On Thu 07 Jul 2016 at 19:37:54 (-0700), BGM wrote:
> Thanks for you interest, fellas.
>
> I downgraded lilypond to version 2.19.36-1 and everything works as expected
> - that is, it compiles any of my scores normally in just a second or two.
>
> My problems were all with the latest lilypond
Stephen MacNeil writes:
> Hi David
>
> I notice both
>
> ^(_(d)
>
>
> and
>
> ^(_(d))
>
>
> work. The last with ))
>
>
> is one way "more" correct?
Slurs don't nest. The current implementation does not complain about
spurious slur starts/ends. It's only when the
I continually run into the problem where I have dynamics wth hairpins
across phrases which cross staves, causing lilypond to throw the
'cross fingers' error repeatedly in a cascade. Despite crossing
fingers (it is a well known fact I dislike this error expression) the
output places the dynamics
Thanks for you interest, fellas.
I downgraded lilypond to version 2.19.36-1 and everything works as expected
- that is, it compiles any of my scores normally in just a second or two.
My problems were all with the latest lilypond 2.19.44-1 version.
I am using Frescibaldo 2.19 on Windows 7 Pro
Hi Gabriel-Marie,
What platform are you using? Linux, Windows, Mac? Can you tell us
that, and the OS version? Which Frescobaldi are you running - platform
distribution, or a build from source?
Can you obtain timings from the command line to compare with Frescobaldi?
I have observed the
On Thu 07 Jul 2016 at 15:15:42 (-0700), BGM wrote:
> Well, it seems like it hangs on just starting lilypond. (and, as I've
> mentioned, I didn't have this problem with version 2.18)
>
> As soon as it gets past this line...
> So, this line takes 99% of the time in the progressbar:
> Starting
Hi David
I notice both
^(_(d)
and
^(_(d))
work. The last with ))
is one way "more" correct?
Stephen
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Encountering this bug for the first time is a right of passage. It will
probably not be fixed in our lifetimes.
Congratulations, you are now a Lilyponder!
--
View this message in context:
http://lilypond.1069038.n5.nabble.com/appoggiatura-problem-tp192328p192353.html
Sent from the User
Absolutely - in fact, using the presence of offset to indicate *I'm a
footnote* was just a practical solution since I am sure some projects won't
*always* want annotations to become footnotes, and with this check
wouldn't need to specify explicitly *when* and *when not*.
However, maybe it would
On 07.07.2016 09:43, Andrew Bernard wrote:
I was putting the custom PDF fields in the paper block, not the header
block (lilypond keeps quite about this).
In a \header and \paper block, just like on top level, you can perform
any assignment you want. Only question is if the value will be
Well, it seems like it hangs on just starting lilypond. (and, as I've
mentioned, I didn't have this problem with version 2.18)
As soon as it gets past this line...
So, this line takes 99% of the time in the progressbar:
Starting lilypond-windows.exe 2.19.44 [whatever.ly]...
then all the rest
Stephen MacNeil writes:
> \set doubleSlurs = ##t
>
> (d)
Or just ^(_( d) since two slurs with explicit direction will both
be kept around.
--
David Kastrup
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"Br. Gabriel-Marie | SSPX" writes:
> Recently I updated my lilypond from 2.18 to 2.19.44. I am using
> Frescobaldi for the GUI.
> It used to take only a few seconds to compile a score, but now it
> takes at least 28 seconds every time.
> This is the case even if I don't
2016-07-07 18:23 GMT+02:00 Br. Gabriel-Marie | SSPX :
> Mr. Morley,
>
> Hey! That's it! Thank you very much! It works just like I imagined it
> could!
>
> The only thing I can complain about with this is that it takes forever
> (nearly 30 seconds, anyway; normally it only
Okay, when I try exactly that, I still get 28.8 seconds for compile time.
Moving the \new statements does not change anything for me.
--
View this message in context:
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Sent from the User mailing
On Thu, Jul 7, 2016 at 2:25 PM, BGM [via Lilypond] <
ml-node+s1069038n192343...@n5.nabble.com> wrote:
> Recently I updated my lilypond from 2.18 to 2.19.44. I am using
> Frescobaldi for the GUI.
> It used to take only a few seconds to compile a score, but now it takes at
> least 28 seconds every
Recently I updated my lilypond from 2.18 to 2.19.44. I am
using Frescobaldi for the GUI.
It used to take only a few seconds to compile a score, but
now it takes at least 28 seconds every time.
This is the case even if I don't create a midi.
Am I missing something, or is this the case for
An hour ago, I wrote:
> (In the [attached] larger file, I was able to put an explicit \oneVoice
> overriding \voiceTwo and imitate the printed version, but this only
> worked for the upper staff, and not in my excerpt.)
>
> Can anyone suggest the correct way forward?
I figured something out;
\set doubleSlurs = ##t
(d)
other part
\set doubleSlurs = ##t
4.(4)
HTH
Stephen
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Hi Nik,
On Thu, Jul 7, 2016 at 12:45 PM, Nik Repka wrote:
> Hello all:
>
> I'm using code from this snippet:
> http://lists.gnu.org/archive/html/lilypond-user/2011-08/msg00157.html to
> create two marks that are split from one another over a system break. Many
> people on
On 2016-07-07 5:38 AM, Federico Bruni wrote:
> The standard does not take into account that the author of the document
> might be different from the author of the __content__ in the document?
>
> What's more relevant when you search a document? The person who created
> the document in a computer
David Wright writes:
> On Thu 07 Jul 2016 at 00:52:53 (-0700), Andrew Bernard wrote:
>> This may be the standard, but it is woefully ambiguous, and text-centric.
>> In the case of a music composition, is is the composer or the engraver? Is
>> the ‘document’ the music,
On Thu 07 Jul 2016 at 00:52:53 (-0700), Andrew Bernard wrote:
> This may be the standard, but it is woefully ambiguous, and text-centric.
> In the case of a music composition, is is the composer or the engraver? Is
> the ‘document’ the music, or the setting of it?
Neither. It's the PDF document
Hello all:
I'm using code from this snippet:
http://lists.gnu.org/archive/html/lilypond-user/2011-08/msg00157.html to
create two marks that are split from one another over a system break.
Many people on the web are reporting that it works perfectly for them,
but for me, the two marks remain
Many tahnks! Have understood the problem.
Regards
Am 07.07.2016 um 17:42 schrieb David Kastrup:
bb writes:
I tried to write a treble line and a bass line. The treble line has an
appoggiatura at the beginning, the bass line has not. If you compile
that attached
Mr. Morley,
Hey! That's it! Thank you very much! It works just like I
imagined it could!
The only thing I can complain about with this is that it
takes forever (nearly 30 seconds, anyway; normally it only
takes a few seconds) to compile. Here is the error log I
get for your script:
Am 7. Juli 2016 17:32:47 MESZ, schrieb Caio Giovaneti de Barros
:
>Can I remove a staff in a single section? Like \removeEmptyStaves but
>not for the whole score. In my case it is just for the last system.
>
>
>Sorry if this topic was already discussed, I searched the
bb writes:
> I tried to write a treble line and a bass line. The treble line has an
> appoggiatura at the beginning, the bass line has not. If you compile
> that attached snippet you will find the appoggiatura before the time
> definition. in the second measure/bar it
Caio Giovaneti de Barros writes:
> Can I remove a staff in a single section? Like \removeEmptyStaves but
> not for the whole score. In my case it is just for the last system.
>
>
> Sorry if this topic was already discussed, I searched the manuals and
> archive but I'm in a
I tried to write a treble line and a bass line. The treble line has an
appoggiatura at the beginning, the bass line has not. If you compile
that attached snippet you will find the appoggiatura before the time
definition. in the second measure/bar it is not.
There is also a strange treble clef
Can I remove a staff in a single section? Like \removeEmptyStaves but
not for the whole score. In my case it is just for the last system.
Sorry if this topic was already discussed, I searched the manuals and
archive but I'm in a bit of a hurry now to be honest.
Il giorno gio 7 lug 2016 alle 9:52, Andrew Bernard
ha scritto:
On this topic, can we add ‘engraver’ as pdfengraver to have it in
the custom PDF fields?
This is issue 3820:
https://sourceforge.net/p/testlilyissues/issues/3820/#e957
Le jeudi 07 juillet 2016 à 13:48 +0200, Jogchum Reitsma a écrit :
> Hi all,
>
> In the second Kyrie from J.S. Bach's Hohe Messe, the time signature
> is 4/4, but the bars are filled with 8 quarter notes or its
> equivalent in time.
> I cannot find in the documentation or last years list archive
Am 07.07.2016 um 13:48 schrieb Jogchum Reitsma:
In the second Kyrie from J.S. Bach's Hohe Messe, the time signature is
4/4, but the bars are filled with 8 quarter notes or its equivalent in
time.
Are you sure you meant 4/4 which is shown as C? Bach uses the cut C
(alla breve).
\set
Hi all,
In the second Kyrie from J.S. Bach's Hohe Messe, the time signature is
4/4, but the bars are filled with 8 quarter notes or its equivalent in time.
I cannot find in the documentation or last years list archive how to
code that in lilypond.
\set timeSignatureFraction = #'(2.2)
which
On 07/07/16 08:38, Christopher R. Maden wrote:
On 07/07/2016 02:23 AM, David Kastrup wrote:
Federico Bruni writes:
Who should be in your opinion the author of a LilyPond score PDF? The
composer or the typesetter?
Usefulness does not come into play here as long as there
Il giorno gio 7 lug 2016 alle 11:41, David Kastrup ha
scritto:
Federico Bruni writes:
Il giorno gio 7 lug 2016 alle 9:23, David Kastrup ha
scritto:
Usefulness does not come into play here as long as there is a
standard.
The PDF standard
Federico Bruni writes:
> Il giorno gio 7 lug 2016 alle 9:23, David Kastrup ha
> scritto:
>> Usefulness does not come into play here as long as there is a
>> standard.
>> The PDF standard states:
>
> Where did you take this?
PDF reference manual downloaded from
Il giorno gio 7 lug 2016 alle 9:23, David Kastrup ha
scritto:
Usefulness does not come into play here as long as there is a
standard.
The PDF standard states:
Where did you take this?
Key TypeValue
Titletext string (Optional; PDF 1.1) The document’s
This may be the standard, but it is woefully ambiguous, and text-centric.
In the case of a music composition, is is the composer or the engraver? Is
the ‘document’ the music, or the setting of it?
Setting Author to the name of the composer does not make it clear to
anybody who the composer is.
Oops. It would help if I paid closed attention to what I am doing. I was
putting the custom PDF fields in the paper block, not the header block
(lilypond keeps quite about this).
Ignore the noise, and apologies.
Andrew
On 7 July 2016 at 5:25:49 PM, Andrew Bernard (andrew.bern...@gmail.com)
On 07/07/2016 02:23 AM, David Kastrup wrote:
Federico Bruni writes:
Who should be in your opinion the author of a LilyPond score PDF? The
composer or the typesetter?
Usefulness does not come into play here as long as there is a standard.
The PDF standard states:
Key
Hi Federico,
How does one view the additional PDF metadata such as created by
‘pdfcomposer’ in the header in Linux? Indeed, I cannot see this in Adobe
Acrobat Pro DC (on Mac) either? Where is it stored and how to display it?
Currently using 2.19.44 to try this out.
Andrew
Federico Bruni writes:
> Hi all
>
> I'd like to edit this page of the documentation:
> http://lilypond.org/doc/v2.19/Documentation/notation/creating-pdf-metadata.html
>
> to add what I learned here:
> https://lists.gnu.org/archive/html/bug-lilypond/2016-07/msg8.html
>
> I
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