:54 James Lowe wrote:
Hello,
I don't often use multiple voices in a single staff, so am a bit
unfamiliar and am still finding my way.
However I cannot easily see how I can take two 'voices' each from a
single source such that when they are combined on a
\version 2.13.42
partOne = \relative c' {
c4 e g e~
}
partTwo = \relative c' {
e1
c4 e g e~
e1
}
\score {
\new PianoStaff
\set PianoStaff.midiInstrument = acoustic grand
\new Staff {
\set tieWaitForNote = ##t
\tempo 4 = 120
On Jan 22, 2011, at 7:24 PM, Disc Magnet wrote:
partOne = \relative c' {
c4 e g e~
}
partTwo = \relative c' {
e1
c4 e g e~
e1
}
\score {
\new PianoStaff
\set PianoStaff.midiInstrument = acoustic grand
\new Staff {
\tempo 4 = 120
Essentially, I want to write R1*10 and have it be equivalent to
writing something like R1*10_[101-110]. I've never played with
engravers before so this seemed like a good excuse. I have the minimal
start below. Questions:
- How do I create and attach the multi-measure rest text? I can use
Disc Magnet wrote:
the MIDI output misses the second note in the last bar
This looks like issue 676, so you are probably using a 2.12 version.
See
http://code.google.com/p/lilypond/issues/detail?id=676
The MIDI behaviour was corrected in version 2.13.8.
Warnings for this situation
I am trying to fit some markups in my score, and would like for all of them
to be on the same line. Is there a way (without shortening the markups) to
widen the first measure, or put padding between the first two notes of the
score. Thanks.
--
In Christ,
Michael D
\version 2.12.2
\include
2011/1/22 David Raleigh Arnold d...@openguitar.com:
On Saturday 22 January 2011 12:52:54 James Lowe wrote:
Hello,
I don't often use multiple voices in a single staff, so am a bit
unfamiliar and am still finding my way.
However I cannot easily see how I can take two 'voices' each from a
38 matches
Mail list logo
