Re: New LilyPond website

2016-11-30 Thread Henning Hraban Ramm
Am 2016-11-30 um 22:51 schrieb John Roper :

> OK, I removed the JavaScript drop down menu and will do it another
> way. I have also updated the letter spacing on the text so it matches
> what we had previously.

I didn’t look at it (yet), but thanks for your efforts!

I was always trying to have CSS-only menus, but they behave badly on touch 
screens (since there’s no mouseover).
So, in my experience as a professional (web) designer, I’d go for something 
that works without JS, but also/better with. (Bootstrap is one candidate.)

At the moment I see no dropdown menus at all – do you think we can manage 
without?

Regarding the font: While I find it acceptable for most of the text, I’d prefer 
something different for titles, esp. the main title.


Greetlings, Hraban
---
fiëé visuëlle
Henning Hraban Ramm
http://www.fiee.net




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Re: request for help: huge score

2016-11-30 Thread Urs Liska


Am 01.12.2016 um 04:21 schrieb Kieren MacMillan:
> Hi Karl,
>
>> there is a good point in avoiding tweeks, because you can just 
>> wait a few years and then magically you don't need it any longer ---
>> because lilypond has become so much better and does it for you 
>> automatically.
> A little OT, but… If you use the edition-engraver, all tweaks are external to 
> the main Lily code, so when improvements are made, you can fine-tune them in 
> the edition file (or, in the best case scenario, eliminate them altogether).

OTOH, as long as the edition-engraver is not part of LilyPond itself
this adds an admittedly non-trivial dependency to the score (non-trivial
in the sense of sustainable).

Urs

>
> Cheers,
> Kieren.
> 
>
> Kieren MacMillan, composer
> ‣ website: www.kierenmacmillan.info
> ‣ email: i...@kierenmacmillan.info
>
>
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Re: New LilyPond website

2016-11-30 Thread Federico Bruni
Il giorno mer 30 nov 2016 alle 20:13, Noeck  ha 
scritto:

 I wanted to do that, but I got so much dislike from the community
 members about the design, I redid it in a way that would be more
 pleasing to them.


That's a pity. My summary of the opinions here is different: Some like
the proposed changes and some do not. It is sad that the one who cries
the loudest will win.

To me the green color and the color gradient is the most off-putting
part. But beauty is in the eye of the beholder.


+1




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Re: request for help: huge score

2016-11-30 Thread Kieren MacMillan
Hi Karl,

> there is a good point in avoiding tweeks, because you can just 
> wait a few years and then magically you don't need it any longer ---
> because lilypond has become so much better and does it for you 
> automatically.

A little OT, but… If you use the edition-engraver, all tweaks are external to 
the main Lily code, so when improvements are made, you can fine-tune them in 
the edition file (or, in the best case scenario, eliminate them altogether).

Cheers,
Kieren.


Kieren MacMillan, composer
‣ website: www.kierenmacmillan.info
‣ email: i...@kierenmacmillan.info


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Re: New LilyPond website

2016-11-30 Thread John Roper
And another fix for links.

On Wed, Nov 30, 2016 at 9:35 PM, John Roper  wrote:
> Ok, I tested, and I made some more fixes.
>
> On Wed, Nov 30, 2016 at 9:18 PM, John Roper  wrote:
>> Ok, here are my updates on the lilypond-website.css.
>>
>> On Wed, Nov 30, 2016 at 8:53 PM, Paul  wrote:
>>> On 11/30/2016 08:01 PM, John Roper wrote:
>>>
 Why is the website auto generated? What content is auto generated or
 is it just setup that way so that it is always built to the latest
 version for releases?
>>>
>>>
>>> Others can probably give better answers, as this is kind of second hand
>>> based on past discussions... but the website is basically an appendage to
>>> the (much larger) documentation, and, well let me quote
>>>
>>> https://www.gnu.org/software/texinfo/
>>>
>>> ---
>>> Texinfo is the official documentation format of the GNU project. It was
>>> invented by Richard Stallman and Bob Chassell many years ago, loosely based
>>> on Brian Reid's Scribe and other formatting languages of the time. It is
>>> used by many non-GNU projects as well.
>>>
>>> Texinfo uses a single source file to produce output in a number of formats,
>>> both online and printed (dvi, html, info, pdf, xml, etc.). This means that
>>> instead of writing different documents for online information and another
>>> for a printed manual, you need write only one document. And when the work is
>>> revised, you need revise only that one document. The Texinfo system is
>>> well-integrated with GNU Emacs.
>>> ---
>>>
>>> So using texinfo to produce the documentation in info, pdf, html formats
>>> etc. is then also used for the website.  I think that's the main reason, but
>>> it's also tied up with supporting multiple translations of the docs/website
>>> and how building the docs runs LilyPond to generate all of the images for
>>> the examples, etc.  Also the argument is that having one system for docs and
>>> website is simpler and makes maintenance easier, especially with fewer
>>> contributors, etc.  That's the gist of past discussions.
>>>
>>> I think there's a case for decoupling the website from the documentation to
>>> a greater degree, e.g. as Federico argued earlier in the thread, but based
>>> on past discussions I am not optimistic that this would go as far as not
>>> using texinfo.  (But I've often wondered how important is it for the content
>>> of the website to be available in pdf and info formats.)
>>>
>>> Upgrading to the latest version of texi2any[0] and/or using Haunt would
>>> help, but those are non-trivial endeavors.  The current setup certainly
>>> introduces friction for website work, especially for those who are used to
>>> working directly with HTML.
>>>
>>> [0]
>>> https://www.gnu.org/software/texinfo/manual/texinfo/html_node/Generic-Translator-texi2any.html
>>>
>>> Cheers,
>>> -Paul
>>>
>>
>>
>>
>> --
>> John Roper
>> Freelance Developer and Simulation Artist
>> Boston, MA USA
>> http://jmroper.com/
>
>
>
> --
> John Roper
> Freelance Developer and Simulation Artist
> Boston, MA USA
> http://jmroper.com/



-- 
John Roper
Freelance Developer and Simulation Artist
Boston, MA USA
http://jmroper.com/
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/* search 

Re: New LilyPond website

2016-11-30 Thread John Roper
Ok, I tested, and I made some more fixes.

On Wed, Nov 30, 2016 at 9:18 PM, John Roper  wrote:
> Ok, here are my updates on the lilypond-website.css.
>
> On Wed, Nov 30, 2016 at 8:53 PM, Paul  wrote:
>> On 11/30/2016 08:01 PM, John Roper wrote:
>>
>>> Why is the website auto generated? What content is auto generated or
>>> is it just setup that way so that it is always built to the latest
>>> version for releases?
>>
>>
>> Others can probably give better answers, as this is kind of second hand
>> based on past discussions... but the website is basically an appendage to
>> the (much larger) documentation, and, well let me quote
>>
>> https://www.gnu.org/software/texinfo/
>>
>> ---
>> Texinfo is the official documentation format of the GNU project. It was
>> invented by Richard Stallman and Bob Chassell many years ago, loosely based
>> on Brian Reid's Scribe and other formatting languages of the time. It is
>> used by many non-GNU projects as well.
>>
>> Texinfo uses a single source file to produce output in a number of formats,
>> both online and printed (dvi, html, info, pdf, xml, etc.). This means that
>> instead of writing different documents for online information and another
>> for a printed manual, you need write only one document. And when the work is
>> revised, you need revise only that one document. The Texinfo system is
>> well-integrated with GNU Emacs.
>> ---
>>
>> So using texinfo to produce the documentation in info, pdf, html formats
>> etc. is then also used for the website.  I think that's the main reason, but
>> it's also tied up with supporting multiple translations of the docs/website
>> and how building the docs runs LilyPond to generate all of the images for
>> the examples, etc.  Also the argument is that having one system for docs and
>> website is simpler and makes maintenance easier, especially with fewer
>> contributors, etc.  That's the gist of past discussions.
>>
>> I think there's a case for decoupling the website from the documentation to
>> a greater degree, e.g. as Federico argued earlier in the thread, but based
>> on past discussions I am not optimistic that this would go as far as not
>> using texinfo.  (But I've often wondered how important is it for the content
>> of the website to be available in pdf and info formats.)
>>
>> Upgrading to the latest version of texi2any[0] and/or using Haunt would
>> help, but those are non-trivial endeavors.  The current setup certainly
>> introduces friction for website work, especially for those who are used to
>> working directly with HTML.
>>
>> [0]
>> https://www.gnu.org/software/texinfo/manual/texinfo/html_node/Generic-Translator-texi2any.html
>>
>> Cheers,
>> -Paul
>>
>
>
>
> --
> John Roper
> Freelance Developer and Simulation Artist
> Boston, MA USA
> http://jmroper.com/



-- 
John Roper
Freelance Developer and Simulation Artist
Boston, MA USA
http://jmroper.com/
/* Generic elements */

html {
  padding: 0;
  margin: 0;
}

body {
  position: absolute;
  top: 0;
  left: 0.5%;
  right: 0.5%;
  width: 99%;
  min-width: 42em;
  max-width: 70em;
  line-height: 1.5;
  text-align: justify;
  padding: 0;
  margin: 0 auto;
  /* fallback for IE8 which doesn't support multiple backgrounds */
  background: url(../pictures/background-top-left.png) no-repeat top left;
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  background-image: url(../pictures/background-top-right.png),
url(../pictures/background-top-left.png);
  background-position: top right, top left;
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  letter-spacing: 1px;
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  display: none;
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}

a:hover {
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}

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/* first level toc (unnumbered) */
div#tocframe {
  position: absolute;
  top: 0;
  left: 0;
  right: 0;
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  max-width: 70em;
  font-size: 100%;
  line-height: 1;
  padding: 0;
  margin-top: 15px;
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  float: left;
  width: 92%;
  height: 20px;
  font-size: 90%;
  color: #55;
  background: #ebf2e8;
  padding: 

Re: New LilyPond website

2016-11-30 Thread John Roper
Ok, here are my updates on the lilypond-website.css.

On Wed, Nov 30, 2016 at 8:53 PM, Paul  wrote:
> On 11/30/2016 08:01 PM, John Roper wrote:
>
>> Why is the website auto generated? What content is auto generated or
>> is it just setup that way so that it is always built to the latest
>> version for releases?
>
>
> Others can probably give better answers, as this is kind of second hand
> based on past discussions... but the website is basically an appendage to
> the (much larger) documentation, and, well let me quote
>
> https://www.gnu.org/software/texinfo/
>
> ---
> Texinfo is the official documentation format of the GNU project. It was
> invented by Richard Stallman and Bob Chassell many years ago, loosely based
> on Brian Reid's Scribe and other formatting languages of the time. It is
> used by many non-GNU projects as well.
>
> Texinfo uses a single source file to produce output in a number of formats,
> both online and printed (dvi, html, info, pdf, xml, etc.). This means that
> instead of writing different documents for online information and another
> for a printed manual, you need write only one document. And when the work is
> revised, you need revise only that one document. The Texinfo system is
> well-integrated with GNU Emacs.
> ---
>
> So using texinfo to produce the documentation in info, pdf, html formats
> etc. is then also used for the website.  I think that's the main reason, but
> it's also tied up with supporting multiple translations of the docs/website
> and how building the docs runs LilyPond to generate all of the images for
> the examples, etc.  Also the argument is that having one system for docs and
> website is simpler and makes maintenance easier, especially with fewer
> contributors, etc.  That's the gist of past discussions.
>
> I think there's a case for decoupling the website from the documentation to
> a greater degree, e.g. as Federico argued earlier in the thread, but based
> on past discussions I am not optimistic that this would go as far as not
> using texinfo.  (But I've often wondered how important is it for the content
> of the website to be available in pdf and info formats.)
>
> Upgrading to the latest version of texi2any[0] and/or using Haunt would
> help, but those are non-trivial endeavors.  The current setup certainly
> introduces friction for website work, especially for those who are used to
> working directly with HTML.
>
> [0]
> https://www.gnu.org/software/texinfo/manual/texinfo/html_node/Generic-Translator-texi2any.html
>
> Cheers,
> -Paul
>



-- 
John Roper
Freelance Developer and Simulation Artist
Boston, MA USA
http://jmroper.com/
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html {
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  margin: 0;
}

body {
  position: absolute;
  top: 0;
  left: 0.5%;
  right: 0.5%;
  width: 99%;
  min-width: 42em;
  max-width: 70em;
  line-height: 1.5;
  text-align: justify;
  padding: 0;
  margin: 0 auto;
  /* fallback for IE8 which doesn't support multiple backgrounds */
  background: url(../pictures/background-top-left.png) no-repeat top left;
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  background-image: url(../pictures/background-top-right.png),
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a:link {
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a:visited {
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a:hover {
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/* first level toc (unnumbered) */
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  left: 0;
  right: 0;
  background: #239b50;
  max-width: 70em;
  font-size: 100%;
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Re: New LilyPond website

2016-11-30 Thread Paul

On 11/30/2016 08:01 PM, John Roper wrote:


Why is the website auto generated? What content is auto generated or
is it just setup that way so that it is always built to the latest
version for releases?


Others can probably give better answers, as this is kind of second hand 
based on past discussions... but the website is basically an appendage 
to the (much larger) documentation, and, well let me quote


https://www.gnu.org/software/texinfo/

---
Texinfo is the official documentation format of the GNU project. It was 
invented by Richard Stallman and Bob Chassell many years ago, loosely 
based on Brian Reid's Scribe and other formatting languages of the time. 
It is used by many non-GNU projects as well.


Texinfo uses a single source file to produce output in a number of 
formats, both online and printed (dvi, html, info, pdf, xml, etc.). This 
means that instead of writing different documents for online information 
and another for a printed manual, you need write only one document. And 
when the work is revised, you need revise only that one document. The 
Texinfo system is well-integrated with GNU Emacs.

---

So using texinfo to produce the documentation in info, pdf, html formats 
etc. is then also used for the website.  I think that's the main reason, 
but it's also tied up with supporting multiple translations of the 
docs/website and how building the docs runs LilyPond to generate all of 
the images for the examples, etc.  Also the argument is that having one 
system for docs and website is simpler and makes maintenance easier, 
especially with fewer contributors, etc.  That's the gist of past 
discussions.


I think there's a case for decoupling the website from the documentation 
to a greater degree, e.g. as Federico argued earlier in the thread, but 
based on past discussions I am not optimistic that this would go as far 
as not using texinfo.  (But I've often wondered how important is it for 
the content of the website to be available in pdf and info formats.)


Upgrading to the latest version of texi2any[0] and/or using Haunt would 
help, but those are non-trivial endeavors.  The current setup certainly 
introduces friction for website work, especially for those who are used 
to working directly with HTML.


[0] 
https://www.gnu.org/software/texinfo/manual/texinfo/html_node/Generic-Translator-texi2any.html


Cheers,
-Paul


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Re: New LilyPond website

2016-11-30 Thread John Roper
Ok. will do.

On Wed, Nov 30, 2016 at 8:42 PM, Graham Percival
 wrote:
> The same information that's on the website is also produced in pdf
> and info (a GNU/Linux documentation system).
>
> I *strongly* encourage you to modify the existing lilypond.css file
> and use the current HTML files, rather than trying to recreate the
> texinfo from scratch.  Even if you want to eventually make more
> drastic changes, it would be good to start off with something easy
> and see how the process goes.  For example, these changes can
> definitely be done simply by editing the CSS File:
> - different font
> - flat colors in the navbar
> - more space around the boxes
>
> I personally would start off with the navbar changes.  Produce the
> patch, submit it, get it accepted, see lilypond.org updated with
> your work -- and then start on another change.
>
> Cheers,
> - Graham
>
> On Wed, Nov 30, 2016 at 07:48:53PM -0500, John Roper wrote:
>> Why specifically do we *need* to use textinfo? If I could make a new
>> system that would auto generate the docs that works with the current
>> system would you use it?
>>
>> On Wed, Nov 30, 2016 at 7:23 PM, John Roper  wrote:
>> > What I had to do for the new design was create entirely new markup
>> > from scratch. If it is not possible to use that, we have no new
>> > design.
>> >
>> > On Wed, Nov 30, 2016 at 7:21 PM, John Roper  wrote:
>> >> So, does texinfo create all the markup and you add the styling, or do
>> >> you add some of the markup? If so, where is it?
>> >>
>> >> On Wed, Nov 30, 2016 at 7:07 PM, John Roper  
>> >> wrote:
>> >>> https://github.com/johnroper100/LilyPond-Web-Redesign
>> >>>
>> >>> On Wed, Nov 30, 2016 at 6:55 PM, John Roper  
>> >>> wrote:
>>  I am going to put the code in a GitHub repo for now so that I can keep 
>>  track
>>  of it.
>> 
>> 
>>  On Nov 30, 2016 6:53 PM, "John Roper"  wrote:
>> >
>> > I am prepared to take my design and start to convert it over to the 
>> > text
>> > info generator (at least on the home page).
>> >
>> >
>> > On Nov 30, 2016 6:29 PM, "Carl Sorensen"  wrote:
>> >>
>> >>
>> >>
>> >> On 11/30/16 2:58 PM, "Noeck"  wrote:
>> >>
>> >> >
>> >> >I was a bit disappointed that the suggestions have narrowed down so
>> >> >quickly to something so close to the old layout. But perhaps the 
>> >> >chances
>> >> >are better to get somewhere from there than to have ~10 to quickly 
>> >> >~50
>> >> >completely different proposals.
>> >>
>> >> Here's my view of the course of this discussion:
>> >>
>> >> 1) John came up with a Wordpress layout.  (I never saw that layout,
>> >> because it has been replaced with the new "just adjust the CSS" 
>> >> lilypond
>> >> example).
>> >>
>> >> 2) Some people expressed appreciation for the new layout; others
>> >> expressed
>> >> concerns about the technology.  John, in an impressive burst of work
>> >> created multiple versions responding to people's concerns.
>> >>
>> >> 3) Several users discussed preferences for the old design.
>> >>
>> >> 4) Some developers chimed in about the desire/necessity to keep the
>> >> website auto created and pointed out that it would be straightforward 
>> >> to
>> >> change the CSS.
>> >>
>> >> 5) John followed that lead and jumped in with changes to the CSS.
>> >>
>> >> It seems likely to me that we are not too far from having new CSS that
>> >> can
>> >> be added to the LilyPond source to make some incremental, but 
>> >> significant
>> >> improvements to the website.
>> >>
>> >> Once John has worked on getting the new CSS implemented, he'll be in 
>> >> much
>> >> better shape to make recommendations for changes that are or can be 
>> >> made
>> >> consistent with our current infrastructure.  Such changes have a very
>> >> high
>> >> likelihood of implementation.  Since my time being involved with
>> >> LilyPond,
>> >> I can't remember a developer who proposed changes in the website that
>> >> could be implemented in our current framework failing to get those
>> >> changes
>> >> adopted.
>> >>
>> >> Changes that require shifting large parts of our current source (and 
>> >> by
>> >> that I mean documents, not code) to some different infrastructure 
>> >> will be
>> >> met with skepticism by the development community, I believe.  Someone 
>> >> who
>> >> wants to have such changes made will need to shoulder most (or all) of
>> >> the
>> >> burden to make those changes.  But if someone is willing to do that, 
>> >> and
>> >> the new infrastructure will support our translation process as 

Re: New LilyPond website

2016-11-30 Thread Graham Percival
The same information that's on the website is also produced in pdf
and info (a GNU/Linux documentation system).

I *strongly* encourage you to modify the existing lilypond.css file
and use the current HTML files, rather than trying to recreate the
texinfo from scratch.  Even if you want to eventually make more
drastic changes, it would be good to start off with something easy
and see how the process goes.  For example, these changes can
definitely be done simply by editing the CSS File:
- different font
- flat colors in the navbar
- more space around the boxes

I personally would start off with the navbar changes.  Produce the
patch, submit it, get it accepted, see lilypond.org updated with
your work -- and then start on another change.

Cheers,
- Graham

On Wed, Nov 30, 2016 at 07:48:53PM -0500, John Roper wrote:
> Why specifically do we *need* to use textinfo? If I could make a new
> system that would auto generate the docs that works with the current
> system would you use it?
> 
> On Wed, Nov 30, 2016 at 7:23 PM, John Roper  wrote:
> > What I had to do for the new design was create entirely new markup
> > from scratch. If it is not possible to use that, we have no new
> > design.
> >
> > On Wed, Nov 30, 2016 at 7:21 PM, John Roper  wrote:
> >> So, does texinfo create all the markup and you add the styling, or do
> >> you add some of the markup? If so, where is it?
> >>
> >> On Wed, Nov 30, 2016 at 7:07 PM, John Roper  wrote:
> >>> https://github.com/johnroper100/LilyPond-Web-Redesign
> >>>
> >>> On Wed, Nov 30, 2016 at 6:55 PM, John Roper  
> >>> wrote:
>  I am going to put the code in a GitHub repo for now so that I can keep 
>  track
>  of it.
> 
> 
>  On Nov 30, 2016 6:53 PM, "John Roper"  wrote:
> >
> > I am prepared to take my design and start to convert it over to the text
> > info generator (at least on the home page).
> >
> >
> > On Nov 30, 2016 6:29 PM, "Carl Sorensen"  wrote:
> >>
> >>
> >>
> >> On 11/30/16 2:58 PM, "Noeck"  wrote:
> >>
> >> >
> >> >I was a bit disappointed that the suggestions have narrowed down so
> >> >quickly to something so close to the old layout. But perhaps the 
> >> >chances
> >> >are better to get somewhere from there than to have ~10 to quickly ~50
> >> >completely different proposals.
> >>
> >> Here's my view of the course of this discussion:
> >>
> >> 1) John came up with a Wordpress layout.  (I never saw that layout,
> >> because it has been replaced with the new "just adjust the CSS" 
> >> lilypond
> >> example).
> >>
> >> 2) Some people expressed appreciation for the new layout; others
> >> expressed
> >> concerns about the technology.  John, in an impressive burst of work
> >> created multiple versions responding to people's concerns.
> >>
> >> 3) Several users discussed preferences for the old design.
> >>
> >> 4) Some developers chimed in about the desire/necessity to keep the
> >> website auto created and pointed out that it would be straightforward 
> >> to
> >> change the CSS.
> >>
> >> 5) John followed that lead and jumped in with changes to the CSS.
> >>
> >> It seems likely to me that we are not too far from having new CSS that
> >> can
> >> be added to the LilyPond source to make some incremental, but 
> >> significant
> >> improvements to the website.
> >>
> >> Once John has worked on getting the new CSS implemented, he'll be in 
> >> much
> >> better shape to make recommendations for changes that are or can be 
> >> made
> >> consistent with our current infrastructure.  Such changes have a very
> >> high
> >> likelihood of implementation.  Since my time being involved with
> >> LilyPond,
> >> I can't remember a developer who proposed changes in the website that
> >> could be implemented in our current framework failing to get those
> >> changes
> >> adopted.
> >>
> >> Changes that require shifting large parts of our current source (and by
> >> that I mean documents, not code) to some different infrastructure will 
> >> be
> >> met with skepticism by the development community, I believe.  Someone 
> >> who
> >> wants to have such changes made will need to shoulder most (or all) of
> >> the
> >> burden to make those changes.  But if someone is willing to do that, 
> >> and
> >> the new infrastructure will support our translation process as well or
> >> better than our current infrastructure, I would expect those changes to
> >> eventually be implemented.
> >>
> >> I hope John doesn't feel like he's had a negative response.  I believe
> >> he's had a response that points out the 

Re: Any way to get "optional" chords?

2016-11-30 Thread Flaming Hakama by Elaine
> One problem that I'm currently encountering is dealing with optional
> chords. (The chord letters above the staff for guitar players.) These
> are generally shown in either parentheses or square brackets. Is there
> a way to handle several arbitrary chord names  differently on a score?
> By this I mean, for example, just this D, but not the others.
>


Here is a solution from the german forum
http://www.lilypondforum.de/index.php?action=profile;area=showposts;u=54

There is a \paren command for a single chord, and the pair of \leftParen
\rightParen for multiple chords.  Note that the right paren command comes
before the last chord.


\version "2.19.15"

#(define (parenthesis-ignatzek-chord-names in-pitches bass inversion
context)
(markup #:line ( "(" (ignatzek-chord-names in-pitches bass inversion
context) ")" )))

#(define (left-parenthesis-ignatzek-chord-names in-pitches bass inversion
context)
(markup #:line ( "(" (ignatzek-chord-names in-pitches bass inversion
context) )))

#(define (right-parenthesis-ignatzek-chord-names in-pitches bass inversion
context)
(markup #:line ( (ignatzek-chord-names in-pitches bass inversion context)
")" )))

paren = #(define-music-function (parser location griffe) (ly:music?)
#{
\set chordNameFunction = #parenthesis-ignatzek-chord-names
$griffe
\set chordNameFunction = #ignatzek-chord-names
#})

leftParen = #(define-music-function (parser location griffe) (ly:music?)
#{
\set chordNameFunction = #left-parenthesis-ignatzek-chord-names
$griffe
\set chordNameFunction = #ignatzek-chord-names
#})

rightParen = #(define-music-function (parser location griffe) (ly:music?)
#{
\set chordNameFunction = #right-parenthesis-ignatzek-chord-names
$griffe
\set chordNameFunction = #ignatzek-chord-names
#})


\new ChordNames \chordmode {
c2:maj7 \paren a:7 | d:m g:7 | c1 | \leftParen es4:m7 aes:7 d:m
\rightParen g:7
}


HTH,

David Elaine Alt
415 . 341 .4954 <%28415%29%20341-4954>
  "*Confusion is highly underrated*"
ela...@flaminghakama.com
self-immolation.info
skype: flaming_hakama
Producer ~ Composer ~ Instrumentalist
-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=
-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-
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Re: New LilyPond website

2016-11-30 Thread John Roper
Why is the website auto generated? What content is auto generated or
is it just setup that way so that it is always built to the latest
version for releases?

On Wed, Nov 30, 2016 at 7:52 PM, Paul  wrote:
> On 11/30/2016 04:51 PM, John Roper wrote:
>
>> OK, I removed the JavaScript drop down menu and will do it another
>> way. I have also updated the letter spacing on the text so it matches
>> what we had previously.
>
>
> Ok, just trying to save you some work since javascript dependencies are a
> no-go for some LilyPond devs.
>
> Cheers,
> -Paul



-- 
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Freelance Developer and Simulation Artist
Boston, MA USA
http://jmroper.com/

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Re: New LilyPond website

2016-11-30 Thread Paul

On 11/30/2016 04:51 PM, John Roper wrote:


OK, I removed the JavaScript drop down menu and will do it another
way. I have also updated the letter spacing on the text so it matches
what we had previously.


Ok, just trying to save you some work since javascript dependencies are 
a no-go for some LilyPond devs.


Cheers,
-Paul

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Re: New LilyPond website

2016-11-30 Thread Paul

On 11/30/2016 07:21 PM, John Roper wrote:


So, does texinfo create all the markup and you add the styling, or do
you add some of the markup?  If so, where is it?


The HTML files are generated from texinfo source files.  The CSS files 
are just CSS files which are edited directly.


In the lilypond source repo go to Documentation/web and in there are 
several ".itexi" files which are the source for the website.  Each file 
contains the source for more than one web page (which IMHO is not ideal).


Oh, and the home page is in the file Documentation/web.texi for some reason.

The CSS files are in Documentation/css

Let me know if you have other questions.  I found that working with 
texinfo was a bit of a learning curve.  LilyPond's texinfo files use a 
number of custom macros, for example.


Cheers,
-Paul

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Re: New LilyPond website

2016-11-30 Thread John Roper
Why specifically do we *need* to use textinfo? If I could make a new
system that would auto generate the docs that works with the current
system would you use it?

On Wed, Nov 30, 2016 at 7:23 PM, John Roper  wrote:
> What I had to do for the new design was create entirely new markup
> from scratch. If it is not possible to use that, we have no new
> design.
>
> On Wed, Nov 30, 2016 at 7:21 PM, John Roper  wrote:
>> So, does texinfo create all the markup and you add the styling, or do
>> you add some of the markup? If so, where is it?
>>
>> On Wed, Nov 30, 2016 at 7:07 PM, John Roper  wrote:
>>> https://github.com/johnroper100/LilyPond-Web-Redesign
>>>
>>> On Wed, Nov 30, 2016 at 6:55 PM, John Roper  wrote:
 I am going to put the code in a GitHub repo for now so that I can keep 
 track
 of it.


 On Nov 30, 2016 6:53 PM, "John Roper"  wrote:
>
> I am prepared to take my design and start to convert it over to the text
> info generator (at least on the home page).
>
>
> On Nov 30, 2016 6:29 PM, "Carl Sorensen"  wrote:
>>
>>
>>
>> On 11/30/16 2:58 PM, "Noeck"  wrote:
>>
>> >
>> >I was a bit disappointed that the suggestions have narrowed down so
>> >quickly to something so close to the old layout. But perhaps the chances
>> >are better to get somewhere from there than to have ~10 to quickly ~50
>> >completely different proposals.
>>
>> Here's my view of the course of this discussion:
>>
>> 1) John came up with a Wordpress layout.  (I never saw that layout,
>> because it has been replaced with the new "just adjust the CSS" lilypond
>> example).
>>
>> 2) Some people expressed appreciation for the new layout; others
>> expressed
>> concerns about the technology.  John, in an impressive burst of work
>> created multiple versions responding to people's concerns.
>>
>> 3) Several users discussed preferences for the old design.
>>
>> 4) Some developers chimed in about the desire/necessity to keep the
>> website auto created and pointed out that it would be straightforward to
>> change the CSS.
>>
>> 5) John followed that lead and jumped in with changes to the CSS.
>>
>> It seems likely to me that we are not too far from having new CSS that
>> can
>> be added to the LilyPond source to make some incremental, but significant
>> improvements to the website.
>>
>> Once John has worked on getting the new CSS implemented, he'll be in much
>> better shape to make recommendations for changes that are or can be made
>> consistent with our current infrastructure.  Such changes have a very
>> high
>> likelihood of implementation.  Since my time being involved with
>> LilyPond,
>> I can't remember a developer who proposed changes in the website that
>> could be implemented in our current framework failing to get those
>> changes
>> adopted.
>>
>> Changes that require shifting large parts of our current source (and by
>> that I mean documents, not code) to some different infrastructure will be
>> met with skepticism by the development community, I believe.  Someone who
>> wants to have such changes made will need to shoulder most (or all) of
>> the
>> burden to make those changes.  But if someone is willing to do that, and
>> the new infrastructure will support our translation process as well or
>> better than our current infrastructure, I would expect those changes to
>> eventually be implemented.
>>
>> I hope John doesn't feel like he's had a negative response.  I believe
>> he's had a response that points out the minefields he needs to avoid in
>> order to get the website changed.  And it looks to me like he's jumping
>> in
>> and navigating the minefields, which I think is great.
>>
>> Thanks,
>>
>> Carl
>>

>>>
>>>
>>>
>>> --
>>> John Roper
>>> Freelance Developer and Simulation Artist
>>> Boston, MA USA
>>> http://jmroper.com/
>>
>>
>>
>> --
>> John Roper
>> Freelance Developer and Simulation Artist
>> Boston, MA USA
>> http://jmroper.com/
>
>
>
> --
> John Roper
> Freelance Developer and Simulation Artist
> Boston, MA USA
> http://jmroper.com/



-- 
John Roper
Freelance Developer and Simulation Artist
Boston, MA USA
http://jmroper.com/

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Re: New LilyPond website

2016-11-30 Thread John Roper
What I had to do for the new design was create entirely new markup
from scratch. If it is not possible to use that, we have no new
design.

On Wed, Nov 30, 2016 at 7:21 PM, John Roper  wrote:
> So, does texinfo create all the markup and you add the styling, or do
> you add some of the markup? If so, where is it?
>
> On Wed, Nov 30, 2016 at 7:07 PM, John Roper  wrote:
>> https://github.com/johnroper100/LilyPond-Web-Redesign
>>
>> On Wed, Nov 30, 2016 at 6:55 PM, John Roper  wrote:
>>> I am going to put the code in a GitHub repo for now so that I can keep track
>>> of it.
>>>
>>>
>>> On Nov 30, 2016 6:53 PM, "John Roper"  wrote:

 I am prepared to take my design and start to convert it over to the text
 info generator (at least on the home page).


 On Nov 30, 2016 6:29 PM, "Carl Sorensen"  wrote:
>
>
>
> On 11/30/16 2:58 PM, "Noeck"  wrote:
>
> >
> >I was a bit disappointed that the suggestions have narrowed down so
> >quickly to something so close to the old layout. But perhaps the chances
> >are better to get somewhere from there than to have ~10 to quickly ~50
> >completely different proposals.
>
> Here's my view of the course of this discussion:
>
> 1) John came up with a Wordpress layout.  (I never saw that layout,
> because it has been replaced with the new "just adjust the CSS" lilypond
> example).
>
> 2) Some people expressed appreciation for the new layout; others
> expressed
> concerns about the technology.  John, in an impressive burst of work
> created multiple versions responding to people's concerns.
>
> 3) Several users discussed preferences for the old design.
>
> 4) Some developers chimed in about the desire/necessity to keep the
> website auto created and pointed out that it would be straightforward to
> change the CSS.
>
> 5) John followed that lead and jumped in with changes to the CSS.
>
> It seems likely to me that we are not too far from having new CSS that
> can
> be added to the LilyPond source to make some incremental, but significant
> improvements to the website.
>
> Once John has worked on getting the new CSS implemented, he'll be in much
> better shape to make recommendations for changes that are or can be made
> consistent with our current infrastructure.  Such changes have a very
> high
> likelihood of implementation.  Since my time being involved with
> LilyPond,
> I can't remember a developer who proposed changes in the website that
> could be implemented in our current framework failing to get those
> changes
> adopted.
>
> Changes that require shifting large parts of our current source (and by
> that I mean documents, not code) to some different infrastructure will be
> met with skepticism by the development community, I believe.  Someone who
> wants to have such changes made will need to shoulder most (or all) of
> the
> burden to make those changes.  But if someone is willing to do that, and
> the new infrastructure will support our translation process as well or
> better than our current infrastructure, I would expect those changes to
> eventually be implemented.
>
> I hope John doesn't feel like he's had a negative response.  I believe
> he's had a response that points out the minefields he needs to avoid in
> order to get the website changed.  And it looks to me like he's jumping
> in
> and navigating the minefields, which I think is great.
>
> Thanks,
>
> Carl
>
>>>
>>
>>
>>
>> --
>> John Roper
>> Freelance Developer and Simulation Artist
>> Boston, MA USA
>> http://jmroper.com/
>
>
>
> --
> John Roper
> Freelance Developer and Simulation Artist
> Boston, MA USA
> http://jmroper.com/



-- 
John Roper
Freelance Developer and Simulation Artist
Boston, MA USA
http://jmroper.com/

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Re: New LilyPond website

2016-11-30 Thread John Roper
So, does texinfo create all the markup and you add the styling, or do
you add some of the markup? If so, where is it?

On Wed, Nov 30, 2016 at 7:07 PM, John Roper  wrote:
> https://github.com/johnroper100/LilyPond-Web-Redesign
>
> On Wed, Nov 30, 2016 at 6:55 PM, John Roper  wrote:
>> I am going to put the code in a GitHub repo for now so that I can keep track
>> of it.
>>
>>
>> On Nov 30, 2016 6:53 PM, "John Roper"  wrote:
>>>
>>> I am prepared to take my design and start to convert it over to the text
>>> info generator (at least on the home page).
>>>
>>>
>>> On Nov 30, 2016 6:29 PM, "Carl Sorensen"  wrote:



 On 11/30/16 2:58 PM, "Noeck"  wrote:

 >
 >I was a bit disappointed that the suggestions have narrowed down so
 >quickly to something so close to the old layout. But perhaps the chances
 >are better to get somewhere from there than to have ~10 to quickly ~50
 >completely different proposals.

 Here's my view of the course of this discussion:

 1) John came up with a Wordpress layout.  (I never saw that layout,
 because it has been replaced with the new "just adjust the CSS" lilypond
 example).

 2) Some people expressed appreciation for the new layout; others
 expressed
 concerns about the technology.  John, in an impressive burst of work
 created multiple versions responding to people's concerns.

 3) Several users discussed preferences for the old design.

 4) Some developers chimed in about the desire/necessity to keep the
 website auto created and pointed out that it would be straightforward to
 change the CSS.

 5) John followed that lead and jumped in with changes to the CSS.

 It seems likely to me that we are not too far from having new CSS that
 can
 be added to the LilyPond source to make some incremental, but significant
 improvements to the website.

 Once John has worked on getting the new CSS implemented, he'll be in much
 better shape to make recommendations for changes that are or can be made
 consistent with our current infrastructure.  Such changes have a very
 high
 likelihood of implementation.  Since my time being involved with
 LilyPond,
 I can't remember a developer who proposed changes in the website that
 could be implemented in our current framework failing to get those
 changes
 adopted.

 Changes that require shifting large parts of our current source (and by
 that I mean documents, not code) to some different infrastructure will be
 met with skepticism by the development community, I believe.  Someone who
 wants to have such changes made will need to shoulder most (or all) of
 the
 burden to make those changes.  But if someone is willing to do that, and
 the new infrastructure will support our translation process as well or
 better than our current infrastructure, I would expect those changes to
 eventually be implemented.

 I hope John doesn't feel like he's had a negative response.  I believe
 he's had a response that points out the minefields he needs to avoid in
 order to get the website changed.  And it looks to me like he's jumping
 in
 and navigating the minefields, which I think is great.

 Thanks,

 Carl

>>
>
>
>
> --
> John Roper
> Freelance Developer and Simulation Artist
> Boston, MA USA
> http://jmroper.com/



-- 
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Boston, MA USA
http://jmroper.com/

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Any way to get "optional" chords?

2016-11-30 Thread Don Gingrich
I produce both lead sheets with chords and lyrics and melody lineswith chords 
for dance music. The original material is often hand engravedand hard to read 
or in the wrong key -- hence the re-engraving.
One problem that I'm currently encountering is dealing with optionalchords. 
(The chord letters above the staff for guitar players.) These are generally 
shown in either parentheses or square brackets. Is therea way to handle several 
arbitrary chord names  differently on a score?By this I mean, for example, just 
this D, but not the others.
I'd be happy to have brackets, parentheses, a different colour or evenitalic 
instead of a regular font -- just some way to show that *this* chordis an 
exception. And it may not be possible, though I'd be surprised.I couldn't find 
it in the documentation, though. But I may not have usedthe correct search 
terms.
Thanks,
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Re: New LilyPond website

2016-11-30 Thread John Roper
https://github.com/johnroper100/LilyPond-Web-Redesign

On Wed, Nov 30, 2016 at 6:55 PM, John Roper  wrote:
> I am going to put the code in a GitHub repo for now so that I can keep track
> of it.
>
>
> On Nov 30, 2016 6:53 PM, "John Roper"  wrote:
>>
>> I am prepared to take my design and start to convert it over to the text
>> info generator (at least on the home page).
>>
>>
>> On Nov 30, 2016 6:29 PM, "Carl Sorensen"  wrote:
>>>
>>>
>>>
>>> On 11/30/16 2:58 PM, "Noeck"  wrote:
>>>
>>> >
>>> >I was a bit disappointed that the suggestions have narrowed down so
>>> >quickly to something so close to the old layout. But perhaps the chances
>>> >are better to get somewhere from there than to have ~10 to quickly ~50
>>> >completely different proposals.
>>>
>>> Here's my view of the course of this discussion:
>>>
>>> 1) John came up with a Wordpress layout.  (I never saw that layout,
>>> because it has been replaced with the new "just adjust the CSS" lilypond
>>> example).
>>>
>>> 2) Some people expressed appreciation for the new layout; others
>>> expressed
>>> concerns about the technology.  John, in an impressive burst of work
>>> created multiple versions responding to people's concerns.
>>>
>>> 3) Several users discussed preferences for the old design.
>>>
>>> 4) Some developers chimed in about the desire/necessity to keep the
>>> website auto created and pointed out that it would be straightforward to
>>> change the CSS.
>>>
>>> 5) John followed that lead and jumped in with changes to the CSS.
>>>
>>> It seems likely to me that we are not too far from having new CSS that
>>> can
>>> be added to the LilyPond source to make some incremental, but significant
>>> improvements to the website.
>>>
>>> Once John has worked on getting the new CSS implemented, he'll be in much
>>> better shape to make recommendations for changes that are or can be made
>>> consistent with our current infrastructure.  Such changes have a very
>>> high
>>> likelihood of implementation.  Since my time being involved with
>>> LilyPond,
>>> I can't remember a developer who proposed changes in the website that
>>> could be implemented in our current framework failing to get those
>>> changes
>>> adopted.
>>>
>>> Changes that require shifting large parts of our current source (and by
>>> that I mean documents, not code) to some different infrastructure will be
>>> met with skepticism by the development community, I believe.  Someone who
>>> wants to have such changes made will need to shoulder most (or all) of
>>> the
>>> burden to make those changes.  But if someone is willing to do that, and
>>> the new infrastructure will support our translation process as well or
>>> better than our current infrastructure, I would expect those changes to
>>> eventually be implemented.
>>>
>>> I hope John doesn't feel like he's had a negative response.  I believe
>>> he's had a response that points out the minefields he needs to avoid in
>>> order to get the website changed.  And it looks to me like he's jumping
>>> in
>>> and navigating the minefields, which I think is great.
>>>
>>> Thanks,
>>>
>>> Carl
>>>
>



-- 
John Roper
Freelance Developer and Simulation Artist
Boston, MA USA
http://jmroper.com/

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Re: New LilyPond website

2016-11-30 Thread John Roper
I am going to put the code in a GitHub repo for now so that I can keep
track of it.

On Nov 30, 2016 6:53 PM, "John Roper"  wrote:

> I am prepared to take my design and start to convert it over to the text
> info generator (at least on the home page).
>
> On Nov 30, 2016 6:29 PM, "Carl Sorensen"  wrote:
>
>>
>>
>> On 11/30/16 2:58 PM, "Noeck"  wrote:
>>
>> >
>> >I was a bit disappointed that the suggestions have narrowed down so
>> >quickly to something so close to the old layout. But perhaps the chances
>> >are better to get somewhere from there than to have ~10 to quickly ~50
>> >completely different proposals.
>>
>> Here's my view of the course of this discussion:
>>
>> 1) John came up with a Wordpress layout.  (I never saw that layout,
>> because it has been replaced with the new "just adjust the CSS" lilypond
>> example).
>>
>> 2) Some people expressed appreciation for the new layout; others expressed
>> concerns about the technology.  John, in an impressive burst of work
>> created multiple versions responding to people's concerns.
>>
>> 3) Several users discussed preferences for the old design.
>>
>> 4) Some developers chimed in about the desire/necessity to keep the
>> website auto created and pointed out that it would be straightforward to
>> change the CSS.
>>
>> 5) John followed that lead and jumped in with changes to the CSS.
>>
>> It seems likely to me that we are not too far from having new CSS that can
>> be added to the LilyPond source to make some incremental, but significant
>> improvements to the website.
>>
>> Once John has worked on getting the new CSS implemented, he'll be in much
>> better shape to make recommendations for changes that are or can be made
>> consistent with our current infrastructure.  Such changes have a very high
>> likelihood of implementation.  Since my time being involved with LilyPond,
>> I can't remember a developer who proposed changes in the website that
>> could be implemented in our current framework failing to get those changes
>> adopted.
>>
>> Changes that require shifting large parts of our current source (and by
>> that I mean documents, not code) to some different infrastructure will be
>> met with skepticism by the development community, I believe.  Someone who
>> wants to have such changes made will need to shoulder most (or all) of the
>> burden to make those changes.  But if someone is willing to do that, and
>> the new infrastructure will support our translation process as well or
>> better than our current infrastructure, I would expect those changes to
>> eventually be implemented.
>>
>> I hope John doesn't feel like he's had a negative response.  I believe
>> he's had a response that points out the minefields he needs to avoid in
>> order to get the website changed.  And it looks to me like he's jumping in
>> and navigating the minefields, which I think is great.
>>
>> Thanks,
>>
>> Carl
>>
>>
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Re: New LilyPond website

2016-11-30 Thread John Roper
I am prepared to take my design and start to convert it over to the text
info generator (at least on the home page).

On Nov 30, 2016 6:29 PM, "Carl Sorensen"  wrote:

>
>
> On 11/30/16 2:58 PM, "Noeck"  wrote:
>
> >
> >I was a bit disappointed that the suggestions have narrowed down so
> >quickly to something so close to the old layout. But perhaps the chances
> >are better to get somewhere from there than to have ~10 to quickly ~50
> >completely different proposals.
>
> Here's my view of the course of this discussion:
>
> 1) John came up with a Wordpress layout.  (I never saw that layout,
> because it has been replaced with the new "just adjust the CSS" lilypond
> example).
>
> 2) Some people expressed appreciation for the new layout; others expressed
> concerns about the technology.  John, in an impressive burst of work
> created multiple versions responding to people's concerns.
>
> 3) Several users discussed preferences for the old design.
>
> 4) Some developers chimed in about the desire/necessity to keep the
> website auto created and pointed out that it would be straightforward to
> change the CSS.
>
> 5) John followed that lead and jumped in with changes to the CSS.
>
> It seems likely to me that we are not too far from having new CSS that can
> be added to the LilyPond source to make some incremental, but significant
> improvements to the website.
>
> Once John has worked on getting the new CSS implemented, he'll be in much
> better shape to make recommendations for changes that are or can be made
> consistent with our current infrastructure.  Such changes have a very high
> likelihood of implementation.  Since my time being involved with LilyPond,
> I can't remember a developer who proposed changes in the website that
> could be implemented in our current framework failing to get those changes
> adopted.
>
> Changes that require shifting large parts of our current source (and by
> that I mean documents, not code) to some different infrastructure will be
> met with skepticism by the development community, I believe.  Someone who
> wants to have such changes made will need to shoulder most (or all) of the
> burden to make those changes.  But if someone is willing to do that, and
> the new infrastructure will support our translation process as well or
> better than our current infrastructure, I would expect those changes to
> eventually be implemented.
>
> I hope John doesn't feel like he's had a negative response.  I believe
> he's had a response that points out the minefields he needs to avoid in
> order to get the website changed.  And it looks to me like he's jumping in
> and navigating the minefields, which I think is great.
>
> Thanks,
>
> Carl
>
>
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Re: request for help: huge score

2016-11-30 Thread karl
Joram:
> Am 29.11.2016 um 13:20 schrieb k...@aspodata.se:
> > You know, the main work of Mozarts Requiem was done by a midi to 
> > lilypond converter and lilypond itself, my work was mostly framing.
> Well, yes and no. Yes, it shows how capable LilyPond is in creating
> beautiful scores by default. No, because you use some general overrides
> and they are well thought. Also the whole TeX framing, the combination
> of text and music and the beauty of the score as a whole comes not for
> free even if the necessary changes are few.

Well, what can I say, thanks.

Btw, there is a good point in avoiding tweeks, because you can just 
wait a few years and then magically you don't need it any longer ---
because lilypond has become so much better and does it for you 
automatically.

> Btw, I like the usage of variables in the lyrics:
> http://turkos.aspodata.se/git/musik/WAMozart/requiem/II.ily

I would be nice if there was (maybe there are) some lyrics functions so 
you can add a "." or a "," to a text and possible other manipulations,
since if you write it out in full, you have to double check every 
syllable.

Regards,
/Karl Hammar

---
Aspö Data
Lilla Aspö 148
S-742 94 Östhammar
Sweden
+46 173 140 57



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Re: New LilyPond website

2016-11-30 Thread Carl Sorensen


On 11/30/16 2:58 PM, "Noeck"  wrote:

>
>I was a bit disappointed that the suggestions have narrowed down so
>quickly to something so close to the old layout. But perhaps the chances
>are better to get somewhere from there than to have ~10 to quickly ~50
>completely different proposals.

Here's my view of the course of this discussion:

1) John came up with a Wordpress layout.  (I never saw that layout,
because it has been replaced with the new "just adjust the CSS" lilypond
example).

2) Some people expressed appreciation for the new layout; others expressed
concerns about the technology.  John, in an impressive burst of work
created multiple versions responding to people's concerns.

3) Several users discussed preferences for the old design.

4) Some developers chimed in about the desire/necessity to keep the
website auto created and pointed out that it would be straightforward to
change the CSS.

5) John followed that lead and jumped in with changes to the CSS.

It seems likely to me that we are not too far from having new CSS that can
be added to the LilyPond source to make some incremental, but significant
improvements to the website.

Once John has worked on getting the new CSS implemented, he'll be in much
better shape to make recommendations for changes that are or can be made
consistent with our current infrastructure.  Such changes have a very high
likelihood of implementation.  Since my time being involved with LilyPond,
I can't remember a developer who proposed changes in the website that
could be implemented in our current framework failing to get those changes
adopted.

Changes that require shifting large parts of our current source (and by
that I mean documents, not code) to some different infrastructure will be
met with skepticism by the development community, I believe.  Someone who
wants to have such changes made will need to shoulder most (or all) of the
burden to make those changes.  But if someone is willing to do that, and
the new infrastructure will support our translation process as well or
better than our current infrastructure, I would expect those changes to
eventually be implemented.

I hope John doesn't feel like he's had a negative response.  I believe
he's had a response that points out the minefields he needs to avoid in
order to get the website changed.  And it looks to me like he's jumping in
and navigating the minefields, which I think is great.

Thanks,

Carl


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Re: New LilyPond website

2016-11-30 Thread John Roper
>Thanks for working on this, John.
No problem!

On Nov 30, 2016 6:07 PM, "Carl Sorensen"  wrote:

> Thanks, Paul.
>
> My favorite of these is the current (second) sans-serif font.  I didn't
> think I would like it better than the current web page, but I do.
>
> Thanks for working on this, John.
>
> Carl
>
>
> On 11/30/16 2:16 PM, "Paul"  wrote:
>
> >On 11/30/2016 03:36 PM, Carl Sorensen wrote:
> >
> >> It would be nice if we had multiple sites we could look at
> >>simultaneously,
> >> so we could say "I like A better than B.  If C had X I would probably
> >>like
> >> it better than both A and B."
> >
> >I'm putting up screenshots of each version here (zoom in to get the
> >"actual size"):
> >
> >http://clairnote.org/ lilypond-screenshots/
> >
> >(Just remove the two spaces in the URL, added here to prevent
> >crawling/indexing by search engine bots.)
> >
> >BTW, both the two most recent fonts look good to me, although my
> >preference still falls on the side of the sans one, FWIW.  (I see they
> >are both web fonts that get downloaded from the server.  I'm fine with
> >that but it might be worth finding out, sooner than later, whether that
> >will fly for the LilyPond site.)
> >
> >I see the "Introduction" link in the top nav bar now has a drop-down
> >menu, which appears to be done with CSS.  Nice!
> >
> >-Paul
> >
> >
>
>
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Re: New LilyPond website

2016-11-30 Thread Carl Sorensen
Thanks, Paul.

My favorite of these is the current (second) sans-serif font.  I didn't
think I would like it better than the current web page, but I do.

Thanks for working on this, John.

Carl


On 11/30/16 2:16 PM, "Paul"  wrote:

>On 11/30/2016 03:36 PM, Carl Sorensen wrote:
>
>> It would be nice if we had multiple sites we could look at
>>simultaneously,
>> so we could say "I like A better than B.  If C had X I would probably
>>like
>> it better than both A and B."
>
>I'm putting up screenshots of each version here (zoom in to get the
>"actual size"):
>
>http://clairnote.org/ lilypond-screenshots/
>
>(Just remove the two spaces in the URL, added here to prevent
>crawling/indexing by search engine bots.)
>
>BTW, both the two most recent fonts look good to me, although my
>preference still falls on the side of the sans one, FWIW.  (I see they
>are both web fonts that get downloaded from the server.  I'm fine with
>that but it might be worth finding out, sooner than later, whether that
>will fly for the LilyPond site.)
>
>I see the "Introduction" link in the top nav bar now has a drop-down
>menu, which appears to be done with CSS.  Nice!
>
>-Paul
>
>


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Re: request for help: huge score

2016-11-30 Thread Noeck
Dear Karl,

Am 29.11.2016 um 13:20 schrieb k...@aspodata.se:
> You know, the main work of Mozarts Requiem was done by a midi to 
> lilypond converter and lilypond itself, my work was mostly framing.

Well, yes and no. Yes, it shows how capable LilyPond is in creating
beautiful scores by default. No, because you use some general overrides
and they are well thought. Also the whole TeX framing, the combination
of text and music and the beauty of the score as a whole comes not for
free even if the necessary changes are few.

Btw, I like the usage of variables in the lyrics:
http://turkos.aspodata.se/git/musik/WAMozart/requiem/II.ily

Best,
Joram

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Re: New LilyPond website

2016-11-30 Thread John Roper
"Looking good! One of my pet peeves is when some place with lots of
important download and reference resources redesigns their site to such
an extent that it becomes hard to find things. I don't see that
happening here."

Thanks!

On Nov 30, 2016 5:32 PM, "Karlin High"  wrote:

> On 11/30/2016 4:06 PM, John Roper wrote:
> >> Are you aware of Steve Gibson's Pure-CSS Menu System?
> > I am but I'd rather not use it.
>
> Sure, no problem.
>
> > I am working on the download page. Just click on the download link in
> > the menubar to see how it looks.
>
> Looking good! One of my pet peeves is when some place with lots of
> important download and reference resources redesigns their site to such
> an extent that it becomes hard to find things. I don't see that
> happening here.
> --
> Karlin High
> Missouri, USA
>
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Re: Header fields in custom footer

2016-11-30 Thread Noeck
Hi,

I have one more question on this topic:

How can I check whether a header field is present at all?
(Or my main goal: how can I avoid that the code fails?)

This works:
\version "2.19.50"
\header {
  title = "ABC"
}
\paper {
  oddFooterMarkup = #(module-ref $defaultheader 'title)
}
{ a }


This does not for obvious reasons:
oddFooterMarkup = #(module-ref $defaultheader 'maintainer)


Instead of putting all possible headers in a default header like
maintainer = ##f
I would like to check the presence, sth like this pseudocode:

oddFooterMarkup = #(if (in? 'maintainer $defaultheader)
   (module-ref $defaultheader 'maintainer)
   "")

Cheers,
Joram

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Re: New LilyPond website

2016-11-30 Thread Karlin High
On 11/30/2016 4:06 PM, John Roper wrote:
>> Are you aware of Steve Gibson's Pure-CSS Menu System?
> I am but I'd rather not use it.

Sure, no problem.

> I am working on the download page. Just click on the download link in
> the menubar to see how it looks.

Looking good! One of my pet peeves is when some place with lots of 
important download and reference resources redesigns their site to such 
an extent that it becomes hard to find things. I don't see that 
happening here.
--
Karlin High
Missouri, USA
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Re: New LilyPond website

2016-11-30 Thread Noeck
Dear Werner,

>>> I don't understand.  Where is the point in recreating somthing
>>> close to the old look? I thought the whole idea was to create
>>> something new?

Am 30.11.2016 um 20:43 schrieb Werner LEMBERG:
> He provides fine-tuning, e.g., responsive design suitable to different
> screen widths.  I consider this quite valuable!

I didn't mean anyting different. Of course that's valuable. As you can
read from my other mails, I meant: Wouldn't a bigger leap be less work
than many small steps, if we agree that there is quite some way to go
(designwise not necessarily technologywise).

But I guess I realize now that while it might be true counting the work
only. Counting the discussion it is not. "I don't understand" was meant
literally, I think I see clearer now.

Joram

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Re: New LilyPond website

2016-11-30 Thread Noeck
I doubt that John doesn't know this. But still one more version - I
don't know if it is helpful, but it looks and works fine:

http://medialoot.com/blog/how-to-create-a-responsive-navigation-menu-using-only-css/
http://medialoot.com/preview/css-only-navigation-menu/index.html

Cheers,
Joram

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Re: New LilyPond website

2016-11-30 Thread John Roper
>Are you aware of Steve Gibson's Pure-CSS Menu System?

I am but I'd rather not use it.

I am working on the download page. Just click on the download link in
the menubar to see how it looks.

On Wed, Nov 30, 2016 at 4:59 PM, Karlin High  wrote:
> On 11/30/2016 3:51 PM, John Roper wrote:
>> OK, I removed the JavaScript drop down menu and will do it another
>> way.
>
> Are you aware of Steve Gibson's Pure-CSS Menu System?
>
> https://www.grc.com/menudemo.htm
> https://www.grc.com/mainmenu.css
>
> Freely available, public domain. I've read that CSS validator tools
> won't like it, because it was designed to work in as many browsers as
> possible rather than validate perfectly.
> --
> Karlin High
> Missouri, USA



-- 
John Roper
Freelance Developer and Simulation Artist
Boston, MA USA
http://jmroper.com/

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Re: New LilyPond website

2016-11-30 Thread Karlin High
On 11/30/2016 3:51 PM, John Roper wrote:
> OK, I removed the JavaScript drop down menu and will do it another
> way.

Are you aware of Steve Gibson's Pure-CSS Menu System?

https://www.grc.com/menudemo.htm
https://www.grc.com/mainmenu.css

Freely available, public domain. I've read that CSS validator tools 
won't like it, because it was designed to work in as many browsers as 
possible rather than validate perfectly.
--
Karlin High
Missouri, USA

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Re: New LilyPond website

2016-11-30 Thread Noeck
Dear Karlin,

Am 30.11.2016 um 21:45 schrieb Karlin High:
> Without some "Director of Marketing" person to decree that *THIS* New 
> Design Shall Be Accepted, what other result could there be?

Yes, you are probably right. And I agree with pretty much everything you
wrote, in particular the wording "rather ... 'timeless' than 'modern'".

I was a bit disappointed that the suggestions have narrowed down so
quickly to something so close to the old layout. But perhaps the chances
are better to get somewhere from there than to have ~10 to quickly ~50
completely different proposals.

Thanks
Joram

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Re: New LilyPond website

2016-11-30 Thread Noeck
"nonsensical" ... "all-or-nothing approach"

That's a style I deeply dislike. No more comments.

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Re: New LilyPond website

2016-11-30 Thread John Roper
OK, I removed the JavaScript drop down menu and will do it another
way. I have also updated the letter spacing on the text so it matches
what we had previously.

On Wed, Nov 30, 2016 at 4:25 PM, Paul  wrote:
> On 11/30/2016 04:16 PM, Paul wrote:
>
>> I see the "Introduction" link in the top nav bar now has a drop-down menu,
>> which appears to be done with CSS.
>
>
> Well, on second look, it appears to use javascript.
>
> -Paul
>
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-- 
John Roper
Freelance Developer and Simulation Artist
Boston, MA USA
http://jmroper.com/

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Re: New LilyPond website

2016-11-30 Thread Paul

On 11/30/2016 04:16 PM, Paul wrote:

I see the "Introduction" link in the top nav bar now has a drop-down 
menu, which appears to be done with CSS.


Well, on second look, it appears to use javascript.
-Paul

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Re: New LilyPond website

2016-11-30 Thread Paul

On 11/30/2016 03:36 PM, Carl Sorensen wrote:


It would be nice if we had multiple sites we could look at simultaneously,
so we could say "I like A better than B.  If C had X I would probably like
it better than both A and B."


I'm putting up screenshots of each version here (zoom in to get the 
"actual size"):


http://clairnote.org/ lilypond-screenshots/

(Just remove the two spaces in the URL, added here to prevent 
crawling/indexing by search engine bots.)


BTW, both the two most recent fonts look good to me, although my 
preference still falls on the side of the sans one, FWIW.  (I see they 
are both web fonts that get downloaded from the server.  I'm fine with 
that but it might be worth finding out, sooner than later, whether that 
will fly for the LilyPond site.)


I see the "Introduction" link in the top nav bar now has a drop-down 
menu, which appears to be done with CSS.  Nice!


-Paul

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Re: New LilyPond website

2016-11-30 Thread Karlin High
On 11/30/2016 1:13 PM, Noeck wrote:
> That's a pity. My summary of the opinions here is different: Some like
> the proposed changes and some do not. It is sad that the one who cries
> the loudest will win.

Without some "Director of Marketing" person to decree that *THIS* New 
Design Shall Be Accepted, what other result could there be? With online 
communities like this, ten different people will have twelve different 
opinions. And, some of the design questions come down to matters of 
taste regarding what style or look-and-feel to project.

Instead of trying for an awe-inspiring home page, a more conservative 
approach is being taken here. That is, updating the site for the 
technical needs of the day and simply focusing on providing the 
information and resources that LilyPond users need. What else should be 
happening? I'd rather have a design be "timeless" than "modern," but am 
no great judge of such matters.
--
Karlin High
Missouri, USA

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Re: New LilyPond website

2016-11-30 Thread Carl Sorensen
John,

I appreciate you bringing your expertise to LilyPond.

I'm really glad you have decided to work on trying to improve the CSS,
rather than moving the website to WordPress.  I would be strongly against
a move to any platform that would not have the website fully created by an
automated script that is part of our main git repository.  Having
effective automated tools is what allows LilyPond's website to be as good
as it is, because we have not had consistent web development effort
through time.

I prefer your new website to the old website. It looks cleaner and less
cluttered.  I think that is an improvement.  I hope you'll press forward
with cleaning up the look of our site and making it more responsive.

I am somewhat conflicted with serif vs. sans-serif.  For items that are
not associated with music, I have no problems with the sans-serif font.
But I feel that the Emmentaler music font goes much better with serif
fonts than with sans-serif fonts, so I find it a bit jarring when the
sans-serif font is closely integrated with music.

That said, I'm neither a graphic designer nor a typographer, so my opinion
may be somewhat unlearned.  But when I have looked for effective research
on serif vs. sans, I have never found any research that demonstrated
functional superiority for one over the other.  For example, see

http://alexpoole.info/blog/which-are-more-legible-serif-or-sans-serif-typef
aces/

As far as I can see, there is no empirical data that sans-serif typefaces
are better.  There is one widely-quoted but also widely-disparaged
empirical study (Wheildon) that showed serif was better for reading
comprehension.  Hence, there is no definitive proof that either serif or
sans-serif is better.  So it comes down to personal choice.

I don't feel strongly one way or another about the font choice.  But I do
feel strongly that we shouldn't use somebody's opinion as an authoritative
answer to the question.  It's just an opinion, unless there is some kind
of empirical evidence backing it up.

Thanks,

Carl




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Re: New LilyPond website

2016-11-30 Thread John Roper
>Can you try such a beast (whatever you recommend)?
Ok, I will take a look at it.

On Wed, Nov 30, 2016 at 2:43 PM, Werner LEMBERG  wrote:
>
 I don't understand.  Where is the point in recreating somthing
 close to the old look? I thought the whole idea was to create
 something new?
>
> He provides fine-tuning, e.g., responsive design suitable to different
> screen widths.  I consider this quite valuable!
>
>> I updated the font with a serif font that looks good to me. Please,
>> what do you think?
>
> For me, it's too condensed.  If to select between such a condensed
> serif font and a sans-serif, I prefer the latter.
>
> IIRC, there *are* sans-serif fonts that distinguish between `l' and
> `I', cf.
>
>   
> http://tex.stackexchange.com/questions/39543/is-there-a-sans-serif-font-that-appears-different-for-i-capital-i-and-l-small
>
> Can you try such a beast (whatever you recommend)?
>
>
> Werner



-- 
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http://jmroper.com/

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Re: New LilyPond website

2016-11-30 Thread Carl Sorensen


On 11/30/16 11:48 AM, "John Roper"  wrote:

>I updated the font with a serif font that looks good to me. Please,
>what do you think?

When I look at the current site, it seems to be a sans-serif font,
although it does have a distinction between lower-case l and capital I.

But the font size seems to have shrunk from the last time I loaded it.
And the green gradient in the background appears to have gotten more
noticeable again.  In general, I preferred the last version I looked at to
the current version.

It would be nice if we had multiple sites we could look at simultaneously,
so we could say "I like A better than B.  If C had X I would probably like
it better than both A and B."

Thanks,

Carl


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Re: New LilyPond website

2016-11-30 Thread Werner LEMBERG

> I updated the font (again) and I think it works for everyone's
> requests.

I like it, thanks!


Werner

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Re: New LilyPond website

2016-11-30 Thread John Roper
I updated the font (again) and I think it works for everyone's requests.

On Wed, Nov 30, 2016 at 2:47 PM, John Roper  wrote:
>>Can you try such a beast (whatever you recommend)?
> Ok, I will take a look at it.
>
> On Wed, Nov 30, 2016 at 2:43 PM, Werner LEMBERG  wrote:
>>
> I don't understand.  Where is the point in recreating somthing
> close to the old look? I thought the whole idea was to create
> something new?
>>
>> He provides fine-tuning, e.g., responsive design suitable to different
>> screen widths.  I consider this quite valuable!
>>
>>> I updated the font with a serif font that looks good to me. Please,
>>> what do you think?
>>
>> For me, it's too condensed.  If to select between such a condensed
>> serif font and a sans-serif, I prefer the latter.
>>
>> IIRC, there *are* sans-serif fonts that distinguish between `l' and
>> `I', cf.
>>
>>   
>> http://tex.stackexchange.com/questions/39543/is-there-a-sans-serif-font-that-appears-different-for-i-capital-i-and-l-small
>>
>> Can you try such a beast (whatever you recommend)?
>>
>>
>> Werner
>
>
>
> --
> John Roper
> Freelance Developer and Simulation Artist
> Boston, MA USA
> http://jmroper.com/



-- 
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http://jmroper.com/

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Re: New LilyPond website

2016-11-30 Thread John Roper
>I like it, thanks!
No problem, I do too!

On Wed, Nov 30, 2016 at 3:09 PM, Werner LEMBERG  wrote:
>
>> I updated the font (again) and I think it works for everyone's
>> requests.
>
> I like it, thanks!
>
>
> Werner



-- 
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http://jmroper.com/

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Re: New LilyPond website

2016-11-30 Thread Werner LEMBERG

>>> I don't understand.  Where is the point in recreating somthing
>>> close to the old look? I thought the whole idea was to create
>>> something new?

He provides fine-tuning, e.g., responsive design suitable to different
screen widths.  I consider this quite valuable!

> I updated the font with a serif font that looks good to me. Please,
> what do you think?

For me, it's too condensed.  If to select between such a condensed
serif font and a sans-serif, I prefer the latter.

IIRC, there *are* sans-serif fonts that distinguish between `l' and
`I', cf.

  
http://tex.stackexchange.com/questions/39543/is-there-a-sans-serif-font-that-appears-different-for-i-capital-i-and-l-small

Can you try such a beast (whatever you recommend)?


Werner

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Re: Vertically overlapping material / too small vertical space

2016-11-30 Thread Mojca Miklavec
Dear David,

On 30 November 2016 at 20:14, David Kastrup wrote:
> Mojca Miklavec writes:
>>
>> I need a horizontally aligned list of button labels / fingerings. Most
>> of the time I need two labels, but every so often I need three or four
>> (when a chord consists of three or four pitches).
>>
>> I would prefer to use something like the following (please excuse me,
>> the syntax is not functional, but it should demonstrate what I want):
>>
>> 4
>> 4
>>
>> Here's a working syntax (demonstrating the problem / why I cannot use it):
>>
>>   \score {
>> \fixed c' {
>>   %
>>   % looks almost perfect, but I'm unable to use anything but simple 
>> numbers
>>   %
>>   f4-4   f-4
>>   %
>>   % proper text, but horrible output
>>   %
>>   f4^\markup{\column{"B4"}}
>>   ^\markup{\column{"B5" "B4"}}
>>   ^\markup{\column{"B6" "B5" "B4"}}
>>   f^\markup{\column{"B4"}}
>> }
>>   }
>
> How about
>
> f4\B4
> 
>  f\B4
> f\B4
>
> You'll probably want more than \B but probably still a very limited
> number of fingerings.

Wonderful, thanks a lot. I like the syntax a lot.

I would additionally still need an optional finger number, perhaps
with a syntax similar to:
f4\B4

 f\B4
so that "\B4-2" would result in "2B4", but I guess that should be
feasible to add.

What's still a mystery to me is whether it is possible to horizontally
align all these labels. (I remember that one can force lilypond to put
all fingerings on top, but I didn't manage to achieve proper
alignment.)

Mojca

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Re: New LilyPond website

2016-11-30 Thread Noeck

> Man, you make it sound as if he defiled the grave of Hermann Zapf.

:)

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Re: New LilyPond website

2016-11-30 Thread David Kastrup
Noeck  writes:

> Hi,
>
> Am 30.11.2016 um 19:44 schrieb John Roper:
>> I wanted to do that, but I got so much dislike from the community
>> members about the design, I redid it in a way that would be more
>> pleasing to them.
>
> That's a pity. My summary of the opinions here is different: Some like
> the proposed changes and some do not.

That's a rather nonsensical "summary".  There were various suggestions
and objections.  John is attempting to address some of them.

> It is sad that the one who cries the loudest will win.

And yet you seem to propose an all-or-nothing approach rather than
anything more diversified.  Which would indeed boil down to a single
"winner" in the end.

-- 
David Kastrup

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Re: Vertically overlapping material / too small vertical space

2016-11-30 Thread David Kastrup
Mojca Miklavec  writes:

> Dear Phil,
>
> On 30 November 2016 at 16:47, Phil Holmes wrote:
>> I think the use of  \context is getting the vertical spacing engine
>> confused.  I _think_ my attached version of your music does what you want -
>> it would seem to point in the right direction, at the very least.
>
> I changed your document slightly and rearranged it in the way I want it.
>
> But the problem is still present. So no, it doesn't seem to fix it.
>
>
> I need a horizontally aligned list of button labels / fingerings. Most
> of the time I need two labels, but every so often I need three or four
> (when a chord consists of three or four pitches).
>
> I would prefer to use something like the following (please excuse me,
> the syntax is not functional, but it should demonstrate what I want):
>
> 4
> 4
>
> Here's a working syntax (demonstrating the problem / why I cannot use it):
>
>   \score {
> \fixed c' {
>   %
>   % looks almost perfect, but I'm unable to use anything but simple 
> numbers
>   %
>   f4-4   f-4
>   %
>   % proper text, but horrible output
>   %
>   f4^\markup{\column{"B4"}}
>   ^\markup{\column{"B5" "B4"}}
>   ^\markup{\column{"B6" "B5" "B4"}}
>   f^\markup{\column{"B4"}}
> }
>   }

How about

B =
#(define-event-function (parser location d) (index?)
  #{ \tweak text #(format "B~d" d) -1#})

  \score {
\fixed c' {
  %
  % looks almost perfect, but I'm unable to use anything but simple numbers
  %
  f4-4   f-4
  %
  % proper text, but horrible output
  %
  f4^\markup{\column{"B4"}}
  ^\markup{\column{"B5" "B4"}}
  ^\markup{\column{"B6" "B5" "B4"}}
  f^\markup{\column{"B4"}}
  %%
  %% sugar and spice and everything nice
  %%
  f4\B4
  
   f\B4
  f\B4
}
  }

You'll probably want more than \B but probably still a very limited
number of fingerings.

-- 
David Kastrup
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Re: New LilyPond website

2016-11-30 Thread Noeck
Hi,

Am 30.11.2016 um 19:44 schrieb John Roper:
> I wanted to do that, but I got so much dislike from the community
> members about the design, I redid it in a way that would be more
> pleasing to them.

That's a pity. My summary of the opinions here is different: Some like
the proposed changes and some do not. It is sad that the one who cries
the loudest will win.

To me the green color and the color gradient is the most off-putting
part. But beauty is in the eye of the beholder.

Cheers,
Joram

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Re: Vertically overlapping material / too small vertical space

2016-11-30 Thread Mojca Miklavec
Dear Phil,

On 30 November 2016 at 16:47, Phil Holmes wrote:
> I think the use of  \context is getting the vertical spacing engine
> confused.  I _think_ my attached version of your music does what you want -
> it would seem to point in the right direction, at the very least.

I changed your document slightly and rearranged it in the way I want it.

But the problem is still present. So no, it doesn't seem to fix it.


I need a horizontally aligned list of button labels / fingerings. Most
of the time I need two labels, but every so often I need three or four
(when a chord consists of three or four pitches).

I would prefer to use something like the following (please excuse me,
the syntax is not functional, but it should demonstrate what I want):

4
4

Here's a working syntax (demonstrating the problem / why I cannot use it):

  \score {
\fixed c' {
  %
  % looks almost perfect, but I'm unable to use anything but simple numbers
  %
  f4-4   f-4
  %
  % proper text, but horrible output
  %
  f4^\markup{\column{"B4"}}
  ^\markup{\column{"B5" "B4"}}
  ^\markup{\column{"B6" "B5" "B4"}}
  f^\markup{\column{"B4"}}
}
  }

But this doesn't work: I'm unable to align it horizontally. That's the
reason why I'm currently misusing lyrics.

(Mis)using lyrics is both tedious and error-prone (if I change "c8"
into "c16 c" somewhere, then all the labels are screwed up and I have
to go through the tedious work of finding and fixing the labels at the
right place).

Your example works because you move the third and the fourth line. I
need them aligned above the first and second line though, even if it's
usually empty.

Mojca


> Hi,
>
> I'm also attaching a "quasi-minimal" example (if a full page may even
> be called "minimal").
>
> Mojca
>
> (please CC me)
>
> On 30 November 2016 at 12:06, Mojca Miklavec wrote:
>>
>> Hi,
>>
>> I would like to ask for a bit of a guidance. I sometimes end up with
>> the scores as you see in the attachment. There's simply not enough
>> vertical space between staves and text is overlapping very badly.
>>
>> I can attach the complete example (or perhaps come up with some
>> "\repeat unfold ..." trick to compose a full page that more or less
>> reproduces the problem), but it's basically the same type of scores as
>> I used anywhere else in
>> https://github.com/mojca/frajtonarca/tree/master/tablature/avtorske
>>
>> On the example in the screenshot you see the following elements in one
>> stave:
>>
>> - button names are two lines of Lyrics attached on top of the melody
>> - Voice with the main melody
>> - accordion push spanner
>> - RhythmicStaff
>> - FiguredBass
>>
>> I didn't even try to touch the spacing inside the scores. The only
>> part where the code is messing up with vertical spacing is here:
>>
>> https://github.com/mojca/frajtonarca/blob/master/tablature/accordion.ily
>> in accordionPushSpannerEngraver (written by David Nalesnik) which is
>> something that I don't fully understand myself. But in theory it
>> should not affect distances between different staves, it should only
>> control the distance between main melody, push spanner event and the
>> basses.
>>
>> I was looking at
>> - http://lilypond.org/doc/v2.19/Documentation/learning/vertical-spacing
>> -
>> http://lilypond.org/doc/v2.19/Documentation/notation/flexible-vertical-spacing-paper-variables
>>
>> etc. and found some ugly workarounds to fix the problem (I can create
>> a manual page break; add artificial invisible marks; increase the
>> spacing between staves – which will result in too big space even when
>> I don't have any button names / lyrics above the melody and that looks
>> ugly; ...), but I wonder if this issue with vertical spacing is:
>>
>> (a) a bug in lilypond
>> (b) a bug in the code that handles accordion push events
>> (c) something that's super difficult to fix anywhere and I should be
>> using workarounds anyway
>>
>> I can provide more information if needed, but I'll need a bit more
>> guidance.
>>
>> Thank you,
>> Mojca


lily-vertical-spacePH-fix.ly
Description: Binary data
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Re: Vertically overlapping material / too small vertical space

2016-11-30 Thread Mojca Miklavec
Dear Michael,

On 30 November 2016 at 16:30, Gerdau, Michael wrote:
>> I'm also attaching a "quasi-minimal" example (if a full page may even
>> be called "minimal").
>
> Is the attached what you actually want?

No. I want the button names above the first line, not below.

Mojca

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Re: New LilyPond website

2016-11-30 Thread John Roper
I updated the font with a serif font that looks good to me. Please,
what do you think?

On Wed, Nov 30, 2016 at 1:44 PM, John Roper  wrote:
> I wanted to do that, but I got so much dislike from the community
> members about the design, I redid it in a way that would be more
> pleasing to them.
>
> On Wed, Nov 30, 2016 at 1:38 PM, Noeck  wrote:
>> Hi John,
>>
>> I don't understand. Where is the point in recreating somthing close to
>> the old look? I thought the whole idea was to create something new?
>>
>> Is it possible for you to keep different layouts at different urls for
>> comparison?
>>
>> Cheers,
>> Joram
>>
>> ___
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>
>
>
> --
> John Roper
> Freelance Developer and Simulation Artist
> Boston, MA USA
> http://jmroper.com/



-- 
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Boston, MA USA
http://jmroper.com/

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Re: New LilyPond website

2016-11-30 Thread John Roper
I wanted to do that, but I got so much dislike from the community
members about the design, I redid it in a way that would be more
pleasing to them.

On Wed, Nov 30, 2016 at 1:38 PM, Noeck  wrote:
> Hi John,
>
> I don't understand. Where is the point in recreating somthing close to
> the old look? I thought the whole idea was to create something new?
>
> Is it possible for you to keep different layouts at different urls for
> comparison?
>
> Cheers,
> Joram
>
> ___
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-- 
John Roper
Freelance Developer and Simulation Artist
Boston, MA USA
http://jmroper.com/

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Re: New LilyPond website

2016-11-30 Thread Noeck
Hi John,

I don't understand. Where is the point in recreating somthing close to
the old look? I thought the whole idea was to create something new?

Is it possible for you to keep different layouts at different urls for
comparison?

Cheers,
Joram

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Re: New LilyPond website

2016-11-30 Thread John Roper
Web design wise, I don't need help. If a new branch could be created
that would be great. I can also work in github.

On Wed, Nov 30, 2016 at 12:10 PM, David Kastrup  wrote:
> Shane Brandes  writes:
>
>> I gave John yesterday the opportunity to defend his choice of sans
>> serif font in a private email.  Now that that box has been opened
>> publicly I will comment.
>
> Man, you make it sound as if he defiled the grave of Hermann Zapf.
>
>> Sans versus Serif is an annoying discussion both styles have their
>> place. Sans has been around 200 years and serif fonts since 1465. The
>> argument about screen resolution versus paper, is rapidly becoming
>> irrelevant with advances in screen technology.
>
> 600 dpi high contrast screens are not yet commonplace.
>
>> Although I expect people that grew up during the depression drinking
>> ersatz coffee might not enjoy the complexities of the real thing. It
>> might be the fixation with sans fonts are also the remnants of fadish
>> rebellion to the establishment left over from the post WWII era.
>
> Let's not forget that the Nazis abolished Fraktur for Antiqua merely so
> that their proclamations could be better read in the occupied countries.
>
> I think it's time to switch back to ersatz coffee and get down the
> general blood pressure.
>
>> Anyway, given the fact that Lilypond is trying to give the user the
>> best possible music printing, it is my belief that the choice of
>> typography should reflect that as a well and not give off the scent of
>> our current throwaway society. Yep much stronger opinions on that than
>> I initially thought.  So feel free to disagree.
>
> I feel we are not arguing at a level here where agreement or
> disagreement makes any sense with regard to arriving at a consensus.
>
> --
> David Kastrup
>
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-- 
John Roper
Freelance Developer and Simulation Artist
Boston, MA USA
http://jmroper.com/

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Re: Creating marginal comments?

2016-11-30 Thread Simon Albrecht

On 29.11.2016 21:33, Gerdau, Michael wrote:

and LilyPond can’t even handle multiple columns on one page, so you’d

I may have a wrong perception as to what you mean by "multiple columns".

For my own uses I regularly create scores (and texts) that span multiple columns
and are aligned like a table.

There actually are several ways to do that in lilypond AFAIC.


Which ways would you be referring to? You can’t say

\paper {
  columns = 2
}

Also, there is no way in markup to have text automatically flow over 
more than one column, it has to be done all manually.


Best, Simon

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Re: New LilyPond website

2016-11-30 Thread David Kastrup
Shane Brandes  writes:

> I gave John yesterday the opportunity to defend his choice of sans
> serif font in a private email.  Now that that box has been opened
> publicly I will comment.

Man, you make it sound as if he defiled the grave of Hermann Zapf.

> Sans versus Serif is an annoying discussion both styles have their
> place. Sans has been around 200 years and serif fonts since 1465. The
> argument about screen resolution versus paper, is rapidly becoming
> irrelevant with advances in screen technology.

600 dpi high contrast screens are not yet commonplace.

> Although I expect people that grew up during the depression drinking
> ersatz coffee might not enjoy the complexities of the real thing. It
> might be the fixation with sans fonts are also the remnants of fadish
> rebellion to the establishment left over from the post WWII era.

Let's not forget that the Nazis abolished Fraktur for Antiqua merely so
that their proclamations could be better read in the occupied countries.

I think it's time to switch back to ersatz coffee and get down the
general blood pressure.

> Anyway, given the fact that Lilypond is trying to give the user the
> best possible music printing, it is my belief that the choice of
> typography should reflect that as a well and not give off the scent of
> our current throwaway society. Yep much stronger opinions on that than
> I initially thought.  So feel free to disagree.

I feel we are not arguing at a level here where agreement or
disagreement makes any sense with regard to arriving at a consensus.

-- 
David Kastrup

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Re: New LilyPond website

2016-11-30 Thread Karlin High
On 11/30/2016 10:57 AM, Shane Brandes wrote:
> Sans versus Serif is an annoying discussion both styles have their place.

Well, at least we don't have to debate Antiqua vs Fraktur, right? Check 
Wikipedia for a good article on that one.

"Otto von Bismarck was a keen supporter of German typefaces. He refused 
gifts of German books in Antiqua typefaces and returned them to sender 
with the statement 'Deutsche Bücher in lateinischen Buchstaben lese ich 
nicht!'"
--
Karlin High
Missouri, USA

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Re: New LilyPond website

2016-11-30 Thread Karlin High
On 11/30/2016 10:11 AM, Mike Solomon wrote:
>
> On 30 November 2016 at 17.34.33, Paul (p...@paulwmorris.com 
> ) wrote:
>
>> On 11/30/2016 09:19 AM, John Roper wrote:
>>
>> > I added a small shadow to the boxes, and I fixed some coloring of
>> > links. You may have to force-refresh the page to see the changes (CTRL
>> > + F5)
>>
>> Hi John, Overall, I like it and I think it's an improvement over what
>> we currently have. The responsive design for smaller screens is a big
>> improvement. There are some minor adjustments that I might suggest, but
>> no show stoppers. [...]
>> When you get a chance it would be interesting to see how other pages
>> would look. And eventually I assume we'd want to convert your HTML to
>> texinfo to integrate with the current setup.
>>
>> Thanks again for your work on this,
>> -Paul
>>
>
> What great work!  Let me know if you need any help, John, making a 
> branch off of the main branch that can be formulated into a pull 
> request.  That is probably the best way to get concrete input.
>
> ~Mike

Looks like you are gaining, John - it's down to small changes and pull 
request suggestions.
--
Karlin High
Missouri, USA

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Re: New LilyPond website

2016-11-30 Thread Shane Brandes
I gave John yesterday the opportunity to defend his choice of sans
serif font in a private email. Now that that box has been opened
publicly I will comment. Sans versus Serif is an annoying discussion
both styles have their place. Sans has been around 200 years and serif
fonts since 1465. The argument about screen resolution versus paper,
is rapidly becoming irrelevant with advances in screen technology.
Therefore there only remains the argument of legibility. Either can of
course be extremely legible, but in terms of reading speed in longer
bits of text I really believe the argument that the serifs do allow
the eye to flow between letters better and ultimately give the mind a
much more precise evaluation of what the letter form in question is.
As a subvocalization reader it becomes annoyingly obvious to me when I
am reading sans fonts as it forces me back down to much slower speeds
where I often find myself reading aloud in my head. Although I expect
people that grew up during the depression drinking ersatz coffee might
not enjoy the complexities of the real thing. It might be the fixation
with sans fonts are also the remnants of fadish rebellion to the
establishment left over from the post WWII era. Anyway, given the fact
that Lilypond is trying to give the user the best possible music
printing, it is my belief that the choice of typography should reflect
that as a well and not give off the scent of our current throwaway
society. Yep much stronger opinions on that than I initially thought.
So feel free to disagree.

regards,
Shane Brandes


On Wed, Nov 30, 2016 at 8:29 AM, Andrew Bernard
 wrote:
> Not at all - I am merely pointing out that a very significant website with a
> very large international readership uses a serif font for headings and text,
> as a counter example. I myself made no argument for either type of face one
> way or the other.
>
>
> Andrew
>
>
> On 1 December 2016 at 00:20, David Kastrup  wrote:
>>
>>
>>
>> > Are you going to dictate to The New York Times, for example, that they
>> > convert their serif to sans?
>>
>> You appear to be a person of very fixed opinions...
>>
>
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Re: New LilyPond website

2016-11-30 Thread H. S. Teoh
Just took a look at the latest version of the new website, and liked it.
Thanks for taking the time to make it work with NoScript.


--T

On Tue, Nov 29, 2016 at 07:58:35PM -0500, John Roper wrote:
>[1]jmroper.com/lilypond
>On Tue, Nov 29, 2016 at 7:58 PM, John Roper <[2]johnroper...@gmail.com>
>wrote:
> 
>  Ok, I have updated the website. There is a little problem with the
>  sidebar pushing the other content down, but that is fine. My goal was to
>  recreate the current website using just html and css with a nicer look.
>  It does not require any js at all. This is just a sample so almost none
>  of the links actually work.
>  On Tue, Nov 29, 2016 at 7:49 PM, Chris Yate <[3]chrisy...@gmail.com>
>  wrote:
> 
>Having now looked at it, though only on my phone, I quite like it. But
>I did have to scroll scroll scroll to read what would be about one
>page of content.
> 
>What I saw was a very "sexy" marketing site for Lilypond, and I think
>it does it justice.
> 
>However, as someone already sold on the tool, all I want to read is
>the documents, or download binaries... I think I'm echoing the others
>in saying I'd like to see what you can do with responsive design to
>the documentation!
> 
>I'd suggest as models, the docs for things like AngularJS, Bootstrap,
>Ruby/Rails and Php. Although our documentation content is excellent,
>I'm sure there's structural changes that could improve the
>presentation, and certainly some responsive html/css... It's not my
>forte but I think it might be one of yours! :)
> 
>Chris
> 
>On 29 Nov 2016 22:54, "Karlin High" <[4]gne...@hotmail.com> wrote:
> 
>  On 11/29/2016 4:42 PM, John Roper wrote:
>  > I am trying to build the lilypond docs now.
> 
>  Very good! Chances of the new website project being accepted seem
>  much
>  higher if you can figure out how that works, and not greatly upset
>  the
>  existing workflow for maintaining documentation and translations.
>  --
>  Karlin High
>  Missouri, USA
> 
>  ___
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> 
>  --
>  John Roper
>  Freelance Developer and Simulation Artist
>  Boston, MA USA
>  [7]http://jmroper.com/
> 
>--
>John Roper
>Freelance Developer and Simulation Artist
>Boston, MA USA
>[8]http://jmroper.com/
> 
> References
> 
>Visible links
>1. http://jmroper.com/lilypond
>2. mailto:johnroper...@gmail.com
>3. mailto:chrisy...@gmail.com
>4. mailto:gne...@hotmail.com
>5. mailto:lilypond-user@gnu.org
>6. https://lists.gnu.org/mailman/listinfo/lilypond-user
>7. http://jmroper.com/
>8. http://jmroper.com/

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-- 
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Re: New LilyPond website

2016-11-30 Thread Shane Brandes
It is possible to have a font embedded into the website server side
via css which makes the default font argument null. This is not at all
difficult to achieve and I routinely rely on it to demonstrate fonts
on my website.


On Wed, Nov 30, 2016 at 7:35 AM, John Roper  wrote:
> I can make the links in the footer brighter and I will look into other fonts
> to use. Arial is the default font  for many websites and it is the fallback
> font for most web browsers.
>
>
> On Nov 30, 2016 7:30 AM, "Werner LEMBERG"  wrote:
>>
>>
>> >>> One of the major things on the site that make it look antiquated
>> >>> is the LilyPond intro using the text that looks like it came from
>> >>> a server error message.
>> >>
>> >> LOL
>> >
>> > Concise, readable, informative: must be an error.
>>
>> Hehe.  It's very annoying to me that so many sites use extremely thin,
>> gray non-serif fonts!  Designers might me delighted, but such text is
>> *extremely* hard to read on an LCD if the viewing angle is not exactly
>> orthogonal to the LCD plane.
>>
>> Note that I don't insist on a serif script, but the selection of a
>> proper non-serif script is delicate.  In particular, Arial is *very*
>> bad.  We need one where `l' and `I' look distinct.
>>
>> John, here's another minor issue: The white commata between `Català',
>> `Česky', etc. look bad.  I can imagine to replace them with middle
>> dots, without a final stop.  And what about making those dark-gray
>> link entries also a bit brighter?
>>
>>
>> Werner
>
>
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Re: New LilyPond website

2016-11-30 Thread Mike Solomon

On 30 November 2016 at 17.34.33, Paul (p...@paulwmorris.com) wrote:

On 11/30/2016 09:19 AM, John Roper wrote:  

> I added a small shadow to the boxes, and I fixed some coloring of  
> links. You may have to force-refresh the page to see the changes (CTRL  
> + F5)  

Hi John, Overall, I like it and I think it's an improvement over what  
we currently have. The responsive design for smaller screens is a big  
improvement. There are some minor adjustments that I might suggest, but  
no show stoppers. I'll just mention a couple things at this point.  

I like the sans-serif. Verdana and Tahoma are sans fonts designed for  
screens (rather than print) that are widely installed on different  
OSes. There may be others. So it might be worth trying these instead  
of Arial which was designed for print.  

I actually liked your earlier version (with the flatter look) better  
than the one with the drop shadows. To me the shadows make the page  
look more asymmetrical and boxy in a distracting way. (Just one opinion.)  

I've put up some screenshots to make it possible to compare those two  
versions:  

http://clairnote.org/ lilypond-screenshots/  

(Just remove the two spaces in the URL, added here to prevent  
crawling/indexing by search engine bots.)  

When you get a chance it would be interesting to see how other pages  
would look. And eventually I assume we'd want to convert your HTML to  
texinfo to integrate with the current setup.  

Thanks again for your work on this,  
-Paul  


What great work!  Let me know if you need any help, John, making a branch off 
of the main branch that can be formulated into a pull request.  That is 
probably the best way to get concrete input.

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Re: Vertically overlapping material / too small vertical space

2016-11-30 Thread Phil Holmes
I think the use of  \context is getting the vertical spacing engine 
confused.  I _think_ my attached version of your music does what you want - 
it would seem to point in the right direction, at the very least.


--
Phil Holmes


- Original Message - 
From: "Mojca Miklavec" 

To: "lilypond-user" 
Sent: Wednesday, November 30, 2016 1:22 PM
Subject: Re: Vertically overlapping material / too small vertical space


Hi,

I'm also attaching a "quasi-minimal" example (if a full page may even
be called "minimal").

Mojca

(please CC me)

On 30 November 2016 at 12:06, Mojca Miklavec wrote:

Hi,

I would like to ask for a bit of a guidance. I sometimes end up with
the scores as you see in the attachment. There's simply not enough
vertical space between staves and text is overlapping very badly.

I can attach the complete example (or perhaps come up with some
"\repeat unfold ..." trick to compose a full page that more or less
reproduces the problem), but it's basically the same type of scores as
I used anywhere else in
https://github.com/mojca/frajtonarca/tree/master/tablature/avtorske

On the example in the screenshot you see the following elements in one 
stave:


- button names are two lines of Lyrics attached on top of the melody
- Voice with the main melody
- accordion push spanner
- RhythmicStaff
- FiguredBass

I didn't even try to touch the spacing inside the scores. The only
part where the code is messing up with vertical spacing is here:

https://github.com/mojca/frajtonarca/blob/master/tablature/accordion.ily
in accordionPushSpannerEngraver (written by David Nalesnik) which is
something that I don't fully understand myself. But in theory it
should not affect distances between different staves, it should only
control the distance between main melody, push spanner event and the
basses.

I was looking at
- http://lilypond.org/doc/v2.19/Documentation/learning/vertical-spacing
- 
http://lilypond.org/doc/v2.19/Documentation/notation/flexible-vertical-spacing-paper-variables


etc. and found some ugly workarounds to fix the problem (I can create
a manual page break; add artificial invisible marks; increase the
spacing between staves – which will result in too big space even when
I don't have any button names / lyrics above the melody and that looks
ugly; ...), but I wonder if this issue with vertical spacing is:

(a) a bug in lilypond
(b) a bug in the code that handles accordion push events
(c) something that's super difficult to fix anywhere and I should be
using workarounds anyway

I can provide more information if needed, but I'll need a bit more 
guidance.


Thank you,
Mojca








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\version "2.19.30"
\language "deutsch"

#(set-default-paper-size "a4")
\paper  {
  top-margin = 1.8\cm
}
\layout {
  indent = #0
  ragged-last = ##t
}

\header{
  title= "Title"
  poet = ""
  composer = "composer"
  arranger = "arranger"
}

buttonsIV = \lyricsto "melody" {}
buttonsIII = \lyricsto "melody" { \repeat unfold 40 { \skip 1 } "B3" }
buttonsII = \lyricsto "melody" {
  \repeat unfold 150 { "2" }
}
buttonsI = \lyricsto "melody" {
  \repeat unfold 150 { "1" }
}

\score {
\new PianoStaff <<
  \new Staff = "MelStaff" {
\new Voice  = "melody" {
  \time 3/4
  \repeat unfold 75 { c'4 c'2 }
}
  }

\new Lyrics = "buttonsI" \with { alignAboveContext = "MelStaff" } { \buttonsI }
\new Lyrics = "buttonsII" \with { alignAboveContext = "MelStaff" } { \buttonsII }

\new Lyrics = "lyricsI" {
  \lyricsto "melody" {
\repeat unfold 100 { I }
  }
}
\new Lyrics = "lyricsII" {
  \lyricsto "melody" {
\repeat unfold 100 { II }
  }
}

\new Lyrics = "buttonsIV"  { \buttonsIV }
\new Lyrics = "buttonsIII" { \buttonsIII }

  \new RhythmicStaff {
\repeat unfold 150 { c,4 }
  }
  \new FiguredBass {
\figuremode {
  \repeat unfold 150 { <4>4 }
}
  }
>>
}

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Re: New LilyPond website

2016-11-30 Thread John Roper
Once we agree on the particulars for this page, I will make one more
page and then start to integrate with the textinfo docs.

On Wed, Nov 30, 2016 at 10:33 AM, Paul  wrote:
> On 11/30/2016 09:19 AM, John Roper wrote:
>
>> I added a small shadow to the boxes, and I fixed some coloring of
>> links. You may have to force-refresh the page to see the changes (CTRL
>> + F5)
>
>
> Hi John,  Overall, I like it and I think it's an improvement over what we
> currently have.  The responsive design for smaller screens is a big
> improvement.  There are some minor adjustments that I might suggest, but no
> show stoppers.  I'll just mention a couple things at this point.
>
> I like the sans-serif.  Verdana and Tahoma are sans fonts designed for
> screens (rather than print) that are widely installed on different OSes.
> There may be others.  So it might be worth trying these instead of Arial
> which was designed for print.
>
> I actually liked your earlier version (with the flatter look) better than
> the one with the drop shadows.  To me the shadows make the page look more
> asymmetrical and boxy in a distracting way.  (Just one opinion.)
>
> I've put up some screenshots to make it possible to compare those two
> versions:
>
>   http://clairnote.org/  lilypond-screenshots/
>
> (Just remove the two spaces in the URL, added here to prevent
> crawling/indexing by search engine bots.)
>
> When you get a chance it would be interesting to see how other pages would
> look.  And eventually I assume we'd want to convert your HTML to texinfo to
> integrate with the current setup.
>
> Thanks again for your work on this,
> -Paul
>
>
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-- 
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Freelance Developer and Simulation Artist
Boston, MA USA
http://jmroper.com/

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Re: New LilyPond website

2016-11-30 Thread Paul

On 11/30/2016 09:19 AM, John Roper wrote:


I added a small shadow to the boxes, and I fixed some coloring of
links. You may have to force-refresh the page to see the changes (CTRL
+ F5)


Hi John,  Overall, I like it and I think it's an improvement over what 
we currently have.  The responsive design for smaller screens is a big 
improvement.  There are some minor adjustments that I might suggest, but 
no show stoppers.  I'll just mention a couple things at this point.


I like the sans-serif.  Verdana and Tahoma are sans fonts designed for 
screens (rather than print) that are widely installed on different 
OSes.  There may be others.  So it might be worth trying these instead 
of Arial which was designed for print.


I actually liked your earlier version (with the flatter look) better 
than the one with the drop shadows.  To me the shadows make the page 
look more asymmetrical and boxy in a distracting way.  (Just one opinion.)


I've put up some screenshots to make it possible to compare those two 
versions:


  http://clairnote.org/  lilypond-screenshots/

(Just remove the two spaces in the URL, added here to prevent 
crawling/indexing by search engine bots.)


When you get a chance it would be interesting to see how other pages 
would look.  And eventually I assume we'd want to convert your HTML to 
texinfo to integrate with the current setup.


Thanks again for your work on this,
-Paul

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Re: New LilyPond website

2016-11-30 Thread Werner LEMBERG

> I added a small shadow to the boxes, and I fixed some coloring of
> links.  You may have to force-refresh the page to see the changes
> (CTRL + F5)

Ah, I wasn't aware of that command, thanks!


Werner

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Re: New LilyPond website

2016-11-30 Thread John Roper
I added a small shadow to the boxes, and I fixed some coloring of
links. You may have to force-refresh the page to see the changes (CTRL
+ F5)

On Wed, Nov 30, 2016 at 9:15 AM, John Roper  wrote:
> Also, I should note that the text on my design is actually larger than
> that on the current website especially in the headrer and on the
> sidebar.
>
> On Wed, Nov 30, 2016 at 8:29 AM, Andrew Bernard
>  wrote:
>> Not at all - I am merely pointing out that a very significant website with a
>> very large international readership uses a serif font for headings and text,
>> as a counter example. I myself made no argument for either type of face one
>> way or the other.
>>
>>
>> Andrew
>>
>>
>> On 1 December 2016 at 00:20, David Kastrup  wrote:
>>>
>>>
>>>
>>> > Are you going to dictate to The New York Times, for example, that they
>>> > convert their serif to sans?
>>>
>>> You appear to be a person of very fixed opinions...
>>>
>>
>> ___
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>>
>
>
>
> --
> John Roper
> Freelance Developer and Simulation Artist
> Boston, MA USA
> http://jmroper.com/



-- 
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Freelance Developer and Simulation Artist
Boston, MA USA
http://jmroper.com/

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Re: New LilyPond website

2016-11-30 Thread John Roper
Also, I should note that the text on my design is actually larger than
that on the current website especially in the headrer and on the
sidebar.

On Wed, Nov 30, 2016 at 8:29 AM, Andrew Bernard
 wrote:
> Not at all - I am merely pointing out that a very significant website with a
> very large international readership uses a serif font for headings and text,
> as a counter example. I myself made no argument for either type of face one
> way or the other.
>
>
> Andrew
>
>
> On 1 December 2016 at 00:20, David Kastrup  wrote:
>>
>>
>>
>> > Are you going to dictate to The New York Times, for example, that they
>> > convert their serif to sans?
>>
>> You appear to be a person of very fixed opinions...
>>
>
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-- 
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Boston, MA USA
http://jmroper.com/

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Re: New LilyPond website

2016-11-30 Thread Andrew Bernard
Not at all - I am merely pointing out that a very significant website with
a very large international readership uses a serif font for headings and
text, as a counter example. I myself made no argument for either type of
face one way or the other.


Andrew


On 1 December 2016 at 00:20, David Kastrup  wrote:

>
>
> > Are you going to dictate to The New York Times, for example, that they
> > convert their serif to sans?
>
> You appear to be a person of very fixed opinions...
>
>
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Re: New LilyPond website

2016-11-30 Thread Werner LEMBERG

>> > You make the argument of readability, and I counter it with this:
>> > https://www.google.com/amp/www.webdesignerdepot.com/2013/03/serif-vs-sans-the-final-battle/amp/?client=ms-android-google
>>
>> Perhaps a misunderstanding: The readability concern is the grey
>> colour in combination with too thin letter strokes, not sans-serif
>> per se.
>
> Updates have been made.

Thanks, but what have you updated?


Werner

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Re: New LilyPond website

2016-11-30 Thread John Roper
"At any rate, I don't see ourselves at a point where the most
quality-determining influence on LilyPond's web pages is the font
choice.  So it would probably make sense to save that particular
debating field for later, when more prominent questions have been
resolved."

I completely agree with this.

On Wed, Nov 30, 2016 at 8:21 AM, John Roper  wrote:

> Updates have been made.
>
> On Wed, Nov 30, 2016 at 8:08 AM, Werner LEMBERG  wrote:
>
>>
>> > You make the argument of readability, and I counter it with this:
>> > https://www.google.com/amp/www.webdesignerdepot.com/2013/03/
>> serif-vs-sans-the-final-battle/amp/?client=ms-android-google
>>
>> Perhaps a misunderstanding: The readability concern is the grey
>> colour in combination with too thin letter strokes, not sans-serif per
>> se.
>>
>>
>> Werner
>>
>
>
>
> --
> John Roper
> Freelance Developer and Simulation Artist
> Boston, MA USA
> http://jmroper.com/
>



-- 
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Freelance Developer and Simulation Artist
Boston, MA USA
http://jmroper.com/
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Re: New LilyPond website

2016-11-30 Thread John Roper
Updates have been made.

On Wed, Nov 30, 2016 at 8:08 AM, Werner LEMBERG  wrote:

>
> > You make the argument of readability, and I counter it with this:
> > https://www.google.com/amp/www.webdesignerdepot.com/2013/03/
> serif-vs-sans-the-final-battle/amp/?client=ms-android-google
>
> Perhaps a misunderstanding: The readability concern is the grey
> colour in combination with too thin letter strokes, not sans-serif per
> se.
>
>
> Werner
>



-- 
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Boston, MA USA
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Re: New LilyPond website

2016-11-30 Thread David Kastrup
Andrew Bernard  writes:

> Hello John,
>
> You appear to be a person of very fixed opinions.

Uh, he works in web design.  I would expect him not to work from the
inspiration of the moment but rather from experience, learning, and
knowledge.

> The amount of effort contemporary typographers put into making both
> sans and serif fonts good for screen viewing is very large. This
> matter is not a confrontation or a battle to be won with arguments,
> with some victor ultimately emerging. It is a matter of taste and
> refinement.

Whatever that means.  "Serifed" is not equal to "serifed", "sans-serif"
not equal to "sans-serif".

The serifed Computer Modern font family used by TeX requires
high-contrast media and looks clumsy at 300dpi.  It starts matching its
design criteria at 600dpi and higher.  That is because of its use of
hair lines for achieving both closed letter shapes as well as visually
open leading.

In contrast, the serifed Times Roman was designed to get along with
resolutions of 75dpi by not even attempting to play with different
objectives at different scales.  It is created for coarse paper and
bleeding inks.

Neither make a terrific match to the realities of a computer screen.

And sans-serif fonts can be designed as display and as text fonts as
well.  Good fonts may serve in several roles, but they still have their
areas of specialization.

> Are you going to dictate to The New York Times, for example, that they
> convert their serif to sans?

You appear to be a person of very fixed opinions...

> The sans you have chosen for your demonstration site is utterly
> soulless.

Typography is not all that much about "soul".  It's about readability
and consistency.  I mean, "Comic Sans" has soul.

At any rate, I don't see ourselves at a point where the most
quality-determining influence on LilyPond's web pages is the font
choice.  So it would probably make sense to save that particular
debating field for later, when more prominent questions have been
resolved.

-- 
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Re: New LilyPond website

2016-11-30 Thread Gerdau, Michael
> You make the argument of readability, and I counter it with this:
> https://www.google.com/amp/www.webdesignerdepot.com/2013/03/serif-vs-sans-the-final-battle/amp/?client=ms-android-google

I paraphrase that article (and shorten it thereby ever so slightly ;) )

Essentially on modern high DPI screens use Serif while on old low DPI screens
Sans seems better.

Corollar:
On the long run we should use Serif then.

As a sidenote:
I consider the claimed 1000 dpi for printed work a myth. In reality most of the
time they are in the range of 200-400 (given distortion due to paper quality
etc.). Even 600 dpi laser printer don't actually deliver that resolution on
paper.

Kind regards,
Michael
--
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GPG-keys available on request or at public keyserver

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Re: New LilyPond website

2016-11-30 Thread Werner LEMBERG

> You make the argument of readability, and I counter it with this:
> https://www.google.com/amp/www.webdesignerdepot.com/2013/03/serif-vs-sans-the-final-battle/amp/?client=ms-android-google

Perhaps a misunderstanding: The readability concern is the grey
colour in combination with too thin letter strokes, not sans-serif per
se.


Werner

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Re: New LilyPond website

2016-11-30 Thread Andrew Bernard
Hello John,

You appear to be a person of very fixed opinions. The amount of effort
contemporary typographers put into making both sans and serif fonts good
for screen viewing is very large. This matter is not a confrontation or a
battle to be won with arguments, with some victor ultimately emerging. It
is a matter of taste and refinement.

Are you going to dictate to The New York Times, for example, that they
convert their serif to sans?

The sans you have chosen for your demonstration site is utterly soulless.
And as for text that is not black, can you please go and find a few older
people whose vision is no longer 20/20 and find out what they think about
that? As one's vision deteriorates with age - and yours will too - one
needs all the contrast available. The present graphic designer fad for grey
and light text is just annoying. The demographic of the lilypond community
does include many older folks I understand.


Andrew


On 30 November 2016 at 23:42, John Roper  wrote:

> You make the argument of readability, and I counter it with this:
> https://www.google.com/amp/www.webdesignerdepot.com/2013/
> 03/serif-vs-sans-the-final-battle/amp/?client=ms-android-google
>
>
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Re: New LilyPond website

2016-11-30 Thread John Roper
You make the argument of readability, and I counter it with this:
https://www.google.com/amp/www.webdesignerdepot.com/2013/03/serif-vs-sans-the-final-battle/amp/?client=ms-android-google

On Nov 30, 2016 7:39 AM, "John Roper"  wrote:

> In all sans-serif fonts that i's look like l's. Just writing this message,
> my email client's font (Gmail) is the same way.
>
> On Nov 30, 2016 7:35 AM, "John Roper"  wrote:
>
>> I can make the links in the footer brighter and I will look into other
>> fonts to use. Arial is the default font  for many websites and it is the
>> fallback font for most web browsers.
>>
>> On Nov 30, 2016 7:30 AM, "Werner LEMBERG"  wrote:
>>
>>>
>>> >>> One of the major things on the site that make it look antiquated
>>> >>> is the LilyPond intro using the text that looks like it came from
>>> >>> a server error message.
>>> >>
>>> >> LOL
>>> >
>>> > Concise, readable, informative: must be an error.
>>>
>>> Hehe.  It's very annoying to me that so many sites use extremely thin,
>>> gray non-serif fonts!  Designers might me delighted, but such text is
>>> *extremely* hard to read on an LCD if the viewing angle is not exactly
>>> orthogonal to the LCD plane.
>>>
>>> Note that I don't insist on a serif script, but the selection of a
>>> proper non-serif script is delicate.  In particular, Arial is *very*
>>> bad.  We need one where `l' and `I' look distinct.
>>>
>>> John, here's another minor issue: The white commata between `Català',
>>> `Česky', etc. look bad.  I can imagine to replace them with middle
>>> dots, without a final stop.  And what about making those dark-gray
>>> link entries also a bit brighter?
>>>
>>>
>>> Werner
>>>
>>
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Re: New LilyPond website

2016-11-30 Thread John Roper
In all sans-serif fonts that i's look like l's. Just writing this message,
my email client's font (Gmail) is the same way.

On Nov 30, 2016 7:35 AM, "John Roper"  wrote:

> I can make the links in the footer brighter and I will look into other
> fonts to use. Arial is the default font  for many websites and it is the
> fallback font for most web browsers.
>
> On Nov 30, 2016 7:30 AM, "Werner LEMBERG"  wrote:
>
>>
>> >>> One of the major things on the site that make it look antiquated
>> >>> is the LilyPond intro using the text that looks like it came from
>> >>> a server error message.
>> >>
>> >> LOL
>> >
>> > Concise, readable, informative: must be an error.
>>
>> Hehe.  It's very annoying to me that so many sites use extremely thin,
>> gray non-serif fonts!  Designers might me delighted, but such text is
>> *extremely* hard to read on an LCD if the viewing angle is not exactly
>> orthogonal to the LCD plane.
>>
>> Note that I don't insist on a serif script, but the selection of a
>> proper non-serif script is delicate.  In particular, Arial is *very*
>> bad.  We need one where `l' and `I' look distinct.
>>
>> John, here's another minor issue: The white commata between `Català',
>> `Česky', etc. look bad.  I can imagine to replace them with middle
>> dots, without a final stop.  And what about making those dark-gray
>> link entries also a bit brighter?
>>
>>
>> Werner
>>
>
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Re: New LilyPond website

2016-11-30 Thread John Roper
I can make the links in the footer brighter and I will look into other
fonts to use. Arial is the default font  for many websites and it is the
fallback font for most web browsers.

On Nov 30, 2016 7:30 AM, "Werner LEMBERG"  wrote:

>
> >>> One of the major things on the site that make it look antiquated
> >>> is the LilyPond intro using the text that looks like it came from
> >>> a server error message.
> >>
> >> LOL
> >
> > Concise, readable, informative: must be an error.
>
> Hehe.  It's very annoying to me that so many sites use extremely thin,
> gray non-serif fonts!  Designers might me delighted, but such text is
> *extremely* hard to read on an LCD if the viewing angle is not exactly
> orthogonal to the LCD plane.
>
> Note that I don't insist on a serif script, but the selection of a
> proper non-serif script is delicate.  In particular, Arial is *very*
> bad.  We need one where `l' and `I' look distinct.
>
> John, here's another minor issue: The white commata between `Català',
> `Česky', etc. look bad.  I can imagine to replace them with middle
> dots, without a final stop.  And what about making those dark-gray
> link entries also a bit brighter?
>
>
> Werner
>
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Re: accidentals.sharp.slashslash.stem

2016-11-30 Thread Emrecan
\set Staff.extraNatural = ##f
Now is better.

Thank you.



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Re: Creating marginal comments?

2016-11-30 Thread Knut Petersen

Am 29.11.2016 um 13:02 schrieb tapani:

I am producing a hymnal, using Lilypond and lilypond-book with xelatex. I
would like to insert biblical references in the margin of the page, parallel
with the lyrics.

For example, in "Hark, the Herald Angels Sing", the lyrics "Ris'n with
healing in his wings" would have "Mal. 4:2" in the margin.

In TeX like systems, this is easily done with the \marginnote command.



So do use TeX ;-) Put the attached files in an empty directory, don't forget to 
make mkhymex and mypdfcrop
executable, then run ./mkhymex. You'll get an 8-page hymnal book with some 
example marginal notes.
Two A5 pages on every side of an A4 sheet, correctly arranged for printing.

hymex.tex is the hymnal example file to be compiled by lualatex or xelatex.
mkhymex is a script to translate hymex.tex to hymexc.pdf.
mypdfcrop is needed because pdfcrop is broken for pdfs without embedded fonts.

Only recent versions of luaLatex and xelatex will work. For lualatex that means 
version 0.8x won't work.
hymex.tex requires quire.tex provided by the midnight macro package.

You need a recent lilypond. Recent means very recent. The 
"-dgs-never-embed-fonts" must be present.

You need ghostscript. You'll need the current version.

cu,
 Knut
#!/bin/bash

xelatex --shell-escape hymex.tex
if [ $? -ne 0 ]; then echo "ABORT";exit;else echo "OK";fi

gs -dNOPAUSE -q -sDEVICE=pdfwrite -dBATCH -sOutputFile=hymexc.pdf *.font.ps 
hymex.pdf
if [ $? -ne 0 ]; then echo "ABORT";exit;else echo "OK";fi

rm -f tmplily* hymex.log hymex.aux
#!/bin/bash

SOURCE=$1.pdf
TARGET=$1-crop.pdf

HRBB=`gs -sDEVICE=bbox -dBATCH -dNOPAUSE -c save pop -f *.font.ps -f $SOURCE 
2>&1 | \
  grep "%%HiResBoundingBox:" | \
  sed -e "s/%%HiResBoundingBox: \([[:print:]]*\)/\1/"`

echo Cropping $SOURCE, result is $TARGET
gs  -o $TARGET -sDEVICE=pdfwrite -dEmbedAllFonts=false -dUseCropBox=true -c 
"[/CropBox [$HRBB] /PAGES pdfmark" -f *.font.ps -f $SOURCE 2>&1 > /dev/null
\NeedsTeXFormat{LaTeX2e}
%
% Übersetzen mit "lualatex --shell-escape wm15fom"
%
\documentclass[11pt]{letter}
%
% Der Einfachheit halber verwenden wir hier geometry zum
% Setzen der diversen Seitenparameter und im Anschluß das
% uralte quire.tex aus den Midnight Macros, um je zwei Seiten
% auf einen A4-Bogen zu kombinieren.
%
\usepackage{geometry}
\geometry{papersize={14.85cm,21cm},left=1.5cm,right=2.5cm,top=1.5cm,bottom=1.5cm,twoside,
 marginparsep=3mm,marginparwidth=1.9cm}
\input quire.tex
   \paperwidth=2\paperwidth  \shhtotal=\paperwidth   \htotal=0.5\paperwidth
   \vtotal=\paperheight  \horigin=1in\vorigin=1in
   \shvoffset=-1in   \shvcorrection=0pt  \shthickness=0pt
   \shhcorrection=0pt\shoutline=0pt  \shstaplewidth=0pt
   \shstaplelength=0pt   \shcrop=0pt \shfootline={}
   \def\supereject{\par\penalty-2}
   \latexquire   \quire{8}
\usepackage[english,german]{babel}
\selectlanguage{german}
\usepackage{fontspec}
\defaultfontfeatures{Ligatures=TeX}
\DeclareUTFcharacter[\UTFencname]{x201C}{\grqq}
\DeclareUTFcharacter[\UTFencname]{x201E}{\glqq}
\setmainfont{CMU Serif}
\setsansfont{CMU Sans Serif}
\setmonofont{CMU Typewriter Text}
\usepackage{graphicx}
\usepackage{shellesc}
\usepackage{soul}
\usepackage{calc}


\def\tmpNamePrefix{tmplily}
\def\tmpFragPrefix{\tmpNamePrefix frag}
\def\tmpNameFull{\tmpNamePrefix .ly}
\def\tmpNameHead{\tmpNamePrefix head.ly}
\def\tmpNamePaper{\tmpNamePrefix paper.ly}
\def\tmpNamePdf{\tmpNamePrefix .pdf }
\def\tmpNameTail{\tmpNamePrefix tail.ly}

\def\lilycommand{lilypond -b -dbackend=eps -dgs-never-embed-fonts=\#t -dfont-export-dir=./ }

\newwrite\tmpFileMain
\newwrite\tmpFileHead
\newwrite\tmpFileTail
\newwrite\tmpFilePaper

\newread\fragcountfile

\newcount\fragcount
\newcount\fragpagecount
\newcount\fragpagenum

{
  \catcode`|=0 \catcode`[=1 \catcode`]=2 \catcode`\#=12
  \catcode`\{=12 \catcode`\}=12 \catcode`\\=12
  |gdef|eohead[\end{lilyhead}]
  |gdef|eofrag[\end{lilyfrag}]
  |gdef|eotail[\end{lilytail}]
  |gdef|hashtag[#]
  |gdef|escape[\]
  |gdef|definepaper[\definepaper]
]

{
  \obeylines
  \gdef\doline#1
  {
\def\oneline{#1}
\ifx\oneline\eohead\def\next{\end{lilyhead}}\else
\ifx\oneline\eofrag\def\next{\end{lilyfrag}}\else
\ifx\oneline\eotail\def\next{\end{lilytail}}\else 
\ifx\oneline\definepaper\immediate\write\tmpFile{\escape include "\tmpNamePaper"}\let\next\doline
\else\immediate\write\tmpFile{\oneline}\let\next\doline
\fi\fi\fi\fi\next%
  }
}

\makeatletter

\newcommand{\zeit}[2]{#1%
 \sbox\z@ T%
 \vbox to\ht\z@{\hbox{\check@mathfonts
 \fontsize\ssf@size\z@
 \math@fontsfalse\selectfont
 \setul{.17em}{.03em}\,\ul{#2}\resetul}%
 \vss}~Uhr}
 
 
\newenvironment{lilyfrag}[2]{
  \global\advance\fragcount by 1
  \immediate\openout\tmpFileMain=\tmpNameFull
  \gdef\tmpFile{\tmpFileMain}
  \immediate\write\tmpFileMain{\escape include "\tmpNameHead"}
  \immediate\openout\tmpFilePaper=\tmpNamePaper
  

Re: New LilyPond website

2016-11-30 Thread Werner LEMBERG

>>> One of the major things on the site that make it look antiquated
>>> is the LilyPond intro using the text that looks like it came from
>>> a server error message.
>>
>> LOL
> 
> Concise, readable, informative: must be an error.

Hehe.  It's very annoying to me that so many sites use extremely thin,
gray non-serif fonts!  Designers might me delighted, but such text is
*extremely* hard to read on an LCD if the viewing angle is not exactly
orthogonal to the LCD plane.

Note that I don't insist on a serif script, but the selection of a
proper non-serif script is delicate.  In particular, Arial is *very*
bad.  We need one where `l' and `I' look distinct.

John, here's another minor issue: The white commata between `Català',
`Česky', etc. look bad.  I can imagine to replace them with middle
dots, without a final stop.  And what about making those dark-gray
link entries also a bit brighter?


Werner
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Re: New LilyPond website

2016-11-30 Thread John Roper
Thanks Urs. I have no problem with concise and readable, the text is fine.
Just please update the font.

On Nov 30, 2016 7:08 AM, "Urs Liska"  wrote:

>
>
> Am 30. November 2016 12:58:43 MEZ, schrieb David Kastrup :
> >Urs Liska  writes:
> >
> >> Am 30.11.2016 um 12:46 schrieb John Roper:
> >>> One of the major things on the site that make it look antiquated is
> >>> the LilyPond intro using the text that looks like it came from a
> >>> server error message.
> >>
> >> LOL
> >
> >Concise, readable, informative: must be an error.
>
> Maybe I should clarify: I think John has a point here.
>
> Urs
>
> --
> Diese Nachricht wurde von meinem Android-Mobiltelefon mit K-9 Mail
> gesendet.
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Re: New LilyPond website

2016-11-30 Thread Urs Liska


Am 30. November 2016 12:58:43 MEZ, schrieb David Kastrup :
>Urs Liska  writes:
>
>> Am 30.11.2016 um 12:46 schrieb John Roper:
>>> One of the major things on the site that make it look antiquated is
>>> the LilyPond intro using the text that looks like it came from a
>>> server error message.
>>
>> LOL
>
>Concise, readable, informative: must be an error.

Maybe I should clarify: I think John has a point here.

Urs

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Re: New LilyPond website

2016-11-30 Thread Andy Bradford
Thus said John Roper on Tue, 29 Nov 2016 19:58:35 -0500:

> jmroper.com/lilypond

I  never got  to  see  the originally  proposed  changes.  At any  rate,
consider  my  opinion as  just  another  nobody's  voice in  the  crowd,
one  of many  non-stakeholder  LilyPond users,  but  personally, I  like
lilypond.org's  current CSS;  however, that's  not to  say it  cannot be
improved. I  like the  bolder, darker  text that I  see on  the original
site. It seems that the text on the  new proposed site is not as dark or
as bold; maybe even grey?

Text should stand  out. It should be dark. Sometimes  it should be bold;
judiciously used of course like it  is with the current main banner that
says:

LilyPond ... music notation for everyone

Why hide or mute text that is intended to be read?

The boxes  on the  right-hand side  make it  harder for  me to  pick out
valuable information because they blend in more with the background (are
less defined). On the original site, while there are no boxes, there are
big green header-like things (I'm not a web designer so pardon my lingo)
that stand out. On the old site, the links don't wrap. What I see on the
new  proposed site  has wrapping  going on  all over  in the  right-hand
boxes.  Hopefully  you  have  an  email client  that  will  render  this
properly, if not,  I imagine there are some email  archives that will do
it justice. What I see basically amounts to:

Stable
Release

Download
2.18.2

Manuals 2.18.2

Unstable
Release

Download
2.19.15

Manuals
2.19.15

This is likely due to the way I  browse (e.g. I don't use a browser full
screen but instead split my real-estate with other windows).

Also, the menu/banner across the top has muted colors for the foreground
text  which makes  it  more  difficult to  see  the individual  options.
LilyPond stands out, as does Home, but  all the rest are a fainter white
than before. With lilypond.org, they  were a solid white, maybe somewhat
bold, and  easily readable.  Now they look  diminished, muted  and don't
even get much more legible when I hover my mouse over them.

If you're interested, I can send you a screenshot.

Anyway, just my $0.02. :-)

Andy
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Re: New LilyPond website

2016-11-30 Thread David Kastrup
Urs Liska  writes:

> Am 30.11.2016 um 12:46 schrieb John Roper:
>> One of the major things on the site that make it look antiquated is
>> the LilyPond intro using the text that looks like it came from a
>> server error message.
>
> LOL

Concise, readable, informative: must be an error.

-- 
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Re: New LilyPond website

2016-11-30 Thread Urs Liska


Am 30.11.2016 um 12:46 schrieb John Roper:
> One of the major things on the site that make it look antiquated is
> the LilyPond intro using the text that looks like it came from a
> server error message.

LOL

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Re: New LilyPond website

2016-11-30 Thread John Roper
You may have to reload your page a couple of times for the changes to
update.

On Wed, Nov 30, 2016 at 6:46 AM, John Roper  wrote:

> >Text should stand  out. It should be dark. Sometimes  it should be bold;
> >judiciously used of course like it  is with the current main banner that
> >says:
>
> >LilyPond ... music notation for everyone
>
> >Why hide or mute text that is intended to be read?
>
> The common design standards use sans-serif font and text color that is a
> little less than black. I disagree that this makes it seem "muted". One of
> the major things on the site that make it look antiquated is the LilyPond
> intro using the text that looks like it came from a server error message.
>
> >On the old site, the links don't wrap. What I see on the
> >new  proposed site  has wrapping  going on  all over  in the  right-hand
> >boxes.  Hopefully  you  have  an  email client  that  will  render  this
> >properly, if not,  I imagine there are some email  archives that will do
> >it justice. What I see basically amounts to:
> >
> >Stable
> >Release
> >
> >   Download
> >   2.18.2
> >
> >   Manuals 2.18.2
> >
> >   Unstable
> >   Release
> >
> >   Download
> >   2.19.15
> >
> >   Manuals
> >   2.19.15
> >
> >This is likely due to the way I  browse (e.g. I don't use a browser full
> >screen but instead split my real-estate with other windows).
>
> The site is (and should be on your browser) fully responsive. Even on the
> smallest sizes, the text shouldn't wrap. Try reloading the page once you
> have scaled the window. I have found that the text wraps less on the new
> design than it does on the lilypond.org site. I have attached some images
> to show what I mean.
>
> >LilyPond stands out, as does Home, but  all the rest are a fainter white
> >than before. With lilypond.org, they  were a solid white, maybe somewhat
> >bold, and  easily readable.  Now they look  diminished, muted  and don't
> >even get much more legible when I hover my mouse over them.
>
> This has been fixed.
>
> On Wed, Nov 30, 2016 at 2:57 AM, David Kastrup  wrote:
>
>> Tim McNamara  writes:
>>
>> >> On Nov 29, 2016, at 3:57 AM, Andrew Bernard 
>> wrote:
>> >
>> >> If however you are discussing expanding the mindshare of lilypond in
>> the
>> >> music publishing world, then I hardly think the cosmetic appearance of
>> a
>> >> website is the most influential factor. That's a very shallow approach.
>> >> Surely it must be the quality and engineering of the software itself
>> that
>> >> speaks for lilypond's virtues.
>> >
>> > The cosmetic appearance of the web site is most certainly an
>> > influential factor in expanding the "mindshare" of Lilypond.  That is
>> > one of the realities of the world as it works.  The quality and
>> > engineering of the software itself is invisible to 99% of your
>> > potential users.
>>
>> The engineering is not presented on the website.  The "engineering" of
>> entering a document into LilyPond is.  That's the thing that is likely
>> to be the deal breaker for people if any.  So I don't see the point in
>> hiding it.
>>
>> Even though I am aware that the decision makers and the water carriers
>> are not always the same person, and getting the former to pick LilyPond
>> may make the difference to the latter biting the bullet and actually
>> going through with LilyPond.
>>
>> > Take me- I am a musician.  I know nothing useful about C and it's
>> > variants, Scheme, etc.  Lilypond might have the most elegant code ever
>> > written and I will not see it, even if you point right at it.  The
>> > result?  I am not going to evaluate Lilypond by its engineering.
>>
>> But you are most certainly going to evaluate LilyPond by the
>> "engineering" it forces _you_ to do.  Particularly because it is not
>> your comfort zone.
>>
>> > There's clearly some disadvantage to me for that, but at 57 years old
>> > with a full-time career, I'm not going to learn how to code.
>>
>> At 57 years old, a computer for you is not inherently icons and
>> mouse-dragging.  Typists doing text processing on some 70s text
>> terminals would be considered computer specialists by today's standards,
>> and clearly they also would have stated that they are not going to learn
>> how to code.  A lot of the bullets you were willing to bite using
>> LilyPond were old or expected bullets for you.
>>
>> I think that's part of the reason that the user base on these lists
>> tends to be older on average than the general music writing populace.
>>
>> > For people just finding out about Lilypond, the Lilypond web site is
>> > the point of entry (I first heard about Lilypond on the MacUpdate site
>> > and followed the link from there).  Does it say to me "this is a
>> > modern, powerful application that will produce beautiful sheet music
>> > that you will be proud to hand out to your peers?"  Or does it say
>> > "this application is the product of spit, chewing gum 

Re: New LilyPond website

2016-11-30 Thread John Roper
>Text should stand  out. It should be dark. Sometimes  it should be bold;
>judiciously used of course like it  is with the current main banner that
>says:

>LilyPond ... music notation for everyone

>Why hide or mute text that is intended to be read?

The common design standards use sans-serif font and text color that is a
little less than black. I disagree that this makes it seem "muted". One of
the major things on the site that make it look antiquated is the LilyPond
intro using the text that looks like it came from a server error message.

>On the old site, the links don't wrap. What I see on the
>new  proposed site  has wrapping  going on  all over  in the  right-hand
>boxes.  Hopefully  you  have  an  email client  that  will  render  this
>properly, if not,  I imagine there are some email  archives that will do
>it justice. What I see basically amounts to:
>
>Stable
>Release
>
>   Download
>   2.18.2
>
>   Manuals 2.18.2
>
>   Unstable
>   Release
>
>   Download
>   2.19.15
>
>   Manuals
>   2.19.15
>
>This is likely due to the way I  browse (e.g. I don't use a browser full
>screen but instead split my real-estate with other windows).

The site is (and should be on your browser) fully responsive. Even on the
smallest sizes, the text shouldn't wrap. Try reloading the page once you
have scaled the window. I have found that the text wraps less on the new
design than it does on the lilypond.org site. I have attached some images
to show what I mean.

>LilyPond stands out, as does Home, but  all the rest are a fainter white
>than before. With lilypond.org, they  were a solid white, maybe somewhat
>bold, and  easily readable.  Now they look  diminished, muted  and don't
>even get much more legible when I hover my mouse over them.

This has been fixed.

On Wed, Nov 30, 2016 at 2:57 AM, David Kastrup  wrote:

> Tim McNamara  writes:
>
> >> On Nov 29, 2016, at 3:57 AM, Andrew Bernard 
> wrote:
> >
> >> If however you are discussing expanding the mindshare of lilypond in the
> >> music publishing world, then I hardly think the cosmetic appearance of a
> >> website is the most influential factor. That's a very shallow approach.
> >> Surely it must be the quality and engineering of the software itself
> that
> >> speaks for lilypond's virtues.
> >
> > The cosmetic appearance of the web site is most certainly an
> > influential factor in expanding the "mindshare" of Lilypond.  That is
> > one of the realities of the world as it works.  The quality and
> > engineering of the software itself is invisible to 99% of your
> > potential users.
>
> The engineering is not presented on the website.  The "engineering" of
> entering a document into LilyPond is.  That's the thing that is likely
> to be the deal breaker for people if any.  So I don't see the point in
> hiding it.
>
> Even though I am aware that the decision makers and the water carriers
> are not always the same person, and getting the former to pick LilyPond
> may make the difference to the latter biting the bullet and actually
> going through with LilyPond.
>
> > Take me- I am a musician.  I know nothing useful about C and it's
> > variants, Scheme, etc.  Lilypond might have the most elegant code ever
> > written and I will not see it, even if you point right at it.  The
> > result?  I am not going to evaluate Lilypond by its engineering.
>
> But you are most certainly going to evaluate LilyPond by the
> "engineering" it forces _you_ to do.  Particularly because it is not
> your comfort zone.
>
> > There's clearly some disadvantage to me for that, but at 57 years old
> > with a full-time career, I'm not going to learn how to code.
>
> At 57 years old, a computer for you is not inherently icons and
> mouse-dragging.  Typists doing text processing on some 70s text
> terminals would be considered computer specialists by today's standards,
> and clearly they also would have stated that they are not going to learn
> how to code.  A lot of the bullets you were willing to bite using
> LilyPond were old or expected bullets for you.
>
> I think that's part of the reason that the user base on these lists
> tends to be older on average than the general music writing populace.
>
> > For people just finding out about Lilypond, the Lilypond web site is
> > the point of entry (I first heard about Lilypond on the MacUpdate site
> > and followed the link from there).  Does it say to me "this is a
> > modern, powerful application that will produce beautiful sheet music
> > that you will be proud to hand out to your peers?"  Or does it say
> > "this application is the product of spit, chewing gum and baling
> > wire?"  OK, I am exaggerating a lot because the current web site
> > doesn't actually say that to me, but it is dated now and looks a bit
> > hobbyist by comparison.
>
> Others have mentioned it, but I'll say it again: after the last
> reorganizations in particular, it is quite clean and efficient 

Re: accidentals.sharp.slashslash.stem

2016-11-30 Thread Davide Liessi
2016-11-30 12:03 GMT+01:00 Emrecan :
>
> http://termiyeci.name.tr/wp-content/uploads/2016/11/Gecti_Sevdalarla.pdf
>
> Bar numbers: 20,  21, 22
> .
>   { c,8([bfc]) bfc16([a]) a4 a'16[gb fc gb] a8 |}
>   }
>   { a4 b8 c16[b a8] a16[gb fc e] fc8 | }
>   { b8([a]) gb gb16([fc fc e]) e4 r8 |
> .
> fc must only koma-sharp. Not together with sharp.

(You probably meant "Not together with natural" here.)

\set Staff.extraNatural = ##f
should help.

You can also use
\layout {
  \context {
\Staff
extraNatural = ##f
  }
}
which applies the setting to all staves in a score.

See second code snippet in
http://lilypond.org/doc/v2.18/Documentation/notation/writing-pitches#accidentals

Best wishes.
Davide

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Vertically overlapping material / too small vertical space

2016-11-30 Thread Mojca Miklavec
Hi,

I would like to ask for a bit of a guidance. I sometimes end up with
the scores as you see in the attachment. There's simply not enough
vertical space between staves and text is overlapping very badly.

I can attach the complete example (or perhaps come up with some
"\repeat unfold ..." trick to compose a full page that more or less
reproduces the problem), but it's basically the same type of scores as
I used anywhere else in
https://github.com/mojca/frajtonarca/tree/master/tablature/avtorske

On the example in the screenshot you see the following elements in one stave:

- button names are two lines of Lyrics attached on top of the melody
- Voice with the main melody
- accordion push spanner
- RhythmicStaff
- FiguredBass

I didn't even try to touch the spacing inside the scores. The only
part where the code is messing up with vertical spacing is here:
https://github.com/mojca/frajtonarca/blob/master/tablature/accordion.ily
in accordionPushSpannerEngraver (written by David Nalesnik) which is
something that I don't fully understand myself. But in theory it
should not affect distances between different staves, it should only
control the distance between main melody, push spanner event and the
basses.

I was looking at
- http://lilypond.org/doc/v2.19/Documentation/learning/vertical-spacing
- 
http://lilypond.org/doc/v2.19/Documentation/notation/flexible-vertical-spacing-paper-variables

etc. and found some ugly workarounds to fix the problem (I can create
a manual page break; add artificial invisible marks; increase the
spacing between staves – which will result in too big space even when
I don't have any button names / lyrics above the melody and that looks
ugly; ...), but I wonder if this issue with vertical spacing is:

(a) a bug in lilypond
(b) a bug in the code that handles accordion push events
(c) something that's super difficult to fix anywhere and I should be
using workarounds anyway

I can provide more information if needed, but I'll need a bit more guidance.

Thank you,
Mojca
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Re: accidentals.sharp.slashslash.stem

2016-11-30 Thread Emrecan

http://termiyeci.name.tr/wp-content/uploads/2016/11/Gecti_Sevdalarla.pdf

Bar numbers: 20,  21, 22
.
  { c,8([bfc]) bfc16([a]) a4 a'16[gb fc gb] a8 |}
  } 
  { a4 b8 c16[b a8] a16[gb fc e] fc8 | } 
  { b8([a]) gb gb16([fc fc e]) e4 r8 |
.
fc must only koma-sharp. Not together with sharp. 



--
View this message in context: 
http://lilypond.1069038.n5.nabble.com/accidentals-sharp-slashslash-stem-tp197205p197338.html
Sent from the User mailing list archive at Nabble.com.

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Re: unexplained shift of a note head when layout-set-staff-size is set to 16.3

2016-11-30 Thread Mojca Miklavec
On 29 November 2016 at 14:51, Davide Liessi wrote:
> 2016-11-29 14:43 GMT+01:00 Mojca Miklavec :
>> I'm experiencing a weird behaviour with the note head of g being
>> shifted to the left when I add
>> #(layout-set-staff-size 16.3)
>
> See thread starting here:
> https://lists.gnu.org/archive/html/lilypond-user/2016-10/msg00231.html
>
> I don't know if it has already been added to the bug tracker.

Oh, indeed, that seems to be the same problem. Thank you for the
pointer and sorry for not trying to search deeper, but I wouldn't know
what to look for.

(It's interesting though that the problem was only discovered so late
and then by two people at almost the same time.)

It took me a while as well to figure out what exactly was wrong
(initially I thought that I used the wrong chord).

Thank you,
Mojca

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Re: transpose a score from mutopia

2016-11-30 Thread Gerdau, Michael
Hi MJ,


> I am trying to transpose a Messiah lilypond file from mutopia: 
> http://www.mutopiaproject.org/ftp/HandelGF/HWV56/Messiah/Messiah-lys.zip
> 
> However I'm not getting very far, could use a bit of help
> 
> Extracting the zip gives a folder structure like:
> 
> 
> |-common
> |-Haendel
> |---Oratorio
> |-Messiah
> |---AAsinfonia
> . (many more)
> |---CGchorus
> |---CHairSoprano
> |---CIchorus
> |---CJchorus
> |-lilypond-patches
> |-out
> |-templates
> 
> So, looking at this, there is a main.ly in ./Haendel/Oratorio/Messiah 
> which I opened in frescobaldi, but I can't compile it, as all the paths 
> in main.ly look like "\include "Haendel/Oratorio/Messiah/common.ily"

The aforementioned include tries to include the file common.ily, which is in the
same folder as the main.ly you are trying to convert.
Given that there is also a directory ./common which hold a couple of other
to-be-included files I'd add the directory that you extracted your ZIP in to
frescobaldi's include paths.

E.g. the absolute path to your main.ly would be
/home/mj/my-lp-scores/from_mutopia/Haendel/Oratorio/Messiah/main.ly
then add "/home/mj/my-lp-scores/from_mutopia/" (or ~/my-lp-scores/from_mutopia/)
to frescobaldi's include paths.

Kind regards,
Michael
--
Michael Gerdau   email: m...@qata.de
GPG-keys available on request or at public keyserver

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Re: accidentals.sharp.slashslash.stem

2016-11-30 Thread Thomas Morley
2016-11-28 23:27 GMT+01:00 Emrecan :
> Hello,
>
> We use lilypond 2.18.2
> in makam.ly there is KOMA SHARP (1/9 . "accidentals.sharp.slashslash.stem")
>
> We wright "fc" for F-koma-sharp.  If there is F-naturel before F-koma-sharp,
> we haven't any probleme. Double slash and one stem.
>
> But, if there is F-Sharp before F-koma-sharp, we have a probleme. Once
> naturel sign and after double slash and one stem.
>
> The others "fb" "fk" "fbm" are okey. Only "fc" accidental is fail.
>
> How can we solve this probleme?


Hi,

could you provide a minimal compiling example showing the problem?

Cheers,
  Harm

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transpose a score from mutopia

2016-11-30 Thread mj

Hi,

I am trying to transpose a Messiah lilypond file from mutopia: 
http://www.mutopiaproject.org/ftp/HandelGF/HWV56/Messiah/Messiah-lys.zip


However I'm not getting very far, could use a bit of help

Extracting the zip gives a folder structure like:


   |-common
   |-Haendel
   |---Oratorio
   |-Messiah
   |---AAsinfonia
   . (many more)
   |---CGchorus
   |---CHairSoprano
   |---CIchorus
   |---CJchorus
   |-lilypond-patches
   |-out
   |-templates

So, looking at this, there is a main.ly in ./Haendel/Oratorio/Messiah 
which I opened in frescobaldi, but I can't compile it, as all the paths 
in main.ly look like "\include "Haendel/Oratorio/Messiah/common.ily"


Am I supposed to copy that main.ly to the folder folder above 
"./Haendel", to make the paths work, or am i approaching this the wrong way?


(the ultimate goal here: printing off a transposed version of a 
particular aria)


I hope someone can give me some pointers here. No big hurry, as we still 
have some time left before christmas :-)


MJ

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Re: New lilypond website - documentation

2016-11-30 Thread David Kastrup
"Andrew Bernard"  writes:

> Hello All,
>
> Since the website has suddenly come up again as a topic, while I
> disagree with a lot of the talk here, allow me for once to say
> something positive. Concerning the documentation on the website, this
> has always been a good idea because it is indexed by search engines –
> I often find it is easier to google a search for something in the
> lilypond manuals than using other ways! So keeping the documentation
> online, and building it from the source code in an automated process
> is an excellent design criterion.
>
> In terms of ‘modernity’ which people seem to be keenly interested in
> [I am not convinced that this is a primary goal of web development, as
> more often than not modernity is mere ephemeral fashion], then I would
> like to point out that there is an excellent open source solution for
> online documentation called ReadTheDocs.

Let's put this into perspective: at any point of time, there are few
people working on LilyPond's core documentation.

LilyPond has been around for dozens of years.  So has its documentation.
So has Texinfo.  I don't think we can expect the manpower to shift
everything (PDF, HTML, Info) to a new documentation source format every
dozen years or so.

> http://docs.readthedocs.io/en/latest/
>
> Since I believe one should put one’s money where one’s mouth is (!) I
> would be very happy to investigate this solution and code and
> implement it, and maintain it for the lilypond community.

And all translations?  For, let's say, 20 years at least?

I just don't think that LilyPond can sensibly afford to hop on every
passing bandwagon with its 1000+ pages of English documentation and its
multiple thousands of translated pages.

-- 
David Kastrup

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