Javier Ruiz-Alma jav...@ruiz-alma.com writes:
The tie continued on a next line is not influenced by positioning
override. Instead, it's placed per default positioning. How can one
move these continued ties or slur?
Check the manual for \alterBroken .
--
David Kastrup
When the idea or selling point of a campaign is to provide a free edition it
can be argued what that is needed for when there already _are_ good editions
freely available.
Then one should really find a good surplus over existing editions. This could
for example be the possibility to make
On 03/25/2014 01:10 AM, Simon Albrecht wrote:
The following is completely off-topic, but I’d like to share some
observations I often make and thoughts I have and ask for your opinion:
Hi Simon,
just a few random thoughts to your remarks; I'll try to keep it short.
– For what I know of best
Paul Tannous ptann...@hotmail.com writes:
Shane:
it would be more sensible to sell the .ly file at a higher cost. It
is certainly the more valuable entity, both in terms of work in and
future utility.
After considering your comments, I and my team believe that we should
offer the .ly files
Hi all,
I have recently discovered LilyPond and have been really amazed by how
powerful it is. I am using it to transcribe brass parts for a band I have
recently joined, so please excuse the possibly dumb question.
I have a song where I would like the baritone sax and trombone to play the
same
On 2014-03-24 22:04, Thomas Morley wrote:
How about below?
Also, I added an optional argument, which you can use to specify which
chord-note should be colored.
Default is 'first'.
It's possible to switch to 'last'.
Other settings like 'fourth' at own risk:
Ofcourse specifying 'fourth' will
Nick Vincent n...@vtype.com writes:
Hi all,
I have recently discovered LilyPond and have been really amazed by how
powerful it is. I am using it to transcribe brass parts for a band I have
recently joined, so please excuse the possibly dumb question.
I have a song where I would like the
You might check imslp.org, which often is a source for excellent
engravings. I have no idea whether there is a scientifically approvable
edition there. My thoughts referred in particular to the 19th century
complete editions for example of Bach which combine unsurpassed
typographical
That's similar to what we do with the Fried songs: we include the sources in
all perks starting from a certain price.
Urs
David Kastrup d...@gnu.org schrieb am 25.03.2014:
Paul Tannous ptann...@hotmail.com writes:
Shane:
it would be more sensible to sell the .ly file at a higher cost. It
is
On Tue, 2014-03-25 at 01:10 +0100, Simon Albrecht wrote:
Am 24.03.2014 13:33, schrieb Richard Shann:
An example of this, typeset using LilyPond is posted here:
http://imslp.org/wiki/Special:ImagefromIndex/278632
To do this I set tuplet timing around the entire bass part and used
On Tue, 2014-03-25 at 09:07 +0100, Alexander Kobel wrote:
On 03/25/2014 01:10 AM, Simon Albrecht wrote:
The following is completely off-topic, but I’d like to share some
observations I often make and thoughts I have and ask for your opinion:
Hi Simon,
just a few random thoughts to your
Am 24.03.2014 17:52, schrieb Urs Liska:
I've just compiled a custom LilyPond with that patch in it and will soon
upload it for review. Although dodecaphonic-no-repeat is what _I_ had
asked for I do think this also makes sense.
https://codereview.appspot.com/79680044/
Hi,
I'm trying to recreate a contemporary notation. Attachments show my
results so far, of course I'd want to encapsulate that in a function
later to have it accessible.
The problems I have (apart from the slash that is still missing):
- How could I remove the gap between the first two
Hi David,
Thanks for your help, your assistance is much appreciated. I was simply not
looking for the right terms in the manual, and am still getting my head
round some of the concepts!
Cheers,
Nick
On 25 March 2014 08:47, David Kastrup d...@gnu.org wrote:
Nick Vincent n...@vtype.com
Hi Javier,
Javier Ruiz-Alma jav...@ruiz-alma.com writes:
The tie continued on a next line is not influenced by positioning
override. Instead, it's placed per default positioning. How can one
move these continued ties or slur?
You need to specify another number-pair-list for the
Hi Urs,
- How could I remove the gap between the first two stems?
Maybe try with a temporary
\set Score.proportionalNotationDuration = #(ly:make-moment 1 8)
for that particular group of notes?
As for the beam lengths, I'm not sure what the best solution would be --
\override
I'll try your suggestions later today.
Regarding the length of stems there are two different approaches that might
well go into different functions:
A)
Have a group that is defined by the beam's slope (or its start and end
pitches). For this I'd need stems of equal length.
B)
Shaping the
...a way to override the distance between notehead and stem...
\override Stem.Y-offset = 2
(Sorry about the typos in my last message -- I wrote beam lenghts; I
meant stem lengths of beamed notes.)
___
lilypond-user mailing list
lilypond-user@gnu.org
Le dimanche 23 mars 2014, 03:59:21 MING TSANG a écrit :
c: the sample .ly has several functions -\extractNotes ; \ePU ; ePL etc.
and I find several things I don't understand. please refer to .pdf file.
Dear Ming.
As it seems that some points are not enough clear about chord.ly, I tried to
Gilles,
Thank you very much for the updated version. It works wonder for my lilypond
score transcribe need. It saves me time and efforts. Just super. The
chord-doc.pdf helps a lot. Thanks again.
Emmanuel,
Ming
On Tuesday, March 25, 2014 12:02:52 PM, lilypond-user-requ...@gnu.org
Thanks for the swift and helpful response ...
1. you are right that '6 add9' and 'add6 add 9' are indeed equivalent - I
was looking at the wrong entry in the table in the Notation Reference.
2. Having looked further, I do think that some chords are generating
incorrect chord names (but correct
The attached might be of help.
It's still work in progress as it needs to allow for slurs and staccato
dots.
Would be great if some others can help improve it.
all the best,
piaras
On 25 March 2014 12:45, Fredrik Wallberg fredrik.wallb...@gmail.com wrote:
...a way to override the
On Tue, Mar 25, 2014 at 2:46 PM, Gerry Prosser ge...@chalkblue.co.ukwrote:
2. Having looked further, I do think that some chords are generating
incorrect chord names (but correct notes): C:sus prints as C, C:2 as Csus2,
C:3 as C and C:4 as C4sus4add3
Could I ask you to please run the
From: Conor Cook conor.p.c...@gmail.com
Subject: Re: Lilypond-book
Date: March 23, 2014 at 8:49:17 PM CDT
To: Br. Samuel Springuel rpspring...@gmail.com
Dear Br. Samuel,
Thank you. I successfully installed the engine and will explore its use in
TeXworks. I suppose I no longer need to try
From: Br. Samuel Springuel rpspring...@gmail.com
Subject: Re: Lilypond-book
Date: March 23, 2014 at 9:20:21 PM CDT
To: Conor Cook conor.p.c...@gmail.com
Cc: lilypond-user@gnu.org
On 2014-03-23 9:49 PM, Conor Cook wrote:
I suppose I no longer need to try using the command line method, but
I did
Begin forwarded message:
From: Conor Cook conor.p.c...@gmail.com
Subject: Re: Lilypond-book
Date: March 23, 2014 at 9:35:35 PM CDT
To: Br. Samuel Springuel rpspring...@gmail.com
Well, I do have Xcode, but I’ll look into that more later.
I’m starting to see what kind of .ly file the various
My apologies for the influx. I wanted to make sure that the information I
stupidly left off the list by not replaying all was made available.
Begin forwarded message:
From: Br. Samuel Springuel rpspring...@gmail.com
Subject: Re: Lilypond-book
Date: March 24, 2014 at 10:01:33 AM CDT
To: Conor
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