" { | e4 b4\rest b2\rest }
\new Voice {
\voiceTwo \hideNotes
| \tweak X-offset #-1.5 e2 -\tweak style #'zigzag \glissando e,2
}
>>
}
-- Aaron Hill
___
lilypond-user mailing list
lilypond-user@gnu.org
https://lists.gnu.org/mailman/listinfo/lilypond-user
wer segments, which would ease some of the computational overhead.
But actually I am pleasantly surprised my code is only slightly worse.
[ . . . ] why does Tie has a font-size property at all?
That I cannot speak to. I'd have to dig through the code to see
On 2019-04-17 3:31 pm, Thomas Morley wrote:
Well, I'd like to understand beziers better, continuing my afford here
also means I shouldn't ignore such things ;)
Beziers are one way to generalize simple linear interpolation to higher
orders, and they have a rather curious recursive relationship
On 2019-04-18 6:40 am, Carl Sorensen wrote:
On 4/17/19, 1:41 PM, "Aaron Hill" wrote:
On 2019-04-17 12:16 pm, Thomas Morley wrote:
> [ . . . ] why does Tie has a font-size property at all?
That I cannot speak to. I'd have to dig through the code to see
whe
On 2019-04-19 3:29 am, Thomas Morley wrote:
Am Mi., 17. Apr. 2019 um 21:16 Uhr schrieb Thomas Morley
:
Am Di., 16. Apr. 2019 um 23:45 Uhr schrieb Aaron Hill
> Also, I "fixed" the font-size issue by bypassing the font settings
> within the grob itself, because simply s
" { $(lookup 'Melody) }
>>
\new Lyrics \lyricsto "melody" { $(lookup 'Lyrics) }
>> #} )
\makeItSo #'Alice
\makeItSo #'Bob
This \makeItSo is akin to a macro, able to inject a dynamically
constructed string into the parser as if it
nger stanza) (symbol? symbol?)
#{ \new Lyrics { $(ly:parser-lookup singer) . Lyrics . $stanza } #} )
\foo Alice StanzaI
\foo Bob StanzaII
Curious though why in the above, I can say "Alice" in lieu of "#'Alice".
Is it simply because the music function's type ass
4 f8 e d c
| g2 a4 g e8 f g a g2 e4
| f4 g a bg4 c' b c'2
}
\new Staff <<
{ \numericTimeSignature
\repeat unfold 3 { \time 4/4 s4*4 \time 5/4 s4*5 } }
{ \someMusic }
\new Staff { \compoundMeter #'((
ually transposing a MIDI track to compensate. I
dislike this practice as it is not very portable.
-- Aaron Hill
___
lilypond-user mailing list
lilypond-user@gnu.org
https://lists.gnu.org/mailman/listinfo/lilypond-user
On 2019-05-01 11:17 am, dtsmarin wrote:
This was an example to show what I'm after.
I need to *change* the stencil (e.g. flat to be sharp ) not the colour
etc.
I know how to change stencil for a single accidental with \override but
\tweak Accidental.stencil doesn't work.
Hmm... \tweaking a st
plicitClefVisibility = #end-of-line-invisible
{ c'2 c' } \break
\unset Staff.explicitClefVisibility
\clef bass { c'2 c' } \break
[1]:
http://lilypond.org/doc/v2.19/Documentation/notation/displaying-pitches#clef
-- Aaron Hill
_
the absolute-to-relative
Scheme code above.
-- Aaron Hill
___
lilypond-user mailing list
lilypond-user@gnu.org
https://lists.gnu.org/mailman/listinfo/lilypond-user
the
global staff size.
NOTE: Manual use of things like make-pango-font-tree introduce the
possibility that text-font-size is not an accurate value. Providing one
is following the recommended practice of setting the scaling factor,
then things should work.
Also NOTE: Setti
On 2019-05-11 11:55 pm, Jacques Menu wrote:
Hello Отправлено,
By the by, "Отправлено с iPhone" means "Sent from iPhone".
-- Aaron Hill
___
lilypond-user mailing list
lilypond-user@gnu.org
https://lists.gnu.org/mailman/listinfo/lilypond-user
mailing list, but I fear I may have
offended by pointing out the mistake.
-- Aaron Hill
___
lilypond-user mailing list
lilypond-user@gnu.org
https://lists.gnu.org/mailman/listinfo/lilypond-user
n instead on a simultaneously executing empty
chord.
Would an event function possibly make more sense? Consider:
\version "2.19.82"
foo = #(define-event-function (offset) (number?)
#{ \tweak extra-offset #(cons 0 offset)
^"foo" #})
{ b'4 \foo #0.5 b
On 2019-05-12 5:29 pm, Gregory Hollands wrote:
I want to use an alternative font for ChordNames, but the font I have
chosen is not exactly the same size as the default font. The result is
that
musical symbols (sharps, flat, etc) appear too large.
How can I change the size of the musical symbol
should be able to apply this function globally rather than to a
specific instance:
\layout { \context { \ChordNames \embiggenChordNames #10 } }
Does that help you locate things how you prefer?
-- Aaron Hill
___
lilypond-user mailing list
wer is to use a font whose metrics are accurate so that things work
properly without mucking about in markups.
-- Aaron Hill
___
lilypond-user mailing list
lilypond-user@gnu.org
https://lists.gnu.org/mailman/listinfo/lilypond-user
helper mu))
mu))
(let ((orig (ignatzek-chord-names in-pitches bass inversion
context)))
(markup (#:fontsize size (helper orig)
} #} )
-- Aaron Hill
___
lilypond-user mailing list
lilypond-user@gnu.org
https
rse }
You should be able to adjust the font-shape using a \with block:
\new Lyrics \with { \override LyricText.font-shape = #'italic }
-- Aaron Hill
___
lilypond-user mailing list
lilypond-user@gnu.org
https://lists.gnu.org/mailman/listinfo/lilypond-user
imitation of LilyPond. I certainly have never
tried pushing this aspect of the software.
-- Aaron Hill
___
lilypond-user mailing list
lilypond-user@gnu.org
https://lists.gnu.org/mailman/listinfo/lilypond-user
clude the chorus with the
middle one so you automatically get the correct vertical alignment.
However, if the chorus text only ever appears on its own line (as it
would if you add a \break after \bar "||"), then it should not matter
which Lyrics context the words are in. In fact, you
ment-X = 0
%% wanted:
%\alterBroken self-alignment-X #(list 0 1) Score.BarNumber
\set Score.currentBarNumber =
\repeat unfold 50 c'1
}
Would something like this help?
\override Score.BarNumber.self-alignment-X =
#(lambda (grob) (- (ly:item-break-dir grob)))
%%%%
On 2019-05-25 7:34 pm, Edward Neeman wrote:
Thanks Xavier, that is a much neater option than going with ballpark
figures as I did in my example.
Though since I have two different staff sizes in two different output
files, it still means I have to do something like this:
\tag #’clarinet { \overr
On 2019-05-25 9:52 pm, Mike Dean wrote:
Hi group:
I am extracting a solo line from Gavotte II (Cello Sonata #6, J.S.
Bach)
and at the end of Gavotte II are these instructions:
2nd time poco rall.
Gavotte I D.C.
I am struggling with how to attach that to the final measure (and a
half):
a, a
copy of the LSR?
-- Aaron Hill
___
lilypond-user mailing list
lilypond-user@gnu.org
https://lists.gnu.org/mailman/listinfo/lilypond-user
On 2019-06-07 2:54 am, Aaron Hill wrote:
Hi folks,
Who is the contact point for the LSR, more specifically the individual
responsible for their DNS?
There has been a long-standing issue with their name servers that
prevent services like CloudFlare from reliably resolving records.
This is
he above approach, so perhaps the
better solution would be to use edition-engraver [1].
[1]: https://github.com/openlilylib/edition-engraver
-- Aaron Hill
___
lilypond-user mailing list
lilypond-user@gnu.org
https://lists.gnu.org/mailman/listinfo/lilypond-user
the last
system and the footer might not be useable space, as far as LilyPond is
concerned. If it has been instructed to keep a minimum amount of space,
that is probably why it opted to overflow to a second page.
-- Aaron Hill
___
lilypond-user m
has the
breakable property.
[1]: http://lilypond.org/doc/v2.19/Documentation/internals/glissando
[2]:
http://lilypond.org/doc/v2.19/Documentation/internals/unbreakable_002dspanner_002dinterface
-- Aaron Hill
___
lilypond-user mailing list
lilypond
LilyPond font files. I
have
searched the LilyPond file for Emmentaler Feta metafont.
https://github.com/lilypond/lilypond/tree/master/mf
- or -
https://git.savannah.gnu.org/gitweb/?p=lilypond.git;a=tree;f=mf
-- Aaron Hill
___
lilypond-user mailing
g
multiple measures on a line. But if your music is dense enough, you may
need to adjust the line width on the page and/or the global staff size
to be able to fit more content.
[1]: http://lilypond.org/tiny-examples.html
[2]:
http://lilypond.org/doc/v2.19/Documentation/notation/changing-horiz
y g \normalsize c>4 |
r2 \new Voice << {\tiny a4 g} {\normalsize d' c} >> |
```
Does \tweaking font-size work for you?
\version "2.19.82"
\fixed c' {
r2
4
}
-- Aaron Hill
___
lilypond-user ma
t if you want to set font-family rather than font-name, you will
need to change font-encoding:
\version "2.19.82"
{
\override Score.VoltaBracket.font-encoding = #'latin1
\override Score.VoltaBracket.font-family = #'sans
\repeat volta 3 { b'1 }
\alternati
On 2019-06-22 1:46 pm, Evan Driscoll wrote:
Is there a way to define a variable "locally"?
Not with the "foo = bar" syntax. But you can do this:
\version "2.19.82"
outside = { 8 8 4 }
{
$(define inside #{ { 2 } #})
\outside \inside
}
{ \outside
WithTag #'((a) (a b) (b))
{ \tag #'a a'4 \tag #'b b'4 c''4 }
\multipleRemoveWithTag #'((a) (a b) (b))
{ \tag #'a a'4 \tag #'b b'4 c''4 }
}
-- Aaron Hill
___
lilypond-user mailing list
lilypond-user@gnu.org
https://lists.gnu.org/mailman/listinfo/lilypond-user
e a MWE for this error? Failing that, can you run LilyPond
under gdb and share more details?
-- Aaron Hill
___
lilypond-user mailing list
lilypond-user@gnu.org
https://lists.gnu.org/mailman/listinfo/lilypond-user
roject, does the
failing assertion reproduce?
-- Aaron Hill
___
lilypond-user mailing list
lilypond-user@gnu.org
https://lists.gnu.org/mailman/listinfo/lilypond-user
e the error
without sharing the whole project. Since my knowledge on that platform
is extremely limited, I cannot shepherd any further.
-- Aaron Hill
___
lilypond-user mailing list
lilypond-user@gnu.org
https://lists.gnu.org/mailman/listinfo/lilypond-user
r your project output contains the
programming error line? I would say there is a bug if you are *only*
seeing the failing assertion.
Perhaps an additional check could be added to stem.cc:649 to ensure that
neutral-direction has a sane value, which could catch this particular
error earlier i
\repeat unfold 10 {
g2. g4 |
}
\break
\once \override Staff.Clef.before-line-breaking = #(lambda (grob)
(and (eq? LEFT (ly:item-break-dir grob))
(set! (ly:grob-property grob 'X-extent) '(-2 . 2
\clef "tenor"
\repeat un
pecify a smaller value for line-width:
\version "2.19.82"
stuff = << \new Staff { b'4 } \new Staff { \clef "bass" g4 } >>
\paper { indent = 0 line-width = 1\in ragged-right = ##f }
\score { \stuff \layout { } \midi { } }
This would require you to specif
e -- lei -- son }
% \addlyrics { ky -- rie_ \ital e -- lei -- son \italx }
\addlyrics { ky -- \markup { rie \italic e } -- \ital lei -- son \italx
}
-- Aaron Hill
___
lilypond-user mailing list
lilypond-user@gnu.org
https://lists.gnu.org/mailman/listinfo/lilypond-user
Name is nothing more than markup at the end of the day. Since
the default stencil is ly:text-interface::print, anything you can do in
\markup you can do in a ChordName. That gives you nearly all the
freedom you would ever need, so there should be nothing to worry.
de an example of what you have tried, so we can
best advise.
You should only need to insert a suitable skip:
\version "2.19.82"
<< \new ChordNames \chordmode { s4 | c1 }
\new Staff { \partial 4 g'8 e' | c'1 \bar "|." } >>
-- Aaron Hill
s will be adjusted to support the slash separator as
well, so that you could get a single string like "C#m/E" so your font's
logic could handle this.
The question is whether it is worth changing any of the existing
plumbing or if using custom text overrides is easier.
-- Aaron Hill
___
lilypond-user mailing list
lilypond-user@gnu.org
https://lists.gnu.org/mailman/listinfo/lilypond-user
On 2019-07-03 4:45 pm, Aaron Hill wrote:
NOTE: Similar things will be adjusted to support the slash separator
as well, so that you could get a single string like "C#m/E" so your
font's logic could handle this.
I typed that poorly. Trying again:
NOTE: Similar things will need
tures
Unsure, but as I indicated above, I think this is on the Pango side, not
LilyPond.
- just pointing out, that I'm stupid (that would be at least a valid
excuse) :-)
If I did that, I would have more fingers pointing back at myself. You
would not have to dig too far in the
On 2019-07-04 10:01 am, Pierre Perol-Schneider wrote:
Hi Ben,
How about:
Here are some modifications I made to Pierre's code:
- Removed \overriding InstrumentName.padding and opted instead for
self-alignment-X of RIGHT.
- Kept the stencil for SystemStartSquare but applied an extra-offset to
On 2019-07-04 2:02 pm, Ben wrote:
This is the first time I've encountered the need to hide /grace note/
beams and/or stems. Can someone show me what I am doing wrong?
Here's my attempt, though it may not be the most ideal:
\version "2.19.82"
\language "english"
overlaySlash = #(define-mu
up to the latest bits.
But if you have to stick to 2.18.2, then ligatures are not going to work
as expected due to problems with the older version of Pango it would
seem.
My apologies for leading you down a bad path.
-- Aaron Hill
___
lilypon
shakeTurned = #(let ((m (make-articulation "trill")))
(set! (ly:music-property m 'tweaks)
(acons 'stencil (lambda (grob)
(grob-interpret-markup grob shakeTurned-markup))
(ly:music-property m 'tweaks)))
m)
{ b'4 b'\forefall b'\s
On 2019-07-09 7:34 pm, Aaron Hill wrote:
On 2019-07-09 7:11 pm, Eby Mani wrote:
Many Thanks Torsten, exactly the thing i was looking for.
Now, how to do those "Forefall" and "the shake turned" symbols in
lilypond. any snippets ?.
You could do something like this:
%%
re
{#
music}
Unbound variable: music}
It seems to parse the closing } as part of the variable name.
Scheme is pretty permissive with what can be part of a symbol, so this
is one case where whitespace does matter.
-- Aaron Hill
___
the roadmap. This option is very handy if the roadmap could change
between performances. For instance, you might end up only singing
stanzas 1, 2, 4, and 6, with the chorus after 2 and 6. Sometimes, it is
nice to have printed notation that is more general and flexible than to
be clutter
uctions have already been
posted for obtaining and building guilev1 manually.
-- Aaron Hill
___
lilypond-user mailing list
lilypond-user@gnu.org
https://lists.gnu.org/mailman/listinfo/lilypond-user
On 2019-07-21 10:04 am, Werner LEMBERG wrote:
Using
http://lsr.di.unimi.it/LSR/Item?id=1000
I wonder how to get the effect for a single note. Ideally, I would
like to write
\genericSpan <...parameters ...>
e\startGroup\endGroup
but since `\genericSpan' uses a `HorizontalBracket' grob,
ank up the DPI in order to saturate the resolution of the
printer. Again, I suspect few people would be able to tell the
difference given the printed document.
-- Aaron Hill
___
lilypond-user mailing list
lilypond-user@gnu.org
https://lists.gnu.org
spacing =
#'( (basic-distance . 0) (minimum-distance . 0)
(padding . -100) (stretchability . 0) )
}
music = { \time 3/4 c'4 g' d'' | a''2. \bar "|." }
\score { \transpose c' g \music }
\score { \transpose c' c' \music }
\score { \trans
stem-spacing so that you
do not get any overlapping ink; but the negative padding could be needed
with page-breaking-system-system-spacing.
-- Aaron Hill
___
lilypond-user mailing list
lilypond-user@gnu.org
https://lists.gnu.org/mailman/listinfo/lilypond-user
?
My apologies for the questions, but I cannot recall seeing any
discussion of this feature in the main list. Should I be subscribing to
the developer list?
-- Aaron Hill
___
lilypond-user mailing list
lilypond-user@gnu.org
https://lists.gnu.org/
ion. This will be independent of any other
installation, meaning you do not need to futz with any package managers.
In this case, do not use 'sudo'. Just run 'sh
lilypond-2.19.83-1.linux-64.sh'. By default, it will install under
/~/lilypond with a shortcut
with { \consists "Arpeggio_engraver" }
\drummode {
2
\arpeggio
}
-- Aaron Hill
___
lilypond-user mailing list
lilypond-user@gnu.org
https://lists.gnu.org/mailman/listinfo/lilypond-user
ize 8)
\book {
\score {
c'1^"#(set-global-staff-size 8)"
\layout {}
}
}
-- Aaron Hill
___
lilypond-user mailing list
lilypond-user@gnu.org
https://lists.gnu.org/mailman/listinfo/lilypond-user
to use the \repeat command precisely at the moment
when the repeated section of music begins. Then there is no need to
suppress anything, and your syntax will accurately reflect the musical
content.
-- Aaron Hill
___
lilypond-user mailing list
lil
\lyricsto.
LilyPond provides a NullVoice context that makes it easy to include such
an extraction of notes to be used just for timing but not display. I
use this feature quite a bit, mainly because I also use \partcombine
which is not compatible with \lyricsto; but that is another story.
-- Aaron
hth does
not matter then.
To circle back to the docs, where did you see \set associatedVoice used
within a \with block? Near as I can tell, it is only used to *change*
the context for timing when used within an \addlyrics or \lyricsto
block. It does not appear to be intended for use alo
this has. Note that "Guitar string bending" is nested underneath "Glyph
sample sheet" whereas "Guitar string bends" stands alone as its own
thread.
[1]:
https://lists.gnu.org/archive/html/lilypond-user/2019-09/threads.html
I hope this hel
\column { Right
\draw-hline \draw-hline \draw-hline
\draw-hline \draw-hline \draw-hline
\draw-hline \draw-hline \draw-hline
}
}
}
-- Aaron Hill
___
lilypond-user mailing list
lilypond-user@gnu.org
https://lists.gnu.org/mailman/listinfo/lilypond-user
PhrasingSlur.dash-definition with
some specific values.
So you should only need to add "Override" to the event types:
quotedEventTypes = #'(
note-event rest-event tie-event beam-event tuplet-span-event
phrasing-slur-event Override
)
%%%%
certainly use a
little Scheme to concatenate the strings:
\version "2.19.83"
title = "Title"
\book {
\bookOutputName \title
\bookOutputSuffix "Suffix"
{ b'1 }
}
\book {
\bookOutputName #(string-join (list title "Joined") "-&qu
On 2019-09-10 5:30 pm, Warren Wilkinson wrote:
Here is the sort of output I want to generate. The staff lines and
spaces
have been replaced by solid bands of color. The text is placed on the
line
itself and the text colors are based on the note.
My question is, can Lilypond be coerced into d
up command expects a markup-list? that contains an even
number of items, which are the arguments to your existing \note-names
command. It then uses \concat to smoosh together the items.
-- Aaron Hill
___
lilypond-user mailing list
lilypond-user@gnu.org
https://lists.gnu.org/mailman/listinfo/lilypond-user
On 2019-09-17 3:20 am, Jay Vara wrote:
Now, some of the student also want to see the names of notes C, D, E,
F, G,
A, B.
Is there a way to show both the note names I have defined and the
english
note names? Ideally, one would be below the other.
Simplest option is to just define another Not
. 1)
\line { $@(map (lambda (x) #{
\markup \note-names $(car x) $(cdr x)
#}) (paired args)) } \vcenter ] } #} ))
-- Aaron Hill
___
lilypond-user mailing list
lilypond-user@gnu.org
https://lists.gnu.org/mailman/listinfo/lilypond-user
On 2019-09-17 5:52 am, Aaron Hill wrote:
myNoteNamesWithOld =
#(lambda (grob)
(let* ((default-name (ly:grob-property grob 'text))
(new-name (assoc-get default-name newnames)))
(ly:grob-set-property! grob 'text #{ \markup
\override #'(base
On 2019-09-24 9:35 am, Urs Liska wrote:
Is there any reason why the slrus in the attached example come out the
way they do (i.e. so horizontal, with the left edge being so far away
from the notehead)?
Seems to be a combination of slurring identical pitches and the
articulation on the one note.
mbda args
(for-each (lambda _ (apply ly:expect-warning (cdr args)))
(iota (car args)
#(ly:expect-warning-times 4 "omitting tuplet bracket")
{
\clef bass
\tuplet 3/2 4 {
<<
{ g4 s8 gf4 s8 f4 s8 s4. }
\\
{ g8 ef' bf gf ef' bf f
odd-sounding minor second intervals that
appear in the left hand.
-- Aaron Hill
___
lilypond-user mailing list
lilypond-user@gnu.org
https://lists.gnu.org/mailman/listinfo/lilypond-user
I had a hard time finding this in the manual.
With quotation marks, you can break a lot of the rules:
\version "2.19.83"
"Anything?! { c'4 } 😀" = { c'4 }
{ \"Anything?! { c'4 } 😀" }
Whether it is prudent
On 2019-09-30 6:18 am, Kieren MacMillan wrote:
Hi Michael,
for a project of mine I wanted to center a markup inside another
markup.
I searched the built-in markup functions, but to no avail. (Surely it
is
possible that I missed something...)
This is *almost* it, right?
%%% SNIPPET ENDS
\v
On 2019-09-30 5:18 am, foxfanfare wrote:
Aaron Hill wrote
Whether it is prudent to do such a thing is another matter. (:
That's interesting, because I find very complicated to deal with
variables
without any digits... especially when composing multiple pieces works.
But
why woul
tion. And once the new branch
succeeds in meeting the goals of modern composers, then one could
consider how best to merge the results into a unified, but more
flexible, LilyPond.
-- Aaron Hill
___
lilypond-user mailing list
lilypond-use
On 2019-10-03 5:49 pm, Andrew Bernard wrote:
On 4/10/2019 3:34 am, Aaron Hill wrote:
How standardized is this so-called "modernist" music?
Not in any way at all. There's no ISO standard! :-) Every composer is
different. I am curious that you refer to modernism as 'so-cal
ot;d" { d''4 }
}
% Sequential within Parallel:
<<
\new Voice = "e" { s2. }
{
\context Voice = "e" { e''4 }
\new Voice { g'8[ 8] }
\context Voice = "e&
On 2019-10-15 12:47 am, Urs Liska wrote:
Hi all,
is there an easy or already-implemented way to have a markup
double-underlined, or do I have to draw that manually?
It's not exactly perfect, but you can \underline an \underline:
\version "2.19.83"
#(define-markup-command (double-underli
On 2019-10-16 7:00 pm, Graham King wrote:
\version "2.19.82"
{
\once \override Staff.TimeSignature #'stencil =
#(lambda (grob)
(grob-interpret-markup
grob
#{ \markup
\override #'(baseline-skip . 1)
\center-column {
\musicglyph "four"
\version "2.19.83"
fetch = #(define-scheme-function (pet) (string?)
#{ \include #(string-join (list pet "ily") ".") #})
\fetch "kitten"
\fetch "puppy"
kitten.ily
\version "2.19.83"
\markup "I like kittens."
puppy.ily
\version "2.19.83"
\markup "I like puppies."
-- Aaron Hill
___
lilypond-user mailing list
lilypond-user@gnu.org
https://lists.gnu.org/mailman/listinfo/lilypond-user
On 2019-10-19 4:51 am, Thomas Morley wrote:
Am Sa., 19. Okt. 2019 um 13:35 Uhr schrieb David Kastrup :
Thomas Morley writes:
> Iiuc, you recommend to fix \underline to make it work with most simple
> input like:
>
> \markup {
> \override #'(offset . 12) \underline
> \override #'(offset
bar lines in the lower
staff are causing LilyPond to prefer two systems to three, as such a
layout prevents any beamed notes from breaking across lines.
Add "\paper { system-count = #3 }" or an explicit \break here or there
to force things into the layout you need.
--
On 2019-10-20 8:28 pm, Mark Stephen Mrotek wrote:
Thank you for your response and suggestions.
The \paper command does not make any changes.
A \break cannot be inserted on any of the measures with cross bar beam.
My last resort is to remove the beams.
That is because Beams are not breakable by
ssim nulla.
Cras vitae elit a tellus egestas aliquam. }
}
While \center-column will take care of aligning the individual markups
from \wordwrap-lines, it is the use of \fill-line that will ensure the
overall markup is centered on the page.
-- Aaron Hill
es rather than
overwriting any existing ones:
Thing, Key = 12
Thing, Key = -34
#(format #t "\n~a" Thing)
#(format #t "\n~a" #{ \Thing.Key #})
Parsing...
((Key . -34) (Key . 12))
-34
Success: compilation successfully completed
But since lookup returns the first matching key, it will appear as if it
is overwriting.
-- Aaron Hill
r" \fixed c' { e4 g f d | e1 }
>>
\layout {
\context { \Staff
\modify "foo" \with { fontSize = 3 }
\modify "bar" \with { \override NoteHead.color = #blue }
}
}
\midi {
\tempo 4 = 100
\context { \Staff
\modify "foo" \with { midiInstrument = "flute" }
\modify "bar" \with { midiPanPosition = #LEFT }
}
}
}
MIDI output block works too. (:
-- Aaron Hill
ly'
Parsing...
clefs.G = ##xe176
clefs.tenorG_change = ##xe17b
Success: compilation successfully completed
Consider using \musicglyph to look up a glyph by name instead of futzing
with codepoints.
-- Aaron Hill
as is the above \override for line-count.
-- Aaron Hill
fine h (make-hash-table 114))
(display h)
(hashq-set! h 3 "val3")
(display (hashq-ref h 3)))
-- Aaron Hill
aff <<
\new Staff \upper
\new Staff \lower
>>
>>
\layout { \context { \Score \RemoveEmptyStaves } }
}
-- Aaron Hill
ity from memory.
\version "2.19.83"
\displayMusic { c'4 d'4 }
-- Aaron Hill
801 - 900 of 1246 matches
Mail list logo
