Hi Janek,
your predefined context are cool :)
I see them in context with my lalily templates -- they will of course
benifit. And the editionEngraver can indeed take advantage from specific
context names. But still there need to be a way to separate (for
example) violin 1 and 2. So I will try to
Hi tisimst,
tisimst wrote
Am I a pushover or what? For those of you who'd really, REALLY like to
try this out, check out this page, which has downloads for the patched
file and two fonts Gonville and Cadence (sorry, the rest will have to
wait for now):
Javier Ruiz-Alma jav...@ruiz-alma.com writes:
Need troubleshooting help with a two-line markup block.
The block is used for the copyright statement in scores published by Mutopia
and has to remain dimensionally stable over a wide range of possible
staff-sizes.
To accomplish this,
From: David Kastrup
It would appear to be at least correlated to
URL:https://code.google.com/p/lilypond/issues/detail?id=3483,
version 2.17.24 (it is easy to do
git revert 6e8698dcb9a9b9a98d8b1a644c84fcb737f99bdc
in order to experiment with this).
It is not clear to me what the exact relation
Please don't reply off-list. That makes it impossible for others to
chip in. I am not going to dissect the code dump you included in your
reply. I don't think it makes sense for others to even try, so I am not
including it in this reply copied to the list.
BB bb-543...@versanet.de writes:
I
On 29/07/14 04:46, James Harkins wrote:
Hi,
Some time ago, a user here gave me a cadenzaToMusic function, which
could stretch rests in non-cadenza parts to match the duration of a
cadenza. (That's because I was having problems with compressing the
cadenza music to fit in a normal-length
On 29 Jul 2014, at 00:58, Abraham Lee tisimst.lilyp...@gmail.com wrote:
2. LilyPond needs to be patched in order actually use the fonts.
I think this may be the problem in the case of the microtonal accidentals as
well: currently, a font must be integrated statically into the LilyPond
On 29. Juli 2014 14:47:57 MESZ, Hans Aberg haber...@telia.com wrote:
On 29 Jul 2014, at 00:58, Abraham Lee tisimst.lilyp...@gmail.com
wrote:
2. LilyPond needs to be patched in order actually use the fonts.
I think this may be the problem in the case of the microtonal
accidentals as well:
On 29 Jul 2014, at 14:53, Urs Liska u...@openlilylib.org wrote:
On 29. Juli 2014 14:47:57 MESZ, Hans Aberg haber...@telia.com wrote:
On 29 Jul 2014, at 00:58, Abraham Lee tisimst.lilyp...@gmail.com
wrote:
2. LilyPond needs to be patched in order actually use the fonts.
I think this may
Just to deliver the solution to my problem, find the working example
code I have worked out to redefine every chord (for guitar or mandolin
or ...) to whatever notes one likes. (But take care - there is no
instance to check it for melodic correctness!)
The key and source of my was the line
Gilberto Agostinho wrote
Hi tisimst,
In this link you gave us, there is a small problem with the second picture
(the one showing how to set up the Gonville font). You can see that there
is no key signature in that picture, but the score has some empty space
where the key signature should
2014-07-29 6:59 GMT+02:00 Antonio Gervasoni agervas...@gmail.com:
Hi everyone,
I'm working on a score where I need hairpins to end on a specific text. I do
this because I don't really like the hairpins with a circle tip. I prefer to
use n. for niente and pd. for perdendosi (the first one for
Am 29.07.2014 14:58, schrieb Hans Aberg:
On 29 Jul 2014, at 14:53, Urs Liska u...@openlilylib.org wrote:
On 29. Juli 2014 14:47:57 MESZ, Hans Aberg haber...@telia.com wrote:
On 29 Jul 2014, at 00:58, Abraham Lee tisimst.lilyp...@gmail.com
wrote:
2. LilyPond needs to be patched in order
On Tue, Jul 29, 2014 at 7:35 AM, Urs Liska u...@openlilylib.org wrote:
Am 29.07.2014 14:58, schrieb Hans Aberg:
On 29 Jul 2014, at 14:53, Urs Liska u...@openlilylib.org wrote:
On 29. Juli 2014 14:47:57 MESZ, Hans Aberg haber...@telia.com
wrote:
On 29 Jul 2014, at 00:58, Abraham Lee
On 29 Jul 2014, at 15:35, Urs Liska u...@openlilylib.org wrote:
Maybe you should browse the recent archives: this actually is what we're
talking about
Since you know about it, perhaps you can provide a reference - I do not see
dynamic linking being mentioned.
It was discussed in this
On 29 Jul 2014, at 15:45, Abraham Lee tisimst.lilyp...@gmail.com wrote:
On Tue, Jul 29, 2014 at 7:35 AM, Urs Liska u...@openlilylib.org wrote:
Am 29.07.2014 14:58, schrieb Hans Aberg:
Maybe you should browse the recent archives: this actually is what we're
talking about
Since you
On 29 Jul 2014, at 15:45, Abraham Lee tisimst.lilyp...@gmail.com wrote:
There was some work done on a font for Ekmelic microtonal music that ended up
being called Ekmelily for its use with LilyPond:
http://www.ekmelic-music.org/en/ekmelily.htm
You might want to look at this. They created
On Jul 29, 2014 7:29 AM, James pkx1...@gmail.com wrote:
On 29/07/14 04:46, James Harkins wrote:
Some time ago, a user here gave me a cadenzaToMusic function, which
could stretch rests in non-cadenza parts to match the duration of a
cadenza. (That's because I was having problems with compressing
James pkx1...@gmail.com writes:
\language english
\version 2.18.2
cadenzaToMusic =
#(define-music-function (parser location cadenzaMusic music)
(ly:music? ly:music?)
Adjust the length of `music and the measureLength, to fit the
length of
`cadenzaMusic
(let* ((clen (ly:music-length
Thank you so much, Thomas! I'll try it right away and will post the results.
Yes, I'm aware of the broken links. I was unable to upload the images on my
first attempt (on Nabble) so I modified my post and included links to files
in my Dopbox instead. I couldn't find a way to do the same on Gmane.
Am 29.07.2014 01:28, schrieb Marten:
Hello Abraham, Simon,
Thanks for your solutions and quick replies :)
I decided to try to implement Simon's third solution, as it explicitly
keeps the melody of the stanzas together with their texts.
Ingenious - hadn't thought about a solution like that.
I
On Tuesday, July 29, 2014 11:15:50 AM EDT, David Kastrup wrote:
Uh, \unset Timing.measureLength? I don't think that LilyPond is going
to be happy with an unset measure length.
That makes sense, but does it apply to this case? There's a meter change
just after the \cadenzaToMusic call;
Thomas,
I tried your solution. It's definitely far better than mine. Works
flawlessly with pd. but not so well with n., which now experiences the
same vertical displacement. Here
https://dl.dropboxusercontent.com/u/4857747/d.png is how it looks when
the n. is placed as a dynamic text attached
Oops... I did ir again! The order of the images is inverted... so sorry!
Antonio
--
View this message in context:
http://lilypond.1069038.n5.nabble.com/Haipins-ending-with-text-scheme-help-tp165055p165083.html
Sent from the User mailing list archive at Nabble.com.
On 29/07/14 15:18, Hans Aberg wrote:
Graham Breed wrote a file for equal temperaments for an earlier version of
LilyPond, which I was able to tweak for the latest version (discussed on the
devel list). When using the currently available microtonal symbols, then also
key signatures seemed to
2014-07-29 20:56 GMT+02:00 Antonio Gervasoni agervas...@gmail.com:
Thomas,
I tried your solution. It's definitely far better than mine. Works
flawlessly with pd. but not so well with n., which now experiences the
same vertical displacement. Here
Hi Thomas,
Sure! Here it is:
%%% Definition of the two types of hairpin
hairpinN = \hairpinWithRightText \markup \italic n.
hairpinPD = \hairpinWithRightText \markup \italic pd.
%%% Example
{
\new Staff \relative c''' {
a1(\p\
gis2.)\mf\ r4\n
a1(\p\
dis2.)\mf\ r4\n
e2(\p\ dis4 e
Hi Jan-Peter,
2014-07-29 9:34 GMT+02:00 Jan-Peter Voigt jp.vo...@gmx.de:
Hi Janek,
your predefined context are cool :)
Thanks!
I see them in context with my lalily templates -- they will of course
benifit. And the editionEngraver can indeed take advantage from specific
context names. But
Everyone,
I wanted to put this out there before I had made any announcement about all
the new fonts, but I thought I might as well send it out now anyway because
I'm still curious...
The link below goes to another survey that I created a short time ago during
the development of these fonts to
On 29 Jul 2014, at 21:16, Graham Breed gbr...@gmail.com wrote:
On 29/07/14 15:18, Hans Aberg wrote:
Graham Breed wrote a file for equal temperaments for an earlier version of
LilyPond, which I was able to tweak for the latest version (discussed on the
devel list). When using the currently
2014-07-29 21:44 GMT+02:00 Antonio Gervasoni agervas...@gmail.com:
Hi Thomas,
Sure! Here it is:
Hi Antonio,
your example is not very helpful, because it does not show a dynamic
text attached to a rest.
And it does not compile, because of the unknown \n
%%% Definition of the two types of
Hi all.
yes, i need to update the documentation, and some parts of my patch
should be changed to make it more backward-compatible.
I'll think about this, but right now i'm still too upset and i don't
want to start a flamewar. Please give me several days to calm down.
Janek
On 29 Jul 2014, at 21:16, Graham Breed gbr...@gmail.com wrote:
I didn't use a music font because it was too much trouble to create a music
font with Sagittal. Also, it's possible to use strings for chained
accidentals with a text font. This would be important for Extended Helmholtz
if
Abraham,
There is an omission in your survey relation to music -- composer! I
use LP/Frescobaldi because I write choral music (and occasionally organ
music). They in combo are by far, IMO, the best products for my
purposes. I suppose 'publisher' might fit, but as yet I've never had a
piece
your example is not very helpful, because it does not show a dynamic
text attached to a rest.
And it does not compile, because of the unknown \n
Aw! I forgot that! It's on the file called by \include. Both dynamics are
defined on this way:
n = #(make-dynamic-script #{ \markup \line {
Works perfectly! You are a genius!
Thanks again!
You should publish it on the snippet repository. It's far better than
creating a second voice with spacers, as is suggested there (or somewhere
else... I can't remember now)
Best regards,
Antonio
On Tue, Jul 29, 2014 at 5:25 PM, Antonio
Janek Warchoł janek.lilyp...@gmail.com writes:
Hi Jan-Peter,
2014-07-29 9:34 GMT+02:00 Jan-Peter Voigt jp.vo...@gmx.de:
Hi Janek,
your predefined context are cool :)
Thanks!
I see them in context with my lalily templates -- they will of course
benifit. And the editionEngraver can
2014-07-30 0:39 GMT+02:00 Antonio Gervasoni agervas...@gmail.com:
Works perfectly! You are a genius!
Thanks again!
You're welcome
You should publish it on the snippet repository.
How about you put it in youself?
http://lsr.di.unimi.it/LSR/html/contributing.html
I'm one of the
http://lilypond.org/doc/v2.18/Documentation/notation/horizontal-spacing-overview
says:
~~
The most common shortest duration is determined as follows: in every
measure, the shortest duration is determined. The most common shortest
duration is taken as the basis for the spacing, with the
Guy Stalnaker-2 wrote
Abraham,
There is an omission in your survey relation to music -- composer! I
use LP/Frescobaldi because I write choral music (and occasionally organ
music). They in combo are by far, IMO, the best products for my
purposes. I suppose 'publisher' might fit, but as
In some places, I have a \markup-style mark over the same barline, and at
the same barline, I also want a rehearsal mark (produced by \mark
\default). Unfortunately it seems only one \mark is allowed at any given
moment.
This is a type of markup-style marking I mean:
\mark \markup {
How about you put it in yourself?
I just did. :-)
I'm one of the LSR-editors and can promise a fast approval ;)
Wow! Excellent!
Best,
Antonio
On Tue, Jul 29, 2014 at 5:59 PM, Thomas Morley-2 [via Lilypond]
ml-node+s1069038n165099...@n5.nabble.com wrote:
2014-07-30 0:39 GMT+02:00
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