Hi all,
I'm starting to learn Jazz guitar on my own, well, with a friend of mine
who'd be singing. I have no teacher, but I've noticed there are many, many
resources on the net.
I've found this
On Sun, 10 Jul 2011, Werner LEMBERG wrote:
I really like the new clef in your recompiled examples. I vote for
at least including both options if not replacing the existing one
altogether. Thanks for your work on this, Janek, the treble clef
has been one of Lily's weakest visual aspects IMO.
Werner LEMBERG writes:
I really like the new clef in your recompiled examples. I vote for
at least including both options if not replacing the existing one
Please take care that if you start to suggest voting for what you
like best, you do that based not so much on personal taste...
Please
Two questions:
1. I'm looking for the tremolo notation, common in string parts, where the
tremolo's rhythmic value is given by the slashes (easy to do with \repeat
tremolo) AND there are as many staccato dots attached to the note as there are
notes that would be played by the tremolo, e.g.
{
At Fri, 08 Jul 2011 11:32:15 +0800,
James Harkins wrote:
- Short lived divisi - is there a better method than using on
every note? What about a passage with rhythmic differences? Must
this be separated into yet another part?
This is one area where I think lilypond beats finale, hands
2. After downloading and installing lilypond-2.14.1-1.linux-64.sh, I can
only find locally-installed documentation under /usr/share/doc/lilypond --
but these are version 2.12.3. Where should I find the 2.14.1 documentation
on my hard drive?
James
On the web. All the documentation is a
On 10/07/11 18:58, James Harkins wrote:
Two questions:
1. I'm looking for the tremolo notation, common in string parts, where the
tremolo's rhythmic value is given by the slashes (easy to do with \repeat
tremolo) AND there are as many staccato dots attached to the note as there are
notes
On Sat 09 Jul 2011, 01:58 Janek Warchoł wrote:
Hi all,
currently it is:
right:
[...]
Dmytro
Actually, I would like the third (right one) to be a bit higher (and deeper,
probably).
I would definitely like to try it myself...
So, for now it's oh well..., not more.
therefore i'm opening
Carl Sorensen c_soren...@byu.edu wrote in message
news:ca2e46fc.1ee99%c_soren...@byu.edu...
-- Forwarded Message
From: Giso Grimm gg3...@vegri.net
Date: Mon, 27 Jun 2011 13:23:54 -0600
To: lilypond-user@gnu.org
Conversation: how to create baroque ornaments
Subject: how to create baroque
Am Sonntag, 10. Juli 2011, 12:17:28 schrieb Dmytro O. Redchuk:
On Sat 09 Jul 2011, 01:58 Janek Warchoł wrote:
Hi all,
currently it is:
right:
[...]
Dmytro
Actually, I would like the third (right one) to be a bit higher (and
deeper, probably).
Me too.
When I originally
On Sun 10 Jul 2011, 12:48 Reinhold Kainhofer wrote:
So, I prefer the upper loop of the original clef, but the vertical line of
the
third one...
Most probably, I would say that -- if the upper loop was as in the original
clef -- lower part sholud be deeper, too.
So, if I could (sorry, again)
James Harkins-2 wrote:
1. I'm looking for the tremolo notation, common in string parts, where the
tremolo's rhythmic value is given by the slashes (easy to do with \repeat
tremolo) AND there are as many staccato dots attached to the note as there
are notes that would be played by the
Bart
)-Original Message-
)From: lilypond-user-bounces+james.lowe=datacore@gnu.org
)[mailto:lilypond-user-bounces+james.lowe=datacore@gnu.org] On
)Behalf Of bart deruyter
)Sent: 10 July 2011 09:25
)To: lilypond-user@gnu.org
)Subject: jazz chords fretboards
)
)Hi all,
)
)I'm
Scott Rippon wrote:
Just want to be able to add some more space between notes so that the
fingering notation is visible.
Also possible:
c f-\tweak #'X-extent #'(-0.5 . 1.6) -1 f-2 a-F
Then you are able to tune both, left- and right-padding.
Harm
--
View this message in context:
hello,
)-Original Message-
)From: lilypond-user-bounces+james.lowe=datacore@gnu.org
)[mailto:lilypond-user-bounces+james.lowe=datacore@gnu.org] On
)Behalf Of Nick Payne
)Sent: 10 July 2011 04:33
)To: lilypond-user@gnu.org
)Subject: Re: Online notation reference index broken?
)
Hi all,
I've run into a problem typesetting a choral piece, and was wondering
if anyone could either confirm whether this is (or isn't) a bug in
Lilypond. I'd also very much appreciate it if anyone could suggest a
better workaround than the one I'm currently using. :-)
I've generated a minimal
Hi Peter,
Don't know what's causing the issue here, but I believe this version of your
snippet does what you want:
\version 2.14.1
global = {
\key c \major
\time 2/4
}
sopranoNotes = \relative c'' {
{ \voiceTwo \times 2/3 { a4 a a } }
\new Voice = sopranoOneVoice {
\voiceOne
On 7/10/11 2:25 AM, bart deruyter bart.deruy...@gmail.com wrote:
Hi all,
I'm starting to learn Jazz guitar on my own, well, with a friend of mine who'd
be singing. I have no teacher, but I've noticed there are many, many resources
on the net.
I've found this pdf
Hi Kieren,
On 10/07 08:45:34, Kieren MacMillan wrote:
Hi Peter,
Don't know what's causing the issue here, but I believe this version
of your snippet does what you want:
[ snip ]
Ha! Well, I can't deny it does seem to avoid the problem demonstrated
by my original example, though I must
I'm thinking of creating a font for contemporary music with the most
commonly used symbols.
I miss a lot of specific symbols and I'm sure a lot of LilyPond users do too.
I know that there are some sources for this purpose, and find them very useful.
But most are bloated with not very useful
- Original Message -
From: Peter Wright p...@flooble.net
To: lilypond-user@gnu.org
Sent: Sunday, July 10, 2011 1:15 PM
Subject: Typesetting bug(?) - polyphony + lyrics + \times 2/3 + \oneVoice
=breakage
Hi all,
I've run into a problem typesetting a choral piece, and was wondering
At Sun, 10 Jul 2011 10:55:23 -0300,
Ricardo Gabriel Herdt wrote:
2011/7/10 James Harkins jamshar...@gmail.com
2. After downloading and installing lilypond-2.14.1-1.linux-64.sh, I can
only find
locally-installed documentation under /usr/share/doc/lilypond -- but
these are version
- Original Message -
From: James Harkins jamshar...@gmail.com
To: lily-users lilypond-user@gnu.org; Ricardo Gabriel Herdt
ricard...@esdebian.org
Sent: Sunday, July 10, 2011 4:08 PM
Subject: Re: Tremolo dots, and old-documentation help
At Sun, 10 Jul 2011 10:55:23 -0300,
Ricardo
On Jul 10, 2011, at 4:34 PM, Bernardo Barros wrote:
I'm thinking of creating a font for contemporary music with the most
commonly used symbols.
I miss a lot of specific symbols and I'm sure a lot of LilyPond users do too.
This is a fantastic idea.
I know that there are some sources for
On 11-07-09 05:27 PM, lilyp...@googlecode.com wrote:
Comment #1 on issue 1482 by elliot.w...@gmail.com: \caps and
\smallCaps don't work with \fromproperty
http://code.google.com/p/lilypond/issues/detail?id=1482
I just ran into this bug. Until it gets fixed, is there a workaround
(other than
2011/7/10 Bernardo Barros bernardobarr...@gmail.com:
I'm thinking of creating a font for contemporary music with the most
commonly used symbols.
I miss a lot of specific symbols and I'm sure a lot of LilyPond users do too.
I know that there are some sources for this purpose, and find them
While experimenting with fancy fonts for headings and initials, I found that
Lilypond (2.14.1) was not aware of the fonts in my user library (Mac OS X
10.6.8). It seems to be a simple omission from fonts.conf, which has entries
for the shared library fonts (dir/Library/Fonts/dir) and the
On 7/10/11 8:34 AM, Bernardo Barros bernardobarr...@gmail.com wrote:
I'm a fan of the SVG backend, because it allows an absolute final
touch in the score,
and realized that PostScript can not be very compatible with svg.
So, also in this case, a Font is a better options then PostScript
On Sun, Jul 10, 2011 at 8:06 PM, Matthew Collett m_coll...@ihug.co.nzwrote:
With ragged-right (or ragged-last) turned on, music and the staff stop
wherever is natural. With it off, both stretch to the end of the line. Is
there any straightforward way to stop the music at its natural length,
On 11/07/2011, at 2:51 pm, David Nalesnik wrote:
Is there any straightforward way to stop the music at its natural length,
but have empty staff lines stretch the full width?
You could override the width of the staff.
Thank you, that does work, and is certainly an improvement on my
On Sun, Jul 10, 2011 at 10:27 PM, Matthew Collett m_coll...@ihug.co.nzwrote:
On 11/07/2011, at 2:51 pm, David Nalesnik wrote:
Is there any straightforward way to stop the music at its natural
length, but have empty staff lines stretch the full width?
You could override the width of the
On 11/07/2011, at 3:47 pm, David Nalesnik wrote:
Now I just need to figure out how to calculate the desired width, given the
paper size and the staff size. (I think I know what calculation needs to be
done; the question is just whether my Scheme is up to automating it.)
This seems to
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