2012/12/27 Romel Anthony S. Bismonte math_wizar...@hotmail.com:
Hello,
I have two chord lines above my music line, and I was wondering how I can mark
the upper chord line as being Capo 3 for the guitar. In lyrics, you can set
the stanza of a line--is there something similar to that?
Romel Anthony S. Bismonte math_wizar...@hotmail.com writes:
I have two chord lines above my music line, and I was wondering how I
can mark the upper chord line as being Capo 3 for the guitar. In
lyrics, you can set the stanza of a line--is there something similar
to that?
Something like:
2012/12/27 Paul Morris p...@paulwmorris.com:
Hi Harm,
On Dec 26, 2012, at 7:13 AM, Thomas Morley thomasmorle...@googlemail.com
wrote:
was a matter of $-signs again.
I uploaded a 2.14.2-version with some small changes.
Ah, I should have known. :-) Thanks for making the needed changes.
Johan Vromans jvrom...@squirrel.nl writes:
Romel Anthony S. Bismonte math_wizar...@hotmail.com writes:
I have two chord lines above my music line, and I was wondering how I
can mark the upper chord line as being Capo 3 for the guitar. In
lyrics, you can set the stanza of a line--is there
Thomas Morley thomasmorley65 at googlemail.com writes:
2012/12/27 Romel Anthony S. Bismonte math_wizard44 at hotmail.com:
I have two chord lines above my music line, and I was wondering how I can mark
the upper chord line as being Capo 3 for the guitar. In lyrics, you can set
the stanza
David Kastrup dak at gnu.org writes:
Johan Vromans jvromans at squirrel.nl writes:
Romel Anthony S. Bismonte math_wizard44 at hotmail.com writes:
I have two chord lines above my music line, and I was wondering how I
can mark the upper chord line as being Capo 3 for the
Romel Anthony S. Bismonte math_wizar...@hotmail.com writes:
David Kastrup dak at gnu.org writes:
Johan Vromans jvromans at squirrel.nl writes:
Romel Anthony S. Bismonte math_wizard44 at hotmail.com writes:
I have two chord lines above my music line, and I was wondering how I
can
David Kastrup d...@gnu.org writes:
You deleted my reference. I was responding to
Interesting suggestion. But there's also midi to take into account.
My point to mention this was that OP has two chord lines in a single
score, so which line to use for the midi chord?
Personally, I prefer two
Hello list,
I think this has been answered before, but I don't find it in the
archives...
Assume I have the following file scoretest.ly:
\version 2.17.10
#(define opt-score (or (ly:get-option 'score) Full))
musicA = \relative f {
c''4 d e f | g1
}
musicB = \relative f {
c'4 b a f | g
Marc Hohl m...@hohlart.de writes:
Hello list,
I think this has been answered before, but I don't find it in the
archives...
Assume I have the following file scoretest.ly:
\version 2.17.10
#(define opt-score (or (ly:get-option 'score) Full))
musicA = \relative f {
c''4 d e f | g1
}
Hi
while transcribing a piece of music, I realized that it may work better
if written with a different rhythm, so I used the Frescobaldi option
which reduces the rhythms by an half. Then I removed all the bar checks.
But I cannot compile this modified file and I don't have a clue of the
Am 27.12.2012 18:55, schrieb David Kastrup:
Marc Hohl m...@hohlart.de writes:
[...]
Any hints are highly welcome!
#(string-append ...) is a string.
Maybe you want something like
$(module-ref (current-module) (string-symbol ...))
or
$(ly:parser-lookup parser (string-symbol ...))
Not
Am 27.12.2012 22:31, schrieb Federico Bruni:
Hi
while transcribing a piece of music, I realized that it may work
better if written with a different rhythm, so I used the Frescobaldi
option which reduces the rhythms by an half. Then I removed all the
bar checks.
But I cannot compile this
Hello list members,
I have a number of LilyPond scores that I have put together in Kievan
square notation. I am interested in creating a utility (a script) that
would automatically convert between square notation and common (round)
notation.
The conversion itself would be fairly trivial -- for
Il 27/12/2012 22:40, Marc Hohl ha scritto:
313: 29* [ly:pitch-tones ...
313: 30* [list-ref (#Pitch e' #Pitch b #Pitch g ...) {7}]
translation-functions.scm: In procedure list-ref in expression
(list-ref tuning (1- string)):
translation-functions.scm: Argument 2 out of range: 7
It looks as
Greetings all,
Can someone explain to me how to create a upprall trill spanner.
I tried using a text spanner like this
\relative c'' {
\set crescendoText = \markup { \musicglyph #scripts.upprall }
\set crescendoSpanner = #'text
\override DynamicTextSpanner #'style = #'trill
a2\ a2 a2
Shane Brandes sh...@grayskies.net writes:
The other question is purely musical. I have been working on a second
half 18th or early 19th century piece (prior to 1822) and keep running
across the dynamic marking pf. I was wondering if anyone else has
seen the pf marking in a piano score.
David Kastrup d...@gnu.org writes:
Shane Brandes sh...@grayskies.net writes:
The other question is purely musical. I have been working on a second
half 18th or early 19th century piece (prior to 1822) and keep running
across the dynamic marking pf. I was wondering if anyone else has
seen
I'm stuck on the last part of getting this working - the part that is
eluding me is getting a short vertical line drawn at the RH end of the
spanner. According the the Internals reference, UP = 1 and DOWN = -1,
and that works fine when I use the return value from the updown function
to set
19 matches
Mail list logo
