an example of what you have tried, so we can
best advise.
You should only need to insert a suitable skip:
\version "2.19.82"
<< \new ChordNames \chordmode { s4 | c1 }
\new Staff { \partial 4 g'8 e' | c'1 \bar "|." } >>
-- Aaron Hill
lei -- son \italx }
\addlyrics { ky -- \markup { rie \italic e } -- \ital lei -- son \italx
}
-- Aaron Hill
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l be adjusted to support the slash separator as
well, so that you could get a single string like "C#m/E" so your font's
logic could handle this.
The question is whether it is worth changing any of the existing
plumbing or if using custom text overrides is easier.
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On 2019-07-03 4:45 pm, Aaron Hill wrote:
NOTE: Similar things will be adjusted to support the slash separator
as well, so that you could get a single string like "C#m/E" so your
font's logic could handle this.
I typed that poorly. Trying again:
NOTE: Similar things will need to b
10 {
g2. g4 |
}
\break
\once \override Staff.Clef.before-line-breaking = #(lambda (grob)
(and (eq? LEFT (ly:item-break-dir grob))
(set! (ly:grob-property grob 'X-extent) '(-2 . 2
\clef "tenor"
\repeat unfold 7 {
g8 g g2
Notes
| \tweak X-offset #-1.5 e2 -\tweak style #'zigzag \glissando e,2
}
>>
}
-- Aaron Hill
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) }
>>
\new Lyrics \lyricsto "melody" { $(lookup 'Lyrics) }
>> #} )
\makeItSo #'Alice
\makeItSo #'Bob
This \makeItSo is akin to a macro, able to inject a dynamically
constructed string into the parser as if it were typed by hand.
-- Aaron Hill
Lyrics { $(ly:parser-lookup singer) . Lyrics . $stanza } #} )
\foo Alice StanzaI
\foo Bob StanzaII
Curious though why in the above, I can say "Alice" in lieu of "#'Alice".
Is it simply because the music function's type assertion of "symbol?"
lets the parser con
y a smaller value for line-width:
\version "2.19.82"
stuff = << \new Staff { b'4 } \new Staff { \clef "bass" g4 } >>
\paper { indent = 0 line-width = 1\in ragged-right = ##f }
\score { \stuff \layout { } \midi { } }
This would require you to specify the widt
s "Arpeggio_engraver" }
\drummode {
2
\arpeggio
}
-- Aaron Hill
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)
\book {
\score {
c'1^"#(set-global-staff-size 8)"
\layout {}
}
}
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is to use the \repeat command precisely at the moment
when the repeated section of music begins. Then there is no need to
suppress anything, and your syntax will accurately reflect the musical
content.
-- Aaron Hill
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lil
with \lyricsto.
LilyPond provides a NullVoice context that makes it easy to include such
an extraction of notes to be used just for timing but not display. I
use this feature quite a bit, mainly because I also use \partcombine
which is not compatible with \lyricsto; but that is another story.
-- Aaron
has. Note that "Guitar string bending" is nested underneath "Glyph
sample sheet" whereas "Guitar string bends" stands alone as its own
thread.
[1]:
https://lists.gnu.org/archive/html/lilypond-user/2019-09/threads.html
I hope this helps to
\draw-hline \draw-hline \draw-hline
\draw-hline \draw-hline \draw-hline
\draw-hline \draw-hline \draw-hline
}
}
}
-- Aaron Hill
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hth does
not matter then.
To circle back to the docs, where did you see \set associatedVoice used
within a \with block? Near as I can tell, it is only used to *change*
the context for timing when used within an \addlyrics or \lyricsto
block. It does not appear to be intended for use alo
On 2019-09-10 5:30 pm, Warren Wilkinson wrote:
Here is the sort of output I want to generate. The staff lines and
spaces
have been replaced by solid bands of color. The text is placed on the
line
itself and the text colors are based on the note.
My question is, can Lilypond be coerced into
(lambda (x) #{
\markup \note-names $(car x) $(cdr x)
#}) (paired args)) } \vcenter ] } #} ))
-- Aaron Hill
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markup-list? that contains an even
number of items, which are the arguments to your existing \note-names
command. It then uses \concat to smoosh together the items.
-- Aaron Hill
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On 2019-09-17 3:20 am, Jay Vara wrote:
Now, some of the student also want to see the names of notes C, D, E,
F, G,
A, B.
Is there a way to show both the note names I have defined and the
english
note names? Ideally, one would be below the other.
Simplest option is to just define another
little Scheme to concatenate the strings:
\version "2.19.83"
title = "Title"
\book {
\bookOutputName \title
\bookOutputSuffix "Suffix"
{ b'1 }
}
\book {
\bookOutputName #(string-join (list title "Joined") "-")
{ b'1 }
}
%%%
On 2019-09-17 5:52 am, Aaron Hill wrote:
myNoteNamesWithOld =
#(lambda (grob)
(let* ((default-name (ly:grob-property grob 'text))
(new-name (assoc-get default-name newnames)))
(ly:grob-set-property! grob 'text #{ \markup
\override #'(baseline-skip . 1.5
PhrasingSlur.dash-definition with
some specific values.
So you should only need to add "Override" to the event types:
quotedEventTypes = #'(
note-event rest-event tie-event beam-event tuplet-span-event
phrasing-slur-event Override
)
--
#'( (basic-distance . 0) (minimum-distance . 0)
(padding . -100) (stretchability . 0) )
}
music = { \time 3/4 c'4 g' d'' | a''2. \bar "|." }
\score { \transpose c' g \music }
\score { \transpose c' c' \music }
\score { \transpose c' f' \music }
Results attached for reference.
that you
do not get any overlapping ink; but the negative padding could be needed
with page-breaking-system-system-spacing.
-- Aaron Hill
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logies for the questions, but I cannot recall seeing any
discussion of this feature in the main list. Should I be subscribing to
the developer list?
-- Aaron Hill
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the DPI in order to saturate the resolution of the
printer. Again, I suspect few people would be able to tell the
difference given the printed document.
-- Aaron Hill
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. This will be independent of any other
installation, meaning you do not need to futz with any package managers.
In this case, do not use 'sudo'. Just run 'sh
lilypond-2.19.83-1.linux-64.sh'. By default, it will install under
/~/lilypond with a shortcut under /~/bin.
-- Aaron Hill
posted for obtaining and building guilev1 manually.
-- Aaron Hill
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n is very handy if the roadmap could change
between performances. For instance, you might end up only singing
stanzas 1, 2, 4, and 6, with the chorus after 2 and 6. Sometimes, it is
nice to have printed notation that is more general and flexible than to
be cluttered with potentially extra
On 2019-07-21 10:04 am, Werner LEMBERG wrote:
Using
http://lsr.di.unimi.it/LSR/Item?id=1000
I wonder how to get the effect for a single note. Ideally, I would
like to write
\genericSpan <...parameters ...>
e\startGroup\endGroup
but since `\genericSpan' uses a `HorizontalBracket' grob,
_ (apply ly:expect-warning (cdr args)))
(iota (car args)
#(ly:expect-warning-times 4 "omitting tuplet bracket")
{
\clef bass
\tuplet 3/2 4 {
<<
{ g4 s8 gf4 s8 f4 s8 s4. }
\\
{ g8 ef' bf gf ef' bf f ef' a, bf, df' bf }
>> |
}
}
I had a hard time finding this in the manual.
With quotation marks, you can break a lot of the rules:
\version "2.19.83"
"Anything?! { c'4 } " = { c'4 }
{ \"Anything?! { c'4 } " }
Whether it is prudent to do such a t
nor second intervals that
appear in the left hand.
-- Aaron Hill
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On 2019-09-30 6:18 am, Kieren MacMillan wrote:
Hi Michael,
for a project of mine I wanted to center a markup inside another
markup.
I searched the built-in markup functions, but to no avail. (Surely it
is
possible that I missed something...)
This is *almost* it, right?
%%% SNIPPET ENDS
On 2019-09-30 5:18 am, foxfanfare wrote:
Aaron Hill wrote
Whether it is prudent to do such a thing is another matter. (:
That's interesting, because I find very complicated to deal with
variables
without any digits... especially when composing multiple pieces works.
But
why would
On 2019-09-24 9:35 am, Urs Liska wrote:
Is there any reason why the slrus in the attached example come out the
way they do (i.e. so horizontal, with the left edge being so far away
from the notehead)?
Seems to be a combination of slurring identical pitches and the
articulation on the one
the LilyPond font files. I
have
searched the LilyPond file for Emmentaler Feta metafont.
https://github.com/lilypond/lilypond/tree/master/mf
- or -
https://git.savannah.gnu.org/gitweb/?p=lilypond.git;a=tree;f=mf
-- Aaron Hill
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On 2019-07-09 7:34 pm, Aaron Hill wrote:
On 2019-07-09 7:11 pm, Eby Mani wrote:
Many Thanks Torsten, exactly the thing i was looking for.
Now, how to do those "Forefall" and "the shake turned" symbols in
lilypond. any snippets ?.
You could do something like this:
%%
uot;trill")))
(set! (ly:music-property m 'tweaks)
(acons 'stencil (lambda (grob)
(grob-interpret-markup grob shakeTurned-markup))
(ly:music-property m 'tweaks)))
m)
{ b'4 b'\forefall b'\shakeTurned b' }
Here I am partying on the "trill" articulat
.
Cras vitae elit a tellus egestas aliquam. }
}
While \center-column will take care of aligning the individual markups
from \wordwrap-lines, it is the use of \fill-line that will ensure the
overall markup is centered on the page.
-- Aaron Hill
in being able to run
LilyPond via WSL.
Even still, hopefully this additional data point can help you land a
good solution for your situation.
-- Aaron Hill
clefs.G = ##xe176
clefs.tenorG_change = ##xe17b
Success: compilation successfully completed
Consider using \musicglyph to look up a glyph by name instead of futzing
with codepoints.
-- Aaron Hill
>>
\layout {
\context { \Staff
\modify "foo" \with { fontSize = 3 }
\modify "bar" \with { \override NoteHead.color = #blue }
}
}
\midi {
\tempo 4 = 100
\context { \Staff
\modify "foo" \with { midiInstrument = "flute" }
\modify "bar" \with { midiPanPosition = #LEFT }
}
}
}
MIDI output block works too. (:
-- Aaron Hill
the above \override for line-count.
-- Aaron Hill
h (make-hash-table 114))
(display h)
(hashq-set! h 3 "val3")
(display (hashq-ref h 3)))
-- Aaron Hill
| a4 b c'2
}
\score { \keepWithTag #'display \asdf \layout {} }
\score { \keepWithTag #'midi \asdf \midi { \tempo 1 = 60 } }
-- Aaron Hill
writing any existing ones:
Thing, Key = 12
Thing, Key = -34
#(format #t "\n~a" Thing)
#(format #t "\n~a" #{ \Thing.Key #})
%%%%
====
Parsing...
((Key . -34) (Key . 12))
-34
Success: compilation successfully completed
But since lookup returns the first matching key, it will appear as if it
is overwriting.
-- Aaron Hill
ingPhraseI
\multipleVoiceWithUnterimnatedTie
\multipleVoiceFollowingPhraseII }
-- Aaron Hill
On 2019-11-13 2:37 am, Aaron Hill wrote:
On 2019-11-13 2:16 am, Gianmaria Lari wrote:
Probably it doesn't exist a simple solution and the best would to keep
the last measure outside the variable.
Embedding the tie within the variable seems to work:
\version "2.
e advantage here is that you do not have to duplicate the final
note/chord when defining the variable since only the tie itself is
tagged. Also, it is not needed to use \keepWithTag since the tie would
come along for the ride anyway. So then you only need to use
\removeWithTag in the case when you want to omit the tie.
-- Aaron Hill
trolPoints
} }
\fixed c' { g4\( a b2~ | b2( e'8 d') c'4\) }
-- Aaron Hill
On 2019-11-13 7:00 am, Aaron Hill wrote:
On 2019-11-13 6:32 am, Paolo Prete wrote:
Hello,
I wonder if is there a script or a snippet for doing that without
using Frescobaldi
Probably not perfect, but here's something you can fiddle with:
Updated to ensure the stencil's extents are the same
8 } {
| g\mp a a-\accent fis g~
| \< c'
}
4\mf r8
\applyRhythm { 8. 16 8 4. } {
| ( b
| ) r \f \accent
}
}
-- Aaron Hill
On 2019-11-14 8:53 am, Sandro Santilli wrote:
In order to determine if I'm writing something that can
be played by an instrument, is there a way to display
on the score the supported range by that instrument ?
I'd like to have something that doesn't change when I
transpose, so to know if
/v2.19/Documentation/notation/flexible-vertical-spacing-paper-variables
-- Aaron Hill
. parents, children,
siblings).
Are there other annotations that folks would find helpful? Providing
there is enough interest in such support, we should open a ticket for
tracking the work.
-- Aaron Hill
of the child
process.
Looks like you have to jump through a few hoops:
(use-modules (ice-9 popen) (ice-9 rdelim))
(let* ((port (open-input-pipe "date +%s"))
(str (read-line port)))
(close-pipe port) str)
-- Aaron Hill
ave to
do to be able to manually print barlines in a given context again?
% \bar "||"
\once \set Staff.whichBar = "||"
-- Aaron Hill
nvironment, but I script almost
exclusively in bash.
-- Aaron Hill
'4^\< \repeat unfold 4 { c'' } c''\!
c''4^\> \repeat unfold 6 { c'' } c''\!
c''4^\< \repeat unfold 8 { c'' } c''\!
}
Haven't tested this much with broken spanners, so there may need to be
additional work.
-- Aaron Hill
On 2019-11-17 3:10 pm, Aaron Hill wrote:
On 2019-11-17 12:38 pm, Paolo Prete wrote:
Hello,
is it possible to revert a tempo change to the previous tempo setting,
without explicitly writing this previous one?
Something like (pseudo-code):
\tempo 4 = 120 { ...some music } \temporaryTempo 4
t-hairpin use the underlying
elbowed-hairpin function (output-lib.scm:1201). Try playing around with
its parameters, and I suspect you'll find something suitable. Then you
can just define your own version to use:
#(define my-hairpin (elbowed-hairpin '((0 . 0) (0.98 . 0.4) (1 . 1))
#t))
%%%%
-- Aaron Hill
uot; \popTempo \tempo "a tempo"
\repeat unfold 2 { b'4 4 4 4 }
}
\layout {} \midi {}
}
-- Aaron Hill
On 2019-11-17 3:57 pm, Aaron Hill wrote:
On 2019-11-17 3:10 pm, Aaron Hill wrote:
On 2019-11-17 12:38 pm, Paolo Prete wrote:
Hello,
is it possible to revert a tempo change to the previous tempo
setting,
without explicitly writing this previous one?
Something like (pseudo-code):
\tempo 4
On 2019-11-18 6:24 am, David Kastrup wrote:
Aaron Hill writes:
Not sure if this is really the right way to do things:
It isn't. It maintains the "stack" in a global variable rather than
some context property, meaning that when several iterations interlock
(like with tempo bei
[1]: https://sourceforge.net/p/testlilyissues/issues/5136/
-- Aaron Hill
the bar line types for you,
although it opts for ":..:" as the double-sided repeat.
-- Aaron Hill
On 2019-11-15 8:24 am, Aaron Hill wrote:
On 2019-11-15 8:02 am, Sandro Santilli wrote:
Is there a way to obtain what I'm finding in this paper sheet ?
http://strk.kbt.io/tmp/repeat-in-alternative.png
It's basically a repating section starting within an alternative
section...
Two options here
same error.
-- Aaron Hill
taff \upper
\new Staff \lower
>>
>>
\layout { \context { \Score \RemoveEmptyStaves } }
}
-- Aaron Hill
yMusic { c'4 d'4 }
-- Aaron Hill
is added.
I am unfamiliar with this form of analysis, so I don't know why the
parentheses are important in the first place. However, if there might
be left-side scripts as well, that could potentially justify leaving
space.
-- Aaron Hill
\articulate \myScore >> }
Note how above we avoid duplicating the c' and d' notes that are to be
seen and heard.
-- Aaron Hill
endToTag #'first \tweak style #'cross g'4-1 %% | cation
\pushToTag #'first \tweak style #'harmonic e'4-2 %% '
\pushToTag #'first \tweak style #'cross e'4-1%% First
\someMusic
}
Hopefully my crude ASCII-art above makes it through intact.
-- Aaron Hill
On 2019-11-21 3:58 pm, Aaron Hill wrote:
Here's something you can do in 2.19.83:
\version "2.19.83"
\tagGroup #'(screenOut midiOut)
nc = {\tag #'midiOut \tag #'screenOut c' }
nd = {\tag #'midiOut \tag #'screenOut d' }
myScore = {\nc \nd \nc << \nd s
%
\version "2.19.83"
\tagGroup #'(screenOut midiOut)
nc = {\tag #'midiOut \tag #'screenOut c' }
nd = {\tag #'midiOut \tag #'screenOut d' }
myScore = {\nc \nd \nc << \nd s~ >> \nd}
\score {\keepWithTag #'screenOut \myScore \layout{}}
\score {\keepWithTag #'midiOut \my
\new NullVoice \with { \omit ParenthesesItem } { \music }
>>
}
-- Aaron Hill
\override OttavaBracket.whiteout = #2
}
}
-- Aaron Hill
ell:
http://lilypond.org/doc/v2.19/Documentation/notation/available-music-functions#index-unfoldRepeats
-- Aaron Hill
from-stencil)
(ly:grob-set-property! grob 'text dollar)
(ly:grob-set-property! grob 'stencil
ly:text-interface::print
} }
{ e'4 fis' bes' gis' | fis'8 gisis' fis'2 r4 }
-- Aaron Hill
adding . 0) (stretchability . 1000))
}
This uses the strechability feature to divide the remaining space
between the bottom of the page and between the systems.
-- Aaron Hill
something like Knuth's CWEB for beautifully formatting
LilyPond syntax for print.
-- Aaron Hill
): Right Single Quotation Mark.
-- Aaron Hill
bookmarks. Clicking the bookmark shows a dialog for
choosing where to save the attachment.
-- Aaron Hill
ansform', xform.join(' '));
}
}
setInterval(spin(flat, 5), 100);"
This adds a top-level \markup that contains a stencil to instruct
output-svg.scm to write the specified string to the output.
-- Aaron Hill
ects to the layout.
However, the above kludge modifies an undocumented, underlying
mechanism. As such, this would be a case of "just because you can does
not necessarily mean you should".
As has been suggested, perhaps the best option would be to post-process
the SVG output from outside LilyPond.
-- Aaron Hill
{ c'4 d8 -\token [ e ] f -\token [ g ] c,4 }
-- Aaron Hill
On 2019-10-19 4:51 am, Thomas Morley wrote:
Am Sa., 19. Okt. 2019 um 13:35 Uhr schrieb David Kastrup :
Thomas Morley writes:
> Iiuc, you recommend to fix \underline to make it work with most simple
> input like:
>
> \markup {
> \override #'(offset . 12) \underline
> \override #'(offset
\version "2.19.83"
fetch = #(define-scheme-function (pet) (string?)
#{ \include #(string-join (list pet "ily") ".") #})
\fetch "kitten"
\fetch "puppy"
kitten.ily
\version "2.19.83"
\markup "I like kittens."
puppy.ily
\version "2.19.83"
\markup "I like puppies."
-- Aaron Hill
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the bar lines in the lower
staff are causing LilyPond to prefer two systems to three, as such a
layout prevents any beamed notes from breaking across lines.
Add "\paper { system-count = #3 }" or an explicit \break here or there
to force things into the layout you need.
--
On 2019-10-20 8:28 pm, Mark Stephen Mrotek wrote:
Thank you for your response and suggestions.
The \paper command does not make any changes.
A \break cannot be inserted on any of the measures with cross bar beam.
My last resort is to remove the beams.
That is because Beams are not breakable by
On 2019-10-15 12:47 am, Urs Liska wrote:
Hi all,
is there an easy or already-implemented way to have a markup
double-underlined, or do I have to draw that manually?
It's not exactly perfect, but you can \underline an \underline:
\version "2.19.83"
#(define-markup-command
On 2019-10-16 7:00 pm, Graham King wrote:
\version "2.19.82"
{
\once \override Staff.TimeSignature #'stencil =
#(lambda (grob)
(grob-interpret-markup
grob
#{ \markup
\override #'(baseline-skip . 1)
\center-column {
\musicglyph "four"
On 2019-11-18 4:18 pm, Aaron Hill wrote:
registerContextProperty = #(define-void-function
(symbol type? description)
(symbol? procedure? string?)
(if (not (equal? #f (object-property symbol 'translation-doc)))
(ly:error (_ "symbol ~S redefined") symbol))
(set-objec
\tempo "Tempo II"
{ b'4 4 4 4 } \bar "||"
\popTempo \tempo "Tempo I"
{ b'4 4 4 4 } \bar "|."
}
\layout {} \midi {}
}
-- Aaron Hill
e-user.ly
GNU LilyPond 2.19.83
Processing `guile-user.ly'
Parsing...
Hello, ...!
Success: compilation successfully completed
$ wsl lilypond -e '(define hello "World")' guile-user.ly
GNU LilyPond 2.19.83
Processing `guile-user.ly'
Parsing...
Hello, World!
Success: compilation successfully completed
-- Aaron Hill
"))
\markup \column { #@(map
(lambda (pitch) #{ \markup \concat {
$(object->string pitch) ": "
$(pitch->name pitch) $(pitch->alteration pitch) } #})
(list #{ d, #} #{ ees #} #{ fisis' #})) }
What is important to note is that ly:pitch-notename returns a number,
not a string. It is up to the caller to map that number into a suitable
value within the desired naming system.
-- Aaron Hill
efine the note range in
a variable or simply wrap up the whole thing:
% ...
instrumentRange = { c' c'' }
highlightOutOfRange = \highlightPitches outside \instrumentRange
{ g''4 \once \highlightOutOfRange g'' g'' }
-- Aaron Hill
tes to demonstrate the
technique of using for-some-music with a custom stop? procedure.
-- Aaron Hill
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